The Insatiable Viewer: Not All Food Shows Are Created Equal

Now is a very good time to be a television-loving foodie, with several networks other than stalwarts Food Network or PBS devoting air time to culinary-themed programming. In fact, it's safe to say that cuisine as a whole has entered the general zeitgeist in a way that it couldn't really have done before the public's embrace of reality programming.

But there's a rather large caveat: not all food programming is equal. While television offers a bountiful cornucopia of culinary series, there's still a large difference in the quality of these programs, not to mention a staggering range of subjects being covered. There are docusoaps that focus on cake-makers, competition series pitting chefs against each other, old fashioned cook-offs, food-focused travel series, and product spotlights.

While I'd never be able to offer up a comprehensive discussion of all of these series (they are too numerous to even contemplate as a whole), I thought I'd take a look at a few members of the current crop of culinary programs and offer my thoughts about how each stacks up to the competition, with Bravo's Top Chef and Top Chef Masters, Food Network's Chopped, BBC America's Gordon Ramsay's F Word, and FOX's Hell's Kitchen.

So, sit back, grab yourself a plate of something tasty, and let's get cooking.

Top Chef (Bravo)

Top Chef really is the mirepoix of culinary programs today: that essential base that makes all others possible. And likewise, the cabler has taken this base to build an entire Top Chef franchise, which kicked off last month with spin-off Top Chef Masters. The conceit of Top Chef is simple: pit a group of ambitious chefs against one another for a cash prize and a chance at fame and fortune.

I remember when Top Chef first launched, there was concern that the audience wouldn't eat it up in the way that they did the network's own Project Runway. After all, it's hard to experience food visually in the same way that it is fashion on the runway. Wrong. Just look at the sheer number of food magazines, cookbooks, and food-themed memoirs to know that consumers have an insatiable appetite for all things food-related.

Produced by Magical Elves, Top Chef is a stylish and slick production that puts the emphasis squarely on the competitors' dishes, discussing strategy and flavor profiles with equal relish. It helps that the judges are a band of the culinary world's most celebrated stars: chef/restaurateur Tom Collichio, Food & Wine editor Gail Simmons, and a revolving door of arbiters that has included at times chef/memoirist/novelist/TV personality Anthony Bourdain, Ted Allen (who now hosts Food Network's own Chopped), journalist/food critic/Truman Capote manque Toby Young, and many, many others.

Several seasons down the line, Top Chef has remained essential television viewing for any self-respecting foodie, fusing the world of reality competition with the rigorous and demanding world of high cuisine. The casting is always impeccable, the chefs are always forward-thinking and creative, and the stakes are always high. Seeing these up-and-comers put through their paces each week with both a short-form Quickfire Challenge and a longer, more complex Elimination Challenge is a real treat, offering viewers the opportunity to see the chefs adapt, plan, react, and execute dishes under an array of difficult scenarios. The results are as delicious as the dishes they present.

Grade: A

Top Chef Masters (Bravo)

Any discussion of Top Chef would have to involve that of its recent offspring, Top Chef Masters, which launched a few weeks ago on Bravo and has sated the appetite of many a Top Chef fan eager for the return of their favorite series. While the series didn't start off with quite the confidence and poise of its predecessor, recent episodes have shown the series finding its footing and developing into its own tasty dish. Like Top Chef, the spin-off series puts its contestants through both a speedy Quickfire Challenge and a more structured Elimination Challenge, but this time around the contestants are boldfaced names from the restaurant business competing for charity.

Which gives the contestants more to prove (bragging rights are even more essential here) but also takes the series away from its original format. Given that there are twenty-four world-class chefs involved with the series (each with their own demanding schedules), Top Chef Masters pits four of them against each other a week, with the winners moving on to the champion round. While it makes for some high-stakes drama--if you don't win, you're off the series for good--it also loses some points for inconsistency. Each week presents a new batch of chefs, so it's hard to root for anyone in particular as we're not seeing them on a regular basis and each subsequent week brings in a fresh crop of competitors.

Still, this is a minor quibble. Top Chef Masters has proven itself compulsory culinary television viewing and has successfully tweaked the format of its forebear, offering up a different grading rubric that allows the Quickfire results, the individual judges, and the diners equal weight. When dealing with such celebrated chefs as the Top Chef Masters players, it's a nice change, though I do flinch when the results are read out from lowest to highest score, eliminating much of the drama there. Still, it's a meal I look forward to savoring each week.

Grade: A-

Chopped (Food Network)

I was intrigued when Chopped launched earlier this year on Food Network, given that it featured former Top Chef judge Ted Allen as a host and promised to put professional chefs through the ringer by forcing them to cook a three-course meal using mystery ingredients, with one chef eliminated--or "chopped" in parlance--after each course. Sort of like a Quickfire Challenge with bite, no?

Sadly, I have to say that I'm disappointed by this Top Chef wannabe. Perhaps it's the fact that poor Ted Allen is so woefully underused and offers nothing whatsoever to the proceedings. He doesn't taste the food nor act as a judge and is typically reduced to offering up some painfully scripted (and oftentimes rhyming) introductions and segues. Sure, he will occasionally lean over a competing chef's station and inquire about what they're doing but it feels stilted and out of place. There's no running commentary a la Iron Chef and, hell, even Top Chef host Padma Lakshmi has some input on the judging.

The concept is intriguing but it's the execution that's definitely lacking. It doesn't help matters that (A) the set is dark and oppressive and feels like it's being shot in someone's too-small Manhattan apartment and (B) the judges seem awkward and icy cold, offering very little in the way of constructive feedback and remaining completely unknowable to the home audience. There's very little personality at play on the judges' table and nothing they say is particularly memorable or exciting.

Which is a problem when there are going to be numerous comparisons to Top Chef. (The cabler also offers the Top Chef-esque Search for the Next Food Nework Star.) I've given Chopped, now in its second season, several opportunities to wow me but the results haven't been enough to keep me excited about this lackluster program. This is one course I'm more than happy to send back to the kitchen.

Grade: C+

Gordon Ramsay's F Word (BBC America/Channel 4 UK)

British import Gordon Ramsay's F Word (which airs on Channel 4 in the United Kingdom) has to be one of the most controversial and fun food programs ever to run on US television. The reason many people seem to find it frenetic and overstuffed is the very reason that I love it so much: it's a magazine-style food program with recurring segments that are blended with competition (kitchen brigades compete for a chance to cook in one of Ramsay's restaurants), behind-the-scenes (Ramsay raises sheep, pigs in his back garden!), reportage (Janet Street-Porter investigates foie gras production), celebrity interviews (Ramsay faces off with a celebrity of the week in a recipe challenge), how-to (Ramsay shows you how to simply prepare these dishes at home), and grassroots campaign (this season shows Ramsay offering tips on how to cook healthier meals). Whew.

It's a heady brew of travelogue, cooking show, competition, celebrity, practical how-to, and behind-the-scenes that I find absolutely intoxicating. Ramsay is also in his element here and it's easy to see his innate passion for cuisine rather than the bluster and bullying he seems to throw on in some of his other reality programs. Is there a lot going on? Hell yes. But it's always interesting, always hilarious, and always informative. And that to be is the hallmark of a great culinary series.

Grade: A-

Hell's Kitchen (FOX)

And then there's Hell's Kitchen. What started out as a fun and fiery culinary competition series has devolved into a freak show where the contestants--cast for their oddities, eccentricities, or abrasive personalities--attempt to work on the line in a Hollywood restaurant where they are overseen and browbeaten by Ramsay himself.

What sets this program apart from the others is that the contestants usually can barely boil water much less prepare palatable food for the diners. Which is a shame as it could be a great series about life on the line but instead its become trainwreck television. Seeing Ramsay scream at someone with precious few knife skills or professional experience isn't exciting or amusing, it's downright depressing.

I watch culinary television series because I want to be dazzled by chefs' inspiration, creativity, and passion for what they do. If I felt like Ramsay were training these contestants to become professional chefs (look at Jamie Oliver's amazing docuseries Jamie's Kitchen for that instead), that would be one thing. But instead, the entire affair feels cheap and exploitative, not to mention overtly sensationalized.

There's no way that I'd go anywhere near Hell's Kitchen these days for viewing, not to mention eating. And that's a real problem for a culinary series, which should be aspirational not nauseatingly vapid. It's clear that Ramsay is playing a part here for the cameras, which is a shame when you watch F Word or Ramsay's Kitchen Nightmares (or its US counterpart on FOX, Kitchen Nightmares) and you see the passionate, inspirational side of Ramsay. Sadly, Hell's Kitchen makes me lose my appetite completely.

Grade: D

And there you have it. I am curious to know, however, what culinary-themed television programs you're watching. Are there any that should have been on this list? Any that you can't live without? Any that you're hungry for week after week? And which ones should be binned? Discuss.

Channel Surfing: Starbuck is "Lost and Found," Paul McGann NOT headed to "Doctor Who," Hugh Laurie, and More

Good morning and welcome to your Friday morning television briefing.

In her first television role since the end of Battlestar Galactica (hitting small screens in 2009), Katee Sackhoff has signed on to star in drama pilot Lost and Found for Dick Wolf at NBC. Project, from writer/executive producer Chris Levinson, revolves around NYPD detective Tessa Cooper (Sackhoff) who is forced to solve John and Jane Doe cases after she finds herself rubbing her bosses the wrong way. Sackhoff's attachment lifts the cast contingency on the project, which was ordered to pilot last month. (Hollywood Reporter)

FOX has signed a new deal with Gordon Ramsay that will keep the chef at the network for several more years and includes an agreement to produce two more editions of Hell's Kitchen, another season of Kitchen Nightmares, and a third series (likely based on Ramsay's Channel 4 series Man Camp, about a boot camp for men worried by how feminine they're becoming) and a special in which at-home viewers will be able to cook alongside Ramsay. (Futon Critic)

Hugh Laurie has become one of the highest paid actors on television, signing a new deal with Universal Media Studios to continue starring on FOX's House through the 2011-12 season, in a deal said to be worth more than $9 million a year (or $400,000/episode). (Hollywood Reporter)

HBO has ordered a pilot script for an untitled drama series about a Florida golf pro who is forced to enter the witness protection program from writers/sports columnists Carl Hiaasen and Mike Lupica. (Variety)

BBC has denied tabloid reports that Paul McGann, who played the Doctor in a 1996 made-for-TV movie and a series of audio adventures, had been cast in one of the four upcoming Doctor Who specials expected for 2009. The Beeb has categorically denied the story, which ran in The Sun: "There is no truth to the story at all," said a spokeswoman. (Digital Spy)

Wondering how Jason O'Mara felt, being the only cast member to stick around after ABC axed the original pilot for Life on Mars? Find out in this interview. (Los Angeles Times)

BermanBraun has hired Gene Stein as its head of nonscripted programming while Matt Hanna, who had been overseeing the development slate, will focus on overseeing the series that the production company produces through its deal with Thom Beers' Original Prods. (Variety)

In other executive shuffle news, Maria Grasso has left Lifetime and to join cabler OWN:The Oprah Winfrey Network in a top development role, reporting to Robin Schwartz. (Hollywood Reporter)

Stay tuned.

What's On Tonight

8 pm:
Ghost Whisperer (CBS); America's Toughest Jobs (NBC); Friday Night SmackDown! (CW; 8-10 pm); 2008 ALMA Awards (ABC; 8-10 pm); Are You Smarter Than a Fifth Grader? (FOX)

9 pm:
Ghost Whisperer (CBS); Dateline (NBC; 9-11 pm); Don't Forget the Lyrics (FOX)

10 pm: NUMB3RS (CBS); 20/20 (ABC)

What I'll Be Watching

Um, I think I'll just go out instead...

An Open Letter to "Hell's Kitchen" Overlord Gordon Ramsay

Dear Gordon Ramsay,

After being a fan of your globe-spanning restaurant empire and slew of cookbooks, as well as faithfully watching your enlightening and entertaining television series Ramsay's Kitchen Nightmares and The F-Word for several years, I have developed the utmost respect for you.

So I am curious why you would attempt to tarnish your image by continuing to appear on FOX's trashy and trite culinary competition series, Hell's Kitchen. Now entering its fourth season, the series has given up any pretense of being a bona fide culinary competition and turned into nothing more than a kitchen-based freak show.

Any aspiring chef worth his or her salt would surely run screaming from the mere thought of applying to be on Hell's Kitchen to apply to the far superior series Top Chef; it's certainly not a launch pad for a serious restaurant career, despite the promise of an executive chef position at your new restaurant at The London LA. No, anyone with tangible or realistic dreams of owning their own eatery or, hell, being a professional chef would opt for Bravo's series in a heartbeat. Certainly, their contestants can typically work on the line and, despite the on-screen chyrons that proclaim your competitors to have culinary experience, they quickly prove once again that they are simply useless in the kitchen.

So instead of visionary chefs who dazzle us with their knife skills, flavor profiles, and imaginative cuisine, we get a parade of bizarre also-rans: chef's toque-wearing Craig, who walks around wearing the damn hat all the time; robotic stay-at-home-dad Dominic whose toupee seemed to have more personality than its wearer; deer-in-headlights grunt Matt; androgynous firecracker Louross (the only one who seemed capable of taking control of the kitchen); blonde Sharon, who should be ashamed of herself for calling herself a chef and yet having those nails; "three star general" Bobby who quickly proved himself useless as a leader; lazy Jason who disappeared at the start of service for a cigarette break. The men in particular seem hopeless, unorganized, and clueless. On the women's team, Rosann's shrill barking seemed to put the Red Kitchen back on line for a bit, though I had to turn on my closed captioning in order to understand what the hell she was saying.

Ultimately, I get that you came over from the UK to do this series which has made you a household name in America for your domineering, irate, vulgarity-prone on-screen persona. But I have to ask you to realize that enough is enough and this series has really run its course and is now just damaging the reputation you so painstakingly constructed via your restaurants and books. Hell's Kitchen has become a bit of a joke and an unfunny one at that. I don't see any of these contestants successfully running any restaurant anywhere and you lending your name and likeness to this exercise in futility and humiliation just compounds the embarrassment. On your other series you prove that you can advise and direct effectively without ranting and raving like a madman; sometimes it takes tough love but I am always amazed and impressed by your patience, understanding, and passion... none of which come through here in this mockery of a culinary competition.

Additionally, with Bravo's Top Chef and BBC America's Last Restaurant Standing (both far superior series) also currently on the air, do we really need to have Hell's Kitchen on right now... and another season planned for this summer? Do we really need to see you have yet another predictable meltdown each week when Jean-Philippe tells you that the patrons are leaving because they haven't been fed? Or see you throw food across the room because these allegedly hand-selected contestants don't seem to have any idea how to cook? Or have you complain about food wastage when you are the one enabling these wannabes to waste all of these ingredients in the first place?

I ask you to please reconsider doing another season of Hell's Kitchen and instead focus on more worthwhile endeavors: saving struggling restaurants from closure, chatting with foodies about culinary matters while showing us what really goes on behind the kitchen doors at a restaurant, and getting regular, everyday people to start cooking again. Isn't that what this really should be all about?

If You Can't Stand the Heat: The "Hell's Kitchen" Season Finale

Yawn. I have to admit I didn't really care which one of them won in the end.

Isn't that a rather scary thing to say about a reality series? But it's true. This season especially, Hell's Kitchen has proven itself the television equivalent of boxed macaroni and cheese, bludgeoning its viewers with endless repetitions of things we've just seen not three minutes before and striving to create false drama where there is precious little. Sure, I've stayed with the series this season but it wasn't easy and, as has already been discussed endlessly, Hell's Kitchen pales in comparison to the far superior (not to mention just better produced) Top Chef on Bravo.

But enough about that. Last night's season finale presented Rock and Bonnie with the opportunity to impress Gordon Ramsay with their mastery of cooking (though they did precious little of it) and with their leadership abilities at the hot plate, expediting orders and overseeing the kitchens of their newly redesigned "restaurants." But this being Hell's Kitchen, they also had to contend with teams comprised of ousted contestants, most of whom I wouldn't allow to even heat up the aforementioned mac n' cheese for me. Seriously, some of their crew (ahem, Josh) shouldn't even be considered chefs in the first place.

Josh. I was blown away once again by his sheer lack of cooking savvy. He claims to be a chef, claims that he's not a moron who can't cook crab cakes to order, and claims that he really can cook. Well, why didn't you prove that over the course of the season? You couldn't properly cook a single dish the entire competition! And once again he decided to cook more than what was needed each time. Remember the risotto incident in which he had 8 pans of risotto going, even though there were only three orders in? He did it again with crab cakes. I want to stay far, far away from any restaurant that this guy works in, please.

Julia. I really liked Julia and admired her pluck, determination, and courage. But my entire opinion of her changed last night and not for the better. Ramsay offered to pay for her to attend culinary school on his own dime and yet here she was, bitter and predisposed to give up halfway through service because she felt she should have been in the final two. Honey, there was no way you were making it to the final two, so stop your sobbing. Man up, do the job you're there to do, and remember that cameras are filming you acting like a brat.

Bonnie. I thought she did a pretty good job but not preparing enough pasta or prawns during prep was a major, major error, though I am sure that Melissa ended up throwing out several portions of both (she kept overcooking the prawns), so I am sure that didn't help matters. Still, Bonnie proved that she could run a kitchen (for the most part, anyway) and took charge of her uncommunicative team. Her dishes were polished and elegant and totally suited to her restaurant vision. Could I see her running a huge kitchen in Las Vegas? Not really, but I could see her owning and operating a tiny little jewel-box of a place in Santa Monica, where she could control her own destiny.

Rock. I really thought that he was undermined by his team at every turn. His menu was self-assured, robust, and put a modern spin on traditional bistro fare. I think had Jen been on his team rather than Josh he would have won by a landslide, but being forced to take last pick Josh definitely put a crimp in his plans. Still, I thought he rallied his troops effectively and recovered from the early lag by pushing Josh off of appetizers (why was he ever on there?) and reigning in his sagging team. He definitely has the presence and command to one day be a chef who, in Bonnie's famous words, is a "force to be reckoned with."

So I can't say I was all that surprised the Rock won this thing. After all, it only seemed obvious from weeks ago that this competition was being set up as a final showdown between the nanny and the executive chef. But kudos to Bonnie for being a good sport about the whole thing and expressing her happiness for Rock's win.

Were you happy with how things turned out? And which of this season's "chefs" terrified you most of all?

Don't Feed Melissa After Midmight: The Gremlin Goes Home on "Hell's Kitchen"

Okay, question time: what the hell happened to Hell's Kitchen's Melissa?

The 29-year-old line cook from New York seemed like one of the few contenders when this season of Hell's Kitchen began, but over the course of the last few episodes she has literally devolved before our eyes into an extra from the set of ABC's new comedy Cavemen and forgotten every single cooking skill she ever had.

Sure, the pressure is high in the kitchen and Gordon Ramsay certainly doesn't make it any easier for his contestants; after all, this isn't real life but a FOX reality series. But at the same time, I really do not understand what happened to Melissa, whom Ramsay not so lovingly referred to as a "gremlin" in this week's episode.

After her dismal performance last week in which she turned into a messy cavewoman (complete with some sort of odd facial scar?), her wild hair in her face during cooking (and, I'm sure, dropping into the food as well), I thought for sure she was getting the boot, but instead Ramsay pulled a switcheroo (helped, I'm sure, by the fact that a recent episode had two chefs go home, thanks to Aaron's illness) and had her join the men on the blue team (much to their chagrin). I'm not quite sure why she, over some others, have earned a second chance, but Ramsay decided to liven some things up by forcing her on the blue team.

I do have to say that the guys were very welcoming and encouraging of their new teammate, considering how abysmally she had been performing recently in the kitchen. Given the fact that she is a line cook, I am just stunned at how poorly Melissa does on the line, delivering sub-par food every single time and just making idiotic mistakes, like giving Ramsay paper-thin scallops or overcooking the rice for the risotto. Don't even get me started on that piece of trash duck breast from last week.

So what exactly happened? How does one devolve from a competent, if certainly not gifted, cook to someone who should be altogether barred from setting foot in a kitchen? Is lack of sleep to blame for the way in which she's transformed into, well, a gremlin? What do you think?

Next time on Hell's Kitchen, the contestants are tasked with transforming leftovers into delicious meals (well, delicious, for Hell's Kitchen) in 30 minutes, with the winners getting the opportunity to get their revenge on Ramsay during a paintball outing. Ouch.

"Hell's Bitches": Ramsay Doesn't Like the Cut of the "Hell's Kitchen" Competitors

I'll admit that while I watch Hell's Kitchen, I'm always slightly baffled by the fact that the culinary competition series, which launched last night on FOX, rewards its participants with their very own restaurant (or at least running the kitchen in someone else's restaurant) when the series essentially tests them each week by... forcing them to work on the line?

It's particularly jarring given that Bravo's own Top Chef, which is going into its third season as well, launches next week. Though it lacks the explosive personality of Gordon Ramsay, Top Chef seems more inclined to cast people with, you know, actual talent. Here on Hell's Kitchen, the producers seem much more inclined to cast "personalities" rather than competitive chefs. How else to explain the dog's dinner that the aspiring HK winners presented to Ramsay in the guise of their "signature dishes" or the fact that more than half of them seem incapable of cooking an egg properly?

Part of me almost wishes that these contestants were merely passionate amateur chefs (competing, much like they do on Ramsay's other series, The F Word). It would explain the difficulty they have with some basic cooking directives (why on earth would night club chef Vinnie think it all right to add water rather than stock to risotto?) and give the audience some people to sympathize with and root for. As it stands now, I can't imagine any of these people owning (or running) their own restaurant.

Sure, there are one or two stand-outs who already seem to tower over the competition in the form of 25-year-old sous chef Brad from Scottsdale (who took over the blue team's appetizer station with relish and got out their only dishes), and 29-year-old line cook Melissa from New York, who quickly took charge of her squabbling team after Ramsay put her in control of the red kitchen. So far, these have been the only two to stand out among the pack, which seems once again stacked with incompetents, smart-asses, and... people who seem to burst into tears at the drop of a hat.

I was stunned--nay, gobsmacked--by the fact that 48-year-old Aaron, a retirement home chef with a penchant for cowboy hats, started sobbing uncontrollably... before the first dinner service had even started. Seriously. I'm not quite sure what to make of that, but if you can't keep it together before the stress of service has even begun, what chance to do you have once you're in the weeds? (Though I was particularly impressed with Ramsay's concern for Aaron, which cropped up not once, but twice, during the premiere episode.)

The same holds true for 28-year-old short-order cook Julia, who also started crying during service when no one would let her cook the quail eggs. I'll admit that I did feel bad for Julia, who seems to be the victim of the other contestants' stereotyping. She was all but ignored during the prep time and during service, relegated to chopping apples while the other chefs couldn't cook an egg; she continually offered her help but was brutally rebuffed (yes, I was just watching Clueless) at every turn. Um, guys, if there's one person that could cook an egg perfectly nearly every time, it's probably a short order cook. And, sure enough, Julia managed to get the eggs cooked, but only after having a breakdown in the kitchen. I am sure that the stress of the situation, as well as being ostracized by her own team, played a part in that, but these people have got to keep it together, especially in front of Ramsay, if they want a ghost of a chance at winning.

I was perturbed that everyone--from Melissa to uppity 22-year-old chef's assistant Joanna and ousted 27-year-old kitchen manager Tiffany--kept putting Julia's background down as coming from a "waffle house." After all, Season One winner Michael didn't exactly hail from a fine dining institution and he won the top prize. I'd advise them to stop concentrating on where Julia's from and start focusing on what the hell they're doing, because I haven't really seen any culinary genius stemming from any of them, culinary school graduates or not.

All I can say is that these Hell's Kitchen would-be master chefs better step it way up because any single one of the Top Chef competitors would blow them out of the water in terms of skill, creativity, and vision. And with that other culinary competition show launching next week, these chefs better find their knife skills fast. I also wish that HK would mix things up a bit more; the battle of the sexes... again? I'm not looking for Survivor-like twists and turns but a little shake-up in the general order of things would be nice.

Next week on Hell's Kitchen, the teams prepare for the next challenge after a disastrous opening night while Aaron, unable to cope with the mounting pressure, tries to quit.

What's On Tonight

8 pm: NCIS (CBS); Deal or No Deal (NBC); Gilmore Girls (CW); George Lopez/According to Jim (ABC); On the Lot (FOX)

9 pm: The Unit (CBS); America's Got Talent (NBC); Veronica Mars (CW); The 2007 ALMA Awards (ABC; 9-11 pm); House (FOX)

10 pm: 48 Hours Mystery (CBS); Law & Order: Special Victims Unit (NBC)

What I'll Be Watching

8-10 pm: MI-5 on BBC America.

Missed MI-5 (aka Spooks) the first time it aired (if you can call it that?) in the US on A&E? BBC America is giving you a second chance to catch this taut espionage series from the beginning. On the first episode ("Thou Shalt Not Kill"), MI-5 must stop a rabid American pro-life supporter from detonating twenty bombs in the UK. On the second ("Looking After Our Own"), Tom and Helen are tasked with posing as a married couple in order to stop a maniac from starting a race riot.

9 pm: Veronica Mars.

I'm still so bloody angry at the CW I can taste it. But before Veronica Mars disappears off the airwaves completely, catch the few summer repeats while they last. On tonight's repeat episode ("My Big Fat Greek Rush Week"), Veronica is tasked by the campus newspaper into doing an undercover expose during Rush Week on a sorority that might just have a link to Parker's rapist. Or maybe, you know, not.

"If I Was Any Happier, I'd Need a Personal Assistant": The Searing Finale of "Hell's Kitchen"

In life, there are many apt metaphors that relate both to food and losing. That's how the cookie crumbles... No use crying over spilt milk... If you can't stand the heat, get out of the -- Okay, viewers of FOX's Hell's Kitchen get that last one better than anyone, especially after last night's performance from Virginia and Co.

It was obvious from the start that Heather, even after a few gaffes, would make it to the final rounds but I am still stunned that her competitor for an executive chef gig at the "billion dollar" Red Rocks Casino in Las Vegas was the flirtatious Virginia. It came down to a battle of wills between sous chef Heather, my personal fave during the entire competition, and salad chef Virginia, whose gift-from-the-gods palate didn't quite match up to her weak kitchen skills or lack of leadership. You couldn't have chosen two more disparate individuals, as evidenced from the menus, decor, and attitude of their individual Hell's Kitchen "restaurants." (And if I ever have to see another chicken roulade, I think I'll scream. Quite loudly.)

Virginia's whole attitude was wrong. From her selection of kitchen workers (Keith? Tom? Giacomo?) to her opening remarks to them about them being "weak" (why on earth would you tell the people you're relying on that they're "weak"?) to her being bullied into agreeing to pay them each $1000 if she won. (Better not spend that dough, boys.) Virginia had first pick of the less-than-the-cream-of-the-crop crew and still ended up with hands-down the worst competitors in Hell's Kitchen. And sure enough, they failed her at every turn: Keith constantly eating instead of helping out; Tom cutting his finger and wandering around (too bewildered to have to work for a woman, apparently); Giacomo again as slow as molasses. To say that Virginia was hobbled to begin with would have been a compliment to their talents.

Heather on the other hand was cool and collected, told her team that they were exactly who she would have wanted there, and inspired them to work their butts off for her. There was no doubt in my mind that Rachel would do *anything* for Heather and that Sara would probably come around. Plus, she and Garrett worked well together and I am sure he was just pleased as punch that Keith didn't make it to the finals. (As for K-Grease, I was surprised that Gordon Ramsay seemed to bear him no ill will, even after the astounding slight he received last week. Surprising.)

Virginia's menu consisted of an assortment of upscale dishes: fois gras, seared scallops, jalapeno tortellini (heh?), short ribs braised in red wine with a honey mustard sauce, chicken roulade in beurre blanc sauce, and a classic ice cream sundae (meh). Heather's is more low-key: warm goat cheese tart with candied pecans, Asian chicken salad, scallop soup, Chilean sea bass with cauliflower puree, warm bread pudding with caramel and vanilla ice cream, and a chocolate empanada.

While I was initially concerned that Heather would get flustered and start to make mistakes, she was remarkably level-headed and set out to fix any quality control issues while still getting orders out quickly and efficiently. Virginia, on the other hand, got so sidetracked with plating each dish individually herself, that orders began to back up on the hot plate and her team kept faltering. While Virginia might be blessed with a superlative palate, she's no chef and can't motivate or lead anyone in the kitchen. Her voice falters, her concentration breaks, and she just can't foster any confidence in her teammates. Poor Virginia is just so inarticulate that half the fun of the show has been waiting to see what comes out of Virginia's mouth next, whether they be amusing mixed metaphors or stream of consciousness non-sequiturs. I still can't help but chuckle at her baffling announcement, "If I was any happier, I'd need a personal assistant," uttered at the totally staged "press conference" to announce the finalists of Hell's Kitchen. (I especially loved how the only "journalist" to be introduced was the guy from the Fox Reality Channel. Pulitzer-winning moments, these.)

Once again, we were treated to that hokey "one of these keys opens up the door to your new restaurant" routine that was nauseating the first time round. (I had hoped that in a year, the producers had come up with a better reveal that was less on the nose.) It was only fitting that it was workhorse Heather's key that unlocked the opportunity to have her own restaurant (or at least serve as the exec chef in someone else's restaurant). But I was surprised that Gordon didn't offer one or both of them the opportunity to train in one of his many restaurants, like he did Michael, last year's winner. I think that, given the proper guidance, Heather will hopefully be a culinary force to be reckoned with and I hope that she uses this opportunity to push her career further.

As for me, my final thought on Hell's Kitchen is this: I've had the appetizer, so I'm hungry for my main course. Bring on Bravo's Top Chef 2 already... Then I might be so happy that, like Virginia, I might very well need a personal assistant.

What's On Tonight

8 pm: Big Brother: All-Stars (CBS); Miss Teen USA 2006 (NBC; 8-10 pm); Gilmore Girls (WB); According to Jim/According to Jim (ABC); House (FOX); Veronica Mars (UPN)

9 pm: Rock Star: Supernova (CBS); Gilmore Girls (WB); According to Jim/According to Jim (ABC); House (FOX); Veronica Mars (UPN)

10 pm: 48 Hours Mystery (CBS); Law & Order: Special Victims Unit (NBC); Primetime (ABC)

What I'll Be Watching

9 pm: Eureka on Sci-Fi.

The whimsical new sci-fi drama that's more Northern Exposure than Stargate. On tonight's episode ("Invincible"), Stark's obsession with the alien artifact hidden in Section 5 is intensified when a researcher is able to tap into its awesome power. Ohhhh, that can't be good.

11 pm: Love Soup on BBC America. (10 pm ET)

The whimsical British romantic drama, starring Black Books' Tamsin Greig and Lois & Clark's Michael Landes and written by Jonathan Creek creator David Renwick, returns with another new installment tonight. In tonight's episode ("The Reflecting Pool"), Alice is forced to share a room with a gorgeous colleague whilst away at a conference, while Gil brings his latest flame, a former Hell's Angel biker, to a pool party in the country.

No K-Grease Fire in This "Kitchen"

Ah, how the once mighty have fallen.

Keith, he of the too-low pants and, um, casually inventive vocabulary, went toe to toe with the Sultan of Spite and was brutally knocked down. You don't try to take on Gordon Ramsay, especially not on his home turf. Maybe in the line for Pink's (where of course there is no Gordon Ramsay hot dog). But in the fiery pits of Hell's Kitchen? Not a chance.

Just a few weeks back (hell, just as recently as the beginning of last night's episode), Keith seemed like a shoo-in to make it to the final round and have a chance of becoming the executive chef at a restaurant at the "billion dollar" Red Rocks Resort in Las Vegas.

I always find it amusing, first of all, that the show makes a distinction that the winner of this culinary competition will win the title of executive chef (rather than head chef) because Gordon Ramsay has always been rather upfront about the fact that he finds most executive chefs about as useful to a restaurant as rats. (Remember last season's exec chef Chris?) On his other series, Ramsay's Kitchen Nightmares, Gordon is constantly bemoaning the uselessness of many a failing restaurant's exec chef, who most often than not are more involved with management than they are with cooking. So it's an odd reward, especially coming from him.

I had thought for a while that the final challenge would a dramatic showdown between Keith and Heather but Keith really was quite bad at the hot plate and his expediting left a lot to be desired. Heather is a natural, of course, but that's also because she can't help but make demands and bark orders at everyone anyway. But why did she send those lumpy mashed potatoes out? She's too prone to second-guessing herself (she even scolded Mary Ann for making them so lumpy, but failed to actually taste them) and getting herself worked up into a tizzy. If Heather can just calm down, she's actually quite organized and methodical; otherwise, she becomes a destructive maelstrom of terribly lax cooking.

I can only hope that it's Heather who's crowned the victor next week, because if Virginia wins, there is no justice in this Kitchen whatsoever. On the chopping block six times now I believe--a real feat considering that there were only 12 contestants to begin with--Virginia has a palate to be reckoned with, but this isn't Hell's Taste Test, it's Hell's Kitchen and Virginia has proven time and time again that she cannot work on the hot line and cannot keep orders straight and cannot not overcook things... Maybe if she had spent less time flirting with Gordon and more time actually, you know, learning, she would be a stronger contender. (I also cannot believe that she is married, considering the way she's been carrying on.)

And Keith? I think he could have won this. He had finally toned down the cha-ching this and money that and had even pulled his pants up, but he couldn't wipe that stupid expression off his face. Nor did he ever prove that he had any real passion for cooking. For winning, yes, for proving that he could cook "better than all of those bitches," sure. But for crafting a perfect dish? For being an artist? No. I didn't see much of that. But he usually did a fantastic job on the line (except for last week's spaghetti disaster) and he and Heather were a great example of how teamwork can elevate any endeavor. But you don't take on the Devil and expect to walk away unscathed, especially when you intimate that there's something untoward going on between Gordon and a female contestant.

All I can say is Heather better pull through in the finale and walk through that ridiculous "door" to her prize, because I will throw my beloved television out the window if Virginia is crowned the inarticulate winner of this competition. "This whole experience has given me a new skin on life." Um, yeah. May the best chef win.

Next week on the Hell's Kitchen finale: it's down to the final showdown between Viriginia and Heather as Gordon drafts the booted contestants to work under the finalists. Tom (remember him?) refuses to work for a woman but with little choice, he obviously (and thankfully) ends up on Virginia's team. Burning questions abound. Will Keith apologize to Ramsay and step up? Will we be forced to again see Tom sweating into the food? And, oh, yeah, who will win?

What's On Tonight

8 pm: Big Brother: All-Stars (CBS); Fear Factor (NBC); Gilmore Girls (WB); According to Jim/According to Jim (ABC); House (FOX); Veronica Mars (UPN)

9 pm: Rock Star: Supernova (CBS); Last Comic Standing (NBC); Gilmore Girls (WB); According to Jim/According to Jim (ABC); Bones (FOX); Veronica Mars (UPN)

10 pm: 48 Hours Mystery (CBS); Law & Order: Special Victims Unit (NBC); Boston Legal (ABC)

What I'll Be Watching

9 pm: Eureka on Sci-Fi.

The whimsical new sci-fi drama that's more Northern Exposure than Stargate. On tonight's episode ("Alienated"), Carter investigates Spencer's abduction claims while Eureka may face an even greater challenge: their finances are in danger.

11 pm: Love Soup on BBC America. (10 pm ET)

In tonight's episode ("Death and Nurses"), Alice is set up on a date by her perfume counter co-workers, while Gil attempts to write a new script. Will these two pre-destined lovers ever meet?

Dining with Disaster: An Insider's Perspective on the Chaos in "Hell's Kitchen"

Dining in Hell's Kitchen often seems to be an exercise in futility and a Herculean test of patience.

So when I learned that two Televisionary operatives would be dining there, I did the only humane thing and told them to be sure to eat ahead of time.

Did my associates ever get their food? Were they lambasted by tantrum-prone chef Gordon Ramsay? When I realized that the Hell's Kitchen episode they participated in was scheduled to air tonight on FOX, I got the scoop from "Ruth" and "Gael" (names have been changed to protect the hungry) on just how hot it got in Hell's Kitchen.

Ruth and Gael happened to arrive at eatery Hell's Kitchen on Valentine's Day, traditionally one of the busiest (and most lucrative) restaurant nights of the year. Would it be romance and champagne in the Kitchen? Or heartbreak and empty stomachs?

From the start, it was obvious that things were a mess. That night, the two teams had devised separate menus and it was up to diners to decide which they'd order off of, rather than be seated in a particular side of the restaurant. In the red kitchen: Sara, Maribel, and Virginia; in the blue kitchen: Heather, Garrett, and Keith. Poor maitre d' Jean Philippe was having a hard time and was even telling people to order off of the red menu (the women's kitchen), because things were quickly turning pear-shaped in the blue kitchen. (Get it together, Heather!)

"The cameras were all over our table at the beginning when we ordered," said Ruth. "We were only to talk about the food and how long it was taking, etc. A table nearby ours was playing a game while waiting for their food. But I think someone took the game away from them."

Denied even the amusement of a simple game, Ruth and Gael waited... and waited and waited. Both began to get antsy and it wasn't helping matters that the staff continually kept plying them with more alcohol. "To be honest, the thing I remember most is how many times they kept coming back to fill our wine glasses," said Gael. "I don't normally drink that much, but that night I had a bottomless cup. I don't know, but it seemed like they were trying to get us inebriated. It was almost as if they wanted a one night stand with me..."

In between glasses of wine, Ruth and Gael noticed the complete chaos around them. People kept going up to the glass partition in the kitchen and complaining about how long it was taking to be served, which was undoubtedly slowing things down considerably. After drinking a few glasses of wine, Ruth went up to see what the problem was in the kitchen, but discovered that someone was already complaining. Chefs were running around like deranged headless chickens, but no food was coming out. And Ramsay was livid, screaming bloody murder every chance he got because apparently there was a "big mess up" in the kitchen.

But, lo and behold, the blue kitchen actually managed to get their dishes out before the red kitchen (at this table, anyway) and Ruth and Gael did eat that night. The food? Some sashimi with sesame seeds that was deemed "just okay" by this dining duo, followed by a chicken roulade stuffed with spinach and herbs that was surprisingly "really good."

Sadly, Ruth and Gael never made it to the dessert course, though many other parties did receive their third and final course. "We were really disappointed," said Gael, "because we got a chance to see everyone else devour the little delectable desserts and we were there so long we felt like we deserved it!"

But things had apparently gone from bad to worse in the kitchen. "At one point Ramsay started yelling, got frustrated, and just walked out," said Ruth. "Soon after we looked around and the cameras were gone and most of the people were gone. It was a little confusing... Is that it? Do we stay or go? No dessert?" (Not in this lifetime, anyway.)

Afterward, Ruth walked to the kitchen and thanked Hell's Kitchen chef Sara. "She was really nice," she said. (Sara? Really? Ruth must have had a lot to drink that night.) Grabbing their things, they walked out, a little shocked and more than a little disappointed. Still, not everything was so bad, according to Gael. "The bread on the table was absolutely fantastic," she said. "The cracker one with cheese on it was exceptionally good. In fact, now when I think about it, I probably filled myself up with bread."

So there you have it. Come for the ambiance at Hell's Kitchen and stay for the bread.

What's On Tonight

8 pm: The King of Queens/How I Met Your Mother (CBS); Project Runway (NBC); 7th Heaven (WB); Wife Swap (ABC); Hell's Kitchen (FOX); Major League Baseball (UPN)

9 pm: Two and a Half Men/How I Met Your Mother (CBS); Treasure Hunters (NBC); 7th Heaven (WB); Supernanny (ABC); Hell's Kitchen (FOX)

10 pm: CSI: Miami (CBS); Medium (NBC); Supernanny (ABC)

What I'll Be Watching

8 pm: Spaced on BBC America.

If you missed Friday's Stateside airing of the hilarious and surreal 1999 sitcom Spaced (starring Shaun of the Dead's Simon Pegg), here's your chance to catch the fifth episode before another episode airs Friday. On tonight's episode ("Chaos"), Tim takes Daisy's new dog Colin out for a walk and promptly loses him, causing Daisy to accuse Tim of deliberately losing the dog. However, when they learn that the dog was, er, dognapped, they launch a rescue mission.

8:30 pm: Peep Show on BBC America.

Another chance to catch the third episode before a new episode on Friday. On tonight's episode, Mark, convinced that they'll sleep together, attempts to stop his nemesis Jeff from taking a business trip with Sophie. Meanwhile, Jeremy becomes uncontrollably possessive over his new girlfriend Nancy.

9 pm: Hell's Kitchen.

See above. On tonight's installment of the FOX culinary competition show ("6 Chefs"), the teams devise and introduce two individual menus. I'm not sure which is worse: not being able to get Gordon's dishes off the line or your own?

11 pm: Lovespring International on Lifetime.

I know, it's on Lifetime of all places. On tonight's new episode of the improvised comedy ("The Loser Club"), Burke and Lydia struggle to match up their most challenging clients before an annual company mixer.

Babysitting the Kids in "Hell's Kitchen"

If you missed the first half of last night's episode of Hell's Kitchen, I think the below video aptly sums up the chaos and confusion. "Restaurant" Hell's Kitchen held its first lunch service and opened its doors to an army of screaming, sugar-jonesing demon children who promptly trashed the place.



That pretty much covers it. Well, except for the fact that Rachel confused egg wash with egg whites and begged for ice, Virginia flirted with Gordon Ramsay like a teenage coquette, and Sara acted a thousand times more immature and irritating than any one of the above children as she continued to sabotage her own team...

Meanwhile, Heather had her hands full with the "kids" on her new team. The guys didn't seem to do much better than the women, though Heather's presence seemed to rein them in a little at first, but soon the team returned to its typical devices: Tom started a kitchen fire, Garrett sent out food without tasting it for seasoning, and everyone brought down Gordon Ramsay's ire.

Like I said after Week One, my money's on sous chef Heather to win this competition. Anyone else ends up with their very own restaurant and I'd think that Gordon had gone soft. And we don't want that, now do we?

What's On Tonight

8 pm: NCIS (CBS); Fear Factor (NBC); Gilmore Girls (WB); According to Jim/According to Jim(ABC); House (FOX); America's Next Top Model (UPN)

9 pm: The Unit (CBS); Last Comic Standing (NBC); Pepper Dennis (WB); According to Jim/According to Jim (ABC); House (FOX); Veronica Mars (UPN)

10 pm: 48 Hours Mystery (CBS); Law & Order: Special Victims Unit (NBC); Boston Legal (ABC)

What I'll Be Watching

8-10 pm: Kathy Griffin: My Life on the D-List on Bravo.

Honestly, I keep forgetting that this series is on, but everyone I know won't shut up about it. Catch last week's episode at 8 pm and then a brand-new episode at 9 pm, where Kathy's trip to Iraq to entertain the troops reaches a conclusion. Kathy Griffin... in Iraq? I am so there.

Reality Check: Chef Ramsay Turns Up the Heat in This "Kitchen"

I've been suffering from some serious Top Chef withdrawal since the Bravo reality series ended a few weeks ago and like a much needed fix, along came FOX's Hell's Kitchen--just in time to fill my quota of culinary guilty pleasure television. While the two shows aren't exactly the same beast (no robotic host in sight here), they both pick aspiring chefs of varying experience and skill to fight it out for the chance to be the Chosen One, the one girl in all the world with the strength to fight the vampires--oops, wrong show. I'm happy to see that in addition to host/chef Gordon Ramsay, the whole gang is back: sous chefs Scott and Mary Ann and French maitre d' Jean Philippe. Let the games begin...

I'll say it right now: I like Gordon Ramsay, the former pro-footie (that's soccer to the Yanks in the audience) player turned celebrity chef who just so happens to own a whole fleet of five-star restaurants in London. He's abrasive, vulgar, and domineering, basically everything that you'd want in the head chef of a busy and chaotic restaurant, and he has an all-consuming sense of perfection and standards that would make an angel weep.

I am also sure that his performance in Hell's Kitchen is a lot of hot air. Yes, he's definitely demanding and precise but food is Ramsay's passion as well as his profession and his modus operandi has always been Tough Love. Impress him and he'll praise you; fail and he'll smite you with a vengeance that knows no bounds, whether it be to throw your improper dish on the floor or at you or to insult you or your hairstyle (Giacomo, I am talking about you). But watch Ramsay on his other series, Ramsay's Kitchen Nightmares (currently airing on BBC America), and you'll see that behind the bluster and the rage blackouts, he's man who CARES, whose approach to helping is sometimes to break people down to their weakest and then build them back up. And it's often an approach that works.

Gordon's got his work cut out for him with the candidates that FOX assembled for this, the second installment of Hell's Kitchen. Unlike the Top Chef crew, these twelve aspiring chefs don't seem all that worthy to call themselves chefs. The word chef literally means chief, a leader, and other than Heather (more on her later), I failed to see any leadership potential--and not a lot of culinary potential either--in any of these players. (I'm also rather confused as to why the show's producers selected six of the contestants from the state of Texas; it hardly adds to the show's claim that they scoured the country to find 12 contenders... and then decided to cast novice chef Penny?) Taking a page from The Apprentice's rulebook, Hell's Kitchen is this time split down gender lines. In the blue kitchen, it's the men's team and, in the red kitchen, it's the women (what, no pink?).

I was initially impressed with 21-year-old pizza maker Giacomo but he blew any respect I had for him by the second hour. Placed on the vegetable station (his job was to serve up the sides as the entrees become ready), he stood around, completely clueless and confused about what he was supposed to be preparing, and then deep-fried some cabbage into a gluey mess. The result? The blue team fails to actually get out a single entree and the "patrons" of the restaurant leave after a revolt. Badly done, Giacomo.

But there's only a single candidate that I'm impressed with and it's the gutsy and talented Heather, a 25-year-old sous chef from Port Jefferson, NY, who started cooking when her mother was diagnosed with cancer. She's cool under pressure, calm and collected. She even managed to impress and astonish Gordon Ramsay. After receiving a serious burn, she tried to remain in the game, delegating her station's responsibilities to sous chef Mary Ann and her teammates, leading Gordon to comment that he has never seen anything like that in his 21 years of culinary experience. My money's definitely on Heather to win this thing. After the red team spends an hour and a half of failing to get a single appetizer out in the first episode, Heather comes onto Penny's station and gets the first plates out in three minutes flat. And if she can stay calm and get her dishes out, she might just be a lock to win this thing. After all, she's already gotten Gordon on her side and that's more than half the battle.

The rest of the crew so far shows little promise. Former stockbroker Tom is so sweaty that his sweat is dripping off the end of his nose into the food (Ramsay luckily notices and orders the food thrown out); inane Sara cheers ("YAY!") after Heather manages to get the appetizers out, causing Ramsay to snap at her; Keith, a professional chef, is a clown who needs to be taken down a few pegs (it helped that Ramsay forced him to take off his ridiculous hat and then filled in with castoffs from Keith's signature dish); the now-booted Gabe, a 27-year-old marketing executive, couldn't pay attention to the orders and mostly stood around looking confused; salad chef Virginia couldn't figure out how to properly cook a Wellington and wandered into the other kitchen, begging for lamb stock. I can't say I was taken with any of them and I'd urge the show's producers to pick a few more "winners" rather than the reality TV-friendly crew they've assembled here.

Hell's Kitchen has never been subtle but the producers took the show's hellish motif a little far. Besides for the ubiquitous flames and pitchforks, contestants' photographs now burst into flames when they're eliminated (Ramsay violently shoving their chef's whites onto the hooks wasn't enough?). And the backyard hot tub? Let me guess, FOX's idea? I forgot for a minute if I was watching a cooking competition or The Real World as the girls changed into bikinis and started to party after winning a challenge. But the worst has got to be the awful, repetitive voiceover narration throughout the show; I think the producers believe that it adds to the drama and tension of the show, but instead it just irritates. If you're going to have to use narration, at least have Gordon record it; he does it for Ramsay's Kitchen Nightmares, so it's not too much of a stretch.

I'll be looking forward to subsequent episodes as I cheer Heather on. And until Bravo brings back Top Chef next season, this is an ideal stopgap in the meantime. Equal parts competition and backstabbing, Hell's Kitchen is the perfect antidote to a hot summer's night. Just as long as you can stand the heat in Ramsay's kitchen.

What's On Tonight

8 pm: NCIS (CBS); Fear Factor (NBC); Gilmore Girls (WB); NBA Basketball (ABC); House (FOX); America's Next Top Model (UPN)

9 pm: The Unit (CBS); Last Comic Standing (NBC); Pepper Dennis (WB); House (FOX); Veronica Mars (UPN)

10 pm: Tuesday Night Book Club (CBS); Law & Order: Special Victims Unit (NBC)

What I'll Be Watching

8 pm: The Thick of It on BBC America (11 pm EST).

If you missed the fifth episode of this scathingly funny British political satire, here's your chance tonight to catch up before a new episode airs on Friday. On tonight's episode, the Department of Social Affairs is placed under governmental scrutiny by an upstart looking to steal Malcolm's power right out from underneath him. All I can say is, no one fracks with Malcolm and gets away with it...

The Heat is On: What I'm Watching This Summer

Growing up, the summer television season used to consist of endless reruns and maybe the burn-off for a few middling series left over after the end of the schedule. But in the last few years, networks have used the airtime as a fertile ground to launch new series (remember The OC's original summertime run?) and many a reality juggernaut has started its run in the warmer months, including Survivor, American Idol, and The Amazing Race.

While it's anyone's guess as to whether this season's offerings will reach those heights, this summer will bring couch potatoes quite a lot to snack on. While this week's Entertainment Weekly lists "67 Shows You Can't Miss," I do have a life and can't spend ALL my time in front of the telly. (Well, nearly all my time, anyway.)

So, crank up the A/C, grab a mojito, sit back, and relax... Here are the fifteen series that I'll be watching this summer.

monday
9 pm: Hell's Kitchen (FOX).

Sadistic chef Gordon Ramsay is back for a second season of culinary catastrophes in FOX's summer reality entry Hell's Kitchen. While these chefs are nowhere near as polished as their Top Chef counterparts, Ramsay hopes to (brow)beat them into becoming chefs capable of handling lunch AND dinner services (a change this season) while withstanding criticism that makes Top Chef's Tiffani look like a Samaritan. Tears will be shed, dishes will be toppled, and feuds sparked. I can't wait! Though I am a little concerned by the fact that six of the twelve contestants (HALF!) are from the state of Texas. Hardly the diversity I was hoping for... (Two-hour premiere on 6/12; launches in regular timeslot 6/19.)

9 pm: Treasure Hunters (NBC).

I'll also be watching Treasure Hunters, Imagine Television and NBC's newest reality series that supposedly costs a gazillion dollars to produce. Ten teams of three people will follow clues, attempt death-defying stunts, and race around the world to uncover a huge treasure. The effect is The Amazing Race fueled by crack supplied by The Da Vinci Code's Sir Teabing. While it might be on at the same time as Gordon "Don't Mess with Me" Ramsay, I'll be tuning in to both series and expect Treasure Hunters to take the lead. (Two-hour premiere 6/18; launches in regular timeslot 6/19.)

10 pm: Anthony Bourdain: No Reservations (Travel Channel).

From one sarcastic, impertinent chef and TV personality to another... I just can't say no to Tony Bourdain. Whether he's trekking through a blizzard in Iceland, attending a maharajah's ornate birthday party in India, or eating cow organs in China, I'll follow this guy anywhere. Tony's no-nonsense approach to travel and love of local food and culture have earned No Reservations a permanent Season Pass on my TiVo. (Currently airing.)

11 pm: Lovespring International (Lifetime).

Yes, I know. It's on Lifetime, home of dreaded TV movie-of-the-weeks about diseases, abductions and adultery. But it's also pretty damn funny. With the arrival of new president of entertainment Susanne Daniels, Lifetime is attempting to shed its mothballed image and Lovespring International is part of a new programming initiative to lure new viewers. The improvised comedy follows the trials and travails of the employees of Lovespring International, Beverly Hills' elite dating agency... located in Tarzana. Look for executive producer Eric McCormack to show up in the second episode as a shark-obsessed client and stick around for the rip-roaringly funny third episode which has series regulars Jane Lynch (40-Year-Old Virgin and Arrested Development's Cindy Lightballoon) and Wendi McLendon-Covey (Reno 911!'s Deputy Clementine Johnson) engaging in a stakeout gone horribly, horribly wrong. (Currently airing.)

tuesday
9 pm: Eureka (Sci-Fi).

Colin Ferguson stars in this sci-fi lite drama about the weird goings-on in the small Pacific Northwest town of Eureka, which just happens to be where the U.S. government, um, relocates the best and the brightest brains of today (and their families) to work on top secret projects, ranging from developing weapons to... messing around with the space-time continuum. I've seen the two-hour pilot, which starts off slow but soon becomes engaging. Ferguson is a likeable lead man and his reluctant U.S. Marshall Jack Carter soon finds that he has bit off more than he can chew... with both his daughter and the town of Eureka. (Premieres 7/18.)

wednesday
10 pm: Project Runway (Bravo).

I'm new to Project Runway (don't ask me why I've hesitated until now) but I am jumping on board for the reality series' third season, which follows the combination of catfights and couture that have earned this series a whole flock of devoted followers. Plus, Heidi Klum gets to say, "In fashion, you're either in or you're out" every week in her adorable Germanic accent. What could be better than that? (Premieres 7/12.)

10 pm: Ramsay's Kitchen Nightmares (BBC America; 9 pm EST).

More Gordon Ramsay? I guess one night a week of Ramsay's tirades just aren't enough for me. In this reality series import from Britain, Ramsay tackles failing restaurants and spends a week whipping the chefs and owners into shape. While somewhat less acerbic here (a smidge anyway), Ramsay comes across as intensely knowledgeable and genuinely interested in helping these people save their livelihoods. After all, the ex-pro soccer player built a hugely successful restaurant empire himself, so he knows what he's doing. (Currently airing.)

thursday
7 pm: Hex on BBC America.

British Buffy in a boarding school. At least that's what the promos currently airing on BBC America make this supernatural drama seem to be. You've got witchcraft, fallen angels, and blonde teenagers struggling with supernatural legacies. I'm looking for a summertime guilty pleasure to sink my teeth into (no Buffy pun intended). (Premieres 6/8.)

9 pm: My Name is Earl and The Office (NBC).

Okay, I know I am pathetic. Watching reruns of comedies My Name is Earl and The Office during the summer? Well, I need my fix, damn it. And I'll also be watching those soon-to-be ubiquitous Office webisodes following Angela, Kevin, and Oscar as they attempt to solve the mystery of the $3000 missing from Dunder-Mifflin. I am so there. (Currently airing.)

10 pm: 5 Takes: Pacific Rim (Travel Channel).

My very favorite travel/reality program continues their trip around the Pacific Rim. With only a few episodes remaining, will the gang end up in Cambodia, Thailand, or Japan? Personally, I don't really care where they end up as I am having a blast following them wherever they go. And, strangely, I think I'll miss all of the travel journalists... even Josh. I'm getting a case of the sniffles just thinking of them saying goodbye to one another. (Currently airing.)

10 pm: Windfall (NBC).

I'll admit that I don't have high hopes for this NBC drama about the winners of a huge lottery jackpot as NBC opted not to air it during the regular season and is instead burning it off this summer. But Luke Perry's mere presence is making me nostalgic for early '90s Beverly Hills 90210 episodes, so I'll do Dylan a favor and check out the first episode anyway. (Premieres 6/8.)

sunday
9 pm: The 4400 on USA.

Again, I'm new to this show but just recorded USA's recent 4400 marathon to get the scoop on Jordan Collier and the other abductees after just about everyone I know raved about this show. While I might be late to the game, I'm excited about what lies in store this season. (Premieres 6/11.)

10 pm: Entourage and Lucky Louie (HBO).

With Big Love taking a rest after its wonderful freshman season, HBO has recruited returning comedy Entourage and frosh comedy Lucky Louie to tide us over for now.

Entourage really grew on me in a major way during its second, more narratively successful season and I'm eager to catch up with Vince, Eric, Turtle, and Drama. Will Vince's Aquaman feature suck as much as the CW's failed pilot? Will Ari's new boutique agency get off the ground? Will we ever discover exactly how much hair product Adrian Grenier uses? Pop open a six-pack and hug it out: the boys are back. (Premieres 6/11.)

HBO defined the identity of the single-camera sitcom with shows like Sex and the City and Curb Your Enthusiasm and now they've done something completely unexpected. With Lucky Louie, they're launching a multi-camera sitcom, filmed before a live studio audience that, if they play their cards right, could redefine the boundaries of the traditional sitcom. Comedian Louis C.K. plays a foul-mouthed family man who just can't catch a break. Plus--hello!-- Laura Kightlinger! (Premieres 6/11.)

What's On Tonight

8 pm: Gameshow Marathon (CBS); Dateline (NBC); Blue Collar TV/Blue Collar TV (WB); George Lopez/Freddie (ABC); So You Think You Can Dance (FOX); Gang of Roses (UPN; 8-10 pm)

9 pm: Criminal Minds (CBS); Dateline NBC (NBC); Lost (ABC); So You Think You Can Dance (FOX)

10 pm: CSI: New York (CBS); Law & Order (NBC); Commander in Chief (ABC)

What I'll Be Watching

10 pm: Ramsay's Kitchen Nightmares on BBC America (9 pm EST).

On tonight's episode ("Lanterna"), Gordon takes on the failing La Lanterna, an Italian restaurant on the verge of closing. It's up to Gordon to tackle the lack of customers, the disgustingly filthy stoves, the inauthentic menu, and the truly clueless staff. Did I mention that the owner and head chef, despite re-mortgaging his house, still drives around town in a car that's worth more than the restaurant? Hopefully Gordon can knock some sense into this knucklehead.