The Daily Beast: "Twitter's TV War"

Twitter should be a tool for audiences to interact with the talent behind their favorite shows—instead, anonymous users heap abuse onto writer-producers for ruining "their" shows.

Over at The Daily Beast, you can read my latest feature, "Twitter's TV War," in which I speak to Community's Dan Harmon, Bones' Hart Hanson, and Grey Anatomy's Shonda Rhimes about the complicated relationship between access, privacy, and angry fans on the social networking platform.

I'm curious to know what your take is and whether you side with showrunners or fans. What happens when the dialogue turns ugly? Head to the comments section to discuss.

Fox Unveils Midseason Schedule: Fringe Moves to Friday, Idol to Wed and Thurs

Well, Fringe, it was nice knowing you.

Fox has today announced that it is moving Fringe to Fridays at 9 pm (sound familiar, Dollhouse fans?) amid a series of scheduling moves that include reality juggernaut American Idol moving to Wednesdays and Thursdays this January.

Fringe will make the move beginning January 28th and it's already potentially a sign that the writing is on the wall for the sci-fi drama, now in its third season. Traditionally the death slot for television series, Friday nights often signal that a series is on its way out the door. Whether this proves to be the case for Fringe remains to be seen, but it's not a promising move, even if the series has been underperforming on Thursdays. (Sigh.)

The full press release from Fox can be found below.

FOX ANNOUNCES 2010-2011 MIDSEASON SCHEDULE

“AMERICAN IDOL” MOVES TO WEDNESDAYS AND THURSDAYS
WITH TWO-NIGHT SEASON PREMIERE
WEDNESDAY, JAN. 19 AND THURSDAY, JAN. 20

FOX TUESDAYS CONTINUE TO SING WITH DEBUT
OF NEW ENSEMBLE COMEDY “MIXED SIGNALS”
FOLLOWING ALL-NEW EPISODES OF “GLEE” AND “RAISING HOPE”
TUESDAY, FEB. 8

NEW ANIMATED SERIES “BOB’S BURGERS” OPENS SUNDAY, JAN. 9

NEW POLICE DRAMA “THE CHICAGO CODE” BOOKS PREMIERE
MONDAY, FEB. 7

NEW COMEDY “BREAKING IN” SECURES DEBUT WEDNESDAY, APRIL 6

MILLION DOLLAR MONEY DROP Returns Tuesday, Jan. 4;
BONES Moves to 9:00 PM Starting Thursday, Jan. 20;
Gordon Ramsay’s KITCHEN NIGHTMARES Turns up the Heat Friday, Jan. 21;
FRINGE Travels to Fridays Beginning Jan. 28


FOX is announcing premiere dates of new and returning series, as well as revisions to its 2010-2011 midseason schedule, including AMERICAN IDOL moving to Wednesdays and Thursdays and GLEE continuing to lead off FOX’s Tuesday night of comedies featuring RAISING HOPE and the debut of MIXED SIGNALS.

Television’s No. 1 series, AMERICAN IDOL, moves to Wednesdays and Thursdays beginning with a two-night premiere event Wednesday, Jan. 19 (8:00-10:00 PM ET/PT) and Thursday, Jan. 20 (8:00-9:00 PM ET/PT). AMERICAN IDOL welcomes new judges Jennifer Lopez and Steven Tyler, who join judge Randy Jackson and host Ryan Seacrest, and an all-new crop of hopefuls from auditions held in Austin, Los Angeles, Milwaukee, Nashville, New Orleans, San Francisco and East Rutherford, NJ.

BOB’S BURGERS, the new animated comedy about a man, his family and their burger joint, opens Sunday, Jan. 9 (8:30-9:00 PM ET/PT). In the newest addition to the Sunday “Animation Domination” lineup, BOB (H. Jon Benjamin, “Archer”) and his quirky family have big ideas about burgers, but fall short on service and sophistication. Despite the greasy counters, lousy location and a dearth of customers, Bob and his family are determined to make Bob’s “grand re-re-re-opening” a success.

As previously announced, THE CHICAGO CODE (formerly titled “Ride-Along”), the new police drama from creator Shawn Ryan (“The Shield”), will make its anticipated debut the night after SUPER BOWL XLV, Monday, Feb. 7 (9:00-10:00 PM ET/PT), following all-new episodes of HOUSE (8:00-9:00 PM ET/PT). The new fast-paced series starring Jason Clarke (“Public Enemies,” “Brotherhood”), Jennifer Beals (LIE TO ME, “The L Word”), Delroy Lindo (“Kidnapped”) and Matt Lauria (“Friday Night Lights”) follows the Windy City’s most powerful and respected cops as they navigate the city’s underbelly to fight crime and expose corruption.

MIXED SIGNALS, the new relationship comedy created by Bob Fisher (“Wedding Crashers”) that reveals how friendships and romances both enhance and complicate the lives of the men and women in them, will have its series premiere Tuesday, Feb. 8 (9:30-10:00 PM ET/PT) following all-new episodes of GLEE (8:00-9:00 PM ET/PT) and RAISING HOPE (9:00-9:30 PM ET/PT). The new ensemble comedy stars David Denman (“The Office”), Nelson Franklin (“I Love You, Man”), Kris Marshall (HUMAN TARGET), Liza Lapira (“Dexter”) and Aya Cash (“Law & Order: Special Victims Unit”).

Additionally, FOX has picked up BREAKING IN (working title), an offbeat half-hour workplace comedy about a high-tech security firm that takes extreme – and often questionable – measures to sell their protection services. Created by Adam F. Goldberg (“Fanboys”) and Seth Gordon (“Four Christmases” and the upcoming “Horrible Bosses”), the series centers on a team of uniquely skilled oddball geniuses hand-picked to work for a manipulative mastermind. Starring Christian Slater (“The Forgotten”), Bret Harrison (“Reaper”) and Odette Yustman (“You Again”), the new comedy premieres Wednesday, April 6 (9:30-10:00 PM ET/PT) following 90-minute AMERICAN IDOL episodes (8:00-9:30 PM ET/PT).

KITCHEN NIGHTMARES serves up a new season Friday, Jan. 21 (8:00-9:00 PM ET/PT). Each week, Chef Gordon Ramsay will try to help turn around some of the country’s most unsanitary and unsuccessful restaurants on the verge of closing their doors forever.

FOX midseason sees other changes as well. LIE TO ME reveals a special two-hour episode Monday, Jan. 10 (8:00-10:00 PM ET/PT) with Dr. Cal Lightman (Tim Roth) continuing his search for the truth in its regular time period Mondays (9:00-10:00 PM ET/PT) until Jan. 31.

GLEE continues with encores until all-new episodes begin in February with a special installment airing immediately following SUPER BOWL XLV Sunday, Feb. 6 (approximately 10:30-11:30 PM ET/7:30-8:30 PM PT). Beginning Tuesday, Feb. 8 (8:00-9:00 PM ET/PT) GLEE leads a night of all-new episodes of FOX comedies, including RAISING HOPE (9:00-9:30 PM ET/PT) and MIXED SIGNALS (9:30-10:00 PM ET/PT).

MILLION DOLLAR MONEY DROP will challenge more duos to keep their $1 million with all-new episodes airing for four weeks on Tuesdays (9:00-10:00 PM ET/PT) starting Jan. 4, plus two bonus Thursday (8:00-9:00 PM ET/PT) episodes on Jan. 6 and 13.

After a run of six all-new episodes in a row this fall, HUMAN TARGET springs into action with special two-hour episodes airing Wednesday, Jan. 5 and 12 (8:00-10:00 PM ET/PT). The action-packed drama charges into its time period premiere Wednesday, Jan. 26 (9:00-10:00 PM ET/PT) following AMERICAN IDOL (8:00-9:00 PM ET/PT) for three weeks.

The thrill continues when BONES moves to a new time period Thursdays (9:00-10:00 PM ET/PT) after AMERICAN IDOL (8:00-9:00 PM ET/PT) starting Jan. 20. Fan-favorite FRINGE will travel to a new night and time with all-new episodes beginning Friday, Jan. 28 (9:00-10:00 PM ET/PT).

THE CLEVELAND SHOW makes its time period premiere Sunday, Jan. 9 (9:30-10:00 PM ET/PT), with AMERICAN DAD moving to a new time a week later Sunday, Jan. 16 (7:30-8:00 PM ET/PT).


FOX 2010-2011 MIDSEASON SCHEDULE
(All times ET/PT except as noted)

MONDAY
Monday, Jan. 10:
8:00-10:00 PM LIE TO ME (Two-Hour Episode)

Mondays, beginning Jan. 17:
8:00-9:00 PM HOUSE (All-New Episodes)
9:00-10:00 PM LIE TO ME (All-New Episodes)

Mondays, beginning Feb. 7
8:00-9:00 PM HOUSE (All-New Episodes)
9:00-10:00 PM THE CHICAGO CODE (Series Premiere)

****************************

TUESDAY
Tuesdays, beginning Jan. 4:
8:00-9:00 PM GLEE (Encore Episodes)
9:00-10:00 PM MILLION DOLLAR MONEY DROP (All-New Episodes)

Tuesdays, beginning Feb. 8:
8:00-9:00 PM GLEE (All-New Episodes)
9:00-9:30 PM RAISING HOPE (All-New Episodes)
9:30-10:00 PM MIXED SIGNALS (Series Premiere)

***************************

WEDNESDAY
Wednesday, Jan. 5 and 12:
8:00-10:00 PM HUMAN TARGET (All-New, Two-Hour Episodes)

Wednesday, Jan. 19:
8:00-10:00 PM AMERICAN IDOL (Two-Hour Season Premiere, Part One)

Wednesdays, beginning Jan. 26:
8:00-9:00 PM AMERICAN IDOL
9:00-10:00 PM HUMAN TARGET (All-New Episodes)

Wednesdays, beginning Feb. 16:
8:00-10:00 PM AMERICAN IDOL (Two-Hour Episodes)

Wednesdays, beginning April 6:
8:00-9:30 PM AMERICAN IDOL (90-Minute Episodes)
9:30-10:00 PM BREAKING IN (Series Premiere)

***************************

THURSDAY
Thursdays, beginning Jan. 6:
8:00-9:00 PM MILLION DOLLAR MONEY DROP (All-New Episodes)
9:00-10:00 PM BONES (Encore Episodes)

Thursdays, beginning Jan. 20:
8:00-9:00 PM AMERICAN IDOL (Season Premiere, Part Two)
9:00-10:00 PM BONES (Time Period Premiere)

***************************

FRIDAY
Friday, Jan. 7:
8:00 PM-CC ET AT&T COTTON BOWL (Live)

Friday, Jan. 21:
8:00-9:00 PM KITCHEN NIGHTMARES (Season Premiere)
9:00-10:00 PM KITCHEN NIGHTMARES (Encore)

Fridays, beginning Jan. 28:
8:00-9:00 PM KITCHEN NIGHTMARES (All-New Episodes)
9:00-10:00 PM FRINGE (Time Period Premiere)

**************************

SATURDAY
Saturday, Jan. 15:
8:00 PM-CC ET NFC DIVISION PLAYOFFS (Live)

Saturdays, beginning Jan. 22 (no change to lineup):
8:00-8:30 PM COPS (All-New Episodes)
8:30-9:00 PM COPS (Encore Episodes)
9:00-10:00 PM AMERICA’S MOST WANTED (All-New Episodes)

**************************

SUNDAY
Sunday, Jan. 9:
8:00-8:30 PM THE SIMPSONS (All-New Episode)
8:30-9:00 PM BOB’S BURGERS (Series Premiere)
9:00-9:30 PM FAMILY GUY (All-New Episode)
9:30-10:00 PM THE CLEVELAND SHOW (Time Period Premiere/All-New Episode)

Sunday, Jan. 16 and 23:
7:00-7:30 PM THE SIMPSONS (Encore Episodes)
7:30-8:00 PM AMERICAN DAD (Time Period Premiere)
8:00-8:30 PM THE SIMPSONS (All-New Episodes)
8:30-9:00 PM BOB’S BURGERS (All-New Episodes)
9:00-9:30 PM FAMILY GUY (All-New Episodes)
9:30-10:00 PM THE CLEVELAND SHOW (All-New Episodes)

Sunday, Jan. 30:
7:00 PM-CC ET NFC PRO BOWL (Live)

Sunday, Feb. 6:
6:00 PM-CC ET SUPER BOWL XLV (Live)
10:30 PM ET/7:30 PT GLEE (All-New Special Episode; Approximate Start Time)

Sundays, beginning Feb. 13 (no change to lineup):
7:00-7:30 PM THE SIMPSONS
7:30-8:00 PM AMERICAN DAD
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM BOB’S BURGERS
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM THE CLEVELAND SHOW

Entrances and Exits: An Advance Review of the Next Two Episodes of Fringe

There's always a sense of walking a tightrope when reviewing a mythology-heavy installment of any series, but particularly with FOX's Fringe, which thrives on the unexpected and inexplicable.

Revealing sensitive information or plot twists has the ability to take much of the fun out of the proceedings, really, especially when they're as well plotted as they are here.

Earlier this week, I sat down to watch DVD screeners of the sensational next two episodes of Fringe ("The Abducted" and "Entrada"), the first of which airs this week while the second airs on 12/2, taking a turkey-based break of a week.

Sitting comfortably within the grand design of the current third season of the series, the episodes split their time on either side of the dimensional divide as "our" Olivia Dunham attempts to find a way back through the invisible veil separating the two worlds. On the other side of the curtain, the "other" Olivia is making preparations of her own, her clandestine mission well underway, but both women will encounter distractions and diversions that threaten to derail both their objectives.

"The Abducted" focuses on a distinctive and engaging case of the week "over there," as the Fringe Division investigates the kidnapping of a little boy by a deranged individual known as "The Candy Man," a serial kidnapper whose victims are seemingly drained of their energy and joy. (His sobriquet? Named for the off-putting glucose found in his sweat.) It's an unsolved case that has close personal ties to one Fringe Division agent, making the suspense all the more tense and angst-ridden.

I was happy to see that Andre Royo's cabbie Henry turns up again in "The Abducted," paying off that final shot of him issuing a concerned look toward Olivia earlier this season. Olivia and Henry make quite an improvised team and it allows the viewer to see just how determined, cunning, and clever our Olivia really is. (I was hoping for a shout out to Bubs' red hat from The Wire, but alas it is not to be.)

But it's the final moments of tonight's episode that will likely have viewers cursing that one-week hiatus for Thanksgiving, a fantastic twist that while inevitable trails behind it some rather severe repercussions. It will, undoubtedly, give Fringe fans something to ponder over the holiday break. (I can't say much more than that without spoiling.)

As fantastic as this week's episode is, the next episode manages to top it in terms of scope, drive, and sheer suspense. The superb "Entrada" picks up the already breakneck momentum from "The Abducted" and runs with it, delivering a provocatively intense episode about consequences and battle lines. What defines us as people, as individuals? In the midst of war, can we retain our humanity? What matters more: the greater good or what's morally correct?

These questions slingshot around the episode, giving "Entrada" some philosophical heft. But it's not just an episode about moral pondering: it's an action-packed thrill ride whose foundation lies in the overarching mythology of the season. Typewriters, laptops, shapeshifters, secret weapons, tanks, Cortexiphan: these things all play a key role in what unfolds in "Entrada," a gripping installment that doesn't just push the plot along but propels it at super-sonic speed.

And, yes, the episode's title is most definitely a clue to what's going to happen in this episode, which also features a hilarious portmanteau from Walter that I might have to adopt in real life (won't spoil the gleeful intermixing of words here) and some clever callbacks and surprises to previous seasons.

(An aside, I also can't help but wonder after seeing these next two installments whether Over There's Astrid is autistic, as she certainly seems to be in "Entrada." Or whether she's just devoid of emotion and social awareness. UPDATE: I've since been informed that Jasika Nicole has confirmed that Alt-Astid does in fact have Asperger's. Her performance definitely makes that more than apparent in "Entrada.")

While the "other" Olivia has been a dangerous and unpredictable element in the mix here, we're given the opportunity to get to know her a little better here, to see the stakes that she's facing and to see who she really is under the dyed hair and studied demeanor. Just how similar are these two Olivias? Are they intrinsically the same person or do our circumstances shape us in unexpected ways? It's an intriguing set of questions that get answered somewhat during "Entrada," as we're given a chance to peer into her mind. What you find there might surprise you.

Yes, the war between these two worlds, linked invisibly by threads of fate and verisimilitude, is coming, storms gathering on the horizon. And, with all of the tension and suspense of these two fantastic and gripping installments of Fringe, you'll likely wish that there was a soft spot between you and the television screen. Just don't push too hard.

Fringe airs tonight at 9 pm ET/PT on FOX.

Channel Surfing: Quick Headlines Edition

Welcome to your Thursday morning television briefing. Today's briefing will be shorter than usual as I'm typing this on my iPhone, as my internet connection is down.

Entertainment Weekly's Michael Ausiello is reporting that ex-Lost executive producers Edward Kitsis and Adam Horowitz are teaming up with co-creator Damon Lindelof to develop a drama pilot that's said to be "fairy-tale-themed" and will feature "a female lead." No other details are available, but it's thought that ABC Studios will be the studio behind the project as Kitsis and Horowitz have an overall deal there. Should the project get ordered to pilot, Lindelof would join the staff in a consulting capacity. (Entertainment Weekly's Ausiello Files)

Vulture's Josef Adalian is reporting that NBC is developing an adventure/dating reality mashup that's being described as a blend of The Bachelor and Survivor. Project, currently being called Love in the Wild, hails from Endemol and revolves around "teams of two potential lovebirds, dropped into exotic outdoor environments, where they would get busy doing all sorts of challenges together." (Vulture)

Sigh. No Mark Salling hasn't quit or been fired from Glee. Entertainment Weekly's attempts to calm Gleek who are perturbed by Puck's absence from this week's episode: "Though I dunno whether his absence is a side effect of his decision work on music that isn’t in the genre of R&Glee, I do know that it’s only temporary. He’ll miss one more episode—the Oct. 26 Rocky Horror Picture Show tribute—but will be back on air in a big way in early November." (Entertainment Weekly's Ausiello Files)

Deadline's Nellie Andreeva is reporting that ABC has given a script order to a period drama based on William Shakespeare's "Romeo & Juliet" with Catherine Hardwicke said to be in talks to direct the potential pilot episode, from writer Andrea Berloff. Project, from executive producers Todd Garner and Wyck Godfrey, "follows the famous love story while also pealing away the curtain on the impetuous, incestuous, bloody and violent relationships during the Renaissance in Verona." (Deadline)

Syfy is retelling the Sinbad myth with telepic Sinbad and the Minotaur, set to air in 2011 on the cabler. (Variety)

Spike has given a series order to docuseries Coal, following the stories of coal miners in West Virginia. Project, from Original Prods., is set to launch in April, with ten one-hour episodes. (Hollywood Reporter)

Stay tuned.

Chain of Events: Causality and Catastrophe on Fringe

"You're not from this world, Olivia. You're not her." - Peter

This week's haunting and lyrical episode of Fringe ("The Plateau"), written by Alison Schapker and Monica Owusu-Breen and directed by Brad Anderson, once again took place Over There, on the other side of the dimensional divide, where Olivia grappled with questions of self-identity as she attempted to determine whether she could trust her memories or the strange visions she was experiencing, echoes of a life forgotten.

Despite the fact that Walternate has been experimenting on our Olivia to make her believe implicitly that she is their Olivia Dunham, agent of Fringe Division, memories have a way of creeping back into the corners of our psyche. Are we defined by our actions or inactions? Or rather by those subtle reminders nagging us to wake up, those flashes of realization that point towards our true selves?

Olivia's journey towards self-realization is just beginning. The ghostly reminders of Peter and Walter Bishop, hovering on the periphery are the first signs that she's either still suffering from the psychotic break or that she isn't who she believes herself to be.

It's a tricky road, especially when our own memories can be turned against us. She believes herself to be Olivia Dunham because her memories, her experiences, position her to believe the lie. And the lie is deeper than just firing brain synapses. Her memories extend not just to the who, what, and where but to the emotions contained within those memories as well. She doesn't just remember Frank but she remembers loving Frank.

Which might be why her encounter with the ghostly Peter, with his phantom kiss and his plea to remember who she is, cuts her to the quick: Olivia both remembers her relationship with talented virologist Frank but she also remembers this kiss, this moment, with "the Secretary's son," a man she barely knew.

And Frank's departure to Texas to deal with the smallpox outbreak leaves her terrifyingly alone, the true ghost of the piece, haunting someone else's life. (Kudos to Anna Torv for again pulling off a virtuoso performance here, making Olivia Dunham tough as nails and tenderly, heartbreakingly vulnerable in a single episode.)

The others might have their suspicions of Olivia. Charlie definitely knows something is up: she might have been able to correct him about their Coney Island emesis incident, but she didn't know about the required codes for their mainframe system... and she failed to heed the warning signs that they were entering an area of comprised air quality in pursuit of their suspect.

Curiously, it's this variable, so unpredictable to Milo, that actually saves Olivia's life. Milo's gift--or his curse, depending on how you look at it--deals with the nature of causality, one of the underpinnings of our entire universe. A single action can have a ripple effect, spreading outwards, as it sets off a chain of events that results in a consequence. Able to quickly process each of these mini-effects to see to the ultimate result, Milo believes that Olivia will pause to grab oxygen, because she is trained to do so in these circumstances.

That micro-second pause positions her under the cinderblocks, so that she can be crushed when they topple over. But Olivia doesn't pause, because this Olivia Dunham doesn't know what the amber warning sign refers to. She also doesn't know how to use the oxygen canister that Charlie brings her, even though she had taken one out at the beginning of the episode.

While Charlie might not want to admit it, there's something clearly wrong with Olivia and he's already had a shadow of an idea that she's not who she says she is. The presence of a ballpoint pen at three crime scenes might be improbable, but the idea that Olivia could have exchanged places with her alternate reality doppelganger is impossible.

Right?

As for Walternate and Broyles, they know the true about Olivia and they want to use her to harvest her own gift: the ability to travel between the two worlds without suffering bodily harm. And while the Secretary might claim that it's crucial for their defense, his true mission has nothing to do with protecting their world and everything do to with conquering ours.

Next week on Fringe ("Do Shapeshifters Dream of Electric Sheep?"), a shapeshifter is called into action; Walter finds himself in a dangerous situation during an investigation at Massive Dynamic.

Channel Surfing: Full Season for Raising Hope, Outlaw Arrested, Mary-Lynn Rajskub to Modern Family, The Office Has Glee, and More

Welcome to your Thursday morning television briefing.

While the focus so far this season has been on early cancellations, FOX yesterday announced the first full season pickup for this woeful fall season, granting comedy Raising Hope a 22-episode order. News comes a week after the network axed drama Lone Star after just two episodes. "With Raising Hope, Greg Garcia captures a smart take on the working-class family with a great mix of wild comedy and a big dose of heart," said Fox Entertainment president Kevin Reilly. "The show is running like a Swiss clock, and we're very happy with how well audiences have responded so far -- so we're confident it will build an even bigger audience throughout the season." Meanwhile, the fate of timeslot lead-out Running Wilde is still very much up in the air. (Variety)

The news wasn't so good for the crew of NBC's struggling freshman drama Outlaw, as the production grinded to a halt after three low-rated installments, during which ratings tumbled from an initial 10.7 million to just 5 million. NBC still has five completed episodes of Outlaw on the shelf that are still scheduled to air and will make a final decision on the ultimate fate of the legal drama in the next few weeks. Which means that Outlaw hasn't been cancelled. Or at least not yet, anyway. (Entertainment Weekly's Hollywood Insider, TVGuide.com)

Damn it, Chloe! TV Guide Magazine's Will Keck is reporting that former 24 star Mary-Lynn Rajskub is heading to ABC's Modern Family, where she will guest star as "the old high school girlfriend of then closeted Mitchell (Jesse Tyler Ferguson)" on an upcoming episode of the hit ABC family comedy. (TV Guide Magazine)

Entertainment Weekly's Michael Ausiello is reporting that an upcoming episode of NBC's The Office will feature a plot revolving around the employees of the Scranton branch of Dunder Mifflin getting together to watch an episode of Glee. "According to an Office source, no Glee actors will actually appear in the episode," writes Ausiello. "Which means that no, Dwight will not get pantsed by Puck. (Curses!)" (Entertainment Weekly's Ausiello Files)

Aaron Douglas (Battlestar Galactica) is set to guest star on an upcoming episode of Syfy's Eureka, which returns to the lineup early in 2011. "Got a very cool email today from an old BSG friend, now EP on Eureka," wrote Douglas on Twitter. "He asked me to come play. So, Chief does Eureka, tomorrow. Hells Yeah!" (via Digital Spy)

NBC has given a script order to comedy Party People from executive producer Ben Silverman. Yes, that Ben Silverman. The project, written by David Bickel (who will also executive produce), revolves around "entertainers who work at children's parties," and has been described as "a modern-day Taxi, only with with the under-employed grown-ups dealing with kids birthdays instead of shuttling passengers." (Hollywood Reporter)

UK viewers will get a chance to see Starz's upcoming period drama Camelot, following a deal between GK-tv and UK broadcaster Channel 4. The series, which stars Joseph Fiennes, Eva Green, and Jamie Campbell Bowers, is set to launch on C4 in fall 2011. (Hollywood Reporter)

With ABC having yanked drama My Generation from its Thursday night lineup, the Alphabet has to figure out just what to do with the 8 pm real estate, which it will fill at least for the next few weeks with repeats of Grey's Anatomy. Entertainment Weekly's Lynette Rice suggests that the network should fill the timeslot with a reality franchise, a thought that I adhere to and had actually been wondering if they would follow through with, as it would be apt counter-programming against the dramas and comedies in the timeslot. "ABC also developed two additional comedies that are waiting in the wings – Mr. Sunshine starring Matthew Perry and Happy Endings from former ABC exec Jamie Tarses — but it seems far more likely the network will take advantage of the fact that no one’s airing a reality show in the timeslot and program its new unscripted show Secret Millionaire, instead," wrote Rice. "The program, which is based on a U.K. format and first premiered on Fox in 2008 and attracted more than 10 million viewers, follows Richie Riches who agree to leave their lavish lifestyles to go undercover in impoverished neighborhoods." Meanwhile, ABC may have to decide what to do with Wednesdays at 10 pm, should it axe the struggling legal drama The Whole Truth, though it's thought that the timeslot would go to Dana Delany's Body of Proof. (Entertainment Weekly's Hollywood Insider)

Lifetime has ordered twelve episodes of docuseries Brighton Beach, which follows a group of Russian-Americans living near beachside Coney Island in Brooklyn. Project, from executive producers Banks Tarver and Ken Druckerman, is expected to launch in 2011. (Hollywood Reporter)

Stay tuned.

Channel Surfing: Starz to Recast Spartacus, Warehouse 13 Renewed, Mad Men's John Slattery to 30 Rock, Glee, and More

Welcome to your Tuesday morning television briefing.

It was only a matter of time, really. Entertainment Weekly's Michael Ausiello (who is soon to depart the magazine/website) is reporting that Starz has begun the search for a replacement for Spartacus' Andy Whitfield, who was forced to drop out of the production due to a recurrence of cancer. "According to the just-released casting notice, producers are searching for a Caucasian male in his mid to late 30s to play the 'smart, intense, passionate' title role," writes Ausiello. "Interested parties must have an authentic British accent and be prepared to sign a three-year contract." (Entertainment Weekly's Ausiello Files)

The Hollywood Reporter's James Hibberd is reporting that Syfy has renewed Warehouse 13 for a third season, with 13 episodes on tap for next season. Additionally, Jack Kenny will remain aboard the series as the showrunner and has signed a development deal with the cable network. "Jack Kenny's superlative leadership and the incredible talent of his cast and crew delivered an outstanding second season of Warehouse 13," said Syfy's Mark Stern. "We're excited to see this successful series return next year and to developing our next hit with Jack." (Hollywood Reporter)

More 30 Rock/Mad Men crossover goodness. Entertainment Weekly's Michael Ausiello is reporting that Mad Men's John Slattery will guest star in an upcoming episode of NBC's 30 Rock, where he will play "a candidate running for congress." Slattery is expected to appear in this season's seventh episode. (Entertainment Weekly's Ausiello Files)

TVGuide.com's Denise Martin has an interview with Glee co-creators Ryan Murphy and Ian Brennan and Cory Monteith about tonight's spirituality-themed episode ("Grilled Cheesus"), in which the glee kids tackle the hot-button issue of religion. "I wish there had been something to launch conversations about feelings and emotions in my household when I was younger," Murphy told Martin about the potential of Glee to start conversations. "When the show is at its best, that is what I think we're doing." (TVGuide.com)

Elsewhere, Entertainment Weekly's Tim Stack has a brief chat with Murphy as well about tonight's episode. “I love when people see Jesus in bird droppings on the windows and then there are lines out the door and that seems to happen so often now,” said Murphy. “To me, it just shows everybody in our society, particularly young people, are just desperate to believe in something.” (Entertainment Weekly's PopWatch)

ABC is eyeing another scripted summer series, this time an untitled female-centric spy drama from writer Greg Poirier, director Steve Shill, and executive producers Grant Scharbo and Gina Matthews (The Gates) that is described as "Taken meets The Bourne Identity). (Deadline)

ABC Family has cancelled freshman drama series Huge and will not be ordering the back ten episodes of the first season. "First and foremost, we want to thank everyone who embraced Huge and supported it," said co-creator/executive producer Winnie Holzman. "While it's disappointing not to be able to go forward with the characters we love so much and had so many plans for, we're deeply grateful for this opportunity. Our goal was and is to create television of depth and complexity that inspires people to think and feel. We believe we accomplished that with Huge and can't wait to do it again." (Variety)

Lone Star may have tanked but the pilot director--Marc Webb--who also directed (500) Days of Summer, has already scored a new project at FOX: a single-camera workplace comedy entitled Battleground, which has a script order at the network. (Deadline)

The New York Times' Dave Itzkoff talks with the cast and crew of FOX's comedy Running Wilde, which is struggling to find an audience this season. "If we stay kind of where we are or even grow a little bit, we’re in good shape,” co-creator Mitch Hurwitz said of the series' chances. “If we continue to drop, anything can happen.” (New York Times)

Deadline's Tim Adler is reporting that Steve Coogan's Alan Partridge could be returning to television once more as Baby Cow will recut its series of Fosters-branded internet shorts as a new television series. "Until now Coogan’s cringingly-embarrassing TV chat show host and disc jockey has always aired on the BBC," writes Adler. "The new 6-part series could be sold to Channel 4 or digital comedy channel Dave, Baby Cow boss Henry Normal tells me." (Deadline)

TVGuide.com's Robyn Ross is reporting that Matthew Lawrence will guest-star alongside brother Joey on an upcoming episode of ABC Family comedy Melissa & Joey, slated to air November 2nd. (TVGuide.com)

Deadline's Nellie Andreeva is reporting that ABC is close to signing a deal to develop a US adaptation of Spanish series Aqui no hay quien viva (Or: I Hate This Place) from executive producers Ben Silverman and Sofia Vergara, with writer Craig Doyle attached to write the script. (Deadline)

Stay tuned.

Channel Surfing: ABC Axes My Generation, David E. Kelley to Tackle Wonder Woman, Spartacus, Lara Flynn Boyle, and More


Welcome to your Monday morning television briefing.

And another one bites the dust. The axe has fallen on Noah Hawley's drama My Generation, which was cancelled by ABC after just two episodes. Production has come to a screeching halt on the series, which debuted to more than 5 million viewers in its initial airing and then plummeted a staggering 31 percent for the second episode. ABC has yet to announce a replacement for My Generation, which had the Thursday evening at 8 pm ET/PT timeslot. News comes on the heels of FOX's decision to can Lone Star after two airings, while all eyes are on ABC's Whole Truth and NBC's Outlaw, which mark the two most likely targets for cancellation, should ratings not improve. (Hollywood Reporter's The Live Feed)

Better fire up that invisible plane: The Hollywood Reporter's James Hibberd and Borys Kit are reporting that Warner Bros. Television is said to be developing a modern-day take on DC Comics' Wonder Woman for television rather than film this time around. (Joss Whedon had attempted to write a Wonder Woman feature film script back in 2005 and Deborah Joy LeVine attempted to launch a small screen version in 1998. Of course, Lynda Carter very famously played Diana Prince in the 1975-79 television series.) But the interesting news is who Warners has pacted with to write and executive produce the potential series: Ally McBeal creator David E. Kelley. [Editor: While I applaud the effort of Warner Bros. Television to return this icon to the small screen, I can't help but scratch my head about the decision to go with Kelley, who is based at the studio. Odd.] (Hollywood Reporter's The Live Feed)

Pay cabler Starz is said to be considering "all options" when looking at the future of its brand-defining series Spartacus after series lead Andy Whitfield had to bow out due to his battle with cancer. While Starz president/CEO Chris Albrecht said that "hopefully" Spartacus will return, there is no certainty that the series will return for its planned second season, though there is the possibility of recasting Whitfield's role. "If not, we'll have something else in the fourth quarter," Albrecht told The Hollywood Reporter. (Hollywood Reporter)

Deadline's Nellie Andreeva is reporting that E! has ordered a pilot presentation for an untitled docuseries focusing on actress Lara Flynn Boyle, best known for her roles on ABC's The Practice and Twin Peaks. The potential project would, according to Andreeva, "follow the Practice alumna as she splits her time between her life in Texas and her marriage to real estate investor Donald Ray Thomas II and her Hollywood-centric lifestyle in Bel Air." (Deadline)

Now this I'd like to see: one name that's being bandied around as a potential entertainment president for NBC is former Showtime topper Robert Greenblatt, who stepped down from the pay cabler earlier this year. Rumors are flying that Greenblatt is being groomed for an oversight role at the network after the merger with Comcast goes through. "It's spectacular," said Paradigm TV agent Debbee Klein said about Comcast possibly considering Greenblatt for the role. "They haven't had an executive of his stature since Grant Tinker and Brandon Tartikoff. The writing community would make NBC a must-stop destination if he's at the helm... He's not just a guy who does one thing well. He's patient and has a very keen sense of material. He knows how to work with writers without stepping on their voice. Very few executives have that ability, such as [CBS entertainment president] Nina Tassler." Hmmm... (Hollywood Reporter)

E! Online's Jennifer Arrow has a series of first-look videos from this week's Grey's Anatomy/Private Practice crossover. (E! Online's Watch with Kristin)

ABC is developing an untitled comedy vehicle for Damon Wayans (My Wife and Kids) that will reteam him with Don Reo. (Variety)

Elsewhere, Lifetime has ordered a pilot for an untitled drama about the female head of a university hospital psych department. Project, from writer/executive producer Michael Sardo and executive producer Gerard Bocaccio, "revolves around a woman who moves to Philadelphia to work as chief of staff in the psychiatry department alongside her sister and a diverse staff." (Variety)

TV Guide Magazine's Will Keck has details about Amber Tamblyn's character on FOX's House, where she has signed on to a multiple-episode story arc as medical student Martha M. Masters. (TV Guide Magazine)

FOX has ordered pilot presentations for three Sony Pictures Television-produced animated comedies, including So Cal, Swell, and Sunflower Ponds. Talent involved includes Josh Faure-Brac, Doug Robinson, Kevin Ceil, Andy Riley, Anthony and Joe Russo, Reed Agnre, Eli Jorne, and Jamie Tarses. (Variety)

UK satcaster Sky has acquired UK rights to TV Land comedy Hot in Cleveland, which stars Jane Leeves and Betty White. (Broadcast)

Stay tuned.

The Daily Beast: "Why I Loathe Glee"

Let's just say that Sue Sylvester may have a few things to say about this.

FOX's Glee may have hit a ratings high this week, but the popular show has hit a new low in terms of story.

Over at The Daily Beast, you can read my latest feature, "Why I Loathe Glee," where I offer my take on where the Fox musical-comedy has gone horribly, offensively wrong.

Head to the comments to discuss whether you agree or disagree with my assessment and whether the show has lost its way entirely.

The Daily Beast: "Lone Star and 10 Other Quickly-Canceled TV Shows"

While the cancellation of FOX's con man drama Lone Star took no one watching the ratings by surprise, some pointed towards the fact that FOX didn't let the show find an audience, axing it after just two low-rated airings.

While such early cancellations might be rare, it doesn't mean that they don't happen. Over at The Daily Beast, I take a look at ten other early cancellations from the last ten years, from Viva Laughlin to reality duds like The Will. (Remember that gem?) You can read my latest feature "10 Most Quickly Axed Shows of the Last 10 Years" here.

(And, before you say it, I know that Wonderland and Girls Club were also canned after two episodes. Couldn't fit everything in there, sadly!)

Also, out of morbid curiosity: do any of the entries on this list ring a bell to you?

Channel Surfing: FOX Axes Lone Star, Lie to Me Moves to Mon and Human Target to Wed, Josh Schwartz/Rachel Bilson's Ghost and More

Welcome to your Wednesday morning television briefing.

It's official: the axe has fallen on FOX's low-rated con-man drama Lone Star after just two episodes. The initial outing for the James Wolk-led ensemble drama lured only 4 million viewers or so and the second episode saw its fortunes decline further still, with only 3.2 million tuning in. Entertainment Weekly's Michael Ausiello is reporting that production on the 20th Cenutyr Fox Television-produced drama will shut down immediately. “We will have shot five completed episodes after the pilot,” a studio spokesperson told Ausiello, “and will not complete principal photography on episode 106.” No word on the fate of the four unaired episodes that have already been shot. (Entertainment Weekly's Ausiello Files)

[Editor: As one unnamed network insider told Variety's Michael Schneider: "The viewers have spoken." Meanwhile, AOL Television's Maureen Ryan explores her take on what the cancellation of Lone Star means for the broadcast networks, which can be read here.]

FOX meanwhile has announced its timeslot replacement for Lone Star, moving the third season of Lie to Me--which wasn't expected to return to the lineup until November--to Mondays at 9 pm ET/PT beginning next week, while Human Target, slated to air on Fridays, will now move to Wednesdays at 8 pm, where it will fill in the gap left by Lie to Me's shift to Monday beginning November 17th... though it was meant to debut this Friday. FOX will fill that timeslot with repeats of House. Whew. (via press release)

Deadline's Nellie Andreeva is reporting that NBC has ordered a pilot for the as-yet-unwritten supernatural romantic comedy Ghost Angeles, from executive producer Josh Schwartz (Chuck) and star Rachel Bilson (The O.C.). Project, from Warner Bros. Television, will also be executive produced by Henry Alonso Myers, Stephanie Savage, and Leonard Goldstein. "Schwartz and Henry Alonso Myers (Ugly Betty) co-created Ghost Angeles and will write it together," writes Andreeva. "Details on the project are being kept under wraps but, according to a concept circulated around, it centers on a young woman in Los Angeles who can talk to the dead, helping the spirits as much as they are helping her." (Deadline)

Entertainment Weekly's Michael Ausiello is reporting that ex-Heroes star Jack Coleman will guest star in an upcoming episode of NBC's The Office, where he is expected to play a government official with “Jon Hamm-esque wholesomeness,” according to an unnamed source. (Entertainment Weekly's Ausiello Files)

The Hollywood Reporter's Matthew Belloni is reporting that three of the stars of Discovery's Deadliest Catch--Capts. Johnathan and Andy Hillstrand (who were sued by the network for not appearing for work on a spinoff) and Capt. Sig Hansen--have quit the production. "We have been through a lot over the past year and unfortunately given the current situation with Discovery we are unable to continue participating in Deadliest Catch," said the fisherman in a joint statement. "It has been a fantastic ride, and we wish the best to all of the amazing and supportive 'Catch' fans we have met over the years." (Hollywood Reporter's THR, Esq.)

DirecTV's The 101 network has signed deals with BBC Worldwide to acquire US broadcast rights to three British comedies, including ITV's No Heroics (launching November 4th), short-lived BBC dramedy Mutual Friends (launching November 3rd), and How Not to Live Your Live (November 4th). (Variety)

Casting round-up: Rachel Nichols (Alias) has been cast in a multiple-episode story arc on CBS' Criminal Minds, where she will play FBI cadet Ashley Seager; she's slated to appear in three episodes. Elsewhere, Izabella Miko (Coyote Ugly) will appear in a five-episode arc on NBC's midseason superhero drama The Cape. (Deadline)

Catherine Dent (The Shield) will join the cast of CBS' NCIS for a two episode arc, according to Entertainment Weekly's Michael Ausiello. She'll play Whitney Sharp, described as "a former NCIS agent who shares a past with Ducky" (David McCallum) who is "educated, bright, and extremely capable federal agent who had an eye for talent and a tongue for persuasion back in the day." Her episodes are slated to air in November. (Entertainment Weekly's Ausiello Files)

Pilot orders for four projects at ABC Family: Nine Lives, Switched at Birth, Strut, and The Lying Game. (Variety)

Lifetime has ordered eight episodes of a US adaptation of British reality format The Fairy Jobmother, which will launch October 28th. (Variety)

Stay tuned.

Channel Surfing: Summer Glau to Chuck, Zucker's Replacement Named at NBCU, Starz Considers Spartacus Options, Community, and More

Welcome to your Monday morning television briefing.

Entertainment Weekly's Michael Ausiello is reporting that Summer Glau (Terminator: The Sarah Connor Chronicles) is set to guest star on NBC's Chuck this season, where she will turn up in the eighth episode as the latest Greta, the rotating CIA/NSA joint intelligence task force agent assigned to the Buy More. Glau, who stars in NBC's midseason action drama The Cape, follows in the footsteps of Olivia Munn, Stacy Keibler, and Isaiah Mustafa. (Entertainment Weekly's Ausiello Files)

Jeff Zucker is out and Steve Burke is in. Comcast CEO Brian Roberts' right-hand man Burke, will succeed Jeff Zucker as CEO of NBC Universal once the merger deal--valued at $30 billion--is completed. Zucker announced that he would be stepping down from the position on Friday once the merger transaction is closed. "Steve Burke is an experienced, talented and visionary leader with over 25 years in the media and entertainment industry," Roberts said in a statement. "Steve is one of the most well-respectedexecutives in the industry, and I am confident that he will lead NBC U forward to a new era of growth." Burke will also continue to serve as Comcast's COO. (Variety)

[Meanwhile, Michael Schneider and Cynthia Littleton take a look at Zucker's legacy over at Variety, while AOL Television's Maureen Ryan has her own take on Zucker's departure with "Jeff Zucker's Reign of Terribleness Finally Over at NBC."]

Entertainment Weekly's Michael Ausiello talks to Spartacus showrunner Steven S. DeKnight about the two options available to the production and pay cabler Starz in light of series lead Andy Whitfield's cancer relapse. “The two main options are to close up shop or recast,” DeKnight told Ausiello. “I want to talk to Andy and find out how he feels about the options. That’s obviously very important to us... We’re still absorbing what’s happened. I think it’s going to be a little while before we reach any conclusions.” (Entertainment Weekly's Ausiello Files)

[The Hollywood Reporter's James Hibberd, meanwhile, is also reporting that Starz is considering recasting the role of Spartacus so that the planned second season can move along as planned.]

Hilary Duff is headed to Greendale. Entertainment Weekly's Michael Ausiello is reporting that Duff will guest star on an upcoming episode of NBC's Community, where she will play "a member of a mean girl clique that goes head-to-head with the Scoobies." [Editor: news matches what I learned on the set of Community two weeks ago: the writers are planning a Mean Girls homage.] (Entertainment Weekly's Ausiello Files)

Deadline's Nellie Andreeva is reporting that Ed Decter and John Strauss have officially signed on as showrunners on USA's In Plain Sight. The duo replaces John McNamara, who departed the series due to medical issues. (Deadline)

E! Online's Kristin Dos Santos is reporting that Darren Everett Criss (Eastwick) has been cast on FOX's Glee, where he will play Blaine, described as "a gay student from a rival school glee club named the Dalton Academy Warblers." While some might leap to the judgment that Criss' character will be the love interest for Chris Colfer's Kurt, Dos Santos cites an unnamed source who says that isn't the case: "Although people might speculate that this might be the possible boyfriend for Kurt that Ryan has talked about, he is fairly sure that this particular character won't be. This friendship will be platonic." (E! Online's Watch with Kristin)

Former Heroes star Zachary Quinto is bummed that there won't be a two-movie to wrap up the superhero drama's dangling storylines after NBC axed the potential wrap-up. “It’s disappointing that there was such a lack of resolution,” Quinto told Entertainment Weekly. “But unfortunately that’s just the nature of network television….Nothing really surprises me in terms of network and studio bureaucracy. It’s the way it goes... If it was in their best interest I’m sure they would have done it. And for whatever reason, they didn’t think it was. So that’s a bummer. But we have to just accept it and move on.” (Entertainment Weekly's Ausiello Files)

Meanwhile, Aimee Garcia (Trauma) has been cast in ABC midseason medical drama Off the Map, where she will play a local who falls for Zach Gilford's plastic surgeon, according to Entertainment Weekly's Michael Ausiello. (Entertainment Weekly's Ausiello Files)

More deals coming together at Showtime, according to Deadline's Nellie Andreeva, who reports that Showtime has signed development deals with Mark Ruffalo and Anthony Edwards and with Jeff Daniels and Timothy Busfield. (Deadline)

Stay tuned.

Memory Lives On Forever: An Advance Review of the Third Season Premiere of Fringe

When we last saw Olivia Dunham (Anna Torv), she had gotten left behind in the alternate universe while her place with her friends was co-opted by her dark-haired doppelganger and the extraordinary second season of FOX's Fringe ended with our Olivia a prisoner of the Department of Defense.

Season Three of Fringe begins not with one opener, but with two, as "Olivia" and next week's "The Box" pick up the pieces of where we left off, offering not so much a window into the lives of the Fringe Division members, but two distinct windows into "over there" and "over here."

The effect is as intoxicating as it is compelling, establishing from the start that we'll be tracking the goings on in both dimensions throughout the early part of the season. But rather than confuse the viewer, the season opener(s) offer the perfect jumping on point for new fans as well as the die-hards who are dying to know just what that final reveal means for Olivia, as well as for Peter (Joshua Jackson) and Walter Bishop (John Noble).

The producers have wisely stuck to the color palettes established last season to denote the place of origin: over there episodes are bursting with red, from the crimson-hued opening sequence to vermilion lens flares throughout the episode, whereas over here episodes use the blue that we've come to know and love throughout the series' run. Its effect anchors the action and relegates it to a particular sphere, reminding the viewers of just which dimension they're in and where the plot is unfolding.

And unfold it does. "Olivia" picks up some time in the future, as Olivia Dunham is continually interrogated by agents of Walternate, the Secretary of Defense, even as her caretakers believe her to be suffering a psychotic delusion. They maintain that she is the Olympic bronze metal competitive shooter Olivia Dunham; she maintains that she's from another world. What is a Fringe Division agent to do?

While I don't want to spoil the plot twists that lie ahead in tonight's episode, I will say that Olivia crosses paths with a cabbie played by The Wire's Andre Royo, who attempts to help Olivia... Help with what? Well, that would be telling, wouldn't it? Royo is perfectly cast here as a sympathetic cabbie, even when faced with the danger trailing Olivia in the form of her alternate reality self's partners, Lincoln Lee (Seth Gabel) and Charlie Francis (Kirk Acevedo).

As Entertainment Weekly's Michael Ausiello has already reported, Royo will be making a return appearance on Fringe down the line. Which is a very good thing as he's not only excellent here but might be a deus ex machina for Olivia as she finds herself plummeting deeper and deeper down the rabbit hole over there.

Likewise, Torv does a fantastic job of portraying two vastly different aspects of Olivia Dunham, two women connected by an invisible thread whose lives have turned out very differently. Or have they? What defines us? Our experiences or our innate characteristics?

Meanwhile, what's happening on the other side of the looking glass? Hmmm. I will say that we get a snippet of information in "Olivia" that displays the circumstances that Walter and Peter find themselves in when they return from their cross-time caper. But fans will have to wait until next week's "The Box" to really see the Bishops--and Astrid (Jasika Nicole)--in action, as it offers an episode wholly set on their side of the dimensional divide as Walter grapples with the death of William Bell and the aftermath of rescuing Peter once more.

As for what that episode entails, I'm sworn to secrecy, but I will say that Alternate-Olivia's plans become far more clear as she begins preparations and gets closer and closer to Peter Bishop. Let's just say that last season's creepy trans-dimensional typewriter makes an appearance, an innocuous box is far deadlier than it appears, wood floors are hard to clean, testaments are made, and all tattoos can be temporary... All this, plus an eleventh hour plot twist that both makes sense entirely and is also wholly surprising, one that could alter one of the foundations of the series itself.

Is that vague? You bet. But stick around for the superlative first two episodes of Fringe's third season and you'll be rewarded by some taut storytelling, intriguing plot twists, and an appearance by the much-missed Gene the Cow. What else do you really need to hear?

Season Three of Fringe begins tonight at 9 pm ET/PT on FOX.

Goodbye and Hello: An Advance Review of the Sixth Season Premiere of Bones

What happens when the glue holding a group of people together takes off for far-flung adventure? What happens to those left behind? And is it ever possible to bring those now distant people back together again? Can you fix what's been broken?

Those are the questions hovering over the action on tonight's sixth season premiere of FOX's Bones ("The Mastodon in the Room"), which sees the gang at the Jeffersonian attempt to reform the gang when their individual sabbaticals come to abrupt ends.

The cause? An effort to save the career of Cam (Tamara Taylor), undergoing intense scrutiny when she lacks the certainty to identify the skeletal remains of a child in the face of a massive media blitz for a controversial story: the disappearance of a two-year old boy. Is the tiny skeleton in the morgue the boy that everyone's looking for? Or is it an unrelated crime?

Up until now, Cam's been in this fight alone, though she's had the support of tough-talking Caroline Julian (Patricia Belcher). And she's had to be alone because everyone else has taken off in search of their dreams: Brennan (Emily Deschanel) and Daisy (Carla Gallo) have left for a dig in Indonesia; Booth (David Boreanaz) is training snipers in Afghanistan; Hodgins (TJ Thyne) and Angela (Michaela Conlin) are in Paris; and Sweets (John Francis Daley)... Well, Sweets has grown a goatee and is wearing a jaunty hat and biding his time.

As for what this collective had built when they were working together? It, like so much else, has fallen apart. The center, after all, cannot hold.

The season premiere finds each of the wayward team members heading home in order to help Cam and try to pick up the pieces of where they each left off seven months earlier. But that proves harder to do than one might think. For one, time has marched on for each of the characters and things have changed in their lives. Daisy might still have Sweet's engagement ring but he might not want her wearing it. Brennan may have come to terms with her feelings for Booth, but seven months apart--and with no contact between them--have worn on Booth and he's moved on. Yes, his relationship with the yet-to-be-seen war correspondent is "as deadly as a heart attack," according to Booth. Hodgins and Angela have settled into life in Paris and face some changes of their own as well.

It's Brennan who doesn't change, the singular constant among the group. Her departure had a ripple effect on their common fates. The squinterns are long gone, headed for parts unknown, after Brennan left and, well, things aren't necessarily great between Cam and Brennan now that's she back, either. (As for the squinterns, look for Michael Grant Terry's Wendell to return.)

I don't want to say too much about the season premiere, other that it provides a new beginning of sorts for the gang at the Jeffersonian and that there is a massive elephant--or, in this case, a massive mastodon--in the room that no one wants to address. What follows is an attempt to answer those aforementioned questions and ponder just who is the true lynchpin of the group.

My only criticism is the early scene with Booth in Afghanistan, in which his predicament and decision to return home is way too on the nose, arriving with all of the subtlety of an anvil being dropped on our heads. While I understand that it was necessary to get Booth to make a decision quickly, the circumstances around that scenario are so obvious--to the point where a character actually speaks the very things that Booth feels about his own inner struggle--that it cheapens the moment.

But that's a minor criticism of a fantastic episode that involves swallowed rings, space-hogging animals, auto repair, sisterly moments, and crime-solving. And, yes, seeing Booth and Brennan back together again.

Change is good, but sometimes it's the familiar that's far more comfortable, no?

Season Six of Bones begins tonight at 8 pm ET/PT on FOX.

Channel Surfing: Emerson/O'Quinn Pilot Targets NBC, Teri Hatcher to Smallville, Goodfellas TV Project, The Good Wife, and More


Welcome to your Thursday morning television briefing.

It's official: that Michael Emerson/Terry O'Quinn hit man drama pilot from executive producer J.J. Abrams and writers Josh Appelbaum and Andre Nemec (Alias, Happy Town) is heading to NBC after the Peacock landed the rights to the pilot from studio Warner Bros. Television. The untitled project--which had a working title of Odd Jobs--stars former Lost adversaries Emerson and O'Quinn. Which means that your Dharma-branded fantasies of seeing John Locke and Benjamin Linus on television again might not be coming true exactly, but you may get to see these two in action side-by-side again. (Vulture)

[Editor: Meanwhile, Deadline's Nellie Andreeva has some further details about Abrams' and Elizabeth Sarnoff's Alcatraz, which landed at FOX earlier this week with a pilot order. According to unnamed sources, the project is described as "a show about mysteries, secrets and the most infamous prison of all time: Alcatraz."]

Entertainment Weekly's Michael Ausiello is reporting that Desperate Housewives star Teri Hatcher will fly over to the CW's Smallville (which kicks off its tenth and final season tomorrow night), where she will guest star in an upcoming episode as--wait for it--the mother of Erica Durance's Lois Lane. Hatcher, who played Lois on ABC's Lois & Clark: The New Adventures of Superman for four seasons way back when, will appear as Ella in the season's eighth episode. But don't necessarily think that she'll appear on-screen opposite Durance, given that Lois' mother is believed to be dead at this point. "In episode 8, titled 'Abandoned,' Lois discovers old videotapes of her mother," writes Ausiello. "I think you can figure the rest out for yourself. Am I right?" (Entertainment Weekly's Ausiello Files)

Deadline's Mike Fleming is reporting that several studios are in the running to land a television pilot project based on Martin Scorsese's 1990 feature film Goodfellas, which was written by Nicholas Pileggi. Pileggi is said to be on board to write the pilot and Warner Bros. Television is believed to be the top studio in the running to produce the project, given that the feature film arm released the original film. Fleming indicates that Irwin Winkler would likely be the executive producer on the project. (Deadline)

Entertainment Weekly's Michael Ausiello is reporting that iCarly star Miranda Cosgrove will guest star on CBS' The Good Wife in a November episode where she will play Sloan, described as "a troubled pop star who is arrested on a DUI charge" and with whom "Alicia finds herself bonding with the misunderstood tabloid magnet." Cosgrove will appear in the November 16th episode. “We’re big iCarly fans, so we really couldn’t think of anyone better for this role than Miranda Cosgrove,” executive producer Robert King told Ausiello. “We were thrilled when she agreed to do it. It’ll be fun to see her handle both the comedy and drama in the role, and we can’t wait to see how she’ll play across from Julianna.” (Entertainment Weekly's Ausiello Files)

FOX is getting into business again with Fringe co-creators Alex Kurtzman and Roberto Orci, who were behind this season's Hawaii Five-0 resurrection and also landed a series commitment from the network for Locke & Key. FOX has given a pilot order to drama pilot Exit Strategy, from writer David Guggenheim, which is described by Deadline's Nellie Andreeva as "as a high octane procedural set in the world of CIA agents who are sent in to 'fix' operations gone bad." (Deadline)

FOX has also given a script order to drama The Detail, from writer/executive producer Jason Smilovic, executive producer Elaine Goldsmith-Thomas, and director Michael Dinner, from Sony Pictures Television. According to Deadline's Nellie Andreeva, "it is described as Ocean’s Eleven meets Revenge of the Nerds" and "centers on a private detective, who, after being released from jail for a crime he didn’t commit, assembles a group of rejects, each with a unique talent, to form a detective agency and bring down his old business partner who framed him." (Deadline)

Elsewhere, ABC Studios signed a format deal with Mediaset for a US remake of a drama format entitled Anti-Mafia Squad, with Gina Matthews and Grant Scharbo attached as executive producers. Project is being regarded as a possible summer series for ABC, though no networks have been pitched on the idea yet. Cougar Town star Courteney Cox has been given a script order for 911 Operators, a drama pilot that she'll executive produce with husband David Arquette, which focuses on, well, 911 operators. (Variety)

Showtime has officially announced launch dates for Shameless, Episodes, and the return of Californication on Sunday, January 9th. The two new series were slated to begin the following day and air on Mondays. But Showtime has apparently changed its mind and scheduled all three series together in a single two-hour block on Sundays. Californication will kick off the night at 9 pm ET/PT, followed by Episodes, while the US adaptation of British drama Shameless will close out the night at 10 pm ET/PT. (via press release)

In other Showtime news, Emmanuelle Chriqui (Entourage) will guest star in three episodes of the pay cabler's upcoming period drama The Borgias, where she will play Sancia, a Neapolitan princess who marries the Pope's youngest son but has her eye on his brother. Series is set to launch in Spring 2011. (via press release)

Fancast's Matt Mitovich is reporting that Serina Swan (Smallville) will guest star in an upcoming episode of Supernatural, in which she will play "a news reporter chronicling an unsettling series of suicides." She's set to appear in the fourth episode fo the sixth season, which kicks off tomorrow night. (Fancast)

Wolfgang Petersen and Ron Shelton are said to be developing period racing drama Kings of Speed for pay cabler Starz, which is being viewed as a possible ten-hour limited series focusing on the international automobile racing circuit of the 1950s and 19960s, Enzo Ferrari, and "the underground car culture of Southern California." (Variety)

Stay tuned.

Talk Back: What Did You Think of FOX's New Comedies Running Wilde and Raising Hope?

As premiere week slogs on, I'm curious to know what you thought of the two newest comedy entries to the network lineup, with last week's series premieres of FOX's Raising Hope and Running Wilde.

Personally, I wasn't much taken by either of them, with the latter being truly depressing to me because it represented what will likely be the best shot at an Arrested Development reunion we can hope for, as it brought together creator Mitch Hurwitz, Will Arnett, and David Cross in one place.

But the pilot--both versions of it that I saw--left me cold and, while the second episode is sitting right next to me as I type this--I don't really have much impetus to watch it. Especially as the numbers last night were less than stellar.

I feel the same way about Greg Garcia's Raising Hope, which tries way too hard to be wacky and zany and instead overflows with poop and vomit jokes, none of which were all that funny.

But now that both episodes have aired, I'm curious to hear what you thought. Did you tune in to one or both of these? Did you find them funny? Did the combination of Will Arnett and Keri Russell win you over?

And, most importantly, will you tune in again next week?

Talk back here.

Channel Surfing: HBO Renews Boardwalk Empire, Law & Order: Criminal Intent to Return, Lone Star DOA, Fringe, and More

Welcome to your Wednesday morning television briefing.

Break open the moonshine! HBO has renewed period drama Boardwalk Empire for a second season, after airing just one episode of the Terence Winter/Martin Scorsese crime drama, which averaged 4.8 million viewers in its premiere broadcast. “All the ingredients aligned for this one, from Mark Wahlberg and Steve Levinson’s initial pitch, to Martin Scorsese’s enormous contributions as director and executive producer, to the genius of Terry Winter and the expertise of Tim Van Patten, to a stellar cast led by Steve Buscemi,” said Michael Lombardo, President of HBO Programming, in a statement. “The response from the media and our viewers has been nothing short of amazing.” (via press release)

In other renewal news, USA has finally closed a deal to renew Law & Order: Criminal Intent for a tenth and final season of eight episodes, with original series lead Vincent D'Onofrio set to reprise his role as Detective Robert Goren, while producers are said to be in talks with Kathryn Erbe and other former stars to return. “We have been the fortunate caretakers of this legendary series, and we plan to give it the world-class farewell it so richly deserves,” said Jeff Wachtel, USA's president of original programming and UCP's co-head of original content. The cabler has also given executive producer Dick Wolf a pilot commitment for a new project at USA. New episodes of Law & Order: Criminal Intent are set to launch next year. (Deadline)

After the deadly ratings encountered by FOX's new fall drama Lone Star, the 20th Century Fox Television-produced drama is already said to be on death watch, according to The Hollywood Reporter's Andrew Wallenstein. "No one in TV should be happy about this," Wallenstein quotes one agent with a client on Lone Star as saying. "This is going to have a chilling effect on networks taking chances on anything but cookie-cutter shows." xxx "Though Fox declined comment, it's possible the network is delaying the announcement of a decision, perhaps waiting for the cover that will be provided today by its announcement of the American Idol judges," wrote Wallenstein. "That Star will be canceled is being treated in industry circles as fait accompli, a matter of when, not if. Tellingly, while most underwhelming TV debuts are often followed by entreaties from counter-spinning execs magnifying glimmers of hope in the ratings data -- "did you see that uptick in the last quarter-hour among women 25-34?" -- the back-channel phone calls from network and studio execs never came." (Hollywood Reporter)

More Bubbles! Entertainment Weekly's Michael Ausiello is reporting that Andre Royo (The Wire) will reprise his role on FOX's Fringe after his first appearance in tomorrow night's season premiere, where he plays a cab driver that Anna Torv's Olivia Dunham encounters "over there." [Editor: Having seen the episode in question, I can say that it was a no-brainer than Royo would be back at some point.] (Entertainment Weekly's Ausiello Files)

It's official: Bravo has finally confirmed what has been floating about the internet for quite some time now. The next season of Top Chef will be an all-stars edition, with 18 runners-up from previous seasons returning to compete for another shot at the title. While the full cast has been available at various web sites for the last few weeks, Bravo will officially unveil the cast on tonight's Top Chef reunion special. [Editor: Also, Anthony Bourdain will return as a regular judge this time around, alternating with Gail Simmons.] (TVGuide.com)

Entertainment Weekly's Michael Ausiello is reporting that Jorge Garcia (Lost) will guest star in an upcoming episode of ABC midseason comedy Mr. Sunshine, starring Matthew Perry. Garcia will play "a staffer at the second-rate San Diego sports arena that Perry’s character manages" and will appear in the retooled pilot episode. (Entertainment Weekly's Ausiello Files)

Elsewhere, Entertainment Weekly's Mandi Bierly reported that Lyle Lovett will be guest staring on an upcoming episode of ABC's Castle this season, where he will play Agent Darryl Shafer, described as "a shadowy government figure who detains and interrogates Castle (Fillion) and Beckett (Stana Katic) as they investigate the death of a prominent astrophysicist whose body was found in her car—a victim of explosive decompression." Lovett's appearance is slated for the ninth episode of the current season. (Entertainment Weekly's Ausiello Files)

The Hollywood Reporter's Allison Hope Weiner has an interview with No Ordinary Family star Michael Chiklis about his role on the ABC superhero family drama. "The big question for me was tone, and how do I pull this off in terms of tone," said Chiklis when asked about any concerns about being on network television rather than cable. "As you know, network television, television in general, has become very niche-oriented. It's very targeted toward a certain audience. Now we're embarking on a show that is all too rare on television: It's one of those kinds of shows that tries to appeal to a broad audience and, in order to do that, the things that are successful don't take themselves too seriously. This is pure entertainment and it's witty and fun, yet soulful and heartfelt. But you also have those great adrenal moments. The threat there is if you go too far in any direction, you go over the top comedically or be too melodramatic and you can fail. Yet if you aren't bold in any direction, you can become vanilla. Tonally, we felt it had to be crisp and smart and fun -- yet not taking itself too seriously." (Hollywood Reporter)

SPOILER! E! Online's Kristin Dos Santos is reporting that Dave Annable's real-life fiancee Odette Yustman will guest star on an upcoming episode of ABC's Brothers & Sisters as a new interest for Annable's Justin. Yustman, set to appear in one episode, will play a "nurse who starts to fall for Justin, as he's still mending his broken heart from his split with Rebecca." Rebecca, of course, is played by Annable's ex-girlfriend Emily Van Camp, who is set to depart the series after just a handful of episodes this season. (E! Online's Watch with Kristin)

TV Guide Magazine's Will Keck is reporting that Will Forte will return to CBS' How I Met Your Mother, where he will reprise his role as Randy. "Marshall will wrestle with whether or not to fire Randy, who is as hopeless as a paralegal as he is with the ladies," co-creator Craig Thomas told Keck. "There is also a shocking twist as it starts to become clear that Robin — in a moment of weakness — may or may not have hooked up with Randy on Halloween night." (TV Guide Magazine)

ABC has given a put pilot order to a drama inspired by Jennifer Baggett, Holly C. Corbett, and Amanda Pressner's book "The Lost Girls Three Friends, Four Continents, One Unconventional Detour Around the World," which will be adapted by Idly Modrovich (Californication). Project, from Warner Bros. Television, will be executive produced by Jerry Bruckheimer and Jonathan Littman. (Variety)

Stay tuned.

Talk Back: What Did You Think of NBC's The Event, FOX's Lone Star, and CBS' Hawaii Five-0?

Ding ding.

That sound you hear was the official start of fall premiere week last night as the networks took the wraps off of their new lineups and brought the launches of several new shows to the public last night.

In the battle of the 9 pm dramas, NBC's tepid The Event overtook FOX's more original Lone Star in an outcome that should surprise no one.

While I wrote about both The Event and Lone Star yesterday (and have been talking about them since last May on Twitter), I'm curious to see what you thought of the new series that launched last night.

Which of the handful of new dramas and comedy Mike & Molly did you tune in for? What did you think of the plot, the characters, the dialogue, and the inherent promise of each?

And, most importantly, which of the series will you come back and watch again next week?

Talk back here.

Channel Surfing: Gwyneth Paltrow Tackles Glee, V lands Jay Karnes, NBC Lands Legends, Showtime Renews Weeds, The Big C, and More

Welcome to your Tuesday morning television briefing.

E! Online's Kristin Dos Santos is reporting that Gwyneth Paltrow is in talks to join the cast of FOX's Glee in a two-episode story arc in which she would play a potential love interest for Matthew Morrison's Will Schuester. "According to rock-solid Glee sources, Gwyneth would play a substitute teacher in two episodes airing in November," writes Dos Santos. "Mr. Schuester gets sick, so Gwyneth's character steps in and takes over the glee club. The kids love her, and Will starts to fall for her... complicating his relationship with Emma (Jayma Mays)... I'm told Glee creator/executive producer/creative badass Ryan Murphy wrote this role expressly for Gwyneth, as the two are friends. If it all comes together, Ryan will be directing her first episode, which begins shooting in two weeks." Should the deal close, Paltrow would appear in two episodes slated to air in November. (E! Online's Watch with Kristin)

[Editor: In other Glee news, TVGuide.com's Denise Martin has a set visit feature for Glee, returning tonight for its second season, which you can read here.]

TVGuide.com's Adam Bryant is reporting that Jay Karnes (The Shield) has been cast in a recurring role on Season Two of ABC's V, which returns in November. Karnes will play FBI Agent Chris Boling, who will serve as the new partner for Elizabeth Mitchell's Erica Evans. "The two have some history, having trained together at Quantico," writes Bryant. "However, Bolling quickly begins to suspect Erica may have divided loyalties when it comes to her dedication to the Visitor resistance group, the Fifth Column." Casting marks a reunion between Karnes and former Shield writer/producer Scott Rosenbaum, who serves as V's showrunner. (TVGuide.com)

Deadline's Nellie Andreeva is reporting that NBC has given a put pilot order to espionage drama Legends, from writer Mark Bomback (Live Free or Die Hard) and executive producers Howard Gordon (24) and Jonathan Levin (The Ex-List). Project, from 20th Century Fox Television, is said to be based on a Robert Littell book and revolves around "an CIA operative with an uncanny gift for 'legends' - aka false identities - who is sent on a variety of missions, while simultaneously coping with the possibility that his own identity may be a 'legend' itself." (Deadline, Variety)

Showtime yesterday handed out renewals to dark comedies Weeds and The Big C, which will return for their seventh and second seasons respectively next year. "The unprecedented viewership for both The Big C and Weeds proves that audiences love these shows as much as we do," said Showtime's President of Entertainment David Nevins in a statement. "There are definitely more comedic adventures in store for these fascinating, complex women. For six seasons, we've happily traveled along with Nancy Botwin and we're equally as excited to follow Laura Linney and The Big C team as they chart Cathy's unique journey through such a provocative and personal subject as cancer. We're thrilled that these two signature shows will be returning to the network in 2011." (via press release)

TV Guide Magazine's Will Keck has a first look at Celia Weston playing Barb Tucker, the mother of Eric Stonestreet's Cameron on ABC's Modern Family. "She's somebody who made him the person he is," Stonestreet told Keck about Cameron's mom. "When she comes to the door, she gives me her little puppy kisses. And we find out she called him her 'Little Bomber,' which was actually what my [real-life] grandma called me as a little kid — I think because I was a little gassy." (TV Guide Magazine)

Entertainment Weekly's Michael Ausiello has details about the now prolonged absence expected to face Olivia Wilde's Thirteen on House this season, given that the actress has booked four major film roles, including one of the leads in Cowboys and Aliens and a newly minted role in The Change Up, starring Ryan Reynolds and Jason Bateman. “It’s going to be a while unfortunately,” series creator David Shore. told Ausiello. “We love her but it is going to be a while. It’s going to be this season, but well into this season.... She called us up and said she wanted to do [The Change Up]. And it just so happened that what we had worked out storyline-wise allowed her a couple of extra episodes [off]. So that movie just filled in the gap. There were no further adjustments to her schedule as a result of that.” (Entertainment Weekly's Ausiello Files)

Elsewhere, Entertainment Weekly has some further details about Community's upcoming zombie-based Halloween episode. “Knowing too much about this particular plot would ruin it, but I promise it’s an awesome, one-off crazy conceptual episode with plot points and effects that are more familiar to horror film fans than our show’s fans,” said creator Dan Harmon. “We’re going over schedule and over budget to get it right,” he adds. “I’ve had to promise to do a few what I call ‘Bottle Episodes,’ where the group never leaves the library, to make up for it.” (Entertainment Weekly's Ausiello Files)

NBC has ordered a pilot script for an untitled comedy to star comedian Mo Mandel (Strange Brew). Project, from 3 Arts, will revolve around "what a group of twentysomethings do in the last five years of their lives before the Earth is destroyed by a meteor." (Deadline)

ABC's upcoming weight loss reality series Obese has already received an order for a second season... and will undergo a name change to the less provocative Extreme Makeover: Weight Loss Edition. Six episodes are on tap for the second season, which is being slated for sometime in the 2011-12 season, while Season One is being targeted for midseason, possibly with a March launch. Each episode follows a single person over their year-long weight-loss journey. (Variety)

Disney XD will launch new animated superhero series The Avengers: Earth's Mightiest Heroes! on Wednesday, October 20th at 8:30 pm ET/PT. (via press release)

Stay tuned.

The Daily Beast: "Fall TV Preview: Grey's Anatomy, Dexter, 30 Rock and More"

With so many new fall series premiering over the next two weeks, it's possible to forget that some of our favorites are heading back to the airwaves as well.

Can’t remember how Grey’s Anatomy or 30 Rock ended? Head over to the Daily Beast to read my latest feature, "Here Comes the TV Season!", in which I round-up 13 cliffhangers for returning shows—and offer previews of what’s to come. (It goes without saying: minor SPOILERS aheads.)

The series in question? Oh, the usual suspects, including Dexter, The Good Wife, Fringe, Grey's Anatomy, Desperate Housewives, Chuck, Private Practice, Brothers and Sisters, Friday Night Lights, Bones, Community, Castle, and 30 Rock, presented in order of premiere dates. (Which means Chuck is up first.) Plus, you can watch video previews for all 22 new network series, to boot.

Which returning series are you most excited about watching this fall? Head to the comments section to discuss.