The Daily Beast: "White Collar Creator Jeff Eastin: My Biggest Con"

Jeff Eastin, the creator of USA’s con-man drama White Collar, which returns tonight for a fourth season, discusses his real-life con: pretending to be happy, even in the face of crushing depression.

Over at The Daily Beast, you can read Eastin's first-person story, "My Biggest Con," in which he describes just that: a con perpetrated on those around him by a showrunner and creator whose own conman character is much beloved by the public.

It’s a night a writer dreams about. My show, White Collar, has just screened at PaleyFest to a packed house. David E. Kelley mediated because he’s a fan of the show. And it’s my birthday. The crowd sang to me.

If E! ever does my True Hollywood Story, this will be the part right before the commercial and it all goes to shit.

Walking the red carpet later that night, a blogger tugs my shoulder and pushes a recorder at me. “I love Neal Caffrey,” he says. Neal is the charming and debonair criminal I created for the show, played brilliantly by Matt Bomer. “What’s the secret to writing a good con man?”

“It comes naturally,” I say, offering him a big grin. It’s contagious. He thinks I’m being clever, but I’m not. My grin is the con.

We discuss his love of the show another minute, then he moves on to Willie Garson, who’s telling an amusing story about his time on Sex and the City with SJP.

Willie shoots me a wink. I smile, playing the confident showrunner. I’m conning them all and it’s working.

Three months earlier.

I’m lying in bed. The clock says it’s 1 a.m. PST, but I don't trust it. My assistant, Eddie, has taken to setting my clocks ahead, and this could be his doing. I check my iPhone. The clock isn’t lying. In a couple of hours, the actors will show up on set in New York expecting script revisions.

I’m in a depression, and the weight of it lays on me like a sackcloth. In the days ahead I’ll realize that this was the shallow end of it; tonight will be my breakthrough.

Continue reading at The Daily Beast...

Summer 2012 TV Preview: 14 TV Shows Worth Watching This Summer

Summer has arrived and you might be tempted to think that, with the departure of spring, anything decent to watch on television has evaporated in the warmth and sunshine. Not so.

Over at The Daily Beast, you can read my latest feature,"Summer 2012 TV Preview: 14 TV Shows Worth Watching This Summer," in which I offer 14 new or noteworthy television shows to hold your interest during the sweltering months ahead.

With the imminent conclusions of the current seasons of AMC’s Mad Men and HBO’s Game of Thrones, it might look as though we’re heading into a television no man’s land this summer.

Not so: while the broadcaster networks are airing their usual fare of reality competitions—So You Think You Can Dance, The Bachelorette, Hell’s Kitchen, and America’s Got Talent are all on the schedule—and second-rate fare (NBC’s Saving Hope, to name one), there is still a ton of original programming to be seen.

AMC’s Breaking Bad returns for the first half of its final season in July (you’ll have to wait until 2013 for the final eight episodes); Showtime brings back the Botwin clan for another season of Weeds and British expat TV writers on Episodes (both return on July 1); TNT serves up new episodes of Falling Skies (June 17) and Rizzoli & Isles (June 5); ABC Family delves deeper into the mysteries of Pretty Little Liars (June 5); and Starz offers more political drama on Boss (August 17). Tabloid fodder Charlie Sheen, meanwhile, returns to television with FX comedy Anger Management, beginning on June 28.

But what shows should you be putting on your TiVo’s Season Pass? Jace Lacob offers 14 new or notable shows, from the expected (True Blood) to the unusual (LinkTV’s Danish political drama Borgen and DirecTV’s Hit and Miss).

Continue reading at The Daily Beast...

White Collar Season Finale: There's Nothing Sadder Than a Con Man Conning Himself

Just when it seemed as though the Vincent Adler/Kate/Nazi treasure storyline had all but wrapped up, last night's season finale of White Collar ("Under the Radar") threw us for another loop with that cliffhanger ending.

Throughout the series' run over the last two seasons, the relationship between Neal Caffrey and Peter Burke has grown into something resembling an actual partnership based on mutual trust, respect, and, well, friendship. Which is why the innate tension and suspicion of the "prove it" scene at the very end of this week's installment threatens to alter the delicate balance that has existed between the two for some time now.

Neal has proven himself a staunch ally to the White Collar Crime Division of the FBI, willing to lend his expertise to catching some crooks, but he's always had his feet in two worlds: the criminality that he's sworn to give up and the path of redemption that Peter has put him on. Is it possible to remain within both? And does the ending of the season seem to indicate that Neal has made a choice about which path he's choosing? Hmmm...

The White Collar writers went to some great lengths to plant that painting of the Chrysler Building at the beginning of the episode, showing the audience Neal's latest work in his flat, establishing that he had painted said painting, but also inserting the fact that he has a storeroom filled with such works. Not only did the audience notice the painting, but so did Peter.

Which made the ending cast more than a little suspicion on Neal: When the warehouse containing the U-Boat's billion-dollar treasure trove went up in smoke (thanks to a convenient explosion that killed no one), Peter spied a tell-tale piece of Neal's painting among the rubble. So did Neal engineer the explosion as part of a master plan of vengeance against Vincent Adler, as Vincent believed?

Nope, though the writers initially wanted us to consider that as a possibility, that Neal would take what Adler loved most since he had taken Kate from him. And that scrap of canvas is awfully incriminating. But while we know that Neal's not the mastermind (he wasn't aware of Adler's location nor that of the treasure), what the scene does is explode the relationship between Neal and Peter, casting Neal in a suddenly untrustworthy light. And Peter's suspicions have the same effect on Neal, making him distrust his partner. Hence, all the posturing and "prove it" machismo at the episode's conclusion. It seems as though the music box's tune has gone sour...

But if Neal's not the culprit than who is? Who left that little anonymous calling card for Neal signaling him to that storage facility? Just who is this mysterious "friend" that leads Neal to the location of the Nazi treasure?

Let's take a look at the possible suspects...

(1) Alex Hunter. We know Alex is a master thief and she has a personal connection to both the treasure (via her grandfather, who was the signalman who heard the last SOS transmission that the sub made) and to Neal. She's made it her life's work to find the music box and solve the riddle that her grandfather had told her about Midas.

She's also extremely helpful (almost obviously so) during the kidnapping and safe-cracking expedition and the kiss she shares with Neal shows that she (A) still has feelings for him, and (B) is willing to drive a wedge between Neal and Sara. Plus, she's no fan of the feds, so anything that puts Neal off-balance there and pulls him back into the world of criminality is a good thing in her book. She's also no fan of Adler, so the heist means getting one over on him as well.

So why would she give it over to Neal? A peace offering? A gift? The promise of more unimaginable wealth to come? And just how would Alex have been able to pull off such a grand design on her own? Hmmm....

(2) Mozzie. The fact that the anonymous note was typed rather than handwritten would seem to indicate that Neal would have recognized the handwriting in question. Which means that the perpetrator is likely someone Neal knows only too well. And Mozzie was there when Neal's painting was glimpsed by Peter.

But surely Mozzie would only be too willing to take credit for pulling off such a feat right underneath the FBI's noses? And why would he seek to incriminate Neal? I think Mozzie's actually in the clear on this one.

(3) Sara Ellis. Our insurance investigator friend did get awfully close to Neal in those library stacks last week, though her feelings were noticeably bruised by seeing Neal and Alex kiss at the dry dock after their near-death experience. Could it be that there's more to Sara than meets the eye and that she likes to walk on the dark side a little bit? We've seen nothing to that effect so far, so I don't think she's suddenly started stealing huge amounts of treasure on a whim.

Other theory: She's been in Neal's apartment and has access to some shady individuals (as well as a nice amount of capital) from her line of work. So, it is possible that she also had a vested interest in the recovery of that Nazi treasure? Could her insurance company be behind the theft in an effort to recover the stolen merchandise and profit from its "disappearance" in that warehouse fire? And that the anonymous note to Neal was her way of scoring one on him? Hmmm...

(4) Unknown Admirer. Neal has a secret admirer, another criminal who is hoping to impress him with this stunning feat that s/he pulled off without him even realizing it. Neal's just as surprised as we are that the collection didn't go up in flames, which could be mission accomplished for this perpetrator. Whoever s/he is, they've certainly got Neal's attention now, which could have been the point in the first place. Can it be that Neal has some competition in the thieving world, someone who is looking to engage in a cat-and-mouse game of oneupsmanship with Neal Caffrey? Otherwise, why lead him to the treasure in the first place? Unless..

(5) Kate. Unless the perpetrator is Kate herself. We never actually saw Kate die, just saw the the plane explode and we assumed Kate was one there. Given that Kate has some powerful friends and access to some shady individuals with specialized skill sets, it's possible that she was able to fake her own death and then take revenge on Vincent Adler. (Though, if I'm being honest, I hope it ISN'T Kate.) What if she's been keeping an eye on Neal and sees this as her opportunity to win her man back and get her revenge at the same time. The warehouse incident leaves Adler dead (thanks to Peter), the relationship between Neal and Peter fractured, and is the perfect opportunity to end the music box-led quest for this treasure that's now gone forever.

Kate and Neal's history does include an incident in a storage facility--when Peter catches him the first time--so isn't it keeping with tradition that the anonymous note would lead Neal to another storage facility? Hmmm... And it would be a twist that throws further tension into the Alex-Neal-Sara love triangle, the working relationship between Neal and Peter, and might be the thing to push Neal back into a life of crime.

So what will Neal do next? While we see him smiling amid the haul of a lifetime, will he tell Peter and the FBI about the stash? Will he keep it for himself? And will he attempt to unravel the mystery of who this anonymous "friend" is?

What do you think? Who is behind the heist? And what do you predict that Season Three of White Collar has in store for Neal Caffrey? Head to the comments section to discuss.

Season Three of White Collar is set to launch in June on USA.

The Magnificent Seven: An Advance Review of the Next Two Episodes of USA's White Collar

The wait is over: Neal Caffrey (Matthew Bomer) and Peter Burke (Tim DeKay) are back.

USA's smart and slick series White Collar returns tonight for the back half of its sophomore season, following a cliffhanger that threatened the life of Neal's shadowy associate Mozzie (the always fantastic Willie Garson), even as the dynamic duo got closer to unmasking the conspiracy surrounding that omnipresent music box.

When the series returns with the next two episodes ("Burke's Seven" and "Forging Bonds"), provided to press for review, there's a spirit of both righteous vengeance and calculated craftiness employed by Caffrey and Burke on behalf of poor Mozzie, gunned down by an unknown assailant, and some forward momentum on the music box storyline and just who is pulling the strings of the story's characters.

I don't want to give too much away, but I will say that what follows are two fantastic installments, each with their own distinct point of view. "Burke's Seven" finds Peter grappling with suspension as he puts together his own team (hence the title) to track down Mozzie's shooter and make sure that justice is paid. Unfortunately, said shooter (Paul Blackthorne, in fine form here) seems to be one step ahead of Burke and Co. Can Peter manage to pull together the team's diverse talents for a singular goal? And just who are the seven members of this rogue strike force? The answer is both in keeping with White Collar's history and its sometimes irreverent tone.

In next week's "Forging Bonds," it's a chance to take a trip down memory lane, complete with funny wigs and facial hair, as Neal remembers the first time he met both Kate (the improbably irksome Alexandra Daddario) and Mozzie, while the audience learns about the first time that Neal and Peter crossed paths. Sucker, anyone?

While most series typically fail at successfully employing this type of narrative device, "Forging Bonds" gleefully pulls off the flashback episode in fantastic style (as though you'd expect anything less from this charming series), rendering the backstories of Neal, Kate, Alex, Peter, and Elizabeth (Tiffani Thiessen) in three-dimensional glory. Creator Jeff Eastin and the writers have wisely resisted peeling away the curtain to dramatize these events until now but, in the midst of its second season, White Collar has enough momentum and character investment to warrant the use of flashback at this point in time.

And what flashbacks they are.

Bomer gets to play Neal as a wide-eyed optimist, a naive fresh-faced kid with a floppy haircut and a penchant for wearing polos with chinos rather than bespoke suits. Garson's Mozzie is, well, like you've never seen him before, both mentor and comic relief, friend and gateway drug in one. Additionally, we get a little more indication of just why Neal was so hell-bent on finding Kate after his prison sentence (though I still find their attraction extremely unlikely, though that could be because Daddario rubs me the wrong way) and how these two met and ultimately fell in love. Along the way, we're given a glimpse at Neal's working relationship with professional thief Alex and the man who made Neal who he is today.

That man would be Vincent Adler, played to smarmy perfection by Andrew McCarthy. Just what was Neal's relationship with shady businessman Adler? And just who was conning whom? In Adler, we see the seeds of the man that Neal Caffrey would one day become, his seeming generosity paving the way for some of Neal's more flamboyant style. Through Adler, we see the transformation of Neal Caffrey from two-bit crook to gentleman criminal as he gets a taste of wealth and of the possibility afforded by his less than, uh, honest professional aspirations.

These are both two very strong episodes that seamlessly set up the overarching plot for the remainder of the season and allow White Collar's accomplished actors to demonstrate their range and depth. They're also just what this winter needs. Amid a rather staid season, there's a nice heat and flair to these first two episodes back. Throw in a rakish hat, and you've got the makings of a perfect evening.

White Collar returns tonight at 10 pm ET/PT on USA.

Boxed In: Thoughts on Tuesday's Summer Season Finale of USA's White Collar

I promised you some thoughts about next week's summer season finale of USA's slick and stylish drama series White Collar and I hate to disappoint.

Airing on Tuesday evening, the summer season comes to an end with next week's fantastic and taut installment ("Point Blank"), after which we'll have to wait until January to find out just what happens to Peter, Neal, Mozzie, and the others.

Suffice it to say, the wait will be especially difficult, given the cliffhanger ending that creator Jeff Eastin and his crack writing team have left us with. It's far more intoxicating--and far less head-scratching--than the Peter/Ring scenario that they left us with halfway through the first season.

While there's no sign of Hilarie Burton's savvy insurance investigator Sara (sorry, folks!), the episode itself is extremely mythology-heavy, which makes it rather difficult to enmesh newbie Sara to the action right now. But while Burton is not present, Sara's absence isn't felt at all, thanks to a fantastic plot that draws together the various storylines involving the music box, Neal's key, some nifty codes, Kate's murder, Fowler, and OPR.

I don't want to say too much lest I spoil some of the deliciously twisty plot mechanics of this episode but I will say that we see Matthew Bomer's Neal Caffrey in a way that we haven't seen him before... and that the stakes for everyone are higher than ever.

The mysteries that have lurked in the background of White Collar throughout the back half of the first season and the first nine episodes of Season Two are pushed front and center and they manage to bring together just about all of the series' fantastic characters into a single storyline. Which means, yes, Neal, Peter, Mozzie, Diana, and Alex are all entangled in a unified narrative and, while there are answers given, there are more questions still that are raised here. Certainly enough that make us question some of the things we've taken for granted the past dozen or so episodes.

Motivations become crystal clear, alliances are formed and shattered, and Neal makes a decision that will have lasting consequences for himself and several others. Along the way, plot points that have been planted throughout the season come to fruition as the music box storyline begins to reach its climax. Just what secrets does the box contain? Why are so many people after this object? And what will Neal's key unlock once it's inserted?

Like a matryoshka, this box seems to contain secrets within secrets, puzzles within other puzzles. It's a Rambaldi device without the ominous apocalyptic overtones, yet it also connects deeply to the mystery of who wanted Kate dead and just what happened aboard that plane in the final minutes of the first season.

All this and some swashbuckling from Neal that has to be seen to be believed (yes, seriously), some great comedic interludes between Neal and Willie Garson's Mozzie (one of the best being how they age an FBI case file), and a tense standoff involving several interested parties. Not to mention that aforementioned cliffhanger, which will have people talking over the next few months, even as they hum the Batman theme.

In other words: miss Tuesday's episode at your own peril.

The summer season finale of White Collar airs Tuesday at 9 pm ET/PT on USA.

This Charming Man: USA's White Collar Remains Stylish and Sleek

In its second season, USA's stylish caper drama White Collar, which stars Matthew Bomer, Tim DeKay, Marsha Thomason, Willie Garson, and Tiffani Thiessen, has only gotten more charismatic and accomplished, displaying an engaging mix of sophistication, humor, and complexity while introducing a winning selection of guest stars to the mix.

Much of the first season focused on Neal's efforts to track down his errant ex-girlfriend Kate (despite a decided lack of chemistry between the two), but a cliffhanger ending--in which the plane Neal was meant to be boarding with Kate exploded right in front of him, killing her instantly--has not only given Neal a tragic element to overcome but also sets up the sweep of the sophomore season.

While the action on a weekly basis still focuses on the crime of the week, which gives the superb team of Bomer and DeKay numerous opportunities to bounce off of one another, there's an intriguing overarching plot to the season, one that is soaked in revenge and furtive investigation. Bomer's Neal Caffrey is conducting his own private investigation into Kate's death--aided by the improbably noble and eccentric Mozzie (Garson, here finally being given some much deserved spotlighting)--while attempting to conceal his tracks from the suits at the FBI. Unbeknownst to Neal, of course, Peter and Diana (Thomason, crackling with energy and wit) have the amber music box that provided much intrigue last season, with Diana secreting the clue-laden MacGuffin away from all prying eyes.

The divergent plots are bound to come together over the course of the season but, while the music box/OPR/Kate storylines provide a narrative spine for the season, the true joy of White Collar is the dynamic between criminal Neal and detective Peter, an unlikely partnership that has quickly developed into a nuanced friendship between polar opposites. Bomer and DeKay are both so perfectly cast and so comfortable in the skin of these characters that it's impossible to imagine anyone else playing them at this point.

Their banter--fueled by a competitive male rivalry and a mutual admiration bordering on outright respect--gives the series a vintage feel as well as a true emotional core. White Collar isn't so much a procedural drama about the collaring of criminals as it is the unfolding of a professional and personal relationship set against that backdrop. Neal, prone to slight-of-hand and slick vintage suits, seems a man out of time, a charming player with a penchant for wooing women and engaging in some larcenous behavior. Peter, with his loyal wife, love of Yankees games, and modern police methods, has been subtly influenced by Neal over the last season and a half. While neither of them will ever admit it out loud, they need each other for balance.

Season Two has improved on the first season by bringing Thomason's Diana back into the fold and wedging her between Neal and Peter. While there's likely no chance of any romantic intrigue developing between Neal and Diana, their relationship sparkles with palpable tension. Likewise, a new character--introduced in last week's episode--further complicated the web of relationships in the FBI's White Collar Division. I have to say that I was surprised by just how much I loved Hilarie Burton as insurance investigator Sara Ellis: smart, sexy, and savvy, she seems a perfect match for Neal Caffrey, able to stay just one step ahead of him and more than capable of handling a gun.

Here's to hoping that Burton's Sara Ellis continues to pop up over the course of the season (she will, of course) and that the fact that Sara has that flight recorder data that Neal desperately needs means that she'll become enmeshed in that overarching plot, to boot.

In the meantime, however, White Collar has quickly become USA's smartest and most dynamic series to date, a truly charming series that deftly balances whip-smart dialogue, wry humor, and action in a compelling and accessible package. For those of you who haven't been watching for whatever reason, do yourself a favor and jump on board now. You won't be disappointed.

White Collar airs Tuesday evenings at 9 pm ET/PT on USA.

San Diego Comic-Con 2010: USA's White Collar Panel

Missed yesterday's panel at San Diego Comic-Con for USA's stylish and slick caper drama White Collar? No worries as we've got you covered.

Televisionary special correspondent Lissette Lira was on hand for yesterday's panel and offered up the following highlights from the much anticipated White Collar event.

Among the tibits, there are some seriously random insights into the workings of the White Collar cast and crew:

• There was a cute video at the beginning of Willie Garson coming up with plans for the next caper... Since the cast was going to Comic-Con, they were going to steal the Tron Legacy footage... and he even had costumes for everyone.
• Marsha Thomasson is very happy to be back. She prefers filming in NYC to Hawaii where there were bugs crawling all over her while she shot Lost. She didn't want to give out any more info about the music box when pressed.
• Willie Garson kept calling Tiffani Thiessen "Tiffani Garson" every time he asked her a question.
• Matt has fun filming his stunts. He hit the wall hard last season on the first take of him jumping onto that bakery awning and the crew were all stunned but he smiled and said he was fine. This season, we'll see him swinging in a new stunt.
• Tiffani Thiessen had been filming her scenes in LA,since she was preggers (hellooo, it was so obvious as the blue screen looked bad). She's flying back to New York next week to join the gang again in filming.
• On the web there was a lot of talk about Kate being Elizabeth's sister and Jeff Eastin said, no, it's not true: the two actresses just happened to look alike.
• Matt Nix, the creator of Burn Notice challenged Jeff and the White Collar writing team to paintball with the Burn Notice writers and Jeff accepted.
• Matthew Bomer loves doing Arnold Schwarzenneger impressions.
• Tim DeKay said they had to get a new dog because the old one would decide to move in the middle of takes, he shed a lot, and he was a loud licker.

Random, no? Televisionary BFF Lissette Lira also managed to shoot some video of the White Collar panel, which can be found below.

"White Collar" Panel at San Diego Comic-Con 2010 from Televisionary on Vimeo.

Season Two of White Collar airs Tuesdays at 9 pm ET/PT on USA.

Channel Surfing: Laura Vandervoort to Return to Smallville, Terra Nova Comic-Con Confusion, Nikki Finke on Tilda, Doctor Who and More

Welcome to your Wednesday morning television briefing.

They have... returned? V star Laura Vandervoort will reprise her role as Kara on the CW's Smallville for the series' tenth and final season, reports Entertainment Weekly's Michael Ausiello. But don't get too excited, Supergirl fans: Vandervoort is only expected to appear in one installment of the Warner Bros. Television-produced superhero drama, scheduled to air in October. (Entertainment Weekly's Ausiello Files)

Just what is going on with FOX's Terra Nova at Comic-Con? After the official San Diego Comic-Con 2010 schedule was announced over the last few days, 20th Century Fox Television opted to pull the panel for its upcoming prehistoric/time-travel drama starring Jason O'Mara from the convention. "Since production on the Jason O’Mara starrer isn’t expected to start until September, the producers don’t have any footage to show the fans in San Diego," writes Entertainment Weekly's Lynette Rice. "Plus, the writers don’t want to reveal too much about the high-concept series, which Fury promises will have an 'ongoing mythology.'" [Editor: I get that there is no footage but that was always going to be the case and no one expected a screening of the pilot or, indeed, anything.] “There are a lot of surprises, a lot of reveals that come out throughout the course of season,” Fury told Entertainment Weekly. “If we talk about the more interesting aspects of the show now, we’re afraid we’ll ruin the surprise for the audience. In this case, everything is moving along steadily, the script has been well-received. We just don’t have anything to wow anyone with. It’s still in the preliminary stage, It’s a huge undertaking." Complicating things further is the fact that the panel appears to be back on the schedule, leading several to wonder whether 20th balked at the bad publicity such a move would engender among the fanbase... or it's just an error on the Comic-Con lineup. (Entertainment Weekly's Hollywood Insider, Hollywood Reporter's The Live Feed)

Deadline's Nikki Finke has offered her "first and last statement" about HBO's comedy pilot Tilda, which revolves around a Finke-like blogger who has Hollywood trembling. Writing on her own site, Finke attempted to set the record straight about her involvement with the Diane Keaton-led project, offering the following statement after closing an agreement between herself, MMC, and Watski Prods:

"I had no prior knowledge that this show was being created or put into development. I have never written about the show. I have never encouraged Deadline.com journalists to write about the show. I had no prior agreement with HBO or anyone regarding the show. I had no creative or consulting involvement with the show... I still have no creative or consulting involvement with the show nor wanted any. I still won't write about the show. And Deadline.com journalists can still write whatever they want about the show. As for all of you who've asked for a quote from me about Tilda, here it is: 'It should have been called Toldja!' (Deadline)

Doctor Who head writer/executive producer Steven Moffat has joined Twitter, where he has begun to tease details about the upcoming Doctor Who Christmas Special. "Oh, he's back behind the bow tie - and better than ever," wrote Moffat about Matt Smith returning to the set. (via Digital Spy)

Looks like Larry King's successor at CNN will be Piers Morgan, after all. The Hollywood Reporter's James Hibberd writes that Morgan is thisclose to a deal that would see him take over Larry King's timeslot on the 24-hour news cabler. "Sources caution that Morgan is still under contract and that CNN may be unable to directly negotiate with the TV personality directly," writes Hibberd. "But if a deal could be struck between CNN and NBC, that allows Morgan to take over the position. Sources say the proposed deal allows for Morgan to remain as a judge on [America's] Got Talent, with the CNN talk show in second position for his schedule." (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Josh Stewart (Dirt) has been cast in ABC's upcoming family superhero drama No Ordinary Family in a recurring capacity as the mentor for Michael Chiklis' character. Series launches September 28th. (Entertainment Weekly's Ausiello Files)

BBC Two's reality series The Restaurant, which aired Stateside on BBC America as Last Restaurant Standing, will not be returning for a fourth season, according to the BBC. "The time is right for The Restaurant to close its doors after three successful series." Raymond Blanc is said to be in talks with Auntie about a new season of Kitchen Secrets and other potential projects. (BBC)

TV Guide Magazine's Will Keck is reporting several series are looking for new characters, including FOX's Glee, which is going to add a jock named Sam to the mix (who *could* be a potential love interest for Kurt), Starz's Torchwood is looking to add a series regular and two recurring characters, including the following: "Rex Matheson is a white, twenty-something CIA agent who sounds sort of like... [FX's] animated Archer spy: a fearless, cocky thrill seeker. Recurring characters include Esther Katusi, a newbie Watch Analyst in the CIA who is deeply (and secretly) in love with Rex. And Oswald Jones is the dangerous psychotic villain. He's a forty-something murderer and pedophile who gets sprung from the slammer into the spotlight." (TV Guide Magazine)

Fox Television Studios has signed a rare overall deal with White Collar creator Jeff Eastin which will keep him aboard White Collar and allow for future development of new projects for the studio. (Deal is similar to that held between FTVS and Burn Notice creator Matt Nix.) "Once the dust settles, I'll dig out the ideas book and see if something else lends itself to a TV show," Eastin told Variety. "It's about finding something else I'm passionate about. I appreciate Fox TV Studios for having faith in me to make a deal. Especially as they're few and far between these days." (Variety)

MTV is shoring up the writing staff for the upcoming US adaptation of UK teen drama Skins, hiring Mark Hammer, Matt Pelfrey, and Monica Padrick, who will join the writing staff of the series, expected to launch early next year. (Hollywood Reporter)

ABC Studios has signed a one-year overall deal with Ghost Whisperer executive producers Kim Moses and Ian Sander. The duo currently have to supernatural-themed projects in development at ABC, including reality series Ghost Town and drama Ghost World, from writer Dana Stevens, about "a ghost on the other side who helps an ambitious young female homicide detective solve crimes in the hopes of uncovering clues to his own life and death and centers on the mysterious, intense and sometimes infuriating connection the two feel toward each other." (Deadline)

Maxine Peake (Criminal Justice), Rupert Penry-Jones (Spooks), Natalie Dormer (The Tudors), Tom Hughes (Sex, Drugs And Rock And Roll) and Neil Stuke (Reggie Perrin) have been cast in legal drama series Silk, from writer Peter Moffat (Criminal Justice), which will revolve around "lives, loves and hard cases facing barristers on the front line of criminal law." (Silk, of course, referring to the robes worn by Queen's Counsel members, the highest-level barristers in the UK.) "Bafta-winning writer Peter Moffat marks his return to BBC One with a brilliant new legal drama series, which takes a modern look at the genre," said BBC Controller of Drama Commissioning Ben Stephenson. "Maxine Peake and Rupert Penry-Jones lead an incredible cast and star as ambitious barristers competing for much coveted Silk." (BBC)

VH1 has ordered eight episodes of an untitled docusoap that will follow Mario Lopez and his girlfriend Courtney Mazza as they await the birth of their child. Project, executive produced by Cris Abrego, Mark Schulman, Jeff Olde, Jill Holmes, Kristen Kelly, and Lopez, is expected to launch this fall. (Hollywood Reporter)

Academy Award nominee Taraji P. Henson (The Curious Case of Benjamin Button) has been cast as the lead of an upcoming Lifetime telepic Taken From Me: The Tiffany Rubin Story, in which she'll play a woman who underwent a daring rescue mission to locate and free her seven-year-old son Kobe, who was seized by her ex-husband during a custody battle and taken to South Korea. (Deadline)

From weird to weirder: former Monkees star Mickey Dolenz has signed on to star opposite Debbie Gibson and Tiffany in Syfy's upcoming telepic Mega Python vs. Gatoroid. [Editor: I did warn you it would be weird.] (Hollywood Reporter)

Stay tuned.

From One Prison to Another: An Advance Look at the Second Season of USA's White Collar

USA's slick and stylish crime procedural White Collar returns tonight with an installment that points towards a new direction for the agents of the White Collar Crimes Division of the Manhattan branch of the FBI... and for charismatic consultant Neal Caffrey (Matthew Bomer), the reformed thief/forger at the heart of the series.

One of the strengths of White Collar has been the unerring chemistry between series leads Bomer and Tim DeKay, who plays Neal's partner/handler/jailer Peter Burke, the "suit." Despite the circumstances that Neal finds himself in when the second season begins with tonight's season opener ("Withdrawal"), that relationship remains exceedingly strong.

Which is a good thing as there are some new challenges facing Neal and Peter, most notably the mystery surrounding the death of Neal's lost love Kate and the whereabouts of that all-important amber music box, the latter of which might just surprise you. But for the moment, the dynamic duo have their hands full in the season opener with a series of bank heists and a master criminal who might just be slippery enough to evade the unorthodox methods employed by Neal and Peter... and an oily politician running a straw donor scam in the second episode.

And then there's the matter of OPR and the shifty Agent Fowler, who was willing to draw his firearm on Marsha Thomason's Diana in order to prevent her from learning about a meeting going down last season. A meeting that--SPOILER!--thanks to a judicious time jump is actually going down in the second episode back ("Need to Know") rather than later in the season.

It's in this respect that creator Jeff Eastin and his team have done a phenomenal job at balancing the procedural elements of White Collar--the capers or cases of the week--with the overarching mythology involving the doomed romance between Neal and Kate, the music box, Fowler and OPR, and some new elements that creep their way into the second season.

While I was less than pleased with the performance given by Alexandra Daddario as Neal's ex-girlfriend Kate Moreau, her death at the end of the first season has given Neal Caffrey an additional patina of loss and tragedy which, while they don't rob him of his trademark throwback style, give him some layering to his character. While in Season One, he was trying to find Kate and expose a conspiracy, her death in the season finale (and his near-death) have forced Neal into an even more pro-active position. He's now a man on a quest of vengeance, filled with a desire to right the wrongs perpetrated against him while donning an off-kilter fedora and killer Devore suit.

Which isn't to say that the season opener is a downer, because it's absolutely not. Look for some fantastically funny exchanges between Peter and Willie Garson's Mozzie as the two form an awkward rapport that's based more on old spy movie stereotypes than any real friendship. I'm chuffed that the writers are bringing Mozzie further into the center of the series, rather than leave him drifting in and out of the shadows on the periphery. His involvement here creates not only humor but an unpredictable vibe that's infectious... and lets the always sensational Garson do his thing more often.

Meanwhile, I'm thrilled that Marsha Thomason is back as Special Agent Diana Lancing, here back as a series regular after returning for the final few episodes of the freshman season. Thomason adds a nice bit of grit to the already well-tuned machine that is White Collar, bringing a smoky-voiced sensuality and hard-edged charm to the proceedings. While Natalie Morales' Lauren Cruz filled the role of junior agent, I think it will be interesting to see Peter work with someone he shares a past with as well as a deep, unwavering trust.

Ultimately, the start of second season of White Collar proves that the first season of the g-men and grifters drama was no mere fluke, offering a charming and fun weekly escape that's equal parts chasing crooks and looking cool and a throwback to such classic capers as To Catch a Thief. Throw in a love interest for Neal who is just as engaging and mercurial as he is and tighten the weekly crime plots into slightly more taut puzzles and you have the makings of a pitch-perfect series. So steal yourself an hour every Tuesday evening and be sure to tune in all summer long.

Season Two of White Collar begins tonight at 9 pm ET/PT on USA.

Talk Back: What Are You Watching This Summer?

As the Summer Solstice has come and gone now, the hot months of summer are officially in full swing as the broadcast and cable networks bring out their slate of originals and burn-offs during the sweltering season.

While I'm sinking my teeth into quite a bit of programming this summer (including HBO's True Blood, Bravo's Top Chef, and my latest obsession, BBC America's upcoming Come Dine With Me) and catching up on some others (cough, Friday Night Lights, cough), I'm curious to know just what you are watching right now... and what you intend to watch this summer. Are you hooked on USA's dramedies? Can't wait for the return of Entourage? Trembling at the thought of more True Blood? Intrigued by Work of Art? Spooked by the thought of Syfy's Haven?

Head to the comments section to discuss what's on your season pass this summer, what's failed to click with you so far, and what new and returning television series you are most looking forward to over the next few months.

The Daily Beast: "19 Reasons to Watch TV This Summer"

Looking to set your TiVo season pass this summer before you head out on vacation? Or sticking around and wondering just what's worth watching (or at least checking out) this summer?

Head over to The Daily Beast, where you can read my piece entitled, "19 Reasons to Watch TV This Summer," where I break down 19 new and returning series airing during the sweltering season, including HBO's True Blood AMC's Rubicon and Mad Men, Bravo's Work of Art and Top Chef: DC, FOX's Masterchef, Syfy's Haven, USA's White Collar, TNT's Memphis Beat and Rizzoli & Isles, BBC America's Being Human, and a lot more.

Check out the gallery to read descriptions of the series and then head to the comments section to discuss just what you're most excited about this summer.

Channel Surfing: White Collar Nabs Hilarie Burton, Natasha Henstridge Gets Drop Dead Role, Jim Parsons on Big Bang Move, and More

Welcome to your Tuesday morning television briefing.

Fancast's Matt Mitovich is reporting that former One Tree Hill star Hilarie Burton has signed on to appear in a six-episode story arc on Season Two of USA's White Collar, where she'll play Sarah Ellis, a new love interest for Matthew Bomer's Neal Caffrey, who is described as "an insurance investigator-slash-white collar bounty hunter who has a bit of a score to settle with Neal." Bomer's Neal will quickly find himself enmeshed in a game of cat and mouse with Sarah. Season Two of White Collar is set to launch Tuesday, July 13th at 9 pm ET/PT. (Fancast)

Former Eli Stone star Natasha Henstridge is heading back to the courtroom, according to Entertainment Weekly's Michael Ausiello, who reports that Henstridge has signed on to a multiple-episode story arc on Season Two of Lifetime's legal dramedy Drop Dead Diva, which returns June 6th. She'll play the "heretofore-unseen partner at Harrison & Parker," according to Ausiello. (Entertainment Weekly's Ausiello Files)

E! Online's Megan Masters talks to The Big Bang Theory's Jim Parsons about the CBS comedy's move to Thursdays next season and Sheldon's new love interest, played by Mayim Bialik. "I am optimistically excited about it," said Parsons about Big Bang Theory's new scheduling. "We all know the world of television is unpredictable...but I do feel hopeful about it. It will be very exciting to be a part of a new night of comedy, a new section of comedy, whatever it turns into. My initial reaction was slight disbelief because I didn't see it coming, but as the day wore on I felt like this could be good. It will certainly keep things exciting and interesting. CBS has always been with us. From really very early on they've done these moves like this that made you realize that they have a lot of faith in the show." (E! Online's Watch with Kristin)

SPOILER! (If you haven't seen last night's 24 series finale) Entertainment Weekly's Lynette Rice has an interview with 24 executive producer Howard Gordon about the series finale, which aired last night. "Yes, that was very much designed from the beginning," said Gordon when asked if he knew early on that the season would end with Jack going off the rails. "How it would end, however, was something that was really unknown. I saw a little bit further ahead than I generally do, and we wanted to knit Jack and Renee together, only to take them apart, and for that to have a really profound effect on Jack. That’s about as far as we knew in the broad strokes. How that was going to happen, and how it would impact Allison Taylor and Chloe — those were late-to-the-party additions that I think helped bolster that initial idea." (Entertainment Weekly's Hollywood Insider)

E! Online's Kristin Dos Santos has the skinny on the fake spoiler that Lost showrunners Damon Lindelof and Carlton Cuse attempted to put out into the ether, one that the series ending with a wedding between Sun (Yunjin Kim) and Jin (Daniel Dae Kim). "But this wedding, unlike the Kwons' first one (with special guest Jacob), was actually a red herring planted by producers to throw off any spoiler hounds trying to sniff around finale storylines," writes Dos Santos. "According to reliable sources close to the show, a fake call sheet was sent out to the entire cast and extended crew detailing a Jin and Sun wedding scene for the finale. The 'spoiler' never leaked." (E! Online's Watch with Kristin)

Deadline's Nellie Andreeva is reporting that ABC has put five drama scripts into development for spring, hoping land two pilot orders from the pack of new projects. These include the Sony Pictures Television-produced reboot of Charlie's Angels, from Alfred Gough and Miles Millar, and Javier Grillo-Marxuach's Department Zero, and three projects from ABC Studios: Ghostworld, from Ian Sanders and Kim Moses (Ghost Whisperer), Behind the Blue, from executive producer Taye Diggs, and medical drama Island of Women, from Matthew Gross. These are on top of the six more scripts ordered for Rand Ravich's quirky bounty hunter drama Edgar Floats. (Deadline)

E! Online's Kristin Dos Santos talks to Gossip Girl's Chace Crawford about the fact that Crawford's Nate Archibald desperately needs a new love interest on the CW drama series... and that it likely won't be Taylor Momsen's Jenny. "I always thought [Nate and Jenny] was a little weird," Crawford admitted. "There's the age gap, she's still in high school..." Meanwhile, Crawford indicated to Dos Santos that the shocking season finale might point to a darker Nate next season. "That may be where they're going," Crawford said. "It'd be fun to play. Who knows, maybe I'll be the one getting shot next year." (E! Online's Watch with Kristin)

SPOILER! Elsewhere, Entertainment Weekly's Michael Ausiello is reporting that Gossip Girl producers are casting the role of Eva, described as " an utterly gorgeous female in her 20s or 30s who boasts a warm heart and an authentic French accent." Eva will be the new love interest for Chuck, natch, as shooting gets underway in New York and Paris in July. (Entertainment Weekly's Ausiello Files)

Jace Alexander (Burn Notice) will direct the Syfy action-adventure drama pilot Three Inches, which is said to focus on "an underachiever who develops a unique 'super' power after being struck by lightning — the ability to move any object by 3 inches using his mind – and is soon recruited by a covert team of superheroes." (Deadline)

Meanwhile, Nellie Andreeva also reports that Ken Sanzel (NUMB3RS) is in the process of closing a deal to come aboard new CBS drama series Blue Bloods as showrunner. (Deadline)

Overall deal roundup: Deadline's Nellie Andreeva is reporting that Greg Malins, newly installed as executive producer/co-showrunner on ABC comedy Better Together, has signed a two-year overall deal with Warner Bros. Television... and Zach Reiter (CSI: NY) has signed a two-year overall deal with CBS Studios, which will keep him aboard the crime procedural and develop new projects for the studio. (Deadline)

Stay tuned.

Channel Surfing: Two-Season Renewal for Burn Notice, Patton Oswalt Out of Beach Lane, Anatasia Griffith to Royal Pains, and More

Welcome to your Friday morning television briefing. I still have to get caught up on last night's telly as I was out rubbing elbows with the cast and crew of Doctor Who at a BAFTA/LA screening, Q&A, and cocktail party. (Matt Smith, Karen Gillan, Steven Moffat, and former showrunner Russell T Davies were all in attendance and all very chatty.)

Burn Notice fans will be very happy this morning: USA has announced that it has renewed the drama series for a fifth AND sixth season even before Season Four of Burn Notice has even launches. The two additional seasons will run at least a respective 15 and 18 episodes, with Season Five set to begin shooting in about a year. "Once Saturday Night Live makes fun of you,' how can you not commit to extra seasons?" Jeff Wachtel, USA's president of original programming, told Variety. It also helps that USA will begin stripping the series in October 2011, following a deal with studio Fox Television Studios for the off-net rights. (Variety)

The Hollywood Reporter's James Hibberd is reporting that Patton Oswalt has departed NBC comedy pilot Beach Lane, just days after being cast alongside Matthew Broderick and Kristen Johnston. Move comes after Tuesday's table read, though it was immediately unclear just what Oswalt's status on the pilot was. "One source added that producers have offered Oswalt another part instead," writes Hibberd, "but it's unclear at this time if Oswalt is interested in staying on the show in a different role." (The Hollywood Reporter's The Live Feed)

Entertainment Weekly's Michael Ausiello is reporting that Anastasia Griffith (Trauma) is joining the cast of USA's Royal Pains when the series returns for its second season on June 3rd. Griffith will recur as Dr. Emily Peck, described as "a no-nonsense MD and a potential business rival of Hank’s (Mark Feuerstein)." Ausiello also has the spoilery details about just how Griffith's Emily becomes entangled in Hank's world: "Griffith’s doc will be introduced during the USA Network hit’s second season (premiering June 3) when Boris (Campbell Scott) hires her to temporarily fill in for an MIA Hank." (Entertainment Weekly's Ausiello Files)

SPOILER! E! Online's Kristin Dos Santos has the skinny on a surprising twist (or not too surprising, if you pegged it from the start) coming up on FOX's Glee, which just happens to involve Lea Michele and Idina Menzel. (Guessed it yet?) Regardless, the two will duet on Lady Gaga's "Poker Face" later this season and co-creator Ryan Murphy teased a link between the two characters. "Lea and Idina Menzel will do an acoustic version of 'Poker Face' that [Lady Gaga] blessed and that she wanted us to do," Murphy told Dos Santos. "It's sort of like a stripped-down mother-daughter 'Poker Face' that Lady Gaga was involved in." [Editor: ahem!] (E! Online's Watch with Kristin)

Debra Winger is said to be in talks to come aboard HBO's In Treatment as a series regular next season, where she would play "a patient of Gabriel Byrne's psychotherapist character Paul [who is] a former big star who is battling insecurity and fear about her career," according to Deadline.com's Mike Fleming. (Deadline.com)

E! Online's Megan Masters interviews Smallville showrunner Brian Peterson about what's coming up on the rest of season for the CW superhero drama. Asked if Lois will learn Clark's secret, Peterson said, "What I can say is that this year we've really explored the tough duality of Lois having one relationship with this hero, the soldier of duty relationship, and one romantic love relationship with Clark, and so that just drives all the way through episodes 19, 21 and the finale. Everything that's been going on with that love triangle converges." (E! Online's Watch with Kristin)

Fancast's Matt Webb Mitovich is reporting that Tim Matheson will not only direct the Season Two opener for USA's White Collar, but will also guest star in the episode as "a hedge fund manager who likes to dip into other folks‘ funds – as a part-time bank robber." Season Two of White Collar is set to launch in July. (Fancast)

FOX has announced launch dates for Hell's Kitchen and new culinary competition series Masterchef, with the new season of Hell's Kitchen set to start on Tuesday, June 1st, when it will air two-hour episodes until Masterchef takes over at 9 pm on Tuesday, July 27th. (via press release)

Stage actress Lynn Blackburn has been cast in a recurring role for Season Five of Friday Night Lights, where she will play Laurel, described by Entertainment Weekly's Michael Ausiello as "a smart, tough, and dedicated teacher at East Dillon who befriends [SPOILER ALERT!] the school’s newest hire, Tami." (Entertainment Weekly's Ausiello Files)

Casting update: Emily Rios (Men of a Certain Age) has been cast in a multiple-episode arc on DirecTV/NBC's Friday Night Lights, where she is set to play Epyck, described as "a rebel goth girl"; Austin Highsmith (Big Love) will guest star on CBS' Criminal Minds; Sunny Mabrey has been cast in a recurring role on TNT's upcoming drama series Memphis Beat; Janel Parrish (Heroes) will recur on ABC Family's Pretty Little Liars; and Warren Kole (24) has been cast in CW drama pilot Nomads, where he will play Ryker. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello talks to Desperate Housewives executive producer Bob Daily about the drama's May 16th season finale and has five hints about upcoming twists, from money problems and an explosion to a birth and a death. (Entertainment Weekly's Ausiello Files)

Elsewhere, TV Guide Magazine's Will Keck is reporting that a former series regular of ABC's Desperate Housewives will return to Wisteria Lane in the season finale this May. "I've promised the show that I'd keep the actor's identity a secret," writes Keck, "but the way they re-introduce this character is genius and sets the stage for some major awkwardness in Season Seven. (TV Guide Magazine)

Spike has ordered a pilot for comedy Playing With Guns, which will star Danny Masterson (That '70s Show) and Joey Kern (Super Troopers). Project--from writers Bob Castrone, Brian Levin, and Jason Zumwalt and executive producers Brian Robbins and Sharla Sumpter Bridgett--revolves around two "childhood best friends who become police officers in their hometown for the everyday perks." (Hollywood Reporter)

Bill Irwin will reprise his role as Nate Haskell on CBS' CSI: Crime Scene Investigation for the season's final two episodes, according to Entertainment Weekly's Michael Ausiello. "Nate knows who Dr. Jekyll is, which is kind of interesting since he’s been in prison for the last 11 years," executive producer Carol Mendelsohn told Ausiello. "The [May 20] season finale is all about what it will take to get him to give them a name." (Entertainment Weekly's Ausiello Files)

HBO has renewed Real Time with Bill Maher through 2011 and has bumped its episodic order to 35 episodes per season. The current season is set to end in November, with Season Nine expected in February. (Variety)

CBS Television Studios has signed a two-year overall deal with Lost co-executive producer Paul Zbyszewski, under which he will develop new drama projects for the studio and will become a co-executive producer on Hawaii Five-O, should it be ordered to series. (Deadline.com)

The Wrap's Josef Adalian has issued a request of ABC: to let the final credits for Lost's series finale run unadorned by promos, bugs, or spots for The Bachelorette. "Specifically, what if ABC actually just aired the closing credits to Lost unadorned, as Darlton intended them, and with the haunting closing score viewers hear only if they watch the show on DVD, on demand or via syndication?" writes Adalian. "A nation of Lost fans whose minds will (hopefully) have just been blown and heartstrings tugged will appreciate the time to let what they've just seen sunk in." (The Wrap's TVMoJoe)

Discovery Channel has ordered a sixth season of Cash Cab. (Hollywood Reporter)

Stay tuned.

Channel Surfing: AMC's Walking Dead Grabs Andrew Lincoln, Yvonne Strahovski Talks Chuck, True Blood, and More

Welcome to your Wednesday morning television briefing.

Looks like The Walking Dead has grabbed its lead (and fortunately not feasted on his brain): British actor Andrew Lincoln (Teachers, This Life, Love Actually) has been cast as Rick Grimes in AMC and Frank Darabont's adaptation of Robert Kirkman zombie comic series, which has been ordered for six episode. Series, which is set to launch in October, will revolve around a group of human survivors who attempt to find a place to live after a global apocalypse renders the majority of the planet's population into zombies. Lincoln will star opposite Jon Bernthal, who plays his police partner, Shane. Meanwhile, Sons of Anarchy's Jack LoGiudice has come aboard the series as a co-executive producer. (Variety)

The Chicago Tribune's Maureen Ryan has a brand-new interview with Chuck's Yvonne Strahovski, in which they discuss the major plot twist that occurred in this week's episode and what's coming up on the next six episodes. "It's a different feel," said Strahovski about the next pod of episodes. "I think for my character, she's always sort of been abnormal -- she's always been a spy and she doesn't really know how to live a non-spy life. I think Chuck has taught her over the seasons how to sort of be more normal. I think she relaxes somewhat and she doesn't hold her feelings in so much. It's definitely an interesting journey for my character and it's definitely a lot of fun to play that, when they're together. It's kind of a release." (Chicago Tribune's The Watcher)

Lauren Bowles (Old Christine) has been cast in a recurring role on HBO's True Blood, which returns this summer for its third season. Bowles will play Holly, described as "an oddly prescient single mom who gets hired as a waitress at Sam’s watering hole." While Bowles will recur in the third season, she could return as a series regular for Season Four of True Blood. (Entertainment Weekly's Ausiello Files)

The Wrap's Josef Adalian is reporting that Jack Black's Electric Dynamite shingle has signed an exclusive production deal with Reveille as it expands into the arena of television and that Priyanka Mattoo will over the shingle's television business, which will be based at Reveille's offices. (The Wrap's TVMoJoe)

FOX is getting into the music game as it prepares to launch a week of music-themed programming that it has dubbed Fox Rocks during the beginning of May sweeps. Among the offerings: a duet between Booth and Brennan on Bones, a fairy tale episode of Fringe featuring songs performed by Anna Torv and Lance Reddick, an appearance from Olivia Newton-John on the May 4th episode of Glee, a musical couch gag on The Simpsons featuring Ke$ha’s "TiK ToK," and more. (via press release)

American Chopper is heading back to TLC. The cabler has made a deal with the series' Teutul family--all of them, in fact--to appear in a resurrected version of American Chopper that will be announced later this week at TLC's upfront presentation (Hollywood Reporter)

House's Nurse Jeffrey (Patrick Price) will get his own spinoff of sorts in the form of a iPhone application called inHOUSE, which will feature Jeffrey in a series of "appisodes" beginning May 24th, which according to Entertainment Weekly's Michael Ausiello, "will feature an Upstairs, Downstairs style of storytelling and explore the world of Princeton Plainsboro that exists beyond Dr. Crankypants and Co." (Entertainment Weekly's Ausiello Files)

The Hollywood Reporter has a recap of last night's White Collar panel at the Paley Center, where creator Jeff Eastin and cast members Matthew Bomer, Tim DeKay, Willie Garson, and Tiffani Thiessen. (Hollywood Reporter)

TV Guide Channel has found its celebrities for its upcoming Curb: The Discussion series, which will follow each episode of Curb Your Enthusiasm when it launches in June. Among the actors who will watch each episode and then discuss the ethical issues that it brings up: Jerry Seinfeld, Jon Hamm, Seth Green, Dave Navarro, Dr. Drew Pinsky, and Hill Harper. Susie Essman will serve as a moderator. (via press release)

BET has given a pilot order to comedy Let's Stay Together, from writer Jacque Edmonds Cofer and director Henry Chan. Project, which stars Malinda Williams, Bert Belasco, Joyful Drake, RonReaco Lee, and Erica Hubberd, revolves around an engaged couple--pediatrician Stacy (Williams) and contractor Charles (Belasco)--who try to "blend their successful, independent 21st century lives into a traditional 20th century marriage." (Hollywood Reporter)

Warner Bros. Television has promoted Melinda Hage to EVP of current programming. (The Wrap's TVMoJoe)

Stay tuned.

Channel Surfing: Sheen Could Leave "Men," "Modern Family" iPad Love, S. Epatha Merkerson to Leave "Law & Order," Sidibe to Host "SNL," and More

Welcome to your Friday morning television briefing.

Charlie Sheen might just walk away from his role on CBS' Two and a Half Men. Citing a People report, The Hollywood Reporter's James Hibberd is reporting that Sheen has rejected a contract renewal offer and is looking to leave the CBS comedy series, which is produced by Warner Bros. Television. "This report came as news to CBS and studio Warner Bros., with some insiders thinking the news might simply be a negotiation tactic," writes Hibberd. "Yet sources tell THR that the People report is no April Fools joke and that Sheen is indeed serious about currently wanting to leave." (Hollywood Reporter)

Hollywood Reporter's The Live Feed has the scoop from Modern Family co-creator Christopher Lloyd about why the ABC comedy series' use of the iPad this week wasn't product placement but was in fact just a story-driven plotline. "In fact, there was no product placement," Lloyd explained. "This was widely assumed, and everybody was wrong. We wanted to do a show about Phil getting very excited about a new product and it seemed the perfect one to use, since it was debuting [April 1]. We approached Apple about getting their cooperation (using the product, for example, and they are notoriously secretive about their products prior to their being launched) and they agreed and gave us a few other small concessions. But there were no stipulations as with normal product placement, i.e. we give you X dollars and you have to feature our product such-and-such a way and say such-and-such nice things about it. We are not angels -- we have made those agreements with other companies. But that was not the deal with Apple. It was all story-driven." (Hollywood Reporter's The Live Feed)

Meanwhile, The Wrap's Josef Adalian calls for an end to the Modern Family "non-troversy" over the iPad inclusion, following several attacks on the series by CNET and the Hollywood Reporter, among others. "Dudes: Chill!" writes Adalian. "It's one thing to find a plotline unfunny or subpar. There's also nothing wrong with making note of the timing of the episode, or of raising the question of whether a company paid to have its product integrated into a show. Hot TV shows generate buzz, both positive and negative. We get it -- and we're not trying to condemn anyone for identifying something interesting about a show. But until somebody uncovers evidence to the contrary, this was simply a case of writers trying to make a 2010 half-hour comedy relevant to a sophisticated audience." [Editor: amen.] (The Wrap's TVMoJoe)

Entertainment Weekly's Michael Ausiello is reporting that S. Epatha Merkerson will depart Law & Order after a staggering 16 years and talks to the actress about her decision to leave the Dick Wolf-executive produced procedural at the end of the current season. "It’s a graceful way to go," Merkerson told Ausiello. "It’s the end of my contract this year, and the storyline has been so perfect. I’ve given it my best for 16 years. It’s time to move on. I’m doing other things and this will be a great way to leave what has been an extraordinary gig." (Entertainment Weekly's Ausiello Files)

Precious star Gabourey Sidibe is among the hosts on tap for Saturday Night Live this month. Also taking to the historic stage during the month of April: Tina Fey, who will be joined by musical guest Justin Bieber, Ryan Phillippe (with Ke$ha), and Sidibe, who will host with musical guest MGMT on April 24th. (Variety)

Entertainment Weekly's Michael Ausiello has gotten a hold of some of the casting notices for Season Four of AMC's Mad Men, including three potentially recurring roles. (Entertainment Weekly's Ausiello Files)

E! Online's Megan Masters has an exclusive look at Showtime's upcoming reality series The Real L Word and breaks down the real-life lesbians who have been assembled in Showtime's "rare, fly-on-the-wall look into the lives of attractive and successful L.A. lesbians." The series is set to launch on Sunday, June 20th at 10 pm on Showtime. (E! Online's Watch with Kristin)

Casting update: Chad Lowe (24) has been cast in ABC Family's upcoming drama series Pretty Little Liars, where he will replace Alexis Denisof, who played the role in the pilot; Gina Torres has signed on to play Dr. Dorothy Rand in ABC Family's other upcoming series, Huge; Riki Lindhome (Gilmore Girls) will star opposite Jack Carpenter and Kristin Kreuk in Josh Schwartz and Matt Miller's CBS comedy pilot Hitched; Greg Germann (Ally McBeal) and Damon Gupton (Deadline) have come on board FOX comedy pilot Strange Brew; and Robbie Jones (One Tree Hill) and Heather Hemmens (The Candy Shop) have joined the cast of the CW's Hellcats. (Hollywood Reporter)

SPOILER! TV Guide Magazine's Will Keck is reporting that Season Six of FX's It's Always Sunny in Philadelphia will feature a storyline involving Dennis (Glenn Howerton) getting married... and divorced. (TV Guide Magazine)

Julie Gonzalo has been cast as a guest star in a May sweep episode of ABC's Castle, where she will play "a beautiful and dynamic restaurateur who finds herself mixed up in [a] murder investigation" that takes revolves around the contestants of a Top Chef-esque culinary competition series. (Entertainment Weekly's Ausiello Files)

CONFIRMED: Syfy has announced that Robert Knepper (Heroes) and Julie McNiven (Mad Men) have joined the cast of the cabler's Stargate Universe for its second season. Knepper will appear in six episodes as Simeon, described as a "member of the Lucian Alliance," while McNiven has joined the cast in a five-episode story arc where she will play Ginn, also a member of the Lucian Alliance. The second half of SGU's freshman season premieres tonight on Syfy. (via press release)

ABC shows are heading to the iPad. Disney has signed a deal with Apple to create an application that will stream--for free--full-length episodes of series from ABC, ESPN, and Disney. (Variety)

NBC series, meanwhile, will NOT be heading to the iPad as NBC executives have opted to "prohibit iPad viewing of full episodes at this time," according to The New York Times' Brian Stelter. (New York Times' Media Decoder)

USA has announced return dates for two of its original series, with Burn Notice and Royal Pains returning to the schedule on Thursday, June 3rd, when they will air back-to-back beginning at 9 pm ET/PT. July, meanwhile, will bring the return of White Collar and Psych and the launch of Covert Affairs. (Broadcasting & Cable)

E1 Entertainment and Tijuana Entertainment have teamed up to develop reality series They Call Me Crazy, featuring NBA player Ron Artest that will enable him to "make amends for past transgressions," and help struggling musicians through his music label. Series will be executive produced by Artest, along with John Moryaniss, Tara Long, Troy Searer, and John Foy. (Hollywood Reporter)

Stay tuned.

The Hot Box: Thoughts on the Season Finale of USA's "White Collar"

With my head spinning after this week's episode of Lost on Tuesday night, I didn't get a chance to watch White Collar's fantastic first season finale until last night.

It was definitely worth the wait.

The season finale of White Collar ("Out of the Box"), written by Jeff Eastin and directed by Kevin Bray, offered further pressure to the already strained central relationships within the series, pushing both Neal (Matthew Bomer) and Peter (Tim DeKay) to make some hard choices, as Neal pursued the music box and his always-just-out-of-reach true love Kate and Peter sought to bring down the shady OPR Agent Garrett Fowler (Noah Emmerich) and stop Neal from making a disastrous decision.

Plus, it featured the long-awaited return of Marsha Thomason's Agent Diana Lancing, who I've missed terribly since she disappeared after the White Collar pilot. (No worries, Diana fans, she's sticking around for Season Two.)

So what did I think of the season finale? Let's discuss.

I have to give Eastin credit for offering a cliffhanger ending that throws some of the series' main conceits into the air, so to speak. Throughout the first season, Neal's main mission--while ostensibly working with Peter and the FBI's White Collar Crimes Division--has been to find a way to find Kate (Alexandra Daddario) and be reunited with his one true love. It's a quest that has at times splintered his friendship with his partner Peter and taken him up against Fowler, multiple criminals, and the Italian consulate.

But for all of Neal's shadowy behavior and criminality, his pursuit hasn't been fame or fortune, but rather something far simpler and yet more complicated: love. Given this fact, we've been able to excuse some behavior (and Peter has as well, to a certain extent) from Neal that would be unacceptable in other situations, given his past as a forger and thief. But the fact that his prize this time around was Kate made his journey far more worthy than if he was attempting to acquire, say, a packet of Caravaggio paintings.

Throughout the episode, Mozzie (Willie Garson) and Peter kept throwing around the two-part ancient Chinese curse: "May you live in interesting times" and "May you find what you are looking for." Neal does find what he was looking for: he does manage, thanks to some help from Mozz and Alex (Gloria Votsis) to track down the amber music box that Fowler wants in exchange for Kate's freedom. And he seemingly does engineer an escape route for himself and Kate, one that's legal, thanks to some OPR deal-brokering from Fowler's higher-ups.

But even Neal knows that the deal is bent in some way. He makes a point of saying goodbye to everyone but Peter, knowing that Peter is the one person who can convince him not to flee with Kate but to stay and "make a difference." Which to me (along with the phone call he made to Tiffani Thiessen's Elizabeth) proves that he's having some major second thoughts about the Faustian pact he made with Fowler and with his relationship with Kate.

Will he get on the plane? Will he stay with Peter? What happens now that he's gotten his heart's desire? Can someone like him really settle down, buy a house, have a kid, join the PTA, as Mozzie jokingly suggests? Or is his true nature as an adventurer too hard-wired into his soul?

The choice is made a lot easier by the episode's climactic cliffhanger, one in which the plane, with Kate aboard, explodes just as Neal is about to head over and fly away to freedom. Does Kate survive? Did OPR and Fowler double-cross Neal and decide to kill him and Kate now that he provided them with the music box? Just who is pulling everyone's strings? And why? The answers to those questions will have to wait until White Collar's second season, which returns to USA this summer.

Despite the fact that I haven't been a fan of Alexandra Daddario as Kate (I haven't felt any spark between her and Bomer's Neal whatsoever), I do wish that Neal and Kate had had the chance to have one final scene together before the explosion that seemingly took Kate's life and shattered Neal's quest forever. Given that she's been the main goal throughout the final season, I think the pain could have cut a little deeper if they had one last conversation before she got on the plane and Neal had that scene with Peter where he returned his consultant's "badge." The effect would have been even more dramatic than just having Kate peer out through the plane's window and would have given Neal the false satisfaction of gotten the girl and the happy ending.

That said, I do hope that Kate IS dead. I've not found Daddario's Kate all that compelling of a character and that feeling is enhanced by the arrival of Gloria Votsis' Alex, who has a mischievous sensuality about her that's enticing and she and Bomer have some major chemistry going on between them. Alex, to me, is a far more interesting and intriguing character than Kate ever was and I hope that she sticks around for the second season, especially if Kate did burst into flames.

Though, if I'm being honest, there's no way in hell I would have left Alex alone with the music box as Neal did, even if just to take a second to let Mozzi into the anteroom at the Italian consulate. It's that lack of trust that makes Alex such a compelling character, yet also made Neal look a little too easily misled by her.

I'm also really excited to see how Thomason's Diana shakes things up within the team. I loved having her investigate Fowler and OPR in this week's episode, even if her IT excuse to Fowler's goon was a little too flimsy. Still, nice scene with Fowler and Peter in the parking garage (loved how she signaled Peter to draw one of her guns) that points to Diana's strength and grit. Can't wait to see more of her next season, especially working directly with Neal.

All in all, a great season finale that made me anxious to find out just what will happen next. Eastin and Co. have done a great job balancing the serialized and the procedural aspects of the series this season and I hope that balance continues over into next season as the mystery of the music box, OPR, and Fowler's co-conspirators continues. I'll gladly tip my hat to that.

Season Two of White Collar launches this summer on USA.

Channel Surfing: Kate Winslet is HBO's "Mildred Pierce," Series on the Bubble, Marsha Thomason Returns to "White Collar," and More

Welcome to your Friday morning television briefing.

HBO has officially announced that Academy Award winner Kate Winslet (The Reader) has come aboard the pay cabler's five-hour miniseries Mildred Pierce. Based on the novel by James M. Cain (which was the basis for the 1945 melodrama starring Joan Crawford and Eve Arden), Mildred Pierce will star Winslet as the titular character, a self-made millionaire who struggles to earn her daughter's love. Project will be directed by Todd Haynes (Far From Heaven), who will write the script with Jon Raymond. Production on the five-hour miniseries, to be executive produced by Haynes, Christine Vachon, and John Wells, is set to being in New York in April. (Variety)

The Wrap's Josef Adalian breaks down the current crop of series that are said to be on the bubble for renewal next season, including Chuck, Fringe, V, FlashForward, and Community and names the five series he feels are worth saving. "Being on the bubble is incredibly stressful," Chuck co-creator Josh Schwartz told Adalian. "You are living and dying every week. Those moments before the ratings load onto your iPhone your hands are clammy, your vision blurry, your stomach doing flips. And then, since you're on the bubble, inevitably the rating is exactly low enough to guarantee you remain on the bubble, yet not so low as to ensure you are canceled. So that feeling persists for the entire week until the next ratings come in. Rinse and repeat." (The Wrap's TVMoJoe)

Meanwhile, The Hollywood Reporter's James Hibberd also offers a look at this season's endangered series and ranks their shots at coming back in the fall. For example: V has a 60 percent shot at returning, while FlashForward gets a 40 percent chance... and Melrose Place gets a five percent chance of another go-around. Ouch. (Hollywood Reporter's The Live Feed)

Entertainment Weekly's Michael Ausiello is reporting that Marsha Thomason (Lost) will be returning for Season Two of USA's White Collar as a series regular. Thomason had appeared in the pilot episode as junior FBI Agent Diana Lancing. She's set to turn up first in the season finale on March 9th and then will return as a full-fledged cast regular for Season Two. (Entertainment Weekly's Ausiello Files)

CBS has ordered a pilot presentation for an untitled comedy from executive producers Larry Charles and Ant Hines (Borat). Project, from Sony Pictures Television and Tantamount, will star Paul Kaye as a father who reenters the life of his estranged daughter, who is now famous. Hines, who wrote the pilot script, will executive produce with Charles, Eric Tannenbaum, Kim Tannenbaum, and Mitch Hurwitz. (Variety)

Pilot casting update: Jimmy Wolk (Solving Charlie) has been cast as the lead in FOX drama pilot Midland, where he will play a polygamist living a double life in the oil industry; Laz Alonso (Avatar) will star FOX drama pilot Breakout Kings, about a team of ex-cons and federal agents who track down escaped felons; Amaury Nolasco (Prison Break) has joined the cast of NBC's drama pilot Chase, Kathryn Hahn (Crossing Jordan) has been added to FOX comedy pilot Most Likely to Succeed, Erinn Hayes (Worst Week) will star in NBC comedy pilot This Little Piggy, Utkarsh Ambudkar has joined the cast of FOX comedy pilot Nevermind Nirvana; and Damon Wayans Jr. boarded ABC comedy pilot Happy Endings. (Hollywood Reporter)

E! Online's Kristin Dos Santos is reporting that Heidi Klum and Paulina Porizvoka will guest star on ABC's Desperate Housewives this season and will be playing themselves in an episode slated to air in May. "In the episode Gaby (Eva Longoria Parker), who is a former model, and Angie (Drea de Matteo) run into the Project Runway host and former America's Next Top Model judge in New York City," writes Dos Santos. "The storyline will take place in NYC, but the episode will be shot here in Los Angeles." (E! Online's Watch with Kristin)

Alex Kurtzman and Roberto Orci (Fringe) are said to be developing a new animated Transformers series for The Hub, the new joint venture channel owned by Hasbro and Discovery Communications. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Kathy Najimy has been cast to guest star on ABC's Ugly Betty, where she will play the orthodontist removing Betty's braces. "Najimy will also play a pivotal role in the episode’s It’s a Wonderful Life-esque fantasy subplot," writes Ausiello. "Per an Ugly insider, her character will serve as the guardian angel who shows Betty what life would have been like had she been blessed with perfect choppers." (Entertainment Weekly's Ausiello Files)

TLC has ordered six episodes of reality series Cupcake Sisters, which will follow two sisters and business partners who run a cupcake shop in Georgetown. Project, from Big Fish Entertainment, will launch in July. (Variety)

Former MTV executive Maira Suro has been hired by Universal Cable Prods. as SVP, development and current programming. The division has also promoted Christina Sanagustin to SVP, development and current programming, Tom Lieber to director of current and development, and Korin Huggins to current and development manager. (Hollywood Reporter)

Stay tuned.

Talk Back: Winter Premiere of USA's "White Collar"

Not everything is what it appears to be, even on White Collar.

You had the chance to read my advance review of last night's winter premiere, but now that the episode has aired, I'm curious to hear what you thought. Did you think that Jeff Eastin and the writing staff managed to keep the tension throughout the hour while also keeping Neal and Peter's partnership intact? Did the episode live up to the fall finale cliffhanger? Is Kate playing Neal and secretly working with Fowler or does she really love Neal? Just where is this mysterious amber music box and what will Neal have to do to obtain it?

And, most importantly, are you hooked once more on White Collar?

Talk back here.

Next week on White Collar ("Bad Judgment"), Peter and Neal discover a connection between Fowler and an estate judge who's committing mortgage fraud and set out to take them both down.

Pawns and Players: An Advance Review of the Winter Premiere of USA's "White Collar"

When we last watched USA's White Collar, the fun and frothy crime series might have seemed as though it had itself taken a swan dive onto a bakery awning, offering a cliffhanger reveal that called into question everything that we had seen up until that point, most notably the tenuous partnership between semi-reformed criminal Neal Caffrey (Matthew Bomer) and gruff g-man Peter Burke (Tim DeKay).

Fortunately, tonight's brand-new episode of White Collar ("Hard Sell"), the series' winter premiere, deals head-on with that pesky reveal over the course of the hour via a series of plot twists that test the characters' preconceptions and their own trust issues.

Lest you worry that White Collar has jumped the shark, that couldn't be further from the case. With a facile ease and a gleeful wink at the shock of the viewing audience, the writers not only explain why a ring-clad Peter met with Kate but just what the significance of that scene really was. In other words: whatever you think you saw, guess again.

This week's episode of White Collar finds Neal going undercover to bust up a boiler room operation that is swindling unsuspecting investors out of thousands of dollars. It's a case that tests not only his ability to remain charming, charismatic, and utterly convincing but also puts his relationship with Peter under increased scrutiny, after Neal makes a shocking discovery about his partner.

What price would it take to betray the people closest to you? It's this question which hovers over the action of tonight's episode and which will make you question some of the foundations of the series itself. Along the way, there's also a nice caper for Neal and Peter to pull off if they can keep it together long enough not to sell the other out. Throw in a vault, comic books, a shotgun, and some amber and you have the makings of a fantastic installment that deepens the series' central relationships and offers a new direction for the overarching plot.

Both Bomer and DeKay are sensational in this week's installment and the undercover angle gives both men the opportunity to take on different personas than their usual regular identities. Much of the series' charm is derived from their banter and by the begrudging respect each of them has for each other. Place that and their working relationship in jeopardy and we begin to see just how dangerous each of them is in their own way, as well as how clever and crafty. Trust--and betrayal--is a very powerful thing.

And that's all I'll say for now, lest I ruin tonight's plot twists. But be sure to tune in and find out just what happens.



White Collar returns tonight at 10 pm ET/PT on USA.

The Daily Beast: "TV Report Card"

With the holiday break just around the corner, it's the perfect time to take note of what's worked so far this television season and what hasn't.

Over at The Daily Beast, I have a new article entitled "TV Report Card," in which I take a look at the 30 new (and somewhat newish) series that have premiered so far during the 2009-10 season, breaking them down into winners, losers, and draws as I investigate just why and how they work (or don't).

Everything from Modern Family and NCIS: Los Angeles to Castle, Sons of Anarchy, V, and FlashForward (and even bottom of the barrel entries Hank and Brothers) get discussed in-depth.

What's clicked for you this season? What series didn't disappear fast enough? And which are you still on the fence about? Head over to the comments section to share your thoughts about the season so far.