Channel Surfing: WBTV Developing Sandman, JJ Abrams' Alcatraz, Evil Wheaton Back to Big Bang, Free Agents, True Blood, and More

Welcome to your Thursday morning television briefing.

Hollywood Reporter's Borys Kit and James Hibberd are reporting that Warner Bros. Television is in the process of acquiring television rights to Neil Gaiman's DC/Vertigo comic series "Sandman" with the view of adapting it as an ongoing television series. Among the contenders to tackle the project: Supernatural creator Eric Kripke. It's not the first time that Hollywood has courted the mythopoeic comic series: HBO nearly had a version in development at one time with James Mangold attached; Roger Avery attempted to get a feature film version off the ground in the mid-90s. It's still early days for the project as Kripke is said to be cautious about treading on such hallowed ground and attempting to translate the deeply complex and layered narrative for television. [Editor: Personally, I'd rather that Kripke and WBTV didn't: the plot of "Sandman" isn't a strict narrative in the traditional sense of the word but rather an exploration of stories and myth, strung together with some serialized plots and one-offs about Morpheus of the Endless, a race of eternal beings older than the gods themselves. It would be a very difficult project do justice to, given the strength of Gaiman's work on the series and I can't quite wrap my head around how an ongoing series would function. Would it draw from some of the more linear storylines like "A Doll's House," "Season of Mists," "The Kindly Ones," etc.? Or would it be a procedural about a dream lord who can flit through people's subconscious minds? The latter would make me vomit in rage, really.] (Hollywood Reporter's The Live Feed)

Deadline's Nellie Andreeva is reporting that Warner Bros. Television-based producer JJ Abrams and writer/producer Elizabeth Sarnoff (Lost) are shopping drama spec script Alcatraz, about the notorious San Francisco island prison that once housed the nation's most infamous criminals, including Al Capone and, yes, the Birdman himself. The duo are taking the script--which was written by Sarnoff--to networks. No other details were immediately available, though it seems clear that the Bad Robot-produced project would be a period drama. Or not, as Abrams has been known to throw a curve ball or two. (Deadline)

Entertainment Weekly's Michael Ausiello is reporting that Evil Wil Wheaton will be returning to CBS' Big Bang Theory to resume his feud with Jim Parsons' Sheldon. “We started talking about the idea of minor celebrities cutting in line, and we thought it might be funny to have our [Big Bang] guys waiting in line for a one-time-only midnight screening of something like Raiders of the Lost Ark with restored footage, and Wil Wheaton and his three friends cut the line," executive producer Bill Prady told Ausiello. "When it comes time for our guys to get in, the line stops; Wil took the last four seats and Sheldon is just furious. Because it doesn’t make sense to him. Wil’s celebrity is not applicable here. This is not Star Trek. It’s just wrong.” Should the episode come together, it would likely air in November. (Entertainment Weekly's Ausiello Files)

Another day, another project for Party Down co-creator John Enbom, who has sold a second project to NBC in the last week. Enbom will adapt UK's Channel 4 comedy Free Agents for the Peacock and will executive produce with Karey Burke and Todd Holland and Universal Media Studios. The original UK series, which hailed from Simon Pegg and Nira Park's UK shingle Big Talk, revolved around an agent enmeshed in a very messy divorce. (Variety)

SPOILER! E! Online's Kristin Dos Santos and Megan Masters have the scoop on which actors will be returning for Season Four of HBO's vampire drama True Blood, though the answer might surprise you. According to the duo, Denis O'Hare, Marshall Allman, Kevin Alejandro, and Lauren Bowles will all be back next season, along with the previously reported Joe Manganiello. Yep, Russell will be back in some capacity next season, though he won't be seen initially in Season Four, which will focus--according to reports--on witches. Tommy Mickens will be back as well, as well as Alejandro's Jesus, while Lauren Bowles--who plays Wiccan Holly--has been promoted to series regular. (E! Online's Watch with Kristin)

As expected, Alex Kurtzman and Roberto Orci's adaptation of Joe Hill's comic book "Locke & Key" has landed at FOX, which has given the project a series commitment, though Steven Spielberg will no longer be involved as an executive producer. Project, which revolves around two brothers who live in a strange New England mansion, hails from 20th Century Fox Television and DreamWorks Television. (Variety)

Elsewhere, FOX has handed out a series order to an untitled sketch comedy show from executive producer Jamie Foxx, which will feature "a diverse cast tackling spoofs of movie trailers, commercials, TV shows, music videos and celebrities." Affion Crockett will star and executive produce the series, which comes from Fox Television Studios, Foxx/King Entertainment and The Tannenbaum Company. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Mekhi Phifer will be leaving FOX's Lie to Me when the Lightman Group breaks its ties with the FBI. "We’re going rogue a little bit,” executive producer David Graziano told Ausiello. “Lightman [Tim Roth] is going to act slightly in the more old-school PI model of a TV protagonist, [so] we’re doing away with the FBI contract [and] Mekhi is unfortunately no longer going to be on the show. The FBI franchise limited our storytelling a little bit because it had to adhere to the FBI structures of ‘Would the FBI take this case or not?’ The character that’s going to be our badge this season is a bent cop, Wolowsky [The Unusuals' Monique Gabriela Curnen], who goes about business in a similar way to Lightman. There’s a mutual respect from the get-go. We’re working hard to make The Lightman Group a dysfunctional family.” (Entertainment Weekly's Ausiello Files)

E! Online's Megan Masters has an interview with The Office executive producer Paul Lieberstein, in which he floats another possible replacement for Steve Carell, who is set to leave the NBC comedy at the end of the season: Harvey Keitel. "He's probably the only guy who can do it, and he's doing TV now," said Lieberstein. "I haven't started any talks with his people, but Harvey would do a great job—a very different energy. And we don't want to bring in another Michael, having someone play a very similar character because we have such a high regard for Steve." Lieberstein goes on to say that Keitel could play a former salesman who comes out of retirement in order to oversee the Scranton branch. (E! Online's Watch with Kristin)

HBO has ordered a third season of dark comedy Hung, with ten episodes likely to air in summer 2011. (Entertainment Weekly's Hollywood Insider)

In other renewal news, Deadline's Nellie Andreeva reports that TNT said to be close to giving Memphis Beat a second season order. Elsewhere, Lifetime has passed on that Army Wives spin-off that was to star Brigid Brannagh and Gabrielle Union and USA has slashed the episodic budget for legal drama Facing Kate from twelve to ten episodes and pushed the premiere into early 2011, due to scheduling issues. (Deadline)

Syfy has announced the cast for its upcoming four-hour miniseries Nerverland, a prequel to Peter Pan, which will star Rhys Ifans (Pirate Radio), Anna Friel (Pushing Daisies), Bob Hoskins, Raoul Trujillo (Tin Man), and Charlie Rowe (Pirate Radio). Project, from writer/director Nick Willing, will air in 2011. Here's how Syfy describes the project: "Raised on the streets of turn-of-the century London, orphaned Peter (Rowe) and his pals survive by their fearless wits as cunning young pickpockets. Now, they've been rounded up by their mentor Jimmy Hook (Ifans) to snatch a priceless--some believe, magical--treasure which transports them to another world. Neverland is a realm of white jungles and legendary mysteries of eternal youth, where unknown friends and enemies snatched from time welcome the new travelers with both excitement and trepidation. These groups include a band of 18th century pirates led by the power-mad Elizabeth Bonny (Friel), and the Native American Kaw tribe led by a Holy Man (Trujillo), which has protected the secret of the tree spirits from Bonny and her gang for ages--and that has meant war. But as the fight to save this strange and beautiful world becomes vital, Hook, Peter, and the ragamuffin lost boys consider that growing old somewhere in time could be less important than growing up right here in their new home called Neverland." (via press release)

TV Guide Magazine's Will Keck reports that Cybill Shepherd will be guest starring on ABC's upcoming dramedy series No Ordinary Family, where she will play Barbara Crane, the mother of Julie Benz's Stephanie. (TV Guide Magazine)

Following yesterday's news that Eddie Izzard would be appearing in eight episodes of Showtime's United States of Tara, the pay cabler has announced that Frances Conroy (Six Feet Under) will be guest starring in one episode of Tara next season, where she will play "Max Gregson’s (John Corbett) mother, a recluse with a compulsive hoarding problem." (Entertainment Weekly's Hollywood Insider)

Former Heroes star Jack Coleman has been cast in an upcoming episode of CBS' The Mentalist, where he will play Max Armstrong, described as "wealthy, regal, arrogant, self-important man who becomes the prime suspect in a murder," according to TV Guide Magazine's Will Keck. Coleman's episode is slated to air October 14th. (TV Guide Magazine)

Nickelodeon has announced that Jane Lynch's episode of iCarly will air on Saturday, September 11th at 8 pm ET/PT. Lynch guest stars as the "never-before-seen, eccentric" mother of Sam, Pam Puckett. (via press release)

Alyssa Milano will star in Lifetime original telepic Sundays at Tiffany's, based on the book by James Patterson. Milano will star opposite Eric Winter and will play a "bride-to-be visited by the adult incarnation of her childhood imaginary friend" who "begins to re-examine her life." (Variety)

Stay tuned.

Channel Surfing: More on Party Down Cancellation, NBC Dumps Persons Unknown on Sats, Weeds, Big Love, and More

Welcome to your Thursday morning television briefing.

Following yesterday's brutal cancellation of Party Down, Hitfix's Alan Sepinwall talks to Party Down executive producer Rob Thomas about the cancellation of the Starz comedy. "No one on our side is particularly shocked by the news," Thomas told Sepinwall about the cancellation. "Frankly, the waiting has been excruciating, and there's a certain amount of relief in knowing and being able to move on." Thomas indicated that the series was heading towards a third season renewal before newly installed entertainment czar Chris Albrecht was brought in. "There's little to no doubt that we were going to get one until Chris came in," said Thomas. "But I do think if we had done better numbers, Chris would've kept us. I don't think Chris wanted to come in and clean house. I just don't think he had quite the emotional attachment that people who had been at Starz through the birth of the show had towards it." (Hitfix)

E! Online's Kristin Dos Santos also spoke briefly with Rob Thomas about the Party Down cancellation and learned that he's working on a new project. "I'm writing a drama pilot set in the world of corporate espionage for Showtime," Thomas told Dos Santos yesterday. [Editor: of course, that came out when Dos Santos asked Thomas about what was happening with a Veronica Mars feature film, so Neptune fans, I wouldn't keep holding our breaths on that one.] (E! Online's Watch with Kristin)

If you're one of the few tuning in to NBC's serialized thriller, don't get too attached to watching Persons Unknown on Mondays. The Futon Critic is reporting that NBC is shifting Persons to Saturday evenings at 8 pm ET/PT beginning July 17th. Mondays will now how repeats of America's Got Talent at 8 pm, new episodes of Last Comic Standing at 9 pm, and Dateline at 10 pm. Persons Unknown will air its final Monday airing on July 5th. (Futon Critic)

SPOILER! Looking for some dirt on Showtime's Weeds, which returns August 16th? TV Guide Magazine's Will Keck talks to Weeds' Hunt Parrish about the sixth season, which finds the Botwins on the run. "Nancy would never leave her family behind so we're all on the run together. We pick up and move states. It's cool to see this family outside of their world," said Parrish. "We've only had one consistent set in the nine out of thirteen episodes we've shot so far [the Bowtin's RV]. We're filming on location a lot." Look for Nancy to move from pot into the hash business as well. (TV Guide Magazine)

ANOTHER SPOILER? Entertainment Weekly's Michael Ausiello has some dish on the fifth season of HBO's Big Love. "The new season starts shooting July 13, and based on some fresh casting intel, we’ll be seeing a lotta fallout from the Henricksons’ 'outing' as polygamists’, especially at the elementary school some of the kids attend," writes Ausiello. "Maybe Bill will find a sympathetic ear in Richard Dwyer, the Majority Leader of the Utah State Senate and a new recurring character? On second thought, not likely, eh?" (Entertainment Weekly's Ausiello Files)

The CW has announced its plans for fall, unveiling its autumn launch dates for new and returning series. Up first: America's Next Top Model, kicking off on Wednesday, September 8th, along with new drama Hellcats. The Vampire Diaries and Nikita kick off on Thursday, September 9th. 90210 and Gossip Girl return September 13th, One Tree Hill and Life Unexpected launch on Tuesday, September 14th, and Smallville and Supernatural return to the schedule on Friday, September 24th. (Variety)

SPOILER! TV Guide Magazine's Will Keck is reporting that Harriet Sansom Harris (Frasier) will reprise her role as Felicia Tilman on ABC's Desperate Housewives next season as part of the return of Mark Moses' character Paul to the series. "We are definitely going to show Harriet on the show," an unnamed source confirmed to Keck. "We will be using her to clarify how Paul got out of jail." Felicia, after all, had faked her own death in order to point the finger of suspicion on Paul as revenge for Paul's murder of her sister, Martha Huber. "I had lunch with (series creator) Mark Cherry who gave me an idea of some of the fun stuff he wants Paul to do," Moses told Keck. "It's going to be a great run and very interesting to see which of the housewives still think Paul's guilty and which won't. And just why is he coming back to Wisteria Lane?" (TV Guide Magazine)

Heidi Klum and reality shingle LMNO Productions have teamed up to produce family reality series Seriously Funny Kids, which will, per Variety's Michael Schneider, "go on location to where the kids are and document their reactions to various scenarios." Project will be pitched to networks very soon. (Variety)

E! Online's Megan Masters talks to Bristol Palin about her guest role on ABC Family's Secret Life of the American Teenager. "I was excited to work with the cast and just to contribute to this show's message," Palin told E! Online's Masters. "I feel obligated [to speak out] because I've lived through this experience...the more I talk about it and the more I can be hands on about it, the better I feel about myself...'m not an actress. I'll leave that up to the experts, but I had a great time here. I don't think I'll be doing any more acting in the future." (E! Online's Watch with Kristin)

Freaks and Geeks and Undeclared are coming back to television. Well, sort of. IFC has acquired syndication rights for the series, from executive producer Judd Apatow, and will begin airing Freaks and Geeks this Friday at 11 pm ET/PT (along with repeats on Sundays at 10 pm and Mondays at 11 pm), while Undeclared will bow in the fall. (IFC will also air a never-been-aired episode of Undeclared.) (Variety)

Following a successful grassroots campaign waged on Facebook, Travel Channel has saved reality series Three Sheets. The travel series, which follows Zane Lamprey on a beer quest, will shift from the now defunct Fine Living (which morphed into Cooking Channel) to Travel, which has acquired all back episodes and will begin screening new episodes as well. (Hollywood Reporter)

Sundance Channel has hired former Travel Channel executive Michael Klein as SVP of original programming and development. He'll report to Sarah Barnett and be based out of New York. (Variety)

Stay tuned.

UPDATED: Starz Ends the Party: Pay Cabler Axes Party Down

Looks like it's the end of the road for Party Down.

Despite critical acclaim and cult-like status among viewers, pay cabler Starz has cancelled Party Down after just two seasons.

Deadline's Nellie Andreeva broke the news of the series cancellation this morning, reporting that Starz had opted not to review Party Down and fellow Friday night lead-out Gravity, the latter of which aired for a single season.

"While the off-beat comedy has become an instant cult classic, I hear at the end of the day its appeal was deemed not wide enough to keep the show beyond its recently concluded Season 2," writes Andreeva, who goes on to say that Starz may make an official announcement later today about the fates of both series.

Sadly, it seems as though Party Down is in fact a goner, a decision that I believe to be myopic, foolhardy, and heartbreaking in equal measure, particularly as the series was starting to catch on with viewers thanks to Netflix's Instant Viewing function and DVD releases. But the series was, after all, developed by newly installed Starz czar Chris Albrecht's predecessor and the development exec, Bill Hamm, responsible for shepherding both series (along with breakout hit Spartacus) was let go earlier this year. (All of which I write about and presage in my Daily Beast feature from April here.)

UPDATE #1: It's now been confirmed by Starz: "After careful consideration, we’ve decided not to continue on with subsequent seasons of Party Down and Gravity,” said Stephan Shelanski, Starz's EVP of programming, in a statement. “We’re grateful to everyone involved in the shows, and are proud to have had them on the channel. Starz remains committed to aggressively expanding our original programming lineup."

UPDATE #2: I reached writer/executive producer John Enbom via email this morning to express my disappointment about the cancellation of Party Down and just received a very heartfelt reply from John as he leaves for vacation.

"What can we say? We are saddened the show won't be coming back and we won't get to spend another season with this wonderful cast and crew," wrote Enbom to me via email. "It's like being told your summer camp has been closed. But at the end of the day, we're still proud of our two seasons and grateful we had the chance to make them."

All I can say is: John, we're right there with you. For those of us who knew and loved the series, Party Down is going to be missed intensely.

What do you think of the news? Is Starz making a terrible mistake, even with several of the cast members now unavailable to film more than a handful of episodes? Should Party Down have gone on for a third season? Head to the comments section to discuss.

Future Imperfect: Party Down Wraps Its Second Season

I have a hard time imagining a world without Party Down.

While Starz's critically adored by ratings-challenged comedy has only been on for two seasons (the second of which wraps its run tonight), Party Down has served as a beacon of hope, particularly in light of watching the crop of comedy pilots ordered to series for next season.

Tonight's season finale of Party Down ("Constance Carmell Wedding") arrives at a time when the future of the series is even more uncertain than when the season began back in April. Starz hasn't picked up the series for a third season and many of its cast members--including Adam Scott and Ryan Hansen--have signed on to star in other shows. (You can read my feature on The Daily Beast from April about the situation here and the outtakes from my interview with Scott--in which we talk about Parks and Recreation and Party Down--here.)

In its twenty episodes, Party Down found the pitch-perfect balance between sweet and sour and between humor and pathos. While the crew of Party Down Caterers took a series of jobs--including tonight's wedding for one of their own, Constance (Glee's Jane Lynch back once more)--we came to know and love these characters, in spite of (or perhaps because of) their many flaws.

The Party Down gang were at times lazy, slovenly, charmless, and sarcastic. They were, in other words, much like the darker sides of ourselves, secret selves we conceal from view most of the time. Which might be why we loved them quite so much.

Tonight's season finale feels like a suitable end for Party Down, if that's what it winds up being, should Starz opt not to renew this incredible, hysterical series. Decisions are made, paths taken, and twists occur, even as we get a chance to see the original cast--including Lynch--reunite one final time on screen.

I don't want to spoil the plot of tonight's installment nor the conclusions that are reached at the very end of the episode. Party Down has always been a series that has tickled the funny bone (and offered a punch to the gut) of its devoted audience and it goes out tonight just as it started: with a sense of the bittersweet. The series has managed, in the capable hands of Rob Thomas and John Enbom, to capture the very essence of Hollywood as a place rich with the possibility of hope and that of eternal torment, a place where one's dreams are cruelly dashed.

But it's also a place of constant reinvention, where anyone--even the lowliest caiter-waiter--can look up at the stars and begin their dream anew.

Regardless of what happens with Starz, Party Down as we know it comes to an end tonight. Adam Scott is contracted for three episodes, should the series get renewed (and, sadly, that's a rather big if), and Ryan Hansen would also only be allowed to appear in a handful of episodes. The series has weathered the loss of one of its stars before and come out the other side but Scott's Henry has remained the heart of the series, his journey at its very core of what makes Party Down tick.

There's no way of knowing what the future will hold for Party Down but, for tonight at least, the party goes on.

The season finale of Party Down airs tonight at 10 pm ET/PT on Starz.

Channel Surfing: Dexter Lures Miller, Jordana Spiro Out at Love Bites, Greenblatt Exits Showtime, Gene Hunt, and More

Welcome to your Friday morning television briefing.

Showtime's Dexter is on a casting role. Variety's Stuart Levine is reporting that Jonny Lee Miller (Eli Stone) is the latest to board the serial killer drama, signing on to appear in a multiple-episode story arc on Season Five of Dexter. Miller will play "a mysterious man who ends up tangled in a storyline with Julia Stiles, who is beginning her first season on the skein." (Variety)

Entertainment Weekly's Michael Ausiello is reporting that Jordana Spiro has exited NBC's midseason romantic anthology series Love Bites. Spiro's participation in the series was always in second position to her role on TBS comedy My Boys, which returns for its fourth season next month. "Although the odds appear slim that TBS will renew the show for a fifth season (season 4 premieres July 25), it was a risk NBC apparently wasn’t willing to take," writes Ausiello. "It’s unclear if her role will be recast." (Entertainment Weekly's Ausiello Files)

Elsewhere, E! Online's Jenna Mullins has an interview with Spiro about Season Four of My Boys. "PJ has to deal with moving on to the next level with her relationship. She and Bobby start living together," said Spiro. "When you start getting a little too comfortable with your significant other, the new video game becomes more exciting than the new piece of lingerie." (E! Online's Watch with Kristin)

In surprising news, Robert Greenblatt has stepped down from his role as Showtime Networks president after a seven-year run and will be succeeded by former Imagine TV partner David Nevins. "Though the executive shuffle came down just this week, sources portrayed Greenblatt's decision as a long time in the making," writes The Hollywood Reporter's James Hibberd. "It's unclear if the network's corporate communications chief, Richard Licata, who's worked with Greenblatt for 16 years, will opt to continue at the network in the wake of the entertainment president's departure." (Variety, Hollywood Reporter)

Could the Beeb be resurrecting Philip Glenister's Gene Hunt once more? According to The Daily Mirror, the BBC is contemplating whether to develop a new series that would be set in the present day and revolve around Glenister's fiery Gene Hunt character from Life on Mars and Ashes to Ashes. No word on whether the rumors are in fact true or just that: rumors. [Editor: personally, I thought given the perfection of the ending of Ashes to Ashes, that Gene's storyline was nicely tied up. But...] (via Digital Spy)

Vulture's Emma Barker has a speed round with Party Down and Parks and Recreation star Adam Scott in which he discusses everything from prosthetic penises (cough, Tell Me You love Me, cough) to Matthew McConaughey-esque catch phrases, all in his inimitable style. (Vulture)

Digital Spy's Catriona Wightman is reporting that Doctor Who head writer/executive producer Steven Moffat has asked Russell T Davies to pen an upcoming episode of Doctor Who. But will it happen? "He's pretty adamant that he's not going to," said Moffat. "He did an awful lot of Doctor Who for an awful lot of years, and I think he's finding it in a way hard, because he's done a Doctor Who story in effect for Sarah Jane Adventures. So I think he probably wants to get away from it for a bit. I can understand that, because he did a hell of a lot. But I'd love to get him back, it would be just joyous to get him back because I miss him." (Digital Spy)

No surprise: Andy Richter will be making the move with Conan O'Brien to TBS this fall. "I'm doing the TBS Conan show because I went back to work for Conan on The Tonight Show," Richter told Variety's Michael Schneider. "But that story ended unnaturally... I didn't want them to end that story of me and Conan getting back together. I had come back to work with a friend." (Variety)

Entertainment Weekly's Michael Ausiello talks to Weeds star Mary-Louise Parker about the departure of Elizabeth Perkins from the cast of the Showtime dark comedy series when it returns for its sixth season on August 16th. "It's really sad -- really said," Parker told Ausiello. "I just can’t think of a single negative thing to say about Elizabeth Perkins. I’m sure there are many because she’s a human being, but I worked with her for [five] years and she was a wonderful person in the morning and she was a wonderful person when you worked an 18-hour day." (Entertainment Weekly's Ausiello Files)

Rob Lowe (Parks and Recreation) has teamed up with reality shingle 44 Blue to produce a new unscripted series that is set in Washington, D.C. and which will focus on "real-life aspiring politicos as they look to move up the ranks of power in the nation's capital." (Variety)

TLC has ordered eight episodes of an untitled reality competition series spinning off of its successful Cake Boss franchise in which ten aspiring cake makers will compete for an apprenticeship at Carlo's Bakery. Production on the series, from High Noon Entertainment, is slated to begin in September. (via press release)

VH1 has ordered a pilot for Office Bonus, in which "office workers battle for a $50,000 bonus" as they are locked in their workplace for 72 hours and must convince their co-workers to give them the cash bonus. Project, from 3 Ball, is executive produced by JD Roth, Todd Nelson, and Adam Greener. (Hollywood Reporter)

A&E has given an pilot order to unscripted series The Incurables, which will focus on British self-help guru Paul McKenna as he attempts to help people with severe psychological or physical problems. Project, from Ryan Seacrest Productions and McKenna Media, will be executive produced by Ryan Seacrest, McKenna, and Sam Mettler. (Variety)

TV Land is developing an untitled docusoap that will revolve around George Hamilton, his adult son Ashley, and his ten-year-old son George, as they move in together in Los Angeles. (Hollywood Reporter)

Turner Broadcasting has promoted two publicity executives, bumping Jeff Matteson to SVP/strategic communications officer and Misty Skedgell to SVP of corporate communications. (Variety)

Stay tuned.

Channel Surfing: NBC Goes Undercovers, Lost Leaked Finale Pages, Evangeline Lilly on Kate, Katee Sackhoff Talks 24, and More

Welcome to your Tuesday morning television briefing.

NBC has given a series order to spy dramedy Undercovers, from executive producers J.J. Abrams and Josh Reims, the first series pickup for the 2010-11 season. Series, which revolves around the exploits of a married couple who both work in espionage, stars Boris Kodjoe, Gugu Mbatha-Raw, Jessica Parker Kennedy, Carter MacIntyre, Gerald McRaney, and Ben Schwartz. “Having J.J. on our creative team is a great reason for celebration,” said Angela Bromstad, President, Primetime Entertainment, NBC and Universal Media Studios, in a statement. “In Undercovers, J.J. and Josh have found a breakout couple that is rich in character and brimming with romance and action. We feel he’s found the perfect cast.” (Televisionary)

MEGA-SPOILER! I won't be clicking over to read these (and would ask that you not discuss them in any specific detail here) but Italian blog Macchianera has obtained six script pages from the Lost series finale, scheduled to air May 23rd on ABC. While neither ABC nor executive producers Damon Lindelof or Carlton Cuse have commented on their provenance, it's believed by many that the pages are authentic and they are ridden with spoilers for plot twists between now and the season finale. [Editor: again, WARNING, don't click if you don't want to be spoiled! I also have to wonder why no one in Lost's production thought to individually watermark these pages.] (Macchianera via The Onion's A.V. Club)

Vulture's Mike Ryan, meanwhile, talks to Lost star Evangeline Lilly about the imminent end of the mind-bending drama series. Among the many questions posed to Lilly, one was regarding whether the actress had wished she could rewrite a scene that had featured Kate. "There is this one scene that I stand by that if I could have chosen or written it, it definitely would have gone down differently: the scene where Kate watches Jack carry a meal over to Juliet at the survivors camp," said Lilly. "They sit down together and eat and they're laughing and talking, and then Kate subsequently goes to Sawyer's tent and lavishes him. I feel like it was a cheapening of the character. I feel like she was always an emotionally confused women between these two men, but she was never that manipulative sexually, I don't think. I feel like that was something that if I could have rewritten it — and I tried to work with the producers on that one; I tried to change so at least it wasn't a cut. It could have been Kate seeing Jack then maybe a couple scenes go by, time goes by, and then you see her go to Sawyer's tent. It ended up being a direct cut and that she literally went in a snit, and was in a pout, because Jack was playing with another girl and she went and seduced Sawyer. I didn't dig that. I would have rewritten that." (New York Magazine's Vulture)

SPOILER! Entertainment Weekly's Michael Ausiello talks with Katee Sackhoff about last night's recent plot twist on FOX's 24, which saw Sackhoff's Dana Walsh murdered by Kiefer Sutherland's Jack Bauer. "She doesn’t have one redeeming quality," said Sackhoff of Dana. "I tried desperately to give her a redeeming quality. I really tried. The only thing I could come up with was that she didn’t crack when she was tortured... I kind of figured if I couldn’t give her a redeeming quality, I was just going to be the most ridiculously unsympathetic villain ever. I was going to try and make everyone hate her. That was my goal, and I think I succeeded." (Entertainment Weekly's Ausiello Files)

FX has renewed Justified for a second season. (Televisionary)

Deadline.com's Nellie Andreeva is reporting that Battlestar Galactica creator Ronald D. Moore has signed a two-year overall deal with Sony Pictures Television, under which he will develop projects for both broadcast and cable through his Tall Ships Prods. shingle. Moore had previously been based at Universal Media Studios. (Deadline.com)

TVGuide.com's Natalie Abrams talks to V showrunner/executive producer Scott Rosenbaum about what to expect from the final three episodes this season as he offers up eight hints about upcoming plotlines, ranging from V soldiers and alien babies to showdowns, attacks, and betrayal. (TVGuide.com)

Variety's Cynthia Littleton is reporting that NBC might order one or two other projects this week, ahead of its upfront presentations. The likely candidates include dramas The Chase, Kindreds, and The Rockford Files, with The Event and Love Bites also said to be in the mix. On the comedy side, the strongest players appear to be Outsourced, Perfect Couples, Next, This Little Piggy and possibly Beach Lane, which is said to require some reworking. (Variety)

Entertainment Weekly's Michael Ausiello is reporting that Smallville executive producer Brian Peterson is "very optimistic" that Allison Mack will return to the CW superhero drama next season. "We’ve learned the hard way not to say [it's official] until everything is signed and dotted," Peterson told Ausiello. "So the best we can say is we’re really optimistic. And so is Allison." (Entertainment Weekly's Ausiello Files)

Slightly better news for Party Down in its second episode; the Starz comedy scored a 129 percent increase week to week, bringing its ratings to 289,000 viewers. (Hollywood Reporter's The Live Feed)

Look for Adrian Grenier's Vince to cut his hair this season on HBO's Entourage, according to TV Guide Magazine's Will Keck. “It’s for a story line where Vince cuts his hair without telling the director of his new movie,” executive producer Doug Ellin told Keck, denying reports that it had been Grenier who had shorn his locks without telling the producers. “As always with our show, art imitates life.” (TV Guide Magazine)

20th Century Fox Television has signed a multi-year overall deal with writing partners Patrick Masset and John Zinman--who together worked on Friday Night Lights and Caprica--under which they will develop new projects for the studio and be placed on the staff of a new drama series, likely either Midland, Ride Along, or Breakout Kings. (Hollywood Reporter)

Newcomer Jeff Rosick has been cast as Buddy Jr. in Season Five of Friday Night Lights, where he will recur throughout what will likely be the final season of the drama series. (Entertainment Weekly's Ausiello Files)

History Channel has ordered reality series Stan Lee's Superhumans, which the comic book guru and Daniel Browning Smith, will host as the duo meet "people who have remarkable abilities because of being genetically different." The series will be joined by a slew of other new programming at the cabler, including Brad Meltzer's Decoded, Top Gear, The Kennedys, and Chasing Mummies, as well as specials Voices From Inside the Towers, Jefferson, President's Book of Secrets, and Reagan. (Hollywood Reporter)

Deadline.com's Nellie Andreeva offers a look at the rest of the development slate for nascent pay cabler Epix, which includes projects from Todd Field, Todd Holland, and Lawrence O'Donnell. (Deadline.com)

Spike has ordered reality pilot Weapon X, from executive producer Thom Beers, about "whether certain military battles could've been won if the losers had built a high-powered weapon that utilizes today's technology," and has ordered scripted drama pilot Rebel League, from writer Stephen Engel and executive producers Denis Leary and Jim Serpico, about the dysfunctional 1970s World Hockey Association. (Variety)

Syfy will air backdoor pilot (or, er, four-hour mini-series) The Phantom--starring Ryan Carnes--on a single night: Sunday, June 20th, beginning at 7 pm ET/PT. (Hollywood Reporter)

Stay tuned.

Channel Surfing: Two More Years for Housewives, Glee Promotes Morris and Rivera, Conan to Appear on Sunday's 60 Minutes, and More

Welcome to your Wednesday morning television briefing.

Deadline.com's Nellie Andreeva is reporting that ABC is said to be considering renewing nighttime soap Desperate Housewives for two more seasons, which would then wrap up the series' run on the network. "There have been indications that ABC may go for a straight two-year pickup, including making deals with key writers on the show. Creator/executive producer Marc Cherry already has a deal in place with producing studio ABC Studios for three more years," writes Andreeva. "If Desperate Housewives indeed ends its run after eight seasons, he is expected to focus on development in the final year of his deal." She also reports that Patrick Dempsey may not want to continue on Grey's Anatomy after next season... (Deadline.com)

Good news for Brittany and Santana. Entertainment Weekly's Michael Ausiello is reporting that Glee's Heather Morris and Naya Rivera, who play Cheerios/New Directions double agents Brittany and Santana, will be getting promoted to series regulars next season, citing unnamed sources close to the production. A Glee spokesperson had no comment. (Entertainment Weekly's Ausiello Files)

Elsewhere, E! Online's Megan Masters has an interview with Chris Colfer about last night's episode of Glee ("Home"), in which he attempts to set up his father (Mike O'Malley) with the widowed mother of Finn (Cory Monteith) in an effort to get closer to his unrequited crush. "It's very emotional—probably the most emotional [yet] for Kurt," said Colfer. "Kurt is so strong. He's more concerned with being OK in his dad's eyes than with anyone else. And that relationship definitely gets stronger. Some of the best stuff is coming up for it." (E! Online's Watch with Kristin)

Conan O'Brien will break his media silence since his departure from NBC's The Tonight Show this Sunday when he grants an interview to 60 Minutes's Steve Kroft, set to air Sunday at 7 pm ET/PT, the day after his gag order from NBC expires. [Editor: some have wondered whether the venue was quite right for the youth-skewing O'Brien to give his first interview since the January debacle at NBC, yet one can't help but imagine that 60 Minutes's median age is going to plummet thanks to this interview.] (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Gilles Marini will be promoted to series regular next season on ABC's Brothers & Sisters, according to the series' showrunner David Marshall Grant, who also told Ausiello that Luke Grimes will be departing the series. "There may be an episode or two that some [characters] might not be in," Grant told Ausiello, "but aside from Rob [and Luke], the [entire] cast is returning." (Entertainment Weekly's Ausiello Files)

Michael Ealy (FlashForward, Sleeper Cell) has been cast in a five-episode story arc next season on Showtime's Californication, where he will play a love interest for Natascha McElhone's Karen. He joins Rob Lowe, who will appear next season as an actor hoping to play David Duchovny's Hank in a film. (Hollywood Reporter's The Live Feed)

Deadline.com's Nellie Andreeva is reporting that insiders close to the Warner Bros. Television-Charlie Sheen deal are "optimistic a deal would be done within the final week before CBS’ May 19 upfront presentation." Sheen could end up being paid more than a million dollars per episode of CBS' Two and a Half Men, should a deal come together for another season. (Deadline.com)

It's official: Nancy Dubuc will now handle oversight of Lifetime Networks, where she will serve as president/general manager as well as holding the same role over A&E Television Network's History channels. Move was expected as early as February but the network group announced the official news yesterday. "I am incredibly honored to now lead the Lifetime team," said Dubuc. "Lifetime and Lifetime Movie Network are two of the most powerful and evocative brands on the media landscape." (Variety)

Doctor Who's Matt Smith will play author Christopher Isherwood in Christopher and His Kind, a 90-minute telepic to air on BBC Two that will recount the writer's formative years when he departed England for Berlin. (Broadcast)

ABC has renewed reality series Supernanny for the 2010-11 season, but it's likely the last outing for nanny Jo Frost, who has indicated that she wants to leave the Shed Media-produced series. "It feels like the right time for me to end my reign as the Supernanny," said Frost. "I've lived out of a suitcase for the past five years, visiting 47 states for the show. It's time to settle down in one place for the time being." ABC, meanwhile, indicated that Frost might be under contract for an additional season beyond the 2010-11 one. (Variety)

Associated Press' Michael Cidoni has an interview with Party Down's Megan Mullally. "I'm really lucky, because Nick and I are homebodies, strangely enough. We're not Hollywood-y at all," said Mullally about her husband, Parks and Recreations star Nick Offerman. "Like I wonder, when I see a reality show that's set in Los Angeles with really tan women with giant boobs that do a lot of drugs. 'Where are they?' 'Cause I've lived there for 25 years and I've never seen them. We have a normal life and we just kind of keep it on the down low." (Yahoo! News)

TruTV unveiled eight new series in development and announced that it had renewed five series, including Conspiracy Theory with Jesse Ventura, Black Gold, Las Vegas Jailhouse, Full Throttle Saloon, and Rehab: Party at the Hard Rock Hotel. Programs in development include America's Toughest Boss, The Naked Office, Exposed!, Vegas Rep, Limo Bob, Rogue Society, and Ma's Roadhouse. (Variety)

Bill Engvall (The Bill Engvall Show) and Mo Rocca (Wait Wait Don't Tell Me) have been named the hosts of ABC reality pilot Trust Me, I'm a Game Show Host, which is set to tape next week. (Variety)

BBC Worldwide Prods. has hired former AMC executive Vlad Wolynetz as SVP of scripted production and former William Morris Endeavor agent Hugh Fitzpatrick as VP of scripted programming. Both will report to Julie Gardner. (Deadline.com)

CBS has announced a return date for reality series I Get That a Lot, which will air as a one-hour special on Wednesday, May 19th at 8 pm ET/PT and feature Wayne Brady, Tim Gunn, Nick Jonas, Wynonna Judd, Jay Mohr, and Martha Stewart. (The Wrap)

Elsewhere at the Eye, CBS has promoted Noriko Gee to VP of programming planning and scheduling, where she will work with Kelly Kahl. (Variety)

Stay tuned.

Great Scott: Adam Scott Talks Party Down and Parks and Recreation

There's no danger that Adam Scott will ever be the guy known only for a catch phrase in a beer commercial.

The boyish-looking 37-year-old actor stars in Party Down, which returns tonight for its second season after receiving critical adoration for its first season, and he'll next be seen in NBC's Parks and Recreation beginning with the final two episodes of the season. (He then segues to a series regular role on the Universal Media Studios-produced comedy next season.)

I talked to Adam Scott last month for a feature that ran earlier this week on The Daily Beast about Party Down (which can be read here).

While that feature article focused entirely on Party Down (and also featured quotes from co-creator/showrunner John Enbom and ex-Starz executive Bill Hamm), I thought I'd bring you more details from my lengthy interview with Scott a few weeks back, during which we talked about Party Down and his role on Parks and Rec, and he extracted a piece of dried apple from his daughter's mouth. (Yes, seriously.) Those exchanges are presented as a Q&A-style transcript from our conversation.

Here, we talk about expectations, the power shift in Season Two of Party Down, the atmosphere on Parks and Recreation, and whether being a cater-waiter or working in local government would be the tougher gig.

Televisionary: Was there any pressure to live up to any expectations with the second season of Party Down?

Adam Scott: Yes, definitely. The fans are few, but they’re very passionate. We don’t want to let them down. It’s hard because we really love Season One, all of us. That’s why we all came back for season Two. They didn’t have any of the actors under contracts. None of us were required to come back. We all wanted to.

No one’s getting rich on this show. Everybody really wanted to come back. It’s hard work; even though it’s super fun, it’s hard work with limited time and budget, etc. We all really wanted to make it as good as possible and didn’t want to screw it up for the fans… they’re kind of ever-growing and ever-passionate. So, we really wanted to be as good as we could. We just hoped that they like it and we don’t let anyone down.

I know that the Ricky Sargulesh episode from Season One has been a particular Achilles heel for our head writer and showrunner John Enborn because everyone compares everything to that one. It’s one of the high points of Season One. We’re always trying to live up to that and Sweet 16 and some of the others that are everyone’s favorites.

Televisionary: In the second season, Henry takes on a leadership role within the group and there is a major power shift. Was it difficult to switch gears and play Henry as more the heavy rather than as sort of the prototypical slacker?

Adam Scott: Yes. It was interesting. I loved being able to make that shift and start the season with a bit of a game change, as it were. Sort of the cliff hanger of the season last year was would Henry actually do this. It was all kind of in disarray. So, not only did he decide to do it, but he’s kind changed his whole outlook on life. He’s trying to get his shit together and really taking this job seriously and dating Uda who’s a monster in her own right. So, yes, I think it was great.

Jace Lacob: What is John Enbom like as a show runner? What’s it like working with him?

Adam Scott: He’s a terrific showrunner. He’s a very low-key guy and a very collaborative guy. I know showrunners sometimes aren’t that way. Sometimes, they can be a little nuts because there is a lot of pressure. But I also think that the size of the show makes it somewhat manageable even though the guy, by the end of both seasons, can barely walk. He has four different viruses running through his body because he just hasn’t slept or eaten because he’s either on set, in his trailer writing, or editing an episode. He also has a family. How he does it, I have no idea. I love working with John. He’s a great guy and a brilliant, brilliant writer.

John and Rob Thomas and Dan Etheridge and I, we’ve all been friends for years. And Paul Rudd as well, who also created the show. We’ve all just been hanging out for years. And long before Veronica Mars we all were buddies. So, when they were making their homemade version of the Party Down pilot, we made it Rob’s backyard. They just called and asked if I wanted to do it; called Ken and Jane. We all just kind of jumped in and did just because we all knew each other. All of that is really fun because we’re friends. It kind of lends itself to the right kind of creativity and collaboration.

Televisionary: Is the atmosphere similar or different on Parks and Recreation?

Adam Scott: Atmosphere-wise it’s exactly the same. I mean the thing about Party Down that I love; it’s the reason I was so trepidatious to move on and do anything else is we all love it. We all built it together, you know? It’s something we made with our hands. It’s ours and we’re all enormously proud of it. We love going to work. Even on people’s days off, they swing by and hang out.

The surprising thing about Parks and Rec is it’s the same thing. People, on their days off, are coming by and just saying hi. It’s very collaborative. Everyone’s chiming in with their ideas. The craft service table is much nicer. There are these big fancy sets and everything, which we never had. We were driving around to different veteran’s homes in the Valley to shoot our episodes. Parks and Rec has a beautiful set on a lot in Studio City. So, it’s the same spirit and the same atmosphere. It’s very comforting and terrific. They make us a really hilarious show at Parks and Rec that to me feels homemade and built together much like Party Down does. So, it’s actually much less of a transition than I was expecting.

Televisionary: What can you tell us about Ben, your character on Parks and Recreation?

Adam Scott: What I can tell you is Rob and I come in together and we’re state auditors. We come in to oversee the budget and the budget crisis that may be happening in Pawnee.

Jace Lacob: Is it difficult coming into a series that’s already established? Is it difficult at all when it’s already been on the air for two seasons?

Adam Scott: No. I’m sure with some shows it may be. But with Parks everybody’s super cool and very welcoming. I couldn’t ask for a nicer group of people. So, not at all. It’s been really fun and very easy. Everybody’s super sweet. It’s a dream job.

Jace Lacob: Which job do you think is worse: being a cater-waiter or working in local government?

Adam Scott: That’s a good question. Boy, there are cons and cons to both of them. Probably being a cater-waiter. I think there’s a certain level of humiliation to both. But I think that with government, at the end of the day, if you get a drinking fountain installed in a playground that’s something you can look at and show people and say, “I did that.” Where as with cater-waitering, I don’t know. It’s a tough job. My hat’s off to anyone who can do it.

Season Two of Party Down premieres tonight at 10 pm ET/PT on Starz.

Fame is Fleeting (But Comedy Isn't): An Advance Review of Season Two of Starz's Party Down

The employees of Party Down Catering seem to fall into two categories: those who continue to dream big and those whose dreams have gotten thrown on the ground, stomped on a few dozen times, and then set on fire for good measure.

Season Two of Starz's deliciously droll comedy Party Down, created by Rob Thomas, John Enbom, Dan Etheridge, and Paul Rudd, returns tomorrow for another season of scathing satire, trenchant observation, and dark comedy. (You can read my feature article on the series here.)

Despite its presence on an up-and-coming pay cable network that doesn't boast the reach of HBO or Showtime, cable's big guns would be lucky to have a comedy that's this hilarious, biting, and emotionally resonant, often all at the time same.

Set nine months after the events of Season One, Party Down finds its caterers heading once more into the breach as they cater the backstage after-party for rock metal god Jackal Onassis (guest star Jimmi Simpson). Changes are afoot: Henry Pollard (Adam Scott) is now team leader, replacing Ron (Ken Marino) who left to fulfill his dream of opening up a Soup'er Crackers franchise. Casey Klein (Lizzy Caplan) hasn't been heard from in months after she broke up with Henry and booked a stand-up comedy gig on a cruise. (Megan Mullally's Lydia Dunfree is a new face at the catering company, following Jane Lynch's departure during Season One.)

Life may have moved on but for the employees of Party Down, they're still stuck in the grind, catering one event after another and still not taking their jobs very seriously, even with Henry attempting to exert his authority over his team. An on-site firing leads Henry to ask boss Alan Duck to send a replacement... who just happens to be Casey, returned from her cruise.

Awkward much?

That awkwardness adds a nice layer of tension throughout these episodes as Henry and Casey must both adapt to working together again (though now in a boss-employee context) and the fact that they've both allegedly moved on. Henry and Casey's relationship--or lack thereof--is the central dynamic within Party Down, although it's not the only one. Each of the characters gets the chance to shine in an array of situations. Not unsurprisingly, Ken Marino's Ron winds up--SPOILER ALERT!--back in the group by the second episode and brings with him a whole host of baggage, not least of which are the reappearance of his diverse addictions.

While Lynch has departed the series for Glee, I have to say that it's hard to miss Constance as the chemistry among the actors is just so fantastic that they more than make up for the lack of Lynch. Mullally is a first-rate addition to the cast and manages to integrate herself quite quickly, offering a very different perspective on Hollywood as a wannabe stage mom to triple threat daughter Escapade, whom she believes will be a star.

There's an easy camaraderie between the cast members and a rhythm to their interactions that feels painfully real at times. Snippets of conversations about meaningless ephemera help to create the sensation that we're eavesdropping on real-life and the dynamic between frenemies Roman (Martin Starr), still trying to make it as a hard sci-fi writer, and Kyle (Ryan Hansen), the actor/model/musician on the cusp of stardom should his base-jumping movie take off, is lovingly crafted by these two polar opposites, casting a nice patina of wit and snark onto the already pitch-perfect humor.

I've seen the first five fantastic episodes of Party Down's second season and I don't want to give too much away about the plot of each of the five events that they cater, though the fifth episode ("Steve Guttenberg's Birthday") might just be my very favorite episode of the series to date, as the gang caters a party--for themselves--on The Gutte's fiftieth birthday, which leads to Casey discovering that Henry was once (and still could be) an amazing actor, Roman and his writing partner (guest star Christopher Mintz-Plasse) putting on a reading of their sci-fi feature script, and hot tub-related shenanigans. (It also features Steven Guttenberg as an extremely heightened and absurd version of himself. At least I hope so, anyway.)

As with the very best comedies (such as Ricky Gervais and Stephen Merchant's The Office or Extras), Party Down challenges you not just to laugh but to feel, mining the uncomfortable silence between words, the painfulness of regret, and the sting of botched expectations for humor that's both squirm-inducing and riotous.

There's a real emotional core to the series, one that explores the soul-crushing world of Hollywood and the way that the entertainment industry spits people out without giving them their heart's desire. It's a series that asks a question about each of us: whether we're working towards a dream or just dreaming while we're working, slogging away in a thankless job that went from temporary to permanent. In a society that judges us on what we do rather than what we dream, it's the rare comedy that investigates the division between reality and our ideal selves, especially with as much charm, humor, and raunchy content as Party Down.

You'd do well to cancel your Friday night plans and spent it with the crew of Party Down. After all, with its razor-sharp insights and jaw-dropping comedy, this is one party you'll never want to end.



Season Two of Party Down launches Friday evening at 10 pm ET/PT on Starz.

The Daily Beast: "Is the Party Over?"

Is Party Down over before it's even had a chance to grab a larger audience and cross over into the mainstream?

That's the question I ask in my latest feature for The Daily Beast, entitled "Is the Party Over?" I speak with co-creator John Enbom, star Adam Scott (who will soon be seen in his new gig on NBC's Parks and Recreation), and former Starz development executive Bill Hamm, who was let go from his position just days after speaking with me.

With the cast being snapped up by other networks and no Season Three renewal in sight, one can't help but wonder if Starz has squandered Party Down's significant potential. But the fact remains: if you want more Party Down, subscribe to Starz, buy the DVD, and get as many people to watch Season Two--beginning tomorrow--as possible.

Party Down returns for its second season tomorrow night at 10 pm ET/PT on Starz.

Channel Surfing: ABC Renews "Castle," "Fringe" Producers Talk Parallel Universe, "30 Rock" Lands Matt Damon, and More

Welcome to your Wednesday morning television briefing.

Nathan Fillion fans, rejoice! ABC yesterday announced that it had ordered a full third season for procedural drama Castle, picking up the Nathan Fillion and Stana Katic-led series for a full season of 22 episodes. The pickup came a day after Castle hit a ratings high (14.5 million total viewers and 3.7/10 in the key demo) and as well as broke a record for scripted series at ABC on Mondays at 10 pm ET/PT and its best key demo ratings in the timeslot since 2001. (via press release)

Meanwhile, The Wrap's Josef Adalian has a quick Q&A with ABC chief Steve McPherson about Castle's renewal. "We all believed, on both the production side and the network side, we believed in the creative on this show from the get-go," McPherson told Adalian. "We loved the casting, we loved Andrew (Marlowe, executive producer) and the work he was doing on the story-telling. It's a great story of patience. It's good to see the ability of broadcast networks to be patient when they can." (The Wrap's TVMoJoe)

Entertainment Weekly talks to Fringe producers Jeff Pinkner and J.H. Wyman about what's coming up on the FOX sci-fi drama, which returns with new episodes on Thursday. [Editor: you can read my advance review here.] "We want them to come away compelled and absolutely ready to see where we’re going next year," said Wyman when asked about what fans will take away from the end of the season. "We will open up a new chapter at the end of this season like we did last year. That will be entirely satisfying, I hope, for those who stuck with it and could be entirely engaging for a whole new crop of viewers." (Entertainment Weekly's Hollywood Insider)

Entertainment Weekly's Michael Ausiello is reporting that Matt Damon is set to guest star on an upcoming episode of NBC's 30 Rock. Series creator/star/executive producer Tina Fey had previously indicated her desire to snag the Green Zone star for a guest appearance on 30 Rock . "Although the specifics of his appearance are being kept hush-hush, I hear the Oscar winner’s episode will be one of the season’s last," writes Ausiello. "If I were a betting man, I’d wager that Ben Affleck’s other half would follow in James Franco’s footsteps as another fleeting love interest for Jenna (Jane Krakowski)." (Entertainment Weekly's Ausiello Files)

Good news for NBC, bad news for Party Down. Former Veronica Mars star Ryan Hansen--currently part of the ensemble cast of Starz's Party Down--has landed one of the leads in NBC comedy comedy pilot Friends With Benefits. Hansen will play Ben, described as "an Everyman who, while waiting for Ms. Perfect, enjoys a relationship with Sara (Danneel Harris), a doctor trying to find Mr. Right." He replaces Patrick J. Adams, who was originally cast in the role, which is said to be in second position to Party Down, which has yet to be renewed for a third season. (Hollywood Reporter)

One thing stands in the way of NBC's Law & Order coming back for a record-breaking 21st season: TNT. The cable network, the home of the off-net syndicated run of the procedural drama, isn't under obligation to pick up any additional seasons past the 20th season... and NBC can't take Law & Order anywhere else, under the terms of their deal. But NBC needs the syndicated coin in order to defray production costs and make up the deficit. Which leaves TNT with all of the leverage, it would appear. Neither side would comment on the negotiations. (Hollywood Reporter)

SPOILER! Entertainment Weekly's Michael Ausiello has details about a major upcoming plot on the CW's Smallville, which I won't reveal here. But if you're into that sort of thing, head on over and see what Ausiello has to say about the May 14th season finale. (Entertainment Weekly's Ausiello Files)

Pilot casting roundup: Orlando Jones (Rules of Engagement) has been cast as one of the leads opposite David Krumholtz and Martin Short in FOX IRS comedy pilot Tax Man; Mircea Monroe (Drive) has joined the cast of Showtime's upcoming comedy series Episodes, where she will play "42-year-old actress who looks 24 after having a lot of work done," in the project, which stars Matt LeBlanc, Claire Forlani, and Stephen Mangan; and Ritchie Coster (Virtuality) has scored one of the leads in David Milch and Michael Mann's HBO horse-racing drama pilot Luck. (Hollywood Reporter)

Irritated by last night's on-screen bug during Lost trumpeting the return of sci-fi series V? You're not alone. The Wrap's Josef Adalian takes a look at the fallout from running on-screen clutter during one of the final episodes of Lost and offers reactions from critics, viewers, and pundits alike. (The Wrap's TVMoJoe)

Universal Media Studios has signed an overall deal with Desperate Housewives writer/producer Alexandra Cunningham, under which she will develop projects for the studio. As a result, she will depart Wisteria Lane to focus on her new development deal. "I've been wanting to work with Alex since the first play I read by her," said Laura Lancaster, EVP of drama at NBC Entertainment/Universal Media Studios. "She's an incredibly gifted and versatile writer (who is) able to draw complicated, complex characters and situations within both drama and comedy genres." (Variety)

UK's ITV is looking at several series to replace the long-running but now axed cop drama The Bill, including a UK remake of FOX supernatural series The Oaks, a series which never actually made it to the air in the US. (Broadcast)

WeTV unveiled its new slate of reality programming yesterday at its network upfront in New York, including Downsized, Sunset Daze, Mother Knows Best?, Girl Meets Gown, and You're Wearing That? (Variety)

Stay tuned.

The Daily Beast: "15 Reasons to Watch TV This Spring"

Looking for something to watch this spring?

Head over to The Daily Beast, where you can read my latest piece, "15 Reasons to Watch TV This Spring," where I round up fifteen new and returning series airing this spring--from Doctor Who, V, Nurse Jackie, and Fringe to Treme, Peep Show, and Top Chef Masters, among others--as well as some major events like the end of ABC's Lost in May.

What are you most looking forward to this spring and what's caught your fancy as your latest television obsession? Head to the comments section to discuss.

Channel Surfing: Time is Up for "24," Keri Russell Circles "Wilde Kingdom," Adam Scott Talks "Parks and Recreation," "Lie to Me," and More

Welcome to your Wednesday morning television briefing.

While FOX and 20th Century Fox Television won't comment, Variety's Michael Schneider is reporting that it appears that Day Eight of 24 will be the series' last. A final decision on the fate of the Kiefer Sutherland-led serialized drama will be made in the next day or so but it's not looking as though 24 will continue for a ninth season, at least at FOX. "The studio is said to be considering shopping 24 to other nets -- but given the thriller's age and pricetag, it's believed interest from other outlets will be limited," writes Schneider. "Yet even as the bell tolls for 24 in primetime, the franchise is far from dead. Sutherland and the 24 team have been keen on adapting the show as a feature film, and have made major strides in recent months toward making that long-term goal a reality." (Variety)

In quite possibly one of the best pieces of casting news around, Keri Russell (Felicity) is said to be in talks to star opposite Will Arnett in FOX's Mitch Hurwitz-executive produced single-camera comedy pilot Wilde Kingdom. Russell would play a "charitable tree-hugging woman" whom Arnett's character, a "Beverly Hills jackass," falls in love with. Project, from Lionsgate Television and Tantamount, is written and directed by Hurwitz, who wrote the pilot with Arnett and Jim Vallely. [Editor: I'm praying to the casting gods that the studio is able to close a deal with Russell ASAP.] (Hollywood Reporter, Entertainment Weekly's Ausiello Files)

TV Guide Magazine's Will Keck talks to Party Down's Adam Scott about his upcoming role on NBC's Parks and Recreation. "What I know is I'm coming in for the last couple episodes of this season, and then for Season Three I will be a regular," Scott told Keck. "I think I'm going to be getting a lot of screen time with Amy, which is great. When I start, I'm not a part of the government agency. I'm an outsider. But I think there's potential for that to change." (TV Guide Magazine)

FOX's Lie to Me will return on June 7th and will air original episodes throughout the summer as part of the network's efforts to implement a post-season strategy. FOX will pair the back half of Lie to Me's second season with Matt Nix's cop drama The Good Guys (formerly known as Code 58), which will get a sneak peek on May 19th. Glee, meanwhile, will wrap up its first season on June 8th and the leftover episodes from Past Life will also air this summer. (Hollywood Reporter, Variety)

Production on Season Two of Starz's Spartacus: Blood and Sand has been delayed, due to star Andy Whifield's treatment for non-Hodgkin lymphoma in New Zealand. Whitfield's prognosis is said to be good, with Starz stating that the condition is treatable and was detected early. "I'm receiving excellent care, and am feeling strong, positive and determined with an army of support behind me," said Whitfield in a statement. Season One of Spartacus will wrap its run on Starz on April 16th. (via press release)

Charlie Sheen will return to the set of CBS' Two and a Half Men next week after checking himself into a rehab clinic on February 23rd after a series of events that included a domestic violence charge against the star. Sheen is expected to return to work on Tuesday. (Variety)

Jimmy Smits (Cane) will star in NBC's untitled John Eisendrath drama pilot (a.k.a. Rough Justice) and will also co-executive produce. Smits will play Cyrus Garza, described as a "by-the-book Supreme Court Justice who excuses himself from the bench to go into private practice and fight constitutional injustices." (Hollywood Reporter)

CBS has renewed reality series Undercover Boss for a second season, though didn't immediately issue an episodic count for the sophomore run of the series, which follows corporate CEOs as they go undercover in their organizations. (Variety)

Pilot casting update: Judy Greer (Archer) will star opposite David Krumholtz in FOX I.R.S. comedy pilot Tax Man; Jerry O'Connell (Carpoolers) will join Jim Belushi in CBS pilot Defenders; Madchen Amick (Damages) has joined the cast of FOX drama pilot Pleading Guilty; Jason Biggs will star in CBS comedy pilot True Love (also cast: Dan Fogler); Brooke Bloom (CSI: Miami) and Vanessa Minnillo (True Beauty) have joined the cast of NBC comedy pilot This Little Piggy; Anna Chlumsky (30 Rock) has scored one of the leads in CBS drama pilot Quinn-Tuplets; Melinda Clarke (The O.C.) and Aaron Stanford (Traveler) have been added to the cast of the CW action pilot Nikita; Mary Elizabeth Ellis (It's Always Sunny in Philadelphia) and Hayes MacArthur (Worst Week) have come aboard NBC's comedy pilot Perfect Couples; Debra Jo Rupp (That 70's Show) has been cast in ABC's untitled Shana Goldberg-Meehan comedy pilot; and Jay Hernandez (Six Degrees) and Michael Beach (Stargate Atlantis) have been cast in CBS' untitled Hannah Shakespeare medical drama pilot. (Hollywood Reporter)

Bravo is expected to announce today that Isaac Mizrahi will return as host for Season Two of its reality competition series The Fashion Show at today's cable upfronts. The cabler will also announce launch dates for Bethenny's Getting Married, which follows Real Housewives of New York City star Bethenny Frankel as she prepares for her nuptials, and Top Chef: Just Desserts. (Variety)

TVGuide.com's Adam Bryant is reporting that Navi Rawat (NUMB3RS) is set to guest star on an upcoming episode of ABC's Castle, slated to air April 5th, where she she will play mummification expert Rachel Walters who finds herself involved in Castle and Beckett's investigation when a museum curator is found murdered. (TVGuide.com)

Following ABC's decision to keep Castle on Mondays (rather than give it a test-run on Sundays after Desperate Housewives), the network has announced that it will use the Sunday, March 21st 10 pm timeslot to instead offer a sneak peek at reality series Jamie Oliver's Food Revolution. Due to the sneak, the series launch for the series--which stars British chef Jamie Oliver--has been pushed to April 2nd. And Castle will get a chance to test the Sunday audience; ABC has now slated a repeat of Castle for Sunday, March 30th. (The Wrap's TVMoJoe)

UK viewers will be able to see Lifetime's Drop Dead Diva, following a deal between Sony Pictures Television and Virgin Media's Living, which will launch the series this spring. (Broadcast)

Nickelodeon has signed a three-year deal with iCarly creator Dan Schneider said to be in the eight-figure range. (Variety)

In other Nick-related news, the cabler has ordered two pilots: single-camera comedy Supah Ninja, about ninja high schoolers, and multi-camera comedy Everyday Kid, about a teenager who wakes up each morning with a new ability. The two pilots join Summer Camp, all of which are in contention for series orders. (Hollywood Reporter)

Former Oprah Winfrey Show executive producer Ellen Rakieten has signed an overall deal with RelativityReal, under which she will develop and produce unscripted series. (Variety)

Stay tuned.

Channel Surfing: FOX Renews "Fringe," "Doctor Who," Rob Thomas Talks Adam Scott and "Party Down," Kathy Bates Circles "Kindreds," and More

Welcome to your Monday morning television briefing.

Good news for Fringe fans: the Pattern will be continuing next season. FOX has officially renewed the drama series for a third season this fall. "Fringe tapped into a deep creative mine this year that built momentum throughout the season and helped give us our first real foothold on TV’s most competitive night,” said Kevin Reilly, President, Entertainment for Fox Broadcasting Company, in a statement. "The entire Fringe team – from the producers and writers to the cast and crew – has taken smart storytelling and top production quality to a whole new level. The rest of this season is mind-blowing, and we can’t wait to get started on the third installment of this amazing journey." Meanwhile, Fringe resumes with eight all-new episodes on Thursday, April 1st. (via press release)

The Guardian's Simon Hattenstone has a huge profile of new Doctor Who star Matt Smith, who takes over the mantle of the Doctor from former star David Tennant next month when Season Five of Doctor Who launches on BBC One and BBC America. "He's a little reckless," said Smith of his take on the Doctor. "He'll walk into a room and have a million things to do. And, as opposed to knowing exactly how to get out, he'll take it up to the precipice: don't know, don't know, don't know, and boom, there's the idea. And it's a bit mad and reckless. It's very doof, doof, doof. And he's got a companion who I think is the hardest to handle. And she's quite mad. But the Doctor's quite mad as well. So together..." (Guardian)

Wondering what will happen to Season Three of Party Down now that Adam Scott has been cast in NBC's Parks and Recreation? You're not alone. Alan Sepinwall tracked down executive producer Rob Thomas to find out what's going on. "Adam will be allowed to do three guest star spots for us," Thomas told Sepinwall. "We can definitely still do the show without Adam, though we're all collectively entering about the third stage of grief over here. We'd much, much prefer to be doing the show with him. Adam hated leaving the show, but they made him an offer he couldn't refuse, and in a world where our Party Down future isn't guaranteed, he understandably felt like he needed to take the offer. We've been told that in order to return for a third season, our second season numbers need to come up from where they were. We're praying that, even with Adam gone, Starz continues with a big marketing campaign for Season Two." The second season of Party Down will premiere next month on Starz. (What's Alan Watching)

Academy Award winner Kathy Bates is reportedly in final talks to topline David E. Kelley's NBC legal drama pilot Kindreds in a role that was originally written for a man. Bates, currently in the middle of a multiple-episode story arc on NBC's The Office, would play a "curmudgeonly former patent lawyer." (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Jesse Plemons will not be returning full-time for Season Five of Friday Night Lights after his contract option was not picked up. "With Jesse — as with previous cast members who have moved on — Pete Berg, myself and the producers of the show let the storytelling guide us, and we feel we didn’t have substantial enough storylines to justify keeping such an immensely talented actor from pursuing what we know will continue to be a very successful career," executive producer Jason Katims told Ausiello. "Jesse has created one of Friday Night Lights' finest and most beloved characters, and I can tell you this was not an easy decision." (Entertainment Weekly's Ausiello Files)

Breckin Meyer (Robot Chicken) and Mark-Paul Gosselaar (Raising the Bar) have been cast as the leads in TBS' one-hour comedy pilot Franklin & Bash, about two best friends who are street lawyers and who are recruited to work at a white-shoe firm. Project, from Sony Pictures Television, is written by Kevin Falls and Bill Chais, who will executive produce alongside Jamie Tarses. Elsewhere at TBS, Tim Meadows and Kelly Blatz have joined the cast of comedy pilot Glory Daze, where they will star alongside Julianna Guill, Callard Harris, Matt Bush, Hartley Sawyer, and Drew Seeley. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Big Bang Theory executive producer Bill Prady wants to approach Star Trek's Leonard Nimoy about a cameo appearance on the CBS multi-camera comedy next season. "We’ll probably make a general inquiry," Prady told Ausiello. "And if there’s enough interest, we’ll develop a story. The fans have said that’s the dream get, and we agree." (Entertainment Weekly's Ausiello Files)

Kyle Bornheimer (Romantically Challenged) has landed the lead in CBS' untitled comedy pilot from Carter Bays and Craig Thomas about an unmarried couple and their friends living in Pittsburgh. Bornheimer, whose participation here is in second position to ABC's Romantically Challenged, will play Tommy, described as "the lovable, slightly unkempt and highly entertaining half of the couple who means well but doesn't always finish what he starts." (Hollywood Reporter)

Pilot casting roundup: Scott Foley (Cougar Town) has come aboard ABC cop drama pilot True Blue; Patrick Fugit (Almost Famous) will star opposite Debra Messing in ABC comedy pilot Wright vs. Wrong (also cast: The Big Bang Theory's Melissa Rauch); Tim Peper (Carpoolers) will star in FOX comedy pilot Most Likely to Succeed; Nicholas Bishop (Past Life) will play one of the leads in ABC crime drama pilot Body of Evidence; Aly Michalka (Phil of the Future) and Gail O'Grady (Hidden Palms) have been cast in CW drama pilot Hellcats; James Patrick Stuart (90210) and Cheyenne Jackson (30 Rock) have joined the cast of ABC comedy pilot It Takes a Village; Michael Cassidy (Privileged) will play one of the leads in NBC comedy pilot The Pink House; Jessy Schram (Life) scored one of the leads in CW supernatural drama pilot Betwixt, Dorian Missick (Six Degrees) has joined the cast of NBC vigilante drama pilot The Cape; and Ryan Hawley (Survivors) has been cast in the untitled Amy Sherman-Palladino's untitled Wyoming project at the CW. (Hollywood Reporter)

ABC has named Brooke Burke as the co-host of Dancing with the Stars. The Season Seven winner will appear alongside Tom Bergeron for the Spring 2010 season of Dancing, which launches Monday, March 22nd. (via press release)

WABC and Cablevision were able to reach an eleventh hour retransmssion deal last night, just in time for the first award to be presented at last night's Academy Awards telecast. "We've made significant progress, and have reached an agreement in principle that recognizes the fair value of ABC7, with deal points that we expect to finalize with Cablevision," said WABC prexy/GM Rebecca Campbell in a statement. "Given this movement, we're pleased to announce that ABC7 will return to Cablevision households while we work to complete our negotiations." (Variety)

Another project is rolling over into next year: CBS confirmed that it had pushed its untitled Tad Quill comedy to the next development season after it was unable to cast its central character, the widowed father of a 12-year-old boy. (Hollywood Reporter)

ABC Family has acquired the first broadcast window for Tim Burton's Alice in Wonderland, securing the rights from Walt Disney Co. to begin airing the feature film in 2012 in a deal that is believed to be more than $20 million. (The Wrap's TVMoJoe)

Stay tuned.

Channel Surfing: Adam Scott Heads to "Parks and Rec," "Rome" Heads to Big Screen, "Smallville Renewed," "Lost" Returnee, and More

Welcome to your Friday morning television briefing.

Los Angeles Times' Denise Martin is reporting that Party Down star Adam Scott is heading to NBC's Parks and Recreation, where he is slated to turn up in the final episodes of the season... alongside Rob Lowe, in fact. [Editor: could their sudden appearances in Pawnee be linked?] Scott, who will serve as as a series regular for Parks' third season, has also signed a first-look deal with NBC and Universal Media Studios, under which he will develop new series projects. Parks and Recreation co-creator Mike Schur described Scott as "brilliant and funny -- and he's funny in a lot of different ways. There just aren't that many people with a comedic range that spans Step Brothers to Party Down." As for Party Down fans worried that this would mean the end of Henry Pollard, Martin reports that "Scott said he'd be open to coming back to reprise his role should "Party Down" be renewed." (Los Angeles Times' Show Tracker)

[Editor: Variety, meanwhile, reports that Scott would appear in up to three episodes of Party Down if it is renewed for a third season, per his deal with Starz.]

Good news for fans of HBO's much-missed period drama Rome. Entertainment Weekly's Lynette Rice is reporting that a feature film sequel to Rome is finally in development and creator Bruno Heller--who went on to create CBS' The Mentalist--has finished a script for Morning Light Productions, which will finance the film, set in Germany four years after the events of the HBO series. Rice reports that Kevin McKidd and Ray Stevenson will reprise their roles as Lucius Vorenus and Titus Pullo in the feature film... which could be difficult as the end of Rome seemed to depict the death of McKidd's Vorenus. "The next step for Morning Light is to find a director and a studio, since HBO Films won’t be involved," writes Rice. (Entertainment Weekly's Hollywood Insider)

The CW has renewed superhero drama Smallville, picking up the Warner Bros. Television-produced drama series for a tenth season. Move comes after the netlet previously picked up The Vampire Diaries, Gossip Girl, 90210, Supernatural, and Top Model for the 2010-11 season. (via press release)

SPOILER! Entertainment Weekly's Michael Ausiello is reporting that Michelle Rodriguez will reprise her role as Ana-Lucia on ABC's Lost later this season, appearing in at least one episode. Rodriguez--most recently seen in Avatar--was last seen in Season Five, when she appeared as a ghostly visitor to Hurley. "There’s no word where or exactly when Ana-Lucia will resurface this time around," writes Ausiello, "but, come on, this has 'flash-sideways cameo!' written all over it!" (Entertainment Weekly's Ausiello Files)

Chuck fans had better keep tuning in to the NBC action-comedy, following comments made by the Peacock's Angela Bromstad, when asked by The Hollywood Reporter about Chuck's shot at a fourth season renewal. Despite saying that the series' performance on Mondays was a "pleasant surprise," Bromstad went on to say that Chuck's likelihood of being renewed depended on ratings. "It's got to maintain," said Bromstad, "and it depends on development." In other words: keep buying those Subway sandwiches and keep tuning in... (Hollywood Reporter's The Live Feed)

[Editor: meanwhile, Bromstad said she was "hopeful" that Community would return for a second season, though wouldn't confirm or deny that it would or wouldn't.]

E! Online's Kristin Dos Santos has a rundown of what was revealed at last night's Paley Festival panel for Showtime's Dexter, an event which she moderated and which dealt heavily with the reveals of the Season Four finale and what lies ahead for Dexter and Co. next season. (E! Online's Watch with Kristin)

Scott Caan (Ocean's Eleven) has been cast as a guest star in CBS cop drama pilot Hawaii Five-O, the remake of the classic television series. Caan will play Danny "Danno" Williams in the CBS Studios-produced pilot, which hails from executive producers Roberto Orci, Alex Kurtzman, and Peter Lenkov. Caan's role is being considered a guest starring role for the pilot, due to his commitments to HBO's Entourage; should Hawaii Five-O be picked up to pilot, he'll be bumped to series regular. (Hollywood Reporter)

NBC has confirmed that the 62nd Annual Primetime Emmy Awards will air live coast-to-coast this year on August 29th. Move marks the first time in over 30 years that the Emmys will air live across the country (the last time was in 1976). (Broadcasting & Cable)

Pilot casting update: Jeri Ryan (Leverage) has joined the cast of ABC drama pilot Body of Evidence; Nate Corddry (The Pacific), Jonathan Sadowski (Terminator: The Sarah Connor Chronicles), Dan Bakkedahl, and P.J. Byrne have been cast in NBC comedy pilot presentation Our Show; Robert Patrick (The Unit) has come aboard Rand Ravich's ABC drama pilot Edgar Floats, where he will play a bond bailsman who is the ex-father-in-law of the titular character, a bountu hunter; Allison Miller (Kings) has scored one of the leads in CW drama pilot Betwixt; Alan Ruck (Drive) and Scarlett Johnson (EastEnders) have joined the cast of CW's untitled Amy Sherman Palladino Wyoming project; Matt Lauria (Friday Night Lights) and Devin Kelley (Tease) have come joined the cast of FOX cop drama pilot Ridealong. (Hollywood Reporter)

TV Guide Magazine's Will Keck is reporting that producers of ABC's Modern Family are currently looking to cast the Tuckers, the parents of Eric Stonestreet's Cameron. Stonestreet told Keck that Kathy Bates was originally considered for the role but she's no longer in the running due to her recent turn on NBC's The Office. Stonestreet, however, has one hell of a suggestion for who should play his mother: former Designing Women star Delta Burke. “We like that idea," said Modern Family co-creator Steve Levitan. "We think that could be good.” (TV Guide Magazine)

Tom Bergeron, Fred Willard, French Stewart, Yeardley Smith, and Bill Bellamy have signed on to guest star in the April 26th episode of ABC's Castle, which offers a satirical look at NBC's latenight situation with Conan and Leno, according to Entertainment Weekly's Michael Ausiello. "Sources confirm to me exclusively that Dancing with the Stars emcee Tom Bergeron has signed on to guest as Bobby Mann, a late-night talk show host who gets permanently shut up by... Well, the prime suspect is his would-be successor, a rival chatterbox (played by Bill Bellamy) who’s long coveted the victim’s timeslot," writes Ausiello. (Entertainment Weekly's Ausiello Files)

Strictly Ice Dancing is heading to the US. ABC is developing an untitled US adaptation of the BBC Worldwide-produced reality series will feature celebrities training with ice skating professionals and then performing on ice and which will air as a six-week series likely between cycles of Dancing with the Stars. Project shouldn't be confused with FOX's short-lived 2006 effort, Skating With Celebrities. (Variety)

Over at NBC, the Peacock unveiled its summer programming--or at least parts of it--with America's Got Talent returning Tuesdays and Wednesdays, beginning June 1st and Last Comic Standing returning on June 7th. International acquisition Persons Unknown will air Mondays at 10 pm, beginning the same night, while long-delayed comedy 100 Questions will launch Thursday, May 27th. (The Wrap's TVMoJoe)

Martha Stewart and Mark Burnett are shopping eight-episode reality series Help Me, Martha, which will feature Stewart and a team of experts "help the show's subjects with everything from wedding near-distasters to planning last-minute parties," to network buyers. (Variety)

HBO is said to be developing an untitled telepic based on Andrew Sorkin's nonfiction book "Too Big to Fail," about the 2008 economic meltdown. Project will be written by Peter Gould (Breaking Bad) and may also use material derived from an upcoming book by Joe Nocera and Bethany McClean as well. (Hollywood Reporter)

Comedy Central has promoted David Bernath to EVP, where he will oversee program strategy and multiplatform programming. He reports to Michele Ganeless. (Variety)

Stay tuned.

Top TV Picks of 2009

As 2009 begins to wind down, I figured now was the perfect time as any to look back at the series that that have entertained and inspired me over the past calendar year.

And what a year it was for the television industry, which was (and is) still recovering from the writers strike of 2007/08. This past year also saw NBC box up the 10 pm hour for scripted programming, a move that hasn't had quite the effect that the network hoped (I do feel for poor scapegoat Jay Leno), while sending viewers scurrying over to cable, which continued to make huge inroads this year.

It was also a year that saw comedy make a huge comeback, from the success of FOX's musical-comedy hybrid Glee to the season's biggest critical hit, ABC's Modern Family and the surprising resilience of NBC's Parks and Recreation (hands down the winner of the Most Improved Series award). And a year that saw much beloved series Chuck teeter dangerously towards cancellation, only to receive an eleventh hour reprieve, thanks to fans, critics, and Subway.

So, what were the favorite series in the Televisionary household? Which left me wanting more... and which ones made me eager to change the channel? Find out below.

Best US Dramas:

Big Love (HBO)

The third season of HBO's compelling and addictive drama Big Love provided perhaps the single greatest season of any series this year. Gut-wrenching and heartbreaking, Big Love's third season upped the ante by having the family diversify into the casino business and a fourth wife, take a brutal road trip, and deal with barbarians pounding at the gates. Transforming itself into the grand Shakespearean epic we always knew it to be, the series went to some very dark places, revealing the tragic backstories of both Chloe Sevigny's Nicki and the long-dead Maggie Henrickson, killing off Mireille Enos' beloved Kathy Marquart, and having Jeanne Tripplehorn's Barb get ex-communicated from the Mormon church. Throw in the unexpected pregnancy of rebellious daughter Sarah (Amanda Seyfried), multiple murder attempts, the formation of a new church by Bill (Bill Paxton), a newly independent Margene (Ginnifer Goodwin), and a possible end to the Grant legacy in Juniper Creek and you have the makings of a groundbreaking drama. One that effortlessly fuses together soapy intrigue, social commentary, and family dynamics into one unforgettable and unique series that explores the Henrickson clan's unusual familial set-up and renders it not only normal but riveting. I tip my hat to you, Mark V. Olsen and Will Scheffer.

Mad Men (AMC)

Mad Men's gutting third season, which saw the collapse of the marriage between Don (Jon Hamm) and Betty (January Jones) and the destruction of ad agency Sterling Cooper, proved that there are no sacred cows in the universe of the 1960s period drama, created by Matthew Weiner. Following a season filled with change, presidential assassinations, fear and paranoia, Weiner exploded our expectations of serialized television by upending the twin foundations of the series, giving Don Draper a new beginning and pushing Mad Men's characters towards a new and uncertain future. With its emphasis on the unspoken subtext and the simmering desires lurking beneath the slickly styled facades of its men and women, Mad Men held onto its rightfully earned status as adult storyteller, relishing in exploring the complex emotions and bruised egos of life in the 1960s.

True Blood (HBO)

In its second season, HBO's vampire drama True Blood went from being a guilty pleasure to a series that balanced the outright campy with the truly transcendent. By pushing supporting players such as Alexander Skarsgard's Eric, Rutina Wesley's Tara, Sam Trammel's Sam, Nelsan Ellis' Lafayette, Deborah Ann Woll's Jessica, and Allan Hyde's Godric to the foreground, creator Alan Ball and the series' writers deepened the universe of Bon Temps and gave True Blood some of its most heartbreaking and compelling moments with the suicide of Eric's maker Godric and the doomed relationship between Woll's Jessica and Jim Parrack's Hoyt. There are few series that are as gleefully unpredictable than True Blood, a series that rewrites the rules about storytelling while spinning a bloody good yarn.

Lost (ABC)

The penultimate season of ABC's enigma-laden masterpiece Lost found the castaways split into two groups: one spinning through time before landing in the 1970s and joining up with the series' ubiquitous Dharma Initiative and the other, having escaped, attempting to return to the island. Deepening its mysteries and paying off several long-standing mysteries, Season Five filled in the backstory of the Dharma Initiative while serving up some paradoxical stories about the nature of time travel and free will and introducing two very intriguing diametrically opposed entities locked in an eternal battle. Characters died, sacrifices were made, and the chess pieces shifted around into new arrangements as showrunners Damon Lindelof and Carlton Cuse prepare for one final game.

Honorable Mentions: Battlestar Galactica (Syfy), Damages (FX), Fringe (FOX), No. 1 Ladies' Detective Agency (HBO)

Best US Comedies (Half-Hour Format):

Parks and Recreation (NBC)

In its sophomore season, NBC's Parks and Recreation has done the impossible: transformed itself into arguably the most hysterical comedy series on television right now. Stepping out of The Office's shadow, Parks and Recreation has found its footing as a deeply layered, character-driven comedy about small town bureaucracy and changed Amy Poehler's Leslie Knope from being a bumbling female Michael Scott replacement into a preternaturally optimistic do-gooder whose main flaw is that she cares too much. Brilliant, hilarious, and biting, Parks and Recreation might just be the best comedy you're not watching.

Modern Family (ABC)

With its pitch-perfect pilot episode, ABC's Modern Family single-handedly announced the return of the intelligent family comedy with its winning blend of realistically flawed characters, mockumentary format, and whip-smart writing. Not to mention the perfectly cast ensemble of actors who embody the series' extended Pritchett-Dunphy clan. Rarely is a series this self-assured straight out of the gate but subsequent episodes have proven just as strong as the series' initial outing. By using relatable situations and universal truths about families, creators Steven Levitan and Christopher Lloyd render the engaging characters of Modern Family in three dimensions, crafting a family that many of us want to spend the entire week with and not just Wednesday nights.

It's Always Sunny in Philadelphia (FX)

FX's raunchy and raucous comedy It's Always Sunny in Philadelphia continued its winning mix of gross-out humor, jaw-droppingly selfish behavior, and absurdly comic misadventures and I couldn't look away. By playing fast and loose with the format and allowing the owners of Paddy's Pub to remain so completely unlikable, the series remains a hallmark for finding comedy in the most unlikely of places. Who knew that running a bar in Philadelphia could prove to be quite so dangerous... or madness-inducing?

Party Down (Starz)

Likewise, Starz comedy Party Down rendered the mundane quality of the life of a cater-waiter to comic effect, transforming the overqualified crew of Party Down into poster children for slackerdom and reveling in a scripted looseness that felt almost improvised. With fly-on-the-wall precision, Party Down nailed the frustrations of twenty- and thirty-somethings in the name tag-wearing workplace and mixed up a batch of comedy and tragedy in equal measure.

Nurse Jackie (Showtime)

With grit and heart, Showtime's acerbic dark comedy Nurse Jackie brings us a modern-day heroine unafraid of being unlikable and yet succeeding at her job in spite of a drug addiction, extramarital affair, and various unethical and illegal behavior at in the workplace. If the bristly Jackie (the luminous Edie Falco) has a fault, it's that she cares too much for her patients and not enough for herself. If the bristly Jackie (the luminous Edie Falco) has a fault, it's that she cares too much for her patients and not enough for herself, killing herself slowly with drugs, cheating, and a host of lies. The show's biting wit and thought-provoking storylines--not to mention a fantastic cast in Falco, Merrit Wever, Eve Best, and Peter Facinelli, among others-- give us one of the most darkly compelling comedies on television, filled with burn victims, beating hearts, and one extraordinary nurse.

Honorable Mentions: Better Off Ted (ABC), Bored to Death (HBO), Community (NBC), Curb Your Enthusiasm (HBO), Flight of the Conchords (HBO)

Best US Comedy (One-Hour Format):

Chuck (NBC)

As if there were any doubt that the fantastic and funny Chuck would make my list in some fashion. The action-comedy hybrid deepened in its second season, thanks to the winning chemistry of the series' talented leads (including Zachary Levi, Yvonne Strahovski, Adam Baldwin, Ryan McPartlin, Sarah Lancaster, Vik Sahay, Josh Gomez, Scott Krinsky, and Mark Christopher Lawrence), the perfect genre-smashing combination of action, adventure, romance, and workplace comedy, and a taut serialized element that had Chuck finding out the truth about his father and the Intersect, all while making the choice to fulfill his true potential... and his destiny. Building on the strengths of its too-short freshman outing, Season Two of Chuck charmed the pants off this writer (and kept me on the edge of my seat) and bucked the odds, winning Chuck a much deserved third season order.

Best Canceled Series:

The Unusuals (ABC)


While many series got the axe this year, the one that struck home the hardest was that for ABC's short-lived cop dramedy The Unusuals, from creator Noah Hawley. Revolving around a group of eccentric cops, The Unusuals found the detectives of the second precinct tackling some, er, unusual cases. The procedural mysteries were fun and offbeat and the chemistry between the series' sprawling ensemble cast top-notch. Though it only lasted less than a dozen episodes, each installment proved to be a little gem of witty banter, quirky mysteries, and off-kilter cops. It's much missed.

Best Reality Series:

Top Chef (Bravo)

Once again, the same three reality series pop up on my best of the year list and for good reason: they each proved that reality programming, when done right, can have the same stakes and drama as scripted television. No other series sates my culinary hunger like Bravo's formidable Top Chef, which had a season filled with some of the most talented chefs yet and a fiery sibling rivalry in Michael and Bryan Voltaggio. Compelling, hunger-inducing, and cutthroat, Top Chef takes our fascination with food to a whole new level, creating a series that rewards creativity and vision more than manipulation and controversy.

The Amazing Race (CBS)

Coming back with a strong season, CBS' The Amazing Race again sparked my interest once more and cast some intriguing, frustrating, and outright hostile couples--Mika and Canaan, anyone?--in the world's biggest scavenger hunt, sending them around the globe to compete in various challenges and put their relationships to the test. While some teams fell way too soon (sorry, Justin and Zev), the drama and the pacing, thanks to some quality editing, kept the tension going strong, all the way to the finish line.

Flipping Out (Bravo)

No reality series makes me laugh like Bravo's Flipping Out. Despite the plunging housing market and the economic recession, Jeff Lewis, Jenni, Zoila, and the gang were back for some more obsessive-compulsive misadventures in Los Angeles. Fear and paranoia reigned supreme this season, which offered not just some belly-aches but also some genuine emotion as Jeff accused his former business partner Ryan of cheating him out of work and considered adopting a child. It's a testament to the quirkiness of the series' leads that I want to go back to Jeff Lewis' office week after week. (Come on, Bravo, bring on Season Four ASAP!)

Best New Fall Series:

Modern Family (ABC)


Yes, I already mentioned it under Best Comedies but it warrants another mention here. ABC's Modern Family easily walks away with the award for my favorite new fall series. Boasting one of the most dynamic and talented ensemble casts, Modern Family serves up both humor and heart without delving into the melodramatic or the saccharine. No small feat, considering the series has changed my opinion on what's possible with the family comedy format, a creaky sub-genre until this breath of fresh air came along. The Pritchett clan is one family that I can't wait to catch up with each week and the subtle humor--ranging from Casablanca shout-outs to burgundy dinner jackets--is already a surefire hit in this household. Innocente!

Best British Imports:

Doctor Who (BBC America)

While only airing a handful of episodes (sorry, "specials") in 2009, Doctor Who remains at the top of my list of British imports, thanks to the fantastic performance of David Tennant as the Tenth Doctor. While his song is sadly coming to an end, Tennant offered some fantastic turns in such specials as Doctor Who: Planet of the Dead and Doctor Who: The Waters of Mars, the latter of which might just be one of the darkest and most compelling entries in the entire revival series. Quirky, compelling, and unpredictable, Doctor Who played to Tennant's strengths, allowing the Shakespearean actor to be charming, roguish, and insane in equal measure. David Tennant, you'll be missed.

The Mighty Boosh (Adult Swim)

Come with us now on a journey through time and space. The three seasons of critically-acclaimed BBC Three cult hit The Mighty Boosh (which aired Stateside on Adult Swim) are a dazzling blend of music, surreal comedy, and over the top fashion as Howard Moon (Julian Barratt) and Vince Noir (Noel Fielding), would-be rock gods/zookeepers/sales clerks, explore the twisted backwaters of the human psyche through a series of bizarre misadventures. Joining them on this psychedelic road trip to dimensions as-yet-unseen are pot-addled shaman Naboo the Enigma (Michael Fielding) and his ape familiar Bollo (Dave Brown). It’s indescribably weird, absolutely hilarious, and unlike anything you’ve ever seen before on television.

Ashes to Ashes (BBC America)

Spinning off of the trippy cop drama Life on Mars, Ashes to Ashes took a different cop (Keely Hawes' Alex Drake), another David Bowie song ("Ashes to Ashes"), and another era (1980s) and created an slick and addictive drama series that's a dark exploration of the psyche of damaged forensic psychologist DI Alex Drake as she struggles to survive a gunshot wound and make her way back to the present day. Plus, the series' eerie suspense, a twisted Season Two plot involving freemasons and other potential travelers, and the trademark banter between Alex and the gruff Gene Hunt (Philip Glenister), who waltzes away with some of the series' best lines, keeps the series cutting-edge and dynamic. As Alex solves some of period cases (and ones involving her own past), the clock is ticking down as the end of the series--and the franchise--looms next year. Just who is Gene Hunt? What is this world? And what has happened to Sam Tyler and Alex Drake? We'll be getting some answers in the third and final season of this fantastic sci-fi/cop/period/psychological drama in 2010. (Note: Season Two has yet to air in the States.)

Torchwood: Children of Earth (BBC America)

Unfolding with the breakneck pacing of an epic miniseries, the third season of Torchwood, entitled Torchwood: Children of Earth, offered an edge-of-your-seat thrill ride and set up a compelling, brutal, and gut-wrenching story of an alien invasion and the past sins of Captain Jack Harkness (John Barrowman). While the final installment buckled somewhat under the weight of the previous installments, the limited run proved to be unforgettable, offering some intense moral dilemmas, weighty adult themes, and tough choices for the employees of Torchwood.

Best British Import (Yet to Air in the States):

The Inbetweeners (BBC America)


The much-delayed comedy from creators Iain Morris and Damon Beesley might just be the best thing that hasn't yet aired in the US. (Look for the first two seasons of this hilariously raucous comedy to launch January 25th on BBC America.) Almost operating as the anti-Skins, The Inbetweeners tells the story of four teenage friends who spend their time trying to obtain booze, get lucky with girls, and cut each other down to size. In other words: they're painfully average teenage boys. In the hands of Morris and Beesley, the quartet have some painfully hilarious sexual adventures that will have you laughing, gasping, and groaning... all at the same time.

Best British Imports (Reality Edition):

Gordon Ramsay's F Word (BBC America)

Take outspoken British chef and restaurateur Gordon Ramsay, put him in the kitchen where he's putting some inexperienced brigades through their paces and send him out in search of all things tasty, odd, or curious or to teach people to cook at home and you have the truly fantastic F Word, a blend of culinary competition, food-oriented news magazine, celebrity interview, and all-around celebration of all things delicious. Ramsay's not shy of expressing his opinion but he's also at his most real here, as he transforms his family's back garden to rear pigs and sheep or teaching the hopeless how to prepare a tasty feast on their own.

Last Restaurant Standing (BBC America)

Words can't express my love for British reality series Last Restaurant Standing (which airs in the UK under the title The Restaurant), which challenges couples to run their own restaurants... and hands them keys to eating establishments where they'll man the front-of-house and the kitchen. Judges Raymond Blanc, Sarah Willingham, and David Moore put them through their paces with tough challenges but the real test is the daily service as the couples face the hard grind of the restaurant business and have to meet the judges' rigorous expectations of the food, service, decor, and atmosphere of their restaurants... and they must face the wrath of the culinary troika as well as the dining public. Compelling, shocking, and grueling, it's a treat to watch for foodies, who will count their blessings that they're not on the line for service that night.

And there we have it. A sampling of some of my favorites from 2009. As the year rapidly swings to a close, I'm curious to see what your favorite (and least favorite) series were, which shows you can't get enough of, and which ones you're happy to see the back of now. Discuss.

AFI Announces Their Official Selections for TV Programs of the Year

Yesterday, American Film Institute announced their official selections for the programs of the year for 2009.

I'm happy that the esteemed board--which included The Chicago Tribune's Maureen Ryan, TV Guide Magazine's Matt Roush, Variety's Brian Lowry, actor CCH Pounder (The Shield), and writer/producer David Milch (Deadwood)--chose to recognize several series that don't get nearly as much love from critics and audiences as they should.

Along with noteworthy freshman series like Modern Family and Glee (both of which I expected would end up on the list) and the always sterling Mad Men, the panel selected such unexpected entries like HBO's lyrical mystery series No. 1 Ladies' Detective Agency, Starz's breakout ensemble comedy Party Down, HBO's groundbreaking (and sadly often overlooked) drama series Big Love (which had its best season yet earlier this year), saved-from-cancellation drama Friday Night Lights, and Showtime's sensational medical-based dark comedy Nurse Jackie.

HBO, not unexpectedly, walked away with a number of programs on the official selections list, landing three spots for Big Love, True Blood, and No. 1 Ladies' Detective Agency.

The full list of AFI's official TV selections can be found below.

AFI TV PROGRAMS OF THE YEAR-OFFICIAL SELECTIONS


THE BIG BANG THEORY (CBS)
BIG LOVE (HBO)
FRIDAY NIGHT LIGHTS (NBC/DirecTV)
GLEE (FOX)
MAD MEN (AMC)
MODERN FAMILY (ABC)
THE NO. 1 LADIES' DETECTIVE AGENCY (HBO)
NURSE JACKIE (Showtime)
PARTY DOWN (Starz)
TRUE BLOOD (HBO)

What do you think of AFI's official selections for 2009? Are there other series that you would have rather seen make the list? Or ones that did that have definitely earned their spots? (Personally, I'd have substituted The Big Bang Theory presence here for NBC's Parks and Recreation.) Discuss.

Channel Surfing: Sarah Wynter Gets "Damages," "Life on Mars" Creators Developing at ABC, "Party Down" in April, CBS Counts Down "Numb3rs," and More

Welcome to your Thursday morning television briefing.

Sarah Wynter (24) has joined the cast of FX's Damages in a recurring role on the series' third season, set to launch in early 2010. She joins the previously reported Reiko Aylesworth, Martin Short, Lily Tomlin, and Campbell Scott. Wynter will play a mysterious "'security specialist' helping a high-level assistant district attorney unravel" a financial scheme; Aylesworth will play the wife of Campbell Scott's character. [Editor: I've also just been informed that "Short's character is a high-powered attorney (family friend) who defends a prominent NY family accused of the financial scheme. Lily Tomlin plays the matriarch of the family."] (Hollywood Reporter)

Life on Mars creators Ashley Pharoah and Matthew Graham have been commissioned by BBC Worldwide new drama czar Jane Tranter to write the script for an ABC drama pilot described as a "California cop show with a British twist." Should the project--executive produced by Julie Gardner--go to pilot, it would be produced by BBC Worldwide's Los Angeles production team and Pharoah and Gardner would remain heavily involved, unlike their limited creative involvement with the US version of Life on Mars. (Broadcast)

The Chicago Tribune's Maureen Ryan is reporting that Starz comedy series Party Down will return for its second season in April. Ken Marino, Adam Scott, Martin Starr, Ryan Hansen, and Lizzy Caplan are set to return for Season Two and will be joined by new series regular Megan Mullally. Kristen Bell, Jane Lynch, J.K. Simmons, Joey Lauren Adams, Steve Guttenberg (playing himself), and Christopher Mintz-Plasse are all set to guest star this time around. (Chicago Tribune's The Watcher)

CBS has cut back the episodic order this season for procedural drama Numb3rs from a full 22 episodes to just 16. Many, including Entertainment Weekly's Michael Ausiello, are viewing the decision as a sign that it might be the final season for Numb3rs and that Canadian co-pro Flashpoint might take over the Friday night timeslot. Elsewhere at the network, CBS increased the episodic orders for How I Met Your Mother, NCIS, NCIS: LA, CSI: Miami, and Two and a Half Men to 24 installments, while Criminal Minds, CSI: NY, The Big Bang Theory, The Good Wife, CSI, and The Mentalist, have all been bumped to 23 installments. (Entertainment Weekly's Ausiello Files, Variety)

FX is developing period Western Reconstruction, about a wealthy East Coaster shaken by war who takes refuge in a Missouri town during the post-Civil War reconstruction. Project hails from executive producers Joshua Brand and Peter Horton; Brand will write the script while Horton is attached to direct. (Hollywood Reporter)

HBO is developing a telepic based on Mark Bowden's nonfiction book "Guests of the Ayatollah: The Iran Hostage Crisis, The First Battle in America's War with Militant Islam" about the 444-day hostage crisis involving 66 Americans seized and held hostage for over a year. Andrea Berloff (World Trade Center) has been attached to adapt the book and William Horberg will executive produce. (Variety)

Entertainment Weekly's Lynette Rice is reporting that ABC, Mark Gordon, and Roland Emmerich are developing a series-based sequel to their upcoming disaster film 2012. “The plan is that it is 2013 and it’s about what happens after the disaster,” Emmerich told Entertainment Weekly. "It is about the resettling of Earth. That is very, very fascinating. (2012 writer/producer) Harald Kloser and I came up with the idea and we have the luxury of having a producer on the film who is a big TV producer, Mark Gordon. We said to Mark, 'Why don’t you do a TV show that picks up where the movie leaves off and call it 2013?' I think it will focus on a group of people who survived but not on the boats... maybe they were on a piece of land that was spared or one that became an island in the process of the crust moving. There are so many possibilities of what they could do and I’d be excited to watch it." (Entertainment Weekly's Hollywood Insider)

NBC has signed a first look deal with Don Cheadle's production company Crescendo, which has several projects already set up at NBC, ABC, TNT, and FX, including an ABC drama based on feature film The Star Chamber with writer Zack Estrin attached and an NBC cop drama from The Shield's John Hlavin. (Variety)

TVGuide.com's Natalie Abrams talks to Arielle Kebbel, who guest stars in Thursday's episode of the CW's Vampire Diaries as vampire Lexi. "She is about as much fun as anyone who's 300-and-something years old," said Kebbel about Lexi, an ancient friend of Stefan's. "She's this burst of energy, a complete life force. It's safe to say she's pretty much been everywhere, seen everything, lived every moment and that makes her even stronger, even more confident, even more sarcastic because she has all of this life experience behind her." (TVGuide.com)

Grace Gummer has been cast opposite Gia Mantegna in TeenNick drama series Gigantic, where she will play the 17-year-old daughter of a celebrity couple. Project is set to debut in early 2010. (Hollywood Reporter)

TLC is continuing to make a push into wedding-themed programming, ordering several new projects including November 13th special Battle of the Wedding Planners, six-episode docudrama Happily Ever Faster, about Las Vegas' Chapel of the Flowers, ten-episode reality series Four Weddings, in which four brides attend and score each others nuptials, and Manhattan Marriage Project, which follows wedding planner Gino Filippone. (Variety)

More changes afoot at OWN as Oprah Winfrey Show co-executive producer Lisa Erspamer has been named chief creative officer; she'll assume the position beginning in January and will report to Christina Norman. (Variety)

Jennifer Beals (Lie to Me) has been cast in Hallmark Channel telepic The Night Before the Night Before Christmas, about a family whose home is the crash site for a very early Santa Claus. Pic is set to air next year. (via press release)

Stay tuned.

Channel Surfing: Kristen Bell and Jane Lynch to "Party Down," Angie Harmon Cast in TNT's "Rizzoli," Two Evicted From "Melrose Place," and More

Welcome to your Friday morning television briefing.

Good news for Party Down fans! Kristen Bell and Jane Lynch will reprise their roles as Uda Bengt and Constance Carmichael respectively on Season Two of Starz comedy Party Down, which will launch next year on the pay cabler. Bell is set to appear in one episode of the comedy and Party Down star Adam Scott revealed that Henry and Uda are dating while Lizzy Caplan's Casey is seeing someone else. Uh-oh. Lynch, meanwhile, is set to appear in the second season finale, where the Party Down staffers cater... her wedding. (E! Online's Watch with Kristin)

Angie Harmon (Women's Murder Club) has been cast as the titular character in TNT's mystery pilot Rizzoli, where she will play Jane Rizzoli, a detective who teams up with a medical examiner (as yet uncast) to solve crimes in Boston. Project, from Warner Horizon, is based on Tess Gerritsen's novel series and is written by Janet Tamaro. Harmon's casting lifts the contingency off of the project. (Hollywood Reporter)

SPOILER! Entertainment Weekly's Michael Ausiello is reporting that Melrose Place cast members Colin Egglesfield and Ashley Simpson-Wentz have been let go from the nighttime soap as part of a creative overhaul of the struggling series that will allow it to "take on a lighter, more fun vibe." Ausiello spoke to Melrose Place executive producers Todd Slavkin and Darren Swimmer about the changes. According to the duo, Simpson-Wentz was always going to leave after the twelfth episode. "Because we felt that once the murder mystery was resolved, the tone of the show was going to shift into a much more fun, romantic, sexy upbeat kind of show, and [her] character would move on," said Slavkin, who went on to say that Egglesfield's "brooding alcoholic [character] tonally didn’t fit the paradigm moving into post-murder mystery Melrose Place." There are also no additional plans for Laura Leighton to return to the series as well, though Slavkin indicated that Thomas Calabro will stick around to interact with Heather Locklear's Amanda. "She’s in every episode moving forward," said Slavkin of Amanda. "She’s a major focus [of the show]. She has a hidden agenda that will become not so hidden as the episodes move along. She’s not just the boss of Ella [Katie Cassidy]." (Entertainment Weekly's Ausiello Files)

E! Online's Jennifer Godwin, meanwhile, caught up with Colin Egglesfield about his departure from Melrose Place, which came as a surprise to the actor. "I got the call this morning from our producers, Todd [Slavkin] and Darren [Swimmer]," Egglesfield told Godwin. "They were really saddened, and you could tell it was difficult for them to break this news to me. They said it was a network decision, and they said the network thought Auggie was a little too dark, with his alcoholism. They felt like in the landscape of Melrose they wanted to change the tone of the show. So that's the explanation that they gave me." (E! Online's Watch with Kristin)

NBC has given script orders to three projects, including a multi-camera family sitcom from executive producers Adam Carolla, Kevin Hench, Jimmy Kimmel, Daniel Kellison, Gail Berman, and Lloyd Braun about a contractor whose life is sent out of orbit when his wife leaves him, which hails from Universal Media Studios, Jackhole Industries, and BermanBraun. The Peacock is also developing an untitled comedy from Don Cheadle and Aaron McGruder (The Boondocks) about two very different brothers who open a private security company; that project will be produced by Universal Media Studios and Crescendo Prods, with McGruder writing the script. NBC is also developing an untitled comedy from Bill Oakley (The Simpsons), Dutch Oven, and Universal Media Studios, about a circuit courthouse's young judge. (Variety)

TVGuide.com talks with this week's ousted chef from Bravo's Top Chef. (TVGuide.com)

The Hollywood Reporter's Nellie Andreeva is reporting that FOX will change its pilot casting process, switching from in-person network tests to taped tests, which will be shot by the studio and then sent to the network. Screen tests are, of course, de rigeur in the feature world and were embraced by new Fox Entertainment chairman Peter Rice, who came over from the film side of NewsCorp. "The network spends months and months developing a show, and then we have this network test where three actors wait nervously in the hallway, staring at each other and talking on the phone with their agents whether or not to sign the contract," FOX casting chief Marcia Schulman said. "Sometimes we can't cast the right lead for a show because they had a bad moment. Casting is more than 50% of the success of a show, so after spending all that money, why have we been going through that crazy process for so long?" (Hollywood Reporter)

The Wrap's Josef Adalian is reporting that ABC is close to ordering six episodes of an untitled extreme weight loss series from 3 Ball Entertainment, the producers of NBC's The Biggest Loser. "Each episode [is] focused on the weight loss journey of a single morbidly obese person. It's expected the participants will have as much as 200 pounds to lose." Cameras will therefore spend as much as a year trailing the individuals, who will live at home with their families while shedding the pounds. According to Variety, the project has the working title of Obese. (The Wrap's TV MoJoe, Variety)

SPOILER! TVGuide.com's Natalie Abrams caught up with Smallville executive producer Kelly Souders about some specific plot points coming up on Season Nine of the superheroic series. "You will see more people than you can imagine die in the first 12 [episodes]," teased Souders. "Luckily it's Smallville, so not all of them stick." (TVGuide.com)

Style Network has ordered ten episodes of an unusual makeover series entitled What I Hate About Me, in which women will "address the 10 aspects of their lives they dislike the most. Along with the obligatory complaints about cellulite and relationships, the women who appear on the show will look to get a handle on everything from intra-family dynamics to the way they manage their financial affairs." Project, which will be hosted by Lisa Arch, is set to launch on January 2nd. (Hollywood Reporter)

The Lego Group and reality producer Scott Messick are developing unscripted programs that are based around the multi-colored interlocking blocks, including competition series, docusoaps, gameshows, and children's programming. (Variety)

Stay tuned.

Hello Starshine: Megan Mullally Lands "Party Down" Role

Pay cabler Starz has announced that former Will & Grace star Megan Mullally has joined the cast of its comedy series Party Down as a series regular.

The network, which also boasts such series as Spartacus: Blood and Sand, Crash, and Head Case, made the announcement via the Facebook page for Party Down.

Mullally, who toplined ABC's short-lived comedy series In the Motherhood with Cheryl Hines and guest starred on NBC's 30 Rock last season, will play Lydia Dunfree, who is described by Staz as "a middle-aged refugee from a lousy marriage who leaves small town life to move to Hollywood where her 13-year-old daughter Escapade hopes to make it as an actress. While the younger endures the audition process, her naïve and eternally optimistic mother Lydia feels honored just to be among the show business 'pros.'"

"Simply stated, we're thrilled," executive producer John Enbom told me via email earlier today about Mullally's casting on the series. "We've very excited now to start shooting."

Party Down, created by Rob Thomas, Enbom, Dan Etheridge, and Paul Rudd, is expected to return to the Starz schedule in April of next year.

UPDATE: Starz has now officially announced the casting via press release, which can be found below.

MEGAN MULLALLY SET TO ‘PARTY DOWN’
Multi-Emmy® Winner Joins Cast of Starz’ Critically Acclaimed Original Comedy, Returning for its Second Season in Spring 2010


Burbank, CA. – September 2, 2009 – Starz keeps the “Party” hopping and the laughs flowing with the addition of one of television and film’s most beloved comediennes, Megan Mullally, to the cast of the crowd-pleasing original comedy series, “Party Down,” Starz Media EVP Originals Productions and Development Bill Hamm announced today. Production on the second season begins in mid-September in Los Angeles. The half-hour comedy about a Los Angeles catering team – Hollywood wannabes stuck working for tips while hoping for their big break -- is tentatively scheduled to return to the air on Starz in April of 2010.

Mullally (“Will & Grace,” Fame) will play Lydia Dunfree, a middle-aged refugee from a lousy marriage who leaves small town life to move to Hollywood where her 13-year-old daughter Escapade hopes to make it as an actress. While the younger endures the audition process, her naïve and eternally optimistic mother Lydia feels honored just to be among the show business “pros” of the Party Down catering company. Her search for Mr. Right only complicates matters for Lydia, but ups the laughs on the show.

She joins a talented ensemble of actors on the comedy, labeled “a must-see” by USA Today and called “straight-up funny” by Entertainment Weekly. As the first season ended, Ron Donald (Ken Marino), the aggressively dysfunctional former leader of the Party Down Catering company, was headed off to manage a Soup N’ Crackers franchise; leaving one-time actor Henry Pollard (Adam Scott) to fill the void as leader; Roman DeBeers (Martin Starr) a self-proclaimed Sci Fi visionary, was still trying to get his screenplay noticed – by anyone; while actor, musician and all round cute guy Kyle Bradway (Ryan Hansen) landed a role in an upcoming action film; and Henry’s flame Casey (Lizzy Caplan) left him at the catered altar to do a few months of stand-up on a cruise ship.

Also returning for the second season are the show’s creators and executive producers: Rob Thomas (“Veronica Mars,” “Cupid”) along with John Enbom, Paul Rudd and Dan Etheridge. Starz Media, the production and distribution sibling of the Starz premium entertainment channels, is producer of the series.

“I’m so excited to be joining ‘Party Down,’ one of my favorite TV shows,” Mullally said. “I’m a big fan of the series and really thrilled to have an opportunity to work with such a terrific cast and talented group of writers.”

“Megan is quite simply one of the most talented actresses in the entertainment business today,” Hamm said. “Her impeccable comic timing and multi-faceted acting skills make her a great fit for the show, and we can’t wait to see how she interacts with the show’s terrific cast.”

Mullally won two Emmys® for Best Supporting Actress in a Comedy Series, and was nominated for another five, for her breakout role on the hit comedy series “Will & Grace.” The role also earned her four Golden Globe nominations, four Screen Actors Guild Awards (and an additional three nominations), and more kudos. Other notable TV credits include “The Ellen Burstyn Show,” the TV movie “Winchell” and her daytime talk show “The Megan Mullally Show.” She has a key part in the upcoming feature film Fame, and performs a song on the feature’s soundtrack.

Equally accomplished as an actress and singer, Mullally made her Broadway debut in the 1994 revival of “Grease” and earned rave reviews starring as Rosemary opposite Matthew Broderick in the hit revival of “How to Succeed in Business Without Really Trying.” Most recently, she drew critical raves for her role in “The Receptionist” at Los Angeles’ Odyssey Theater.