NBC Renews "Community," "30 Rock," and "The Office"

Oh, happy day.

NBC has announced that it will keep its Thursday night lineup intact next season, renewing Community, The Office, and 30 Rock for the 2010-11 season. The news comes on the heels of an early third season pickup for fellow Thursday laffer Parks and Recreation.

"We are happy to give these early pickups to these critically acclaimed, incredibly funny comedies," said Angela Bromstad, President, Primetime Entertainment, NBC and Universal Media Studios, in a statement. "As a result, we look forward to continuing our rewarding partnership with the respective creative teams and talented show-runners for 30 Rock, The Office and Community as they all consistently deliver quality shows.”

The news is especially good for Community, the sole freshman comedy among the pack, which will be returning for Season Two this fall. Renewal comes after Bromstad yesterday said she was "hopeful" about the Sony Pictures Television-produced series returning next season.

The full press release from NBC, which details the renewals, can be found below.

NBC GIVES PICKUPS TO THURSDAY-NIGHT COMEDIES ’30 ROCK,’ ‘THE OFFICE’ AND ‘COMMUNITY’ FOR 2010-11

Renewals Follow Previously Announced Green-light for “Parks and Recreation” on Thursdays
UNIVERSAL CITY, Calif. - March 5, 2010 - NBC has renewed three more of its Thursday-night comedies - “30 Rock” (9:30-10 p.m. ET), “The Office” (9-9:30 p.m. ET) and the freshman series “Community” (8-8:30 p.m. ET) for the 2010-11 season. The returning programs join the previously announced “Parks and Recreation” (Thursdays, 8:30-9 p.m. ET) that also will return for next season.

The announcement was made by Angela Bromstad, President, Primetime Entertainment, NBC and Universal Media Studios.

“We are happy to give these early pickups to these critically acclaimed, incredibly funny comedies,” said Bromstad. “As a result, we look forward to continuing our rewarding partnership with the respective creative teams and talented show-runners for ’30 Rock,’ ‘The Office’ and ‘Community’ as they all consistently deliver quality shows.”

First-year comedy "Community" is averaging a 2.7 rating, 7 share in adults 18-49 and 5.9 million viewers overall so far this season, with "Community" originals winning the time period among adults 18-34 and men 18-34. Since moving to the Thursday 8-8:30 p.m. (ET) half-hour on October 8, "Community" has improved the time period by 24 percent versus NBC's adult 18-49 average earlier in the season.

Currently in its sixth season, "The Office" is network television's #1 primetime scripted series among adults 18-34 and is NBC's #1 scripted series in the key demographic of adults 18-49. "The Office" regularly finishes #2 in its highly competitive time period in adults 18-49 ahead of CBS's "CSI." The most recent "Office" telecast on March 4 outscored ABC's "Grey's Anatomy," marking the first time "The Office" has topped "Grey's" head-to-head in adults 18-49. For the season through 23 weeks, "The Office" is averaging a 4.9 rating, 12 share in adults 18-49 and 9.4 million viewers overall, representing gains versus last season of 4 percent in 18-49 and 3 percent in total viewers.

Currently in its fourth season, "30 Rock" is averaging a 3.4 rating, 8 share in adults 18-49 and 6.9 million viewers overall, with "30 Rock" originals winning the time period among men 18-34 and men 18-49 despite airing opposite the concluding half-hours of ABC's "Grey's Anatomy" and CBS's "CSI." "30 Rock" is the most upscale comedy on broadcast primetime television when ranked by its concentration of homes with $100,000-plus incomes in its adult 18-49 audience.

The Emmy Award-winning comedy series "30 Rock" is told through the comedic voice of Emmy and two-time Golden Globe winner Tina Fey ("Saturday Night Live”) as variety show producer Liz Lemon and features Emmy and three-time Golden Globe winner Alec Baldwin ("The Departed") as top network executive Jack Donaghy. Also starring are Tracy Morgan, Jane Krakowski, Scott Adsit, Jack McBrayer, Judah Friedlander and Keith Powell.

"30 Rock" is from Broadway Video & Little Stranger, Inc. in association with Universal Media Studios. The executive producers are Lorne Michaels ("Saturday Night Live"), Fey, Marci Klein ("Saturday Night Live"), David Miner ("Human Giant") and Robert Carlock ("Friends").

“The Office” is the Emmy Award-winning comedy series from Deedle-Dee Productions, Reveille and Universal Media Studios. The show offers a hilarious documentary-style look into the humorous and sometimes poignant foolishness that plagues the world of 9-to-5 and is based on the award-winning BBC hit. Golden Globe winner and Emmy nominee Steve Carell ("Get Smart," "Little Miss Sunshine") stars as pompous regional manager Michael Scott..

Also starring are Jenna Fischer ("Walk Hard"), John Krasinski ("Leatherheads"), Rainn Wilson ("The Rocker") and B.J. Novak ("Punk'd"). Other series stars are Ed Helms ("The Hangover"), Leslie David Baker ("Malcolm in the Middle"), Brian Baumgartner ("Arrested Development"), Kate Flannery ("The Heir Apparent"), Mindy Kaling ("The 40-Year-Old Virgin"), Angela Kinsey ("Tripping Forward"), Paul Lieberstein (writer, "King of the Hill"), Oscar Nuñez ("Halfway Home"), Phyllis Smith ("Arrested Development"), Creed Bratton (former member of The Grass Roots) and Craig Robinson ("Curb Your Enthusiasm"). "The Office" is executive-produced by Ben Silverman, Greg Daniels, who developed the series for American audiences, Ricky Gervais, Stephen Merchant, Howard Klein and Paul Lieberstein.

From Dan Harmon ("The Sarah Silverman Program") and Emmy Award-winners Joe and Anthony Russo ("Arrested Development") comes "Community," a smart comedy series about a band of misfits who attend Greendale Community College. At the center of the group is Jeff Winger (Joel McHale, "The Soup"), a fast-talking lawyer whose degree has been revoked and forms a study group. Also starring are comedy legend Chevy Chase ("Chuck"), Gillian Jacobs ("The Book of Daniel"), Yvette Nicole Brown ("Rules of Engagement"), Danny Pudi ("Greek"), Alison Brie ("Mad Men"), Donald Glover ("30 Rock") and Ken Jeong ("The Hangover").

"Community" is a production of Krasnoff Foster Entertainment, Harmonious Claptrap, Russo Brothers production and Universal Media Studios in association with Sony Pictures Television. Russ Krasnoff ("The Soloist"), Dan Harmon, Joe Russo, Anthony Russo, Garrett Donovan ("Scrubs"), Neil Goldman ("Scrubs") and Gary Foster ("The Soloist") serve as executive producers.

"Parks and Recreation," starring Amy Poehler (NBC’s “Saturday Night Live”), is a production of Deedle-Dee Productions and Universal Media Studios. Along with Greg Daniels (NBC’s “The Office”) and Michael Schur (“The Office”), Howard Klein and David Miner also serve as executive producers for the series.

Channel Surfing: Daniel Dae Kim Finds "Hawaii Five-0," David Goyer Leaves "FlashForward," Zach Gilford Lands "Matadors," and More

Welcome to your Monday morning television briefing.

Daniel Dae Kim won't be leaving the island. Or, Hawaii, rather. The Lost star has landed a lead role in CBS drama pilot Hawaii Five-0, where he will play Detective Chin Ho Kelly. Kim's co-star, however, is still unknown. Reports have indicated that former Moonlight star Alex O'Loughlin had been offered the role of Detective Steve McGarrett, but no deal has been reached yet for him to star in the remake project, which hails from executive producers Alex Kurtzman, Roberto Orci, and Peter Lenkov. (Hollywood Reporter)

FlashForward co-creator David S. Goyer is leaving the ABC drama series, where he has served as showrunner since taking the creative reins from Mark Guggenheim in October. No replacement has been named for Goyer on the series, which still has roughly five more episodes to produce for this season's 23-episode order. Goyer, meanwhile, will segue back into film but will retain his executive producer credit on FlashForward. "As my feature projects have started ramping up again, I felt I was being pulled in too many directions," said Goyer in a statement. "I'm proud of the show and excited about the relaunch. It's in great hands." [Editor: just whose hands remain unknown at press time.] FlashForward returns with new episodes on March 18th. (Hollywood Reporter, Variety)

Entertainment Weekly's Michael Ausiello is reporting that Friday Night Lights star Zach Gilford has been cast in ABC drama pilot Matadors, citing unnamed sources. Gilford will play Alex Galloway, half of a star-crossed pair of lovers whose families work respectively in the Chicago D.A.'s office and in a high-powered law firm and often find each other on opposing sides of the courtroom. (Entertainment Weekly's Ausiello Files)

Michael Chiklis (The Shield) has been cast in ABC drama pilot No Ordinary Family, where he will also serve as co-executive producer following the closing of a development deal at the studio. Chiklis will play the patriach of a family that discovers they have super-powers. Dave Semel will direct and executive produce the ABC Studios-produced pilot alongside Greg Berlanti and Jon Harmon Feldman. (Variety)

In other pilot casting news: Jason Ritter (The Dry Land) has been cast as the lead in NBC drama pilot The Event; Todd Williams (In Plain Sight) has joined the cast of FOX drama pilot Ridealong, where he will play a beat cop who is addicted to the adrenaline rush his job provides; and Aisha Hinds (True Blood) has been cast in ABC drama pilot 187 Detroit as an "overworked and underpaid lieutenant." (Hollywood Reporter)

Confirmed: Neil Gaiman is set to write an episode of Doctor Who to air in 2011 as part of the series's sixth season. (Televisionary)

Henry Winkler will recur on the second season of USA's dramedy Royal Pains, where he will play Eddie Larson, the absentee father of Mark Feuerstein and Paulo Costanzo's Hank and Evan, who heads out to the Hamptons to make up for lost time. Season Two of Royal Pains, which was increased to 18 installments, is set to air this summer. (Variety, Entertainment Weekly's Ausiello Files)

Entertainment Weekly's Michael Ausiello is reporting that Sheryl Crow will appear in a multiple-episode story arc on ABC's Cougar Town, where she will play a new girlfriend for Josh Hopkins' Grayson. Her first appearance is set for March. (Entertainment Weekly's Ausiello Files)

Enrique Murciano (Without a Trace) has been cast in Shonda Rhimes' ABC drama pilot Off the Map. He'll play a former plastic surgeon who takes a job at a remote tropical clinic overseen by Martin Henderson's character. (Hollywood Reporter)

Could this be the final season of Law & Order: Special Victims Unit for Christopher Meloni? According to remarks the actor made to Courier & Mail, it seems as though Meloni could be leaving the series to focus on theatre and film projects. "I think 12 years is enough, a good number," he said. "The writers will have fertile ground to figure out how to arc [Elliot Stabler] out to another place—whether it's this world or the next." (E! Online's Watch with Kristin)

A&E has passed on drama pilot The Quickening, which starred Radha Mitchell as a bi-polar police detective. Move leaves drama Sugarloaf as the only pilot currently in contention for a series order at the cabler. A decision about whether it will go ahead will be made before the end of the month. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello has details about Andy and Erin's upcoming courtship on NBC's The Office. "It’s been a slow process of Andy gaining the courage to ask her out, but he finally does," showrunner Paul Lieberstein told Ausiello. "The wrinkle in their first date is she gets sick [with the flu], but they attempt to push on anyway." (Entertainment Weekly's Ausiello Files)

Mathew Horne (Gavin and Stacey), Marc Warren (Hustle), Mark Gatiss (The League Of Gentlemen), and Douglas Booth will star in BBC Two drama Worried About The Boy, about "a young Boy George and his journey to become a star on the Eighties fashion and pop music scene." Project is written by Tony Basgallop (Hotel Babylon) and directed by Julian Jarrold (Brideshead Revisited). (BBC)

Elsewhere, ITV1 has commissioned three-part drama series Kidnap and Ransom, which will star Trevor Eve (Waking the Dead) as international K&R negotiator Dominic King. Project, from Projector Pictures and executive producer Patrick Harbinson (24), will also star Helen Baxendale, John Hannah, Natasha Little, Emma Fielding, and Amara Karan. (Broadcast)

TVGuide.com's Adam Bryant has an interview with Castle star Stana Katic about the recent storyline involving the murder of Kate Beckett's murder. "It was really a smart way to drop more information but not fully resolving it," Katic told Bryant. "I think it is going to be a driving force as we continue to move on. They'll definitely be dealing with it — probably not in the next couple of episodes. But I'm sure before the season's end, we'll get another big bombshell regarding that story line." (TVGuide.com)

Warner Bros. Television Worldwide Publicity SVP Sharan Magnuson will exit her position due to medical issues. "(Sharan's) leadership, talents and relationships working with creative talent, executives and the press are matched only by her character, selflessness and extraordinary work ethic," said Warner Bros. TV president Peter Roth. "She will be sorely missed by us all." (Variety)

TV Guide Network president Ryan O'Hara is leaving the cable network, effective immediately. He's reportedly set to take a new position at the company's New York office beginning next week. (Hollywood Reporter)

Nickelodeon has promoted Roland Poindexter to SVP of animation, current series. He'll report to Brown Johnson. The cabler also promoted Rich Magallanes to VP of animation, current series and will oversee Nickelodeon's diversity fellowship program. (Variety)

Stay tuned.

Channel Surfing: Lilly and Fox to Quit TV After "Lost," Broderick Finds "Beach Lane" for NBC, Kurtzman and Orci Sign 20th Deal, and More

Welcome to your Tuesday morning television briefing.

E! Online's Kristin Dos Santos is reporting that Lost co-stars Evangeline Lilly and Matthew Fox plan to quit television after the end of the ABC drama series and that Lilly wants to leave acting behind altogether. "I think this will be the last time you see me on TV," Fox told Dos Santos. "I'm either going to do the kind of things I want to do in the film world, or maybe I'll just do something else entirely... I've done almost 300 hours of [TV]. It's been two really great experiences between Party of Five and Lost. I'm ready to take it to the next step and see what I can do in that [film] world." As for Lilly, she is looking to continue in the film world in a capacity other than being in front of the camera and focus on philanthropic work in Rwanda. "I just haven't found where that is yet. I don't know if anything has gelled yet. I don't know if it fits," she told Dos Santos. "I want to have some quiet space. [I want to] drop off the radar a little bit and enjoy a little bit of normalcy again." (E! Online's Watch with Kristin)

In other Lost-related news, it appears that most fans didn't watch the version of the season premiere that had been leaked online over the weekend. [Editor: good on them!] (Hollywood Reporter) And Mike Hale of The New York Times has a fantastic interactive chronological timeline for Lost's narrative as well as audio quotes from Damon Lindelof and Carlton Cuse. (New York Times)

Matthew Broderick has signed on to star in NBC multi-camera comedy pilot Beach Lane, where he will play a celebrated author who represents the last hope for a struggling Hamptons newspaper owned by an oblivious millionaire. The Universal Media Studios-produced project, written by Paul Simms, is executive produced by Lorne Michaels and Marci Klein. Casting is the first time Broderick has signed on as a regular on a television series. The Peacock also gave out a pilot order to multi-camera comedy Perfect Couples, about three couples who are each in a different stage of their respective relationships. Project, from Universal Media Studios, was created by writer/executive producers Jon Pollack (30 Rock) and Scott Silveri (Friends). (Variety)

Fringe co-creators Alex Kurtzman and Roberto Orci have signed a three-year overall deal with 20th Century Fox Television, which goes into effect on March 1st. Under the terms of the deal, Kurtzman and Orci will launch their own production shingle and begin developing series for the studio; while the duo will write, they will also work with other writers as well. "We looked at all the creative heroes that we've had: Steven Bochco, Shawn Ryan, Ryan Murphy," said Kurtzman. "That's the kind of brand-building we want to go for." (Hollywood Reporter, Variety)

CBS gave out two pilot orders yesterday, greenlighting cop drama Reagan's Law, described as a "multi-generational show revolving around a family of cops in New York." Project, from CBS Television Studios, hails from Mitchell Burgess and Robin Green (The Sopranos), who will executive produce with Leonard Goldberg. The Eye also ordered a pilot for an untitled medical drama from writer Hannah Shakespeare (The Philanthropist), executive producer John Wells, and Warner Bros. Television, about a team of traveling doctors who make stops across the US to help low income people. (Hollywood Reporter)

ABC has ordered a pilot for single-camera comedy It Takes a Village, about the unconventional family formed by two ex-spouses and their new significant others as raise their 15-year-old son. Project, from ABC Studios, is written by Casey Johnson and David Windsor (Greek) and executive produced by Mark Gordon, Deborah Spera, and Andrea Shay. (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Michael will get a new love interest on The Office this season. "Michael is going to meet someone," showrunner Paul Lieberstein told Ausiello. "It’s one of these set-ups where a bunch of people go out and you don’t know you’re being set up... he kind of flips out and goes into 'date mode.' And it goes in a weird direction from there." Casting for the role has yet to get underway but the character is expected to appear in March or April. (Entertainment Weekly's Ausiello Files)

HBO is developing a biopic based on the life of ex-beauty queen and anti-gay activist Anita Bryant, with Chad Hodge (Runaway) attached to write and Darren Star (Sex and the City) attached to direct the telepic. (Hollywood Reporter)

NBC has announced that it will air the two-hour backdoor pilot for Canadian co-produced drama Secrets of the Mountain (also known as The Mountain) on April 16th at 8 pm ET/PT. (Futon Critic)

Spike has ordered six episodes of reality series Half Pint Brawlers, which will "examine the world of little-person wrestling and its increasing popularity as an underground sport." Series, from The Idea Factory and Lumberjack Crew, is set to launch in June as part of a programming block with the ten-episode Scrappers, in which "participants search for scrap metal and other trash that can be converted into cash." (Variety)

Stay tuned.

Channel Surfing: "Lost" Here to Stay?, NBC Unveils New Strategy, "Day One" Cut Down to Backdoor Pilot, "The Borgias," and More

Welcome to your Monday morning television briefing.

Variety's Michael Schneider takes a look at how ABC executives are attempting to stake out a strategy for the future of Lost, which will wrap up its run in May... but might be sticking around via ancillary products and potential sequels. "We've been talking about this for a couple of years now," ABC marketing exec VP Mike Benson told Schneider. "We want to keep it alive but make sure we maintain the integrity of the franchise. We're not about milking this thing for all that it is right now; it's important to see this live for years to come... What Lost becomes after it ends its run is up in the air. It really depends on who comes in to interpret it next." But whatever that future might hold, whether it be novels and comicbooks or indeed a spinoff series down the line, it won't involve current Lost showrunners Damon Lindelof and Carlton Cuse, who will end their oversight on the franchise once the series wraps this spring. "Damon and Carlton laid such groundwork, it's going to be a challenge for us, and we have to rise to the occasion," said ABC marketing EVP Marla Provencio. "We have to find different, creative and innovative ways to keep the fans happy and to keep the franchise healthy." (Variety)

[Editor: in other Lost news, Obama's State of the Union Address will NOT delay ABC's intended February 2nd launch date for Season Six of Lost. It's back on track.]

Speaking yesterday at the Television Critics Association Winter Press Tour in Pasadena, NBC's Jeff Gaspin announced that The Jay Leno Show would no longer hold its weeknights at 10 pm timeslot after February 12th and unveiled potential plans to shift Jay Leno to 11:35 pm, move Conan O'Brien and The Tonight Show to 12:05 am, and Jimmy Fallon to 1:05 am. Additionally, Angela Bromstad gave critics a peek at the Peacock's current development slate, which includes J.J. Abrams' espionage drama Undercovers (which he'll direct), David Tennant-led legal dramedy Rex Is Not Your Lawyer, remakes of Prime Suspect and The Rockford Files, David E. Kelley-created legal drama Kindreds, thriller The Event, Jerry Bruckheimer action-procedural drama Chase, and the untitled Adam Carolla comedy. Plus, loads more info from the press tour, to boot. (Televisionary)

In other NBC-related news, the sci-fi drama series Day One, which had been cut back to four hours late last year, has had its order sliced in half again. Rather than air a four-hour mini-series as indicated by the network back in September, Day One will now air as just a two-hour backdoor pilot, with no further episodes to be shot beyond the pilot. "The pilot will still air after the Winter Olympics as was the plan for the Day One mini," writes Hollywood Reporter's Nellie Andreeva, "and NBC still keeps the door open to picking up more episodes for next season should the pilot does well." (Hollywood Reporter)

Showtime has ordered thirteen episodes of historical drama The Borgias, which will revolve around the infamous 15th century Italian crime family and will star Jeremy Irons as Rodrigo Borgia. Project, which is being viewed for a 2011 launch, is written by Michael Hirst (The Tudors), who will executive produce with Neil Jordan; the latter will direct the first two episodes. "I can guarantee you've never seen a family quite like this before," said Showtime entertainment president Robert Greenblatt, "and nor could you make up the outrageous twists and turns of their epic saga." (Hollywood Reporter)

The Los Angeles Times' Denise Martin and Joe Flint are reporting that FOX will announce a US version of Simon Cowell's UK talent competition series The X Factor will premiere in 2011. Cowell would serve as host and executive producer of the US format. "News could be made official as early as this week, people familiar with the situation said," wrote Martin and Flint. "As a result, the acid-tongued star judge of American Idol" is unlikely to stay on Fox's long-running juggernaut full time beyond the ninth season, which premieres Tuesday." (Los Angeles Times' Show Tracker)

The Wrap's Joe Adalian is reporting that David Nutter (The Mentalist) is in advanced talks to sign on to direct Jerry Bruckheimer's NBC action procedural pilot Chase, from Warner Bros. Television. (The Wrap's TVMoJoe)

Kathy Bates is heading to NBC's The Office, according to E! Online's Kristin Dos Santos, who got the scoop from Office executive producer Greg Daniels. She'll play the CEO of the company that buys the struggling Dunder Mifflin. "She's a larger than life character," said Daniels of Bates' character. "She has two giant Great Danes that accompany her to the office, and she's very funny. Fantastic actress. We're very excited to have an Academy Award [winning] person on the show." Meanwhile, SPOILER! Dos Santos also gets the scoop on Pam's upcoming labor pains. (E! Online's Watch with Kristin)

Bravo reality series Flipping Out has been renewed for a fourth season. Also returning: The Rachel Zoe Project, picked up for a third season, and Kathy Griffin: My Life on the D-List for a sixth. The news was announced at yesterday's Television Critics Association Winter Press Tour, where Bravo's Frances Berwick also announced series orders for two reality projects: Thintervention, starring Work Out's Jackie Warner, and Bethany's Getting Married?, featuring Real Housewives of New York City's Bethany Frankel. In other news, Gail Simmons will host Top Chef spinoff Top Chef: Just Desserts and Top Chef: Masters will return for a second season on April 7th. The network will also launch 9 by Design," which follows husband-wife design team Robert and Cortney Novogratz and their seven children, on April 5th and Double Exposure, which follows photographers Markus Klinko and Indrani and stylist G.K. Reid, in April. (via press release)

FlashForward executive producer David S. Goyer remains optimistic about a second season renewal, despite flagging ratings for the first half of the freshman season. He also teased details about what Season Two might be about in a recent interview. "You're going to start meeting some of the faces of the enemy, starting with episode 11," said Goyer. "We'll meet a bunch of them in the second half of the season. One of the other interesting things is we'll start to let you in on who the people that engineered the blackout are and why. There are a couple more that are coming and assuming we go into season two, one of those guys will be a series regular in season two." (via Digital Spy)

Series order! ABC has given a greenlight to Scoundrels, ordering eight episodes of a US remake of Kiwi drama series Outrageous Fortune, from ABC Studios and writers Richard Levine and Lyn Greene, who will executive produce alongside John Barnett, Francie Calfo, Michael Larkin, and Michael Goldstein. Series, which revolves around a family of criminals who are forced to go straight by the family matriarch after their father lands in prison, was previously adapted for US television by Rob Thomas in 2008 and a pilot was shot with Catherine O'Hara starring. (Hollywood Reporter)

Syfy will air mini-series Riverworld and The Phantom later this year, according to The Futon Critic's Brian Ford Sullivan. Elsewhere at the cabler, Jeremy Carver and Anna Fricke have been hired to write the network's thirteen-episode supernatural thriller Haven, which is based on the Stephen King's "The Colorado Kid." That project, as well as the US adaptation of British supernatural drama Being Human, could launch as early as this summer. (Futon Critic)

FOX has ordered a pilot presentation for an untitled sketch comedy project to star Dana Carvey, who will develop and executive produce the project with Spike Feresten which will feature a "strong online component." (Variety)

Maz Jobrani (Better Off Ted), Marjan Neshat (Mercy), and Harach Titzian (24) have been cast in ABC single-camera comedy pilot Funny in Farsi, which will be directed by Barry Sonnenfeld. (Hollywood Reporter)

Oxygen announced its development slate yesterday at the TCA Winter Press Tour, unveiling several new series--including Fashion Drop, Hair Battle Spectacular, House of Glam, Russell Simmons Project, When Charlie Met Sarah, and Jersey Couture--as well as returning series The Bad Girls Club, Dance Your Ass Off, and Tori & Dean: Home Sweet Hollywood, set to return for its fifth season in the spring. Former Spice Girl Mel B., meanwhile, will take over hosting duties for Season Two of Dance Your Ass Off. (Variety)

Stay tuned.

Tricks and Treats: Quick Thoughts on NBC's Halloween-Themed Thursday Night Lineup

I've never been much of a Halloween guy. Some people love to dress up and head out to parties but I've always taken the view that Halloween is one of those holidays that you either believe in with all of your being or you can't quite wrap your head around.

Last night, NBC's two-hour Thursday night comedy block all offered Halloween-themed diversions but happily each did so in their own inimitable way with Community focusing on a Mexican Day of the Dead after-school party, Parks and Recreation splitting its focus between Leslie stalking a notorious Halloween teen vandal and Ann throwing a costume party, The Office keeping it all confined to the cold open, and 30 Rock offering a celebration of "gay Halloween."

I have to say that I thought that Community and Parks and Recreation were by far the funniest two entries in last night's comedy block, comprising a strong one-two punch of humor that seems to be gathering more confidence week to week.

Last night's episode of Community ("Introduction to Statistics") might just be my favorite episode yet and featured fantastic turns by Yvette Nicole Brown and Danny Pudi, some fantastic Senor Chang moments, and some genuine emotion as Britta tried to get Jeff to attend Annie's Day of the Dead party rather than score with his statistics professor and slowly realized that Shirley's anger toward Jeff really stemmed from her own issues at home. (Brown is hands-down one of my favorite elements of the series and last night gave her the chance to bring some genuine emotion along with the humor.)

Meanwhile, Pudi perfectly nailed Christian Bale's gravely voice as Batman, turning in a stunning performance as the Dark Knight, even managing to save the lives of Jeff and a drug-addled Pierce from a collapsing fort of desks and chairs. (You really had to see it.) The cast of Community seems to get more self-assured with each episode and is gelling magnificently now, offering some deeply absurd comedy with an extra dose of heart on a weekly basis.

Likewise, Parks and Recreation continued the trend, turning out yet another incredible installment ("Greg Pikitis") that pitted Leslie against the titular teen, a juvenile criminal mastermind who would give Ferris Bueller a run for his money. Over the course of the episode, we saw Leslie stalk Greg with her policeman boyfriend (Louis C.K., who I hope sticks around for a while), attempt to waterboard him after discovering he had vandalized the Parks Department offices, and then got caught by her own boyfriend after toilet-papering Greg's house with Andy.

I'm confused by some viewers' dislike for Andy; to me, he's so absurdly goofy and dumb that it works perfectly in the off-kilter world of Parks and Recreation. I love having him around and am secretly hoping the writing staff can figure out a way to keep Andy on the Parks Department payroll after his short stint guarding over the Pawnee founder's statue.

Elsewhere, Ann realized that Tom isn't as bad as she thought he was after he saved her party from going off the deep end and we got to see a rare moment of vulnerability from Tom himself when it began to hit home that his green card marriage would soon be coming to an end. It's small moments like those that make Parks and Recreation such a fantastic place to visit week after week and this season has taken tremendous strides to deepening both the characters and the world they inhabit.

I was less pleased with The Office ("Koi Pond"), which jettisoned a Halloween plot early on in the episode (it was restricted to the cold open) and instead offered up a lukewarm plot about Michael falling into an ornamental koi pond during a business meeting, which seemed pretty much like stale Halloween candy. I know the writers are trying to create a new dynamic between Michael and co-branch manager Jim but the plots have gotten so ludicrous and the humor become so slight that it's actually painful for me to watch The Office on a regular basis these days. It hasn't been must-see television for several seasons now (save for when Amy Ryan joined the cast briefly) and it's likely going to get dropped off of my TiVo Season Pass very soon.

As for 30 Rock ("Stone Mountain"), not my favorite episode. Some genuinely hysterical moments (Tracy saying that he will have "a bowl of cherries and some ghost meat" in honor of a dead celebrity) and a semi-funny plot about Frank, Twofer, and Lutz attempting to befriend Jenna in order to party with some hot women at a "gay Halloween" party. The Jeff Dunham bits were painful to watch, even if it appeared that the humor was actually pointed at Dunham himself at times. I liked the idea of Liz and Jack hitting the road to find a new star for TGS but the Stone Mountain-set bits didn't quite work for me as well as I wish they had. But it's an uncharacteristically off episode for 30 Rock and I have no doubts that it will return to form next week.

What did you think of last night's Halloween comedy lineup? Which series had the strongest episode? Are you as hooked on Community and Parks and Recreation as I am? Bored by The Office? Discuss.

Tune-In Reminder: Thursday Night Premiere Bonanza

Just a quick reminder that there's a ton of new television launching tonight, between series premieres, season premieres, and a secret advance peek at a new FX comedy series kicking off next year.

So what should you be sure to set your DVR for tonight? Here goes?

Season Five of Bones kicks off tonight at 8 pm ET/PT with a premiere ("Harbingers in a Fountain"), in which Brennan returns from a dig in Guatemala; Angela's psychic, Avalon Harmonia (Cyndi Lauper) reveals while reading Angela's tarot cards that there are multiple bodies buried under a Washington, DC fountain; Sweets certifies Booth mentally fit to return to duty after his brain surgery, but Booth is still experiencing some side effects from his coma. (You can read my advance review of the season premiere here.)

At 8:30 pm, it's the start of Season Two of comedy Parks and Recreation on NBC. (You can read my advance review of the first two episodes of the season here.)

Fringe returns to FOX at 9 pm tonight with a second season premiere ("A New Day in the Old Town") in which Peter unknowingly races against time to gain information about Olivia's visit to the parallel world and Walter reenters the lab to cook up a bit of fringe science, and some custard for Peter's birthday. (You can read my advance review of the season opener here.

Wait, there's more...

The Office kicks off its new season at 9 pm with "Rumors," in which Michael spreads some rumors around the office, including one rumor that just happens to be true.

At 9:30 pm, NBC launches its newest comedy, Community, about a lawyer (Joel McHale) whose degree has been revoked forms a study group at a community college where he has enrolled in order to obtain a legitimate bachelor's degree. (You can read my advance review of the pilot episode here.)

It's Always Sunny in Philadelphia returns to FX at 10 pm with the start of its fifth season ("The Gang Exploits the Mortgage Crisis") as Frank, Mac and Dennis try their hand at real estate; Dee arranges to be a surrogate mother for a rich couple; Charlie squares off with a lawyer. (You can read my review of the first four episodes here.)

Cap off the evening with a sneak peek of FX's animated comedy series Archer, about an international man of mystery and his eccentric co-workers, which launches early next year.

Channel Surfing: Ed Norton Drops By "Modern Family," Bryan Fuller and Bryan Singer Team Up at NBC, Anna Camp Heads to "The Office," and More

Welcome to your Thursday morning television briefing.

Entertainment Weekly's Michael Ausiello is reporting that Ed Norton will guest star on an upcoming episode of ABC's new comedy series Modern Family. Norton will play "the bassist of a famous band whom Claire (Julie Bowen) hires as an anniversary surprise for husband Phil (Ty Burrell)," writes Ausiello. His episode is slated to air in November. (Entertainment Weekly's Ausiello Files)

Pushing Daisies' Bryan Fuller and Bryan Singer are teaming up to develop SelleVision, a comedic one-hour adaptation of Augusten Burrough's novel, which is set behind the scenes at a home shopping network. Fuller will write the pilot script while Singer is attached to direct; both will executive produce with Mark Bozek and Russell Nuce. Universal Media Studio is behind the adaptation. "We were all big fans of Augusten and the book, and we all got along great," Fuller told Variety. "So we decided to get into bed together... I love the world of home shopping -- it's such a rich world," he said. "There are those great metaphors of consumerism, buying happiness, all of that chasing material thing." Elsewhere at NBC, Fuller also has a half-hour workplace comedy pilot script called No Kill, which revolves around the employees of a no-kill animal shelter. Project, from Universal Media Studios and BermanBraun, will be executive produced by Fuller, Gail Berman, and Lloyd Braun. And there's still the Pushing Daisies comic book. "Fuller is still working on a comicbook adaptation of his late ABC series Pushing Daisies," writes Variety's Michael Schneider. "Fuller said he remains hopeful that the 12 issues of the comicbook will eventually serve as a blueprint for a Pushing Daisies movie.(Variety)

True Blood's Anna Camp has been cast as a guest star in an upcoming episode of NBC's The Office this season. Who's she playing? E! Online's Megan Masters has the scoop: Camp, who very memorably played Sarah Newlin on the HBO vampire drama this summer, will play Penny, the sister to Scranton's Pam Beesley (Jenna Fischer) on the October 8th episode that features the wedding of Pam and Jim (John Krasinski). (E! Online's Watch with Kristin)

Ellen DeGeneres has been named the fourth judge on FOX's American Idol, filling the seat left vacant by the departure of Paula Abdul. "I've been dealing with this for the last couple of weeks, and I've been dying to tell everyone," DeGeneres announced to the audience of her eponymous daytime talk show. "It's been so hard to keep it a secret." DeGeneres will join the judges in January and will continue to also host to her Warner Bros. Television-produced daytime series through 2014. (Variety)

Peggy Lipton (Twin Peaks) has been cast in a multiple-episode story arc on Starz's drama Crash, where she replaces Valerie Perrine, who has dropped out due to surgery. Lipton will play Suzy Fields, the ex-wife of record producer Ben Cendars (Dennis Hopper) who is now married to author Owen Fields (Keith Carradine). (Hollywood Reporter)

The BBC has teamed up with Ecosse Films to develop a mini-series adaptation of Kate Atkinson's 1999 novel "Behind the Scenes at the Museum." Written by Brian Fillis (The Curse of Steptoe) and executive produced by Lucy Bedford (Mistresses), the four-hour Behind The Scenes At The Museum is slated to air in 2010 on either BBC One or BBC Two. "I’ve loved the book for ages but was conscious that it is a very difficult adaptation," said executive producer Lucy Bedford. "It’s structurally complex because there are multiple timeframes and the sweep of the story is enormous." (Broadcast)

FOX has ordered a pilot script (with a penalty attached) for a comedy Texts From Last Night, based on the website of the same name, to be written by Steve Holland (The Big Bang Theory). Site invites users to submit embarrassing text messages they sent while drunk or tired. Project, from Sony Pictures Television and Happy Madison, will focus on "he whole idea of racy -- and sometimes embarrassing -- communication, particularly among the twentysomething set." (Variety)

Adam Rodriguez (CSI: Miami) will appear in at least five episodes of ABC's Ugly Betty this season. According to TVGuide.com, Rodriguez will play Bobby, a high school boyfriend of Betty's sister Hilda. "He's an old high school boyfriend, and [he comes] back into their lives," Rodriguez told TVGuide.com. "A little romance buds, and there's some drama to go along with it." (TVGuide.com)

CBS has renewed reality series Big Brother for a twelfth season, slated to air next summer. (Hollywood Reporter)

Season Two of Canadian soap Being Erica will air Stateside on SOAPNet beginning on January 20th. The cabler has also announced that it will repeat the entire first season beginning October 17th. (Entertainment Weekly's Hollywood Insider)

The Wrap's Josef Adalian takes a look at the "disappointing" premiere ratings for the CW's Melrose Place (about half of that of the series premiere of 90210) and investigates whether or not a further drop-off would spell doom for the nighttime soap. "It will be at least a month before CW programmers have a clear sense of just how well or poorly Melrose is actually doing," writes Adalian.
"The big mystery: Will Melrose suffer the same massive week two dropoff experienced by 90210 last fall? That show lost 30 percent of its premiere audience in week two, and was down to just over 2 million viewers by its finale. If Melrose slides another 30 percent next week, then it could very well be curtains for the show, since it's starting from a much smaller premiere base." Still, cautions Adalian, it's too soon to call the series dead. (The Wrap's TVMoJoe)

Stay tuned.

Channel Surfing: Lena Headey Crowned for "Thrones," HBO Goes to the Mattresses for "Boardwalk Empire," Pam Gets New Mom on "Office," and More

Welcome to your Wednesday morning television briefing.

The Chicago Tribune's Maureen Ryan is reporting that former Terminator: The Sarah Connor Chronicles star Lena Headey has signed on to star in HBO's fantasy drama pilot Game of Thrones, based on the novel series by George R.R. Martin. Headey, who toplined the now-canceled Terminator, would play Cersei Lannister, described by Ryan as "a woman of royal blood who is every bit as smart, cunning and devious as the powerful men around her." She joins a cast for the pilot (directed by The Visitor's Tom McCarthy) that includes Nikolaj Coster-Waldau, Sean Bean, Peter Dinklage, Mark Addy, Jennifer Ehle, and a slew of others. Headey's character is the sister of Jamie Lannister (Coster-Waldau) and the wife of King Robert (Addy). (Chicago Tribune's The Watcher)

Elsewhere at HBO, the pay cabler has given a series order to period drama Boardwalk Empire from executive producers Martin Scorsese and Terence Winter (who also created the series). Twelve episodes (including the pilot) have been ordered and are expected to air late next year, with production starting this fall in New York. Set in the 1920s, the series follows the life of politico/gangster Nucky Thompson (Steve Buscemi) during the growth of Atlantic City. Buscemi will be joined by Kelly Macdonald, Michael Shannon, Michael Pitt, Shea Whigham, Dabney Coleman, and Stephen Graham. (Variety)

Linda Purl (Bones) has been cast as the mother of Pam Beesley (Jenna Fischer) on NBC's The Office, where she will appear next month at Pam and Jim's wedding. Purl replaces Shannon Cochran, who guest starred as Pam's mom in a Season Two episode of The Office. (Entertainment Weekly's Ausiello Files)

AMC has ordered a fourth season of period drama Mad Men. (Televisionary)

ABC has signed two separate talent holding deals with Martin Henderson (Inside the Box) and Leah Remini (The King of Queens). Under the deals, Henderson will star in a drama pilot for the network, with Henderson meeting with writers shortly to discuss potential properties. Remini, who appeared in ABC's comedy pilot Married Not Dead this past development cycle, will appear in a comedy pilot. (Hollywood Reporter)

Debi Mazar (Entourage) has been cast in a recurring role on ABC's Castle, where she will play Paula Haas, Castle's book agent. Her first appearance is set for October. (Entertainment Weekly's Ausiello Files)

20th Century Fox Television has signed two separate overall deals with Family Guy writers Mark Hentemann and Steve Callaghan. Under the terms of the deals, Hentemann and Callaghan will become executive producers and showrunners on Family Guy (following the decision made by David Goodman and Chris Sheridan to step down as showrunners on the FOX series) and will also develop new projects for the studio. (Variety)

Saturday Night Live will add at least two new female cast members to its roster, hiring The Groundlings' Nasim Pedrad and UCB's Jenny Slate for next season, which kicks off September 26th on NBC. (The Wrap's TV MoJoe)

A. Smith and Co. have acquired the US rights to Japanese game show Pressure Study, in which seven contestants are forced to work together in order to complete seven rounds of questions that will test every facet of their combined knowledge. Series, which will be retitled Under Pressure, is currently being pitched to networks. (Variety)

Stay tuned.

Channel Surfing: Mindy Kaling Gets Universal Deal, Josh Schwartz Talks "Chuck," HBO Goes to New Orleans with "Treme," and More

Welcome to your Wednesday morning television briefing.

The Office co-star/writer Mindy Kaling has signed an overall deal with NBC and Universal Media Studios under which she will continue to write for and star in The Office as well as develop a new comedy project which will be a vehicle for the actress. "This is my first step in a Transformers-style way to take over the whole world," joked Kaling. "I've only ever worked for NBC, and I've felt an enormous amount of support from the executives there." Kaling says she is drawn to workplace comedies as well as buddy series such as HBO's Flight of the Conchords or projects focusing on women. (Variety)

There's still no news on the fate of NBC's Chuck, despite a massive fan-based initiative to create buzz for a third season of the action-comedy. The Hollywood Reporter's Matthew Belloni talks to Chuck co-creator/executive producer Josh Schwartz about the series' rabid fan base, Lily, the 1980's-set Gossip Girl spin-off, X-Men: First Class, Bright Lights, Big City, and more. (Hollywood Reporter)

HBO has given out a series order to New Orleans-set drama Treme, from The Wire creator David Simon and Eric Overmyer, which follows the residents of the Big Easy as they adjust to life post-Katrina. It's unclear yet how many episodes HBO has initially committed to as the pay cabler was still working out specifics of the pickup. "We don't intend to make The Wire twice," said Simon of Treme. "This is about people reconstituting their lives after their town was mostly, effectively destroyed... It's not entirely a political show. We're trying to be very intimate with people. And New Orleans is completely unique, there's nothing in the world like it." Treme, which stars Wendell Pierce, Khandi Alexander, Steven Zahn, Kim Dickens, Clarke Peters, Melissa Leo, and Rob Brown, is slated to begin production in the fall for a spring 2010 berth. (Variety)

Tom McCarthy (The Station Agent) will direct HBO fantasy pilot Game of Thrones, based on George R.R. Martin's novel series "Songs of Fire and Ice," which is slated to shoot later this year in Belfast. Joining the cast of Game of Thrones is Peter Dinklage (Nip/Tuck), who previously worked with McCarthy on The Station Agent. Dinklage will play Tyrion, the outcast brother of the queen who is shunned because of his small stature. (Hollywood Reporter)

Production has begun on three new feature-length installments of mystery series Wallander, starring Kenneth Branagh as Swedish police officer Inspector Kurt Wallander, based on a series of best-selling novels by Henning Mankell. The three new installments will be shot this summer in Ystad, Sweden, and will air on BBC One in 2010. (Meanwhile, the first three will launch this Sunday on PBS' Masterpiece Mystery.) "I'm delighted to be back in Kurt Wallander's shoes for three further adaptations," said Branagh. "The character's story becomes ever more complex in these next films. Our entire team relishes the privilege of bringing them to the screen, and to an audience who proved so loyal last time out." (BBC)

Lifetime will launch the third season of drama series Army Wives on June 7th. (Variety)

Entertainment Weekly's Michael Ausiello talks with How I Met Your Mother co-creator/executive producer Carter Bays about Monday night's shocking twist. "We freaked out a ton of people," said Bays. "We've never really kept a big secret from the audience. And what secrets we do have we usually tell people and there are usually spoilers floating around. And this kind of felt like, 'Let's try and do something that takes everyone by surprise and really blow people's minds.' And I think we did it." (Entertainment Weekly's Ausiello Files)

CBS is said to be considering handing out pilot orders to revivals of classic game shows Let's Make a Deal and The Dating Game, which are being viewed as possible replacements for the daytime slot being vacated this fall by the cancellation of soap Guiding Light. (Hollywood Reporter)

FOX has cancelled Talkshow With Spike Feresten, which won't be returning for a fourth season this fall. The network is currently in the process of making over its Saturday late night lineup, having ordered a latenight series starring Wanda Sykes at 11 pm, which replaces the cancelled MadTV. (Variety)

Nickelodeon has renewed live-action comedy series True Jackson, VP, which stars Keke Palmer as the teenage exec at a fashion label, for a second season, with 20 episodes on tap for the sophomore season. (Hollywood Reporter)

Bravo has resigned its development deal with Kathy Griffin: My Life on the D-List producer Picture This Television, under which the shingle will produce unscripted series and specials for the cabler. (Variety)

NBC will air two-hour documentary Farrah's Story, depicting actress Farrah Fawcett's battle with cancer, on May 15th. "This film is very personal," said Fawcett. "At the time, I didn't know if anybody would ever see it. But at some point, the footage took on a life of its own and dictated that it be seen." (Hollywood Reporter)

Stay tuned.

Sneak Peek at Melora Hardin's Directorial Debut, "YOU"

Viewers might know Melora Hardin best from her recurring role as Jan Levinson, the sometimes lover of Michael Scott, on NBC's The Office but Hardin, set to star next in FX pilot Lights Out, has gone behind the camera for her directorial debut.

The film, YOU, is slated to be released on iTunes and Amazon this weekend... just in time for Mother's Day.
Hardin stars in the film alongside Hardin's real-life husband Gildart Jackson, who also wrote the script. YOU also stars Brenda Strong, Allison Mack, Amy Pietz, Don Michael Paul, Joely Fisher, and Kate Flannery.

The trailer and official description of the film can be found below.

"Miranda (Melora Hardin) and Rawdon (Gildart Jackson) bask in the bliss of a perfect family moment as they cuddle in bed with their infant daughter Quincey. When their family dreams are shattered, Rawdon is left to raise Quincey alone, struggling to overcome the loss of his soulmate in the hopes of finding love again."



YOU will be released online on May 8th.

Channel Surfing: NBC Dethrones "Kings" Until June, Team Darlton Talks "Lost," ABC Circles "Old Christine," and More

Welcome to your Wednesday morning television briefing.

NBC has pulled freshman drama Kings from its schedule, effective immediately. The drama was originally set to air on Thursday evenings but the Peacock shifted it to Sundays, where it aired four low-rated episodes before being pushed to the graveyard on Saturday nights. NBC has once again managed to surprise, this time by pulling Kings from its lineup altogether, although the network has pledged to return Kings to the schedule on June 13th, when it will begin to burn off the remainder of the series' unaired installments on Saturday nights at 8 pm. In the meantime, NBC will air repeats of Law & Order: Special Victims Unit, Southland, and Law & Order on Saturdays. (Hollywood Reporter)

Variety's Season Pass has a brand-new Q&A with Lost executive producers Damon Lindelof and Carlton Cuse as they look back at the five seasons that have gone by and the final season yet to come. "I think our hope is that looking back on the entire run of the show, that people remember the EXPERIENCE of watching it — what it actually felt like to be mystified and frustrated and surprised — as opposed to just where it landed storywise," said Lindelof. "When all is said and done, we’ll have consumed six years of our fans’ lives and our greatest wish is that they look back on that time and feel that it was all worth it. As far as whether we’ll want to revisit Lost 20 years from now, the answer is probably no… though it would be pretty cool to see what someone else might come up with!" Team Darlton also talks about the death of Mr. Eko, an aborted Sawyer plotline with Joelen Blalock, and which works of literature have most directly influenced them. (Variety's Season Pass)

ABC is making eyes at Old Christine. The Alphabet has made it clear that they are looking to pickup comedy series Old Christine once again, should CBS opt not to renew the Warner Bros. Television-produced series starring Julia Louis-Dreyfus. According to Entertainment Weekly's Michael Ausiello, who claims that unnamed sources close to production have told him that "WB execs are engaged in active discussions with ABC about picking up the four-year-old comedy, which once again finds itself on the dreaded bubble at CBS." (Entertainment Weekly's Ausiello Files)

Meanwhile, ABC has pulled struggling comedies Samantha Who? and In the Motherhood from its schedule much sooner than anticipated. Both were slated to air one final episode this Thursday evening but ABC has opted instead to pull both series and instead and air a repeat of Grey's Anatomy in the 8 pm ET/PT hour. It's not expected that ABC will renew In the Motherhood, but Samantha Who? is said to have decent chances of returning next season. (Variety)

Lifetime will debut the long-delayed sixth season of reality competition series Project Runway on Thursday, August 20th at 10 pm ET/PT, followed by half-hour behind-the-scenes spin-off Models of the Runway at 11 pm. The network also announced launch dates for new scripted dramedy Drop Dead Diva on July 12th and the third season of Army Wives on June 7th. (Variety, Entertainment Weekly's Hollywood Insider)

The Washington Post talks to former Wire star Idris Elba--currently appearing in a multiple-episode story arc on NBC's The Office--about his career as an actor and DJ/musical artist, The Wire's Stringer Bell, working on The Office, and being a sex symbol. Of the latter, Elba said, "It's weird because, you know, I've been just the ordinary chap for 30 odd years and suddenly, I'm going into this [situation]: "Oh my God, all the ladies love you!" And I'm like, "Huh? Me? It doesn't make any sense!" I didn't grow up like some sort of sex symbol. It does make a gentleman walk with a stride in his step, believe me." (Washington Post)

ABC's Ugly Betty has locked The View hosts Elisabeth Hasselbeck and Joy Behar for guest roles on the May 21st episode, in which Daniel Meade (Eric Mabius) appears on The View to "discuss his management of Mode magazine (because that always happens), but instead becomes the target of their daily 'Hot Topics' segment." (The episode will also, according to Entertainment Weekly's Michael Ausiello, feature Rachel Dratch in a guest role as a Mode staffer.) (TVGuide.com)

Elsewhere, Embeth Davidtz (In Treatment) has been cast in a ten-episode story arc on Season Three of Showtime's Californication, where she will play the wife of Peter Gallagher's character, the dean at the college where David Duchovny works. And Alicia Witt (Law & Order: Criminal Intent) will also guest star on Californication as a gyneocologist whom Duchovny's Hank falls for, while Michael Weston (House) will guest star on an upcoming episode of USA's Burn Notice, where he will play a mentally unbalanced MIT grad who uncovers a scheme to sell the names of undercover spies. (Entertainment Weekly's Ausiello Files)

Food Network has ordered three new primetime series, including Chefs vs. City, in which chefs Chris Cosentino and Aaron Sanchez face off against local foodies in various cities each week, which launches in July; Extreme Cuisine With Jeff Corwin, which launches in September, and Worst Cooks in America, which follows chefs Anne Burrell and Beau MacMillan as each train six woeful home cooks and attempt to transform them into top chefs in ten days' time. The latter is slated to launch in January 2010. Also on tap for next year: mini-series Foods That Changed the World, hosted by Alton Brown, which will debut in third quarter 2010. (Hollywood Reporter)

FTVS has signed a first look deal with Initial A's Andrew Lau (Infernal Affairs) and Andrew Loo and Zinc Media's Zach Sherman in an effort to jointly develop new English-language programming for FTVS that could be produced in Southeast Asia and then sold back into the US and globally, much like the studio is doing with such drama series as Mental, Persons Unknown, and Defying Gravity. (Variety)

A federal judge has denied disgraced former Illinois governor Rod Blagojevich's request to travel to Costa Rica in order to participate in NBC's upcoming reality series I'm a Celebrity... Get Me Out of Here!, refusing to loosen Blagojevich's travel restrictions. (Hollywood Reporter)

Stay tuned.

Channel Surfing: Melora Hardin Turns "Lights Out" for FX, Signs Point to Possible Renewals for "Bones" and "Lie to Me," and More

Welcome to your Friday morning television briefing.

Melora Hardin (The Office) has been cast as the female lead in FX drama pilot Lights Out, where she will play the wife of a former heavyweight boxing champ Patrick "Lights Out" Leary (Holt McCallany) who is diagnosed with pugilistic dementia and must find another way to support his family before his brain turns to mush. Also cast in the drama pilot, written by Justin Zackham and to be directed by Clark Johnson: Elisa Koteas (The Curious Case of Benjamin Button) and Kevin Conway (The Black Donnellys), who will play Leary's father/former trainer and his manager/business partner respectively.

Hardin, meanwhile, isn't expected to reprise her role as Michael Scott's ex-girlfriend Jan Levinson for the remainder of the current season of The Office but will guest star in at least one episode next season. (Hollywood Reporter)

The internet was abuzz yesterday with news that FOX wouldn't be airing the final produced episode of Joss Whedon's drama Dollhouse, entitled "Epitaph One," though an insider told me that "Omega," the twelfth episode of the series would provide closure for the freshman season's storylines. Also of note: the fact that the thirteenth episode is actually being considered the series' fourteenth (if you include the scrapped pilot) and was not financed by the network but by the studio for international and DVD purposes. (Televisionary)

Pointing a sign toward possible renewal, FOX has announced that it will air repeats for dramas Bones and Lie to Me this summer. Beginning May 25th, the network will air repeats of House and Lie to Me on Monday nights from 8-10 pm ET/PT while repeats of Bones will air Thursday nights at 8 pm, leading into the new season of So You Think You Can Dance. (Futon Critic)

Entertainment Weekly's Michael Ausiello has the scoop on just how T.R. Knight's George will be leaving Grey's Anatomy, with a storyline that involves the doctor going, uh, overseas. Elsewhere, he reports that BSG star James Callis and Sarah Drew (Everwood) will guest star in the season finale of CBS' NUMB3RS, set to air on May 15th. Callis will play a charismatic sociopath who is suspected in the kidnapping of Amita (Navi Rawat), while Drew will play one of his followers. (Entertainment Weekly's Michael Ausiello)

The New York Times' Arts Beat talks to Eastbound and Down co-creator/executive producer Jody Hill about what to expect for the series' recently announced second season... and learns almost nothing. So what can viewers expect? "First of all, let me just say: They’re bringing Kenny Powers back," joked Hill. "Isn’t that crazy? We were always debating [whether to do additional seasons of the show], because I think it tells a complete story in one season. But it’s such a fun show to do, so I guess we’re going to go for more." (New York Times' Arts Beat)

Showtime is said to have narrowed down its potential contenders for series orders to drama pilot Possible Side Effects, from writer/director Tim Robbins. Series, which stars Josh Lucas, follows the lives of a dysfunctional family who run a behemoth pharmaceuticals company. (Variety)

The pay cabler was said to have passed on Lionsgate Television half-hour comedy Ronna and Beverly, which Showtime was said to be very high on. The comedy pilot, created by Jenji Kohan (Weeds) and stars Jessica Chaffin and Jamie Denbo, was about "two middle-aged Jewish women who tirelessly promote their book, a dating guide for Jewish singles." The studio is said to be shopping the project to other networks. News comes after Showtime passed on the Matthew Perry-led pilot The End of Steve, which producer Sony Pictures Television will also be shopping elsewhere. (Hollywood Reporter)

NBC has moved the premiere dates for two four-hour mini-series. Meteor, starring Christopher Lloyd and Marla Sokoloff, was originally intended to air June 7th and June 14th and will now bow on Sunday, July 12th and July 19th from 9-11 pm ET/PT. The Storm, starring Treat Williams and James Van Der Beek, originally slated to air on July 19th and July 26th, will instead be broadcast on July 26th and August 2nd. (via press release)

Stay tuned.

Channel Surfing: Elizabeth Mitchell, Alan Tudyk, and Laura Vandervoort Spell "V," Mary McDonnell Heads to "The Closer," and More

Welcome to your Monday morning television briefing.

Elizabeth Mitchell (Lost) has been cast in ABC drama pilot V, a retelling of the cult 1980s sci-fi series. But before we start to mourn the passing of Juliet, it's worth noting that Mitchell will guest star in the sci fi pilot, from Warner Bros. Television, and not star in it, according to Entertainment Weekly's Michael Ausiello. (Entertainment Weekly's Ausiello Files) Meanwhile, Visitorsite.net has confirmed that Mitchell will play Erica Evans, a single mother and an FBI Counter-Terrorism agent. (Visitorsite)

Editor's note: Having read the script, I can say with all authority that Erica is far from being a "guest star" in the pilot; in fact she's one of the lead roles and as intrinsic to the plot of the pilot episode as Jacqueline McKenzie's Diana Skouris was to The 4400. In fact, she's the very first character we meet in the draft of the script I read... What this truly means for Elizabeth Mitchell's Juliet remains to be seen, but given that Lost is heading into its final season next season and Juliet doesn't appear in every single scene, it's likely a good thing that Mitchell is exploring her long-term options. (Translation: let's not get hysterical yet.)

Also cast in the sci-fi drama pilot: Alan Tudyk (Firefly), who will play FBI Agent Dale Maddox, and Smallville star Laura Vandervoort, who will play Visitor Lisa, a flirty tour guide aboard the Los Angeles Visitor mothership. They join the previously cast Joel Gretsch, Morena Baccarin, Morris Chestnut, Scott Wolf, and David Richmond-Peck. (Visitorsite)

Mary McDonnell (Battlestar Galactica) has been cast in a multiple-episode story arc on TNT's The Closer, where she will play Christina Hatcher, a police captain who runs the department's Force Investigation unit, and causes problems for Kyra Sedgwick's Brenda. Her first episode is expected to air early in the fifth season of The Closer. (Entertainment Weekly's Ausiello Files)

Pilot casting alert: Jeffrey Tambor (Arrested Development) has been cast in ABC comedy pilot The Bridget Show opposite Lauren Graham; Julia Ormond (The Curious Case of Benjamin Button) has been tapped as a lead on CBS medical drama pilot Three Rivers, where she will play the head of surgery at Three Rivers Hospital; Matthew Davis (Damages) has scored the male lead in ABC drama pilot Limelight, where he will play the interim artistic director of the performing arts academy; Gabrielle Union (Night Stalker), Brian Austin Green (Terminator: The Sarah Connor Chronicles), Jay Hernandez (Six Degrees), and Jenny Wade (Reaper) will star in the CW's drama pilot Body Politic; Majandra Delfino (Roswell) has been cast as one of the three leads in ABC comedy pilot Pulling (based on the UK series); Grant Show (Swingtown) and Lennon Parham (Confessions of a Shopaholic) have been cast in CBS comedy pilot Accidentally on Purpose; Yvette Nicole Brown (Drake and Josh) and Gillian Jacobs (The Book of Daniel) have been added to the cast of NBC comedy pilot Community; and Nat Faxon (Happy Hour) and Kelen Coleman (CSI: New York) have been cast in CBS comedy pilot Big D. (Hollywood Reporter)

Holt McCallany (Heroes) been cast as the lead in FX drama pilot Lights Out, about a former heavyweight boxing champ who is diagnosed with pugilistic dementia, a neurological disorder that affects boxers who receive multiple blows to the head," and has to find another way to support his wife and three daughters. Clark Johnson (The Wire) will direct the pilot, which was written by Justin Zackham and Phillip Noyce (The Bucket List). Production is expected to begin next month in New Jersey. (Hollywood Reporter)

Is NBC bracing for problems with new comedy series Parks and Recreation, from executive producers Greg Daniels and Michael Schur? Nikki Finke has obtained a copy of a "Consumer And Market Intelligence Research Summary" (read: focus group report) from the rough cut of the pilot episode. Finke has some exerpts from the 12-page report that point to some potential problems within the episode. (Deadline Hollywood Daily)

Speaking of Daniels and Schur, Upright Citizen's Brigade member Ellie Kemper has been cast on NBC's The Office, where she will play the new Dunder Mifflin receptionist. What this means for Jenna Fischer's Pam remains to be seen. (Entertainment Weekly's Ausiello Files)

SCI FI Wire has an interview with Battlestar Galactica executive producer Ronald D. Moore, who says that he is "very satisfied" with the series finale, which aired Friday evening. As for the controversial fate of Kara Thrace, Moore said: "You can certainly say that she's an angel or a demon or some other form of life. We know from the show that she died a mortal death, she was brought back to life in some way, and then she fulfilled a certain destiny and guided them all to Earth. What does that mean? And who is she really? It was a conscious creative decision to say, "This is as much as we're going to tell you, and she's connected to some greater truth." The more we try to answer what that greater truth is, the less interesting it becomes, and we just decided to leave it more of a mystery. I am sure that there will be a cadre of people who are angry that they never got a more definitive answer, but we just decided not to do that." (SCI FI Wire)

Roseanne Barr is said to be developing a family comedy pilot for FOX in which she would play the family's matriarch. Project, written by Jim Vallely (Arrested Development), will be executive produced by Barr, Caryn Mandabach, and Maggie Rowe. (Hollywood Reporter)

DirecTV's 101 Network will air three canceled Warner Bros. Television series from the mid-2000s. A deal between the satellite platform and Warner Bros. Domestic TV Distribution will see Smith, The Nine, and Eyes air on the 101 Network, including episodes that were never aired on broadcast television. Smith will launch on Wednesday, April 8th at 10 pm; The Nine will premiere May 27th, and Eyes will debut in July. All three series will air in high definition without commercial interruption. (Variety)

Executive producer/showrunner Alexa Junge has left Showtime's comedy series United States of Tara, which was recently picked up for a second season. No reason was given for Junge's decision not to continue with the Diablo Cody-created series and a search is currently underway to find her replacement. (Hollywood Reporter)

Sci Fi UK has acquired UK rights to 20th Century Fox Television's Dollhouse, from Buffy creator Joss Whedon, and NBC Universal's Knight Rider. "We're dedicated to offering our audience the most exciting content available and are thrilled to become the UK home for two such highly anticipated series," said Jon Farrar, programming director for NBC Universal Global Networks, in a statement. "Knight Rider and Dollhouse both hail from fine pedigrees, clearly reflected in their superior production values. "The special effects in both series are genuinely show-stopping and likely to be the subject of many water-cooler moments for fans, who have the added choice of watching in either standard or high definition." (The Guardian)

Back in the States, Sci Fi has ordered three four-hour mini-series from RHI, including two that will serve as backdoor "pilots" for potential series. The cabler has ordered a modern re-imagining of Lewis Carroll's Alice in Wonderland, from writer/director Tim Willing (Tin Man) that is expected ti air this winter; a new take on classic comic-book hero The Phantom; and Riverworld, based on a series of Philip Jose Farmer fantasy novels that follow a photojournalist who is transported to a strange world inhabited by everyone who has ever lived on Earth. The latter two are expected to air in 2010. (Hollywood Reporter)

Ventriloquist Jeff Dunham has signed an "all-encompassing" deal with Comedy Central that will include six episodes of a new series to star Dunham (and his puppets) that will begin shooting this summer and will air next year. (Variety)

FOX has ordered another season of Gordon Ramsay's reality series Kitchen Nightmares, which will air next season. The network is also expected to shortly announce that the new cycle of Hell's Kitchen will air this summer. (Hollywood Reporter)

Nikki Finke is reporting that ABC/ABC Media Studios will begin pinkslipping employees next week in the wake of the merger between the network and studio sides of their business. Finke claims that Steve McPherson won't be around when the axe falls as he's due to meet with the NYC-based sales team and many believe that he's "getting out of town when the ax comes down in order to avoid witnessing the bloodbath he created," writes Finke. "Which would be contemptible enough even if he hadn't publicly scolded Ben Silverman to 'be a man' when their mutual friend Kevin Reilly was fired at NBC Entertainment with no advance warning." Ouch. (Deadline Hollywood Daily)

Travel Channel has ordered twelve episodes of reality series Worldwide Tribe, which follows tattooing practices around the world, from Nepal and Japan to Israel and Spain. Series, from Alchemy Reality and executive producers Mike Beale, Adena Chawke, Craig Borders, Elizabeth Browde, will be hosted by tattoo artists Chris Nunez and Ami James (who will also executive produce) and "apprentice" Yoji Harada. (Variety)

Courtney Thorne-Smith (According to Jim), Lucy Hale (Privileged), and Faith Ford (Carpoolers) will star in Lifetime telepic Sorority Wars, about a freshman who finds herself immersed in a "full-blown sorority war" when she snubs the sorority founded by her mother. Project is written by Michelle Lovretta (To Be Fat Like Me) and will be directed by James Hayman (Ugly Betty). (Hollywood Reporter)

Stay tuned.

NBC's "The Office" Fumbles Rather than Scores in Post-Super Bowl Slot

I'm very curious to know what people thought of last night's post-Super Bowl episode of NBC's The Office ("Stress Relief").

On the one hand, I thought that the cold open was perhaps one of the most hysterical (if far-out there zany) sequences in the series' history. The look of terror on Angela's face as she removes her cat--hidden in a nearby file drawer (a la Carol's kids on The Brittas Empire)--and then proceeds to throw him to Oscar in the ceiling crawl space... only to have him crash through another ceiling panel was genius.

While it certainly wasn't exactly super-realistic, the entire sequence could happen with these characters in this highly charged situation and it was filmed magnificently by the episode's director, Jeffrey Blitz.

Sadly, the rest of the episode was pretty much downhill from there.

I thought that the subplot that had Andy watching an illegally downloaded Hollywood flick--starring Jack Black, Jessica Alba, and Cloris Leachman--was ludicrously awful and possibly one of the very worst B-stories on the series to date. (Yes, even worse than the recent Is Hilary Swank Hot? storyline.) The amount of time and effort the production crew must have spent in securing the talent, arranging the schedule, and shooting the scenes for the movie-within-the-episode is depressing, given the end result.

The storyline went nowhere, was absolutely unfunny (and quite honestly pretty gross at times), and made the pacing drag along around it. Other than to give Jim and Pam something to do while "fighting" about Pam's parents' separation (yet another inane contrivance to inject some drama into their relationship), it served no purpose and seemed completely disconnected from the rest of the episode's OTT hijinks involving Dwight (the Silence of the Lambs bit was particularly unnecessary and unbelievable) and Michael's roast.

Speaking of which, those two storylines seemed jammed together with little connective tissue. The episodes starts out with a focus on Dwight and corporate's censuring of his insane behavior in the opening sequence (and then his bizarro behavior with the CPR practice doll) and then somehow segues into a stress-reduction exercise after Stanley's heart attack (more on that in a bit) and then an insult-laden roast of Michael Scott. It was almost as though two separate stories had been broken by the writing team and then tied together into a one-hour installment. Odd.

I did think the first half had more energy than the second and offered a few chuckles whereas I found the second half-hour to be painfully unfunny and stilted. I do not find the latest "issue" in Jim and Pam's relationship to be interesting, amusing, or thought-provoking and I found their rapprochement at the episode's end to be more than a little sappy.

Back to Stanley: it's now clear that NBC aired these episodes out of order as I now understand why in the January 22nd episode ("Prince Family Paper"), Stanley spoke about how the "new Stanley" would react to a situation versus the "old Stanley." I was utterly confused at the time but it now makes perfect sense as it's in reaction to his heart attack. Wish I had known that at the time.

All in all, a fantastic cold open to a mediocre episode of The Office that once again forgot to bring the funny. I'm not sure that the series won any new fans over with this post-Super Bowl episode and I think that NBC would likely have been better served by airing the 3D episode of Chuck in the same slot. But that's just me. I'm curious to see what you thought: Did you enjoy "Stress Relief"? Or was it a fumble on NBC's part? Discuss.

Later this week on The Office ("Lecture Circuit"), Pam is forced to drive Michael on a speaking tour of other Dunder-Mifflin branches in order to share his insights about the Scranton's branch's relative success; Dwight and Jim--sharing responsibility over the party planning committee--forget someone's birthday; Andy falls for someone new.

Channel Surfing: Darlton Talk Donkey Wheel, Priestley Directs "90210," Lifetime Snags Four for "Maneater," and More

Welcome to your Wednesday morning television briefing. I don't know about you but I'm still on a high after yesterday's amazing presidential inauguration. While the nation joined together yesterday to bear witness to the 44th president taking the oath, there are still a few television-related headlines to get through this morning.

Entertainment Weekly's Doc Jensen (a.k.a. Jeff Jensen) continues his video interview series with Lost executive producers Damon Lindelof and Carlton Cuse. Up today: a segment focusing on Season Four, including discussions about the coffin, the donkey wheel, and the freighter. (Entertainment Weekly)

Jason Priestley will direct the eighteenth episode of 90210 this season, which will feature a crisis involving several characters. "I have a lot of challenges ahead of me on how to shoot this, it's big," said Priestley, who wouldn't confirm whether said crisis is an earthquake or a car accident. "Yeah, we're in a hospital... a female ends up in the hospital." But don't look for Jessica Lowndes' Adrianna to be giving birth. "I can tell you that no one is giving birth," said Priestley. "Boy, that would be a preemie wouldn't it?" (E! Online's Watch with Kristin)

Don't expect The Office's Jim and Pam to get married this season, according to executive producer Greg Daniels. "If people assume it'll happen this season, then I don't want to do it," Daniels told Michael Ausiello. "There are so many stories about a couple getting married that I want to explore." (Entertainment Weekly's Ausiello Files)

Lifetime has cast Judy Greer (Miss Guided), Philip Winchester (Crusoe), Gregory Harrison (Joey), and Maria Conchita Alonso (Saints & Sinners) opposite Sarah Chalke (Scrubs) in mini-series Maneater, based on Gigi Levangie Grazer's novel about a shallow 30-something socialite who panics because she's still unmarried and sets her sights on a Hollywood producer. Project, from Sony Pictures Television, will be directed by Timothy Busfield. (Hollywood Reporter)

Sadly, Monday night's episode of Gossip Girl, easily the strongest segment of the season so far story-wise, also managed to be the lowest-rated installment of the sophomore season, garnering only 2.2 million viewers, reflecting a decline of 700,000 from its previous episode. How depressing is that? (Entertainment Weekly's Hollywood Insider)

Warner Bros. will eliminate nearly 800 jobs worldwide, roughly ten percent of its workforce, across all areas in light of the economic downturn. Among the measures being taken: the elimination of 200 currently open positions, the layoff of 300 employees, and the outsourcing of 300 additional position, mostly in information systems and accounts payable to a third party company. (Variety)

Finally, Michelle Obama's hairstylist Johnny Wright has signed a development deal with 44 Blue (Split Ends) to star in a new reality series, with the project--to be either a docusoap or makeover series--going out to cable networks soon. (Hollywood Reporter)

Stay tuned.

An Hour of Comedy Laughs (For a Change)

Every now and then you do get a perfect hour of comedy on Thursday night.

I haven't exactly been shy about my feelings about the post-Amy Ryan season of The Office so far this year, so I am always pleasantly surprised when an episode comes along that manages to make me remember why I once loved this series.

That said, I'd be happy if co-executive producer Jennifer Celotta would write every episode of the NBC comedy; I can always tell when an episode is written by Celotta: the characters seem more grounded, more realistic, and the pacing is swift and deliberate. Last night's episode of The Office ("Duel") featured the wrap up of the season-long storyline involving the love triangle between Dwight, Angela, and Andy and had Michael heading to New York to take a meeting with David Wallace, leaving Jim in charge of the office.

Perhaps proving that he is one of the most oblivious characters on television today, Andy still doesn't know that Angela has been sleeping with Dwight seventeen days after everyone in the office learned about Dwight and Angela's tryst. When Michael finally does tell him (following the most painfully drawn-out confession scene ever), Andy doesn't freak out and punch holes in the walls (as I thought maybe he would) but quietly asks Angela to talk in the conference room. Character growth, perhaps?

Meanwhile, I was completely surprised when Andy attempted to run Dwight over in the parking lot (loved the fact that he set him by leaving a "From the desk of Andy Bernard" note for Dwight to find) and loved the little moments: Dwight throwing out the bobblehead after learning that Angela had lied to him about sleeping with Andy, Andy sadly calling to cancel the wedding cake. (I also laughed my butt off when Kelly said simply of the duel, "I guess people have fewer choices as they get older.")

It's the smaller moments that serve the series' original purpose: to find humor in the most mundane of office-based situations. Is a weapons-driven duel between romantic rivals in the office parking lot realistic? Hell no. But the heightened reality of the situation is alleviated by the emotional truths on display here. Seeing Angela's face as she slowly realizes that she's lost both Dwight and Andy was absolutely heartbreaking.

A half-hour later, 30 Rock ("Flu Shot") once again proved why it's the very best comedy on television with an absurd storyline featuring flu shots, zombies, Liz's ideal vacation on St. Bartleby (which just happened to include an island lover, a sandwich turtle, and the French fashion of wearing dark socks with sandals on the beach), and Dr. Spaceman. Bliss, really.

I think "Mr. Templeton" might just be my favorite new song and I loved the montage of Jack and Elisa taking her nursing charge on their dates around town... and Mr. Templeton's explanations to his son about the strange goings-on of late, including "a giraffe with a man's legs" and a man who "was in prison, but now he owns a railroad!" (Ahem, Monopoly.) I'm really enjoying Salma Hayek on the series and, while I know that Elisa won't be sticking around for too long, I think she's a positive influence on Jack. Now if only we'd get a scene between Hayek's Elisa and Elaine Stritch's Colleen, I'd be set. That's one showdown I'm itching to see.

The sickies/zombie aside was absolutely hilarious and I love that it ended with Liz smashing a picture frame over Pete's head... and then being forced to perform a dance for Dr. Spaceman in order to get that flu shot. (For those of you who watch Gavin & Stacey, this dance topped Pamela's robot with Smithy as my favorite television dance move in recent memory.)

What else did I love? The ongoing discussions about whether it was okay to refer to Elisa as a "Puerto Rican"; Liz telling a feverish Kenneth that he's dreaming, they're speaking in French, and she's his mother; Dr. Spaceman making Jack drop his pants to give him a flu shot in his arm and later confessing to Liz that he's cheating on his wife; Jack getting freaked out by what appeared to be a beak in Mr. Templeton's foot; Cerie texting "UR V8K8SH1 iz baqon" to Liz; the general non-sequiturs from Dr. Spaceman ("When is modern science going to find a cure for a woman’s mouth?"); Tracy telling Liz that she looks like Tootsie; Liz admitting that she saw the trailer for Michael Moore's Sicko when she went to see Alvin and the Chipmunks; Liz telling Jenna to skip the shopping montage; the meat plate; Liz asking Elisa at her old job at Dunkin Donuts what time they throw out the old doughnuts. (I can go on and on.)

Best line of the evening: "It’s called a tankort, Cerie. You might have seen it in Us Weekly, worn by Dame Judi Dench...’s mother." - Liz

Next week on 30 Rock ("Retreat to Move Forward"), Jack asks Liz to accompany him to the corporate retreat; Jenna turns to Frank for help when she decides to use Method acting to prepare for her role as Janis Joplin; Kenneth tries to convince Tracy that his diabetes is affected by his diet. And on The Office ("Prince Family Paper"), Michael and Dwight decide to go undercover in order to gather information about a competitor; the other employees hold a debate to decide whether a certain actress is hot.

Channel Surfing: NBC Renews "30 Rock" and "The Office," Daniels Still Mulling "Office" Spin-off, Hopkins Scrubs in on "Private Practice," and More

Welcome to your Friday morning television briefing.

By the hammer of Thor! Good news for fans of 30 Rock and The Office: NBC has renewed both series for the 2009-10 season, which means that we're guaranteed a fourth and sixth respective season of each. Given 30 Rock's comedy win at this week's Golden Globes (and well-deserved statuettes for stars Tina Fey and Alec Baldwin), I would have been gobsmacked if NBC hadn't ordered an additional season of the critically beloved series. (press release)

Unfortunately, there's no news of the fate of ratings-challenged but critically loved NBC series Chuck and Life, which weren't mentioned in NBC's renewal announcement (which also included another season of The Biggest Loser).

And there's even worse news for fans of ABC's Pushing Daisies, Dirty Sexy Money, and Eli Stone. According to Kristin dos Santos' sources, the Alphabet won't be airing the remaining episodes of either series until June at the earliest. (E! Online's Watch with Kristin)

Bryan Fuller is said to be contemplating a feature film version of Pushing Daisies but as co-star Kristin Chenoweth, recently cast in NBC pilot Legally Mad, told me and several other reporters on Tuesday, Fuller would only do it if all six of the series' leads signed on... and they are prepared to do so! "I'm sure that Bryan Fuller wouldn't do it without the six main characters," said Chenoweth. "Paul Reubens was a big part of it and we have certain guest stars that are standouts that we'd want back. But he has such a great idea for it [and] we all want to [do it]."

Scott Bakula (Enterprise) has been cast in Chuck as Chuck and Ellie Bartowski's estranged father; he'll first appear in an episode slated to air in April. "Chuck made a promise to his sister, Ellie, that he was going to find their dad in time for her wedding," co-creator Josh Schwartz told Michael Ausiello. "And it's something that Chuck becomes consumed with pursuing during the second half of the season. But when he finds him, he's not necessarily a guy who wants to be found. He's living in a trailer, he's disheveled, he's paranoid and he's claiming constantly that Ted Roark [Chevy Chase] -- who he used to work with -- stole all his ideas from him. And Ted Roark has now become this super-successful software billionaire, and Chuck's dad has become an eccentric, living in the shadows."(Entertainment Weekly's Ausiello Files)

Elsewhere at the Peacock, NBC announced launch dates for four new series: Kings on March 15th, Southland (formerly known as Police and even more formerly known as LAPD) on April 9th; the Untitled Amy Poehler/Greg Daniels Comedy on April 9th, and reality series Chopping Block on March 11th. (press release)

Hugh Bonneville (Bonekickers) has been cast in NBC dramedy pilot Legally Mad, opposite Charity Wakefield and Kristin Chenoweth. Bonneville will play Gordon Hamm, a partner at the law firm and the father of Brady (Wakefield) who is going through a bit of a midlife crisis. (Hollywood Reporter)

Meanwhile, that spin-off of The Office (not to be confused with the untitled Amy Poehler/Greg Daniels comedy) could still be in the works. "It's not possible, physically, for me to be involved in it right this second, but I'm talking to people over at The Office about another idea, and [The Office's British creator] Stephen Merchant came back and directed an episode of The Office so were were talking about the idea," said Greg Daniels at yesterday's TCA panel. "It's possible that some combination of other Office people could produce it without my giving blood for it." (Entertainment Weekly's Hollywood Insider)

NBC has reduced the episodic count for freshman comedy Kath & Kim to 17 episodes, five installments less than its original 22-episode order. Look for Kath & Kim to end its season on March 12th. (Futon Critic)

Greg Daniels says that he wants Amy Ryan to return to NBC's The Office as Holly Flax. Ryan will hopefully appear in the season finale of The Office and could return next season as well. "She will come back," Daniels told Michael Ausiello. "We haven't written it yet, but we're discussing her coming back for the season finale. We're hoping she'll be available... Because [Michael and Holly] have such a deep connection, I don't think she can blow in and out every so often. It would be too hard for him as a human being. So, we're hoping to find some very significant things for them. And if we can get her to sign on for a really long period, we'll do it." (Entertainment Weekly's Ausiello Files)

And, finally, Lipstick Jungle isn't quite dead just yet. "We officially have not canceled Lipstick Jungle," said Universal Media Studios' Angela Bromstad. "I think there are alternatives we may look into. It's all a conversation for the fall." (TV Guide)

Lifetime has ordered twelve episodes of dramedy Drop Dead Diva, about a wannabe model who, after a fatal car accident, is reincarnated in the body of an overweight lawyer. Project, starring Brooke Elliott and from writer/executive producer Josh Berman (Bones), will launch this summer. (Hollywood Reporter)

FOX is said to be close to ordering two drama pilots: Maggie Hill, from writer/executive producer Ian Biederman, EXPs Brian Grazer and David Nevins, 20th Century Fox TV, and Imagine, about a female cardiac surgeon battling schizophrenia; and Human Target, based on a DC comic about a shady security expert who goes undercover to protect clients, from executive producer McG and writer/executive producer Jon Steinberg (Jericho). (Variety, Hollywood Reporter)

Josh Hopkins (Swingtown) has been cast in a multiple-episode story arc on ABC's Private Practice, where he'll play a surgeon with whom Addison strikes up a flirtation... or, well, more than a flirtation in five episodes this spring. (Entertainment Weekly's Ausiello Files)

CBS has given a cast-contingent pilot order to comedy Tick Tock, about a 30-something single mom who attempts to focus her attention on finding love. Project, from writer/executive producer Bill Kunstler (The War at Home), will be produced by CBS Paramount Network Television. (Variety)

Christine Baranski (Mamma Mia!) has been cast in at least one episode of CBS' The Big Bang Theory, where she will play Dr. Beverly Hofstadter, Leonard's mother and an acclaimed brain researcher. (TV Guide)

TNT has ordered six additional scripts for freshman drama Leverage. (Hollywood Reporter)

Ronald D. Moore talks about Battlestar Galactica spin-off prequel series Caprica. (Variety)

Ugly Betty's David Blue has been cast in Sci Fi's Stargate Universe, the latest iteration in the franchise, opposite Robert Carlyle. Blue will play "Eli Wallace, a total slacker who just happens to be an utter genius with anything he puts his mind to -- mathematics, computers, video games. A lack confidence has left him with an acerbic sense of humor." (Entertainment Weekly's Ausiello Files)

Also cast in Sci Fi's Stargate Universe opposite Carlyle and David Blue: Justin Louis (Hidden Hills), Brian J. Smith (Hate Crime), and Jamil Walker Smith (Sister, Sister). (Hollywood Reporter)

Everybody Loves Raymond executive producer Phil Rosenthal has been keeping busy. He's currently developing three HBO projects--comedy The Jeannie Tate Show, drama Random Family, and a telepic about the 1960s Freedom Riders--and has sold a series to the Beeb. (Hollywood Reporter)

Grant Show is said to be open to returning to the new iterations of either of his old haunts, namely 90210 or Melrose Place. But he does have one condition: he wants to rekindle his short romance with Jennie Garth's Kelly Taylor. "“That would be the only angle that would be really interesting,” said Show. “They never really explored that in enough depth.” (E! Online)

Stay tuned.

Channel Surfing: "Gossip Girl" Spinoff Back to the 1980s, Chevy Chase to Torment "Chuck," Idris Elba Heads to "The Office," and More

Welcome to your Thursday morning television briefing.

Looks like Ashes to Ashes isn't the only series heading back to the 1980s (well, except for Mitch Hurwitz's Lost in the '80s, that is): Josh Schwartz and Stephanie Savage have announced that the untitled spinoff of CW's Gossip Girl will focus on a teenage Lily Rhodes van der Woodsen Bass (played in the original by Kelly Rutherford) as a wild child in 1980s Los Angeles who moves in with her sister in San Fernando Valley after a falling out with her parents and must adjust to life at a Valley public school and a nightlife on the Sunset Strip in Hollywood. Spinoff will be produced as a backdoor pilot that will air May 11th as part of Gossip Girl's current season. (Variety)

Chevy Chase has been cast in a three-episode story arc on NBC's Chuck, where he will play Ted Roark, the billionaire technology mogul and owner of Roark Instruments, a company that Chuck Bartowski has always dreamed of working for. But Roark is accused of stealing Chuck's father's ideas and the company may not be as squeaky clean as it originally seems. (press release, Hollywood Reporter)

Holy Stringer Bell! British actor Idris Elba (The Wire) has been cast in six episodes of NBC's The Office, where he will play an uptight executive at Dunder Mifflin's corporate office who creates, shall we say, some major problems for Michael Scott. (press release, Variety)

Aubrey Plaza of the Upright Citizens Brigade has joined the cast of the untitled Amy Poehler/Greg Daniels/Mike Schur comedy pilot, which is to be set in the office of Amy (Poehler,) the deputy chairman of the parks and recreations department in Pawnee, Indiana. Plaza will co-star as April, an intern who shadows Amy. (Hollywood Reporter)

Kings is moving to Sundays at 8 pm, as a lead-in to Celebrity Apprentice. Could it be that NBC machinery didn't think the allegorical series had enough staying power to warrant a 10 pm weeknight time slot? Meanwhile, look for John Wells' new cop drama Southland (formerly known as Police and even more formerly known as LAPD) to take over the Thursdays at 10 pm timeslot once ER wraps up its run. (The Peacock recently ordered three additional episodes of ER.) (Hollywood Reporter)

Mark Cherry and the cast discuss the 100th episode of ABC's Desperate Housewives, slated to air on Sunday, which will feature flashbacks--revealing just why each woman turned out the the way they did--that are linked by appearances by handyman Eli Scruggs (Beau Bridges). (USA Today)

CBS has officially swung the axe: Swingtown is no more. CBS president Nina Tassler confirmed the cancellation speaking at yesterday's CBS panel at the Television Critics Association Winter Press Tour. "We're not going back to Swingtown," said Tassler. "At the end of the day the show was well executed, it was well received, the performances were great, the writing was great. It was a risk, we took it, and we're proud of it." Meanwhile, look for CBS to order an additional episode of The Mentalist and for the untitled NCIS spin-off cast to appear in an upcoming episode of NCIS. (Entertainment Weekly's Ausiello Files)

Diablo Cody will play herself in an upcoming episode of the CW's 90210, the series' nineteenth episode, which will also feature the first appearance of Tori Spelling's Donna Martin. "Donna Martin is still in the fashion business, and it may be that she may be called upon by Diablo Cody to create something for some event," said executive producer Rebecca Rand Kirschner. "That may be the beginning of their friendship.” (iF Magazine)

CBS is developing an untitled variety/sketch comedy pilot with musician John Mayer, which it plans to air later this year. If successfully, the pilot could spawn a series of specials. (Los Angeles Times' Show Tracker)

Universal Media Studios has signed a two-year, first-look deal with Don Cheadle's Crescendo Prods., under which Crescendo will develop series projects for the studio. Company is run by Cheadle along with producing partners Kay Liberman and Lenore Zerman. (Hollywood Reporter)

Stay tuned.

Top TV Picks of 2008

As it's nearly the end of the calendar year (only a few more days to go, in fact), I figured now was as good a time as any to look back at some of the shows that that have entertained and inspired me over the past year.

It's been a crazy year, between the WGA strike affecting everything from truncated freshman seasons for Pushing Daisies, Dirty Sexy Money, and Chuck, delayed seasons for FX's Damages and HBO's Big Love (and a host of others), and a generally frantic development season that only saw two relative hits emerge this fall.

So, what were the favorite series in the Televisionary household? Which left me wanting more... and which ones made me eager to change the channel? Find out after the jump.

Best Reality Series:

Top Chef
The Amazing Race
Flipping Out

Top Chef remains my number one reality obsession. Bravo and Magical Elves have done themselves proud with this sleek, slick production that makes the art of cooking into a nail-biting competition in which egos clash, visionaries emerge, and the judges knock the competitors down a few pegs each week. While those of us at home can't taste the food being prepared, the aura of creativity around this series is more than enough to sate us.

Despite some creakiness in The Amazing Race's format (this most recent cycle won't go down as the most entertaining iteration of the series), this reality franchise remains one of the most consistently high quality unscripted productions around... if the casting directors do their job right. I'm still engaged with the ride but I was hoping for a bit more out of this most recent season, given that one of the main reasons I tune in is for the interpersonal element, seeing which teams emerge stronger than ever after running this gauntlet and which crumble under the pressure.

Flipping Out remains one of the most gripping and tense hours of television around... and also one of the most bizarre. Its breakneck second season had boss Jeff Lewis installing a nanny cam in his office to spy on his employees, the dissolution of Jenni and Chris' marriage, and the Client From Hell which lead to Jeff quitting, not once, but twice over the course of the season. Flipping Out might nominally be about the Los Angeles real estate market (and speculative buying) but it's about some of the quirkiest characters ever to be drawn on the small screen and I just can't look away.

Reality Series Most in Need of Fixing:

Project Runway

Given the current legal battle over the future of the series (producers the Weinstein Co. tried to take it to Lifetime), it seems like the most recent season of Project Runway will be the last for some time (or until that case is tried)... and I have to say that I found it to be pretty lackluster as the contestants seemed more apt to making each other (and themselves) cry than wowing us with any sartorial finesse. And overall the competition seemed overshadowed by Kenley's tantrums. A series with that many seasons under its belt should know better and it's likely that it will be the last one I end up watching.

Best British Imports:

Doctor Who
Skins
Gavin & Stacey

In its fourth season, Doctor Who remained just as entertaining and exciting as ever, even as it introduced the Doctor's latest companion, Donna Noble (Catherine Tate, who originated the role in the 2006 Christmas Special, "The Runaway Bride"), easily the most heartbreaking character on the revival series. In a season that saw the return of three prior companions (including fan favorite Rose Tyler), it's the sacrifice that Donna makes that adds a sheen of loss and tragedy to this rip-roaring sci-fi adventure series. And its season finale altered the landscape of Doctor Who, featuring a final battle with some ancient enemies in the form of the Daleks and Davros and a bittersweet ending that had our Doctor (David Tennant) off on his own once again, just as he finally found a traveling companion who might have been his very equal.

Like a bolt from the blue, Skins has shown its devoted audience just what the teen drama genre is capable of, deftly turning out plots ranging from eating disorders and love triangles to the death of a parent, unwanted pregnancy, and teenage mortality. It also gracefully juggled a wide array of well-drawn characters that were alternately cruel, kind, funny, bitter, sly, witty, stupid, and gifted (often all at the same time) but who always remained sympathetic. At times laugh-out-loud funny and utterly traumatic, Skins redefined drama for the under-18 set while also remaining completely relatable to those of us who have left our teen years behind.

No romantic comedy has ever achieved the level of bittersweet emotion that Gavin & Stacey has managed to acquire. What started out as a simple love story between strangers--Essex lad Gavin and Welsh lass Stacey--transformed into a touching portrait of disparate national identities, the problems facing today's twenty-something lovers, and, well, omelettes. It's a rare thing to find a series that makes you laugh as much as it does make you cry, but Gavin & Stacey--created by co-stars Ruth Jones and James Corden--effortlessly achieves both ends with a wit and flair all its own.

Best British Import (Yet to Air in the States):

Ashes to Ashes

The sequel to the cult hit Life on Mars (which wrapped its series very early on in 2007 and thus gets an honorable mention), Ashes to Ashes follows a single mum forensic profiler who, after being shot in the head in 2008, finds herself seemingly sent back in time to 1981, where she encounters Gene Hunt, the New Romantics, a terrifying phantom Pierrot clown, and a mystery that involves the death of her parents. Can she figure out a way to return to her daughter in 2008 and cheat death? Both funnier and scarier than Life on Mars, Ashes to Ashes breathes new life into this franchise, which seemed to come to an end with John Simm's Sam Tyler. US audiences can catch this fantastic series beginning in March on BBC America.

Biggest Letdown from a Once Great Series:

The Office

I'll be blunt: The Office used to be one of my very favorite series but watching this sodden comedy has become more of a chore than a pleasure. While Amy Ryan's Holly Flax seemed to reinvigorate this comedy for a bit, her six-episode arc quickly came to an end and has left The Office at a bit of a loss this season. The comedy seems more prone to overwrought absurdity than tweaking humor from the mundane, Jim and Pam irritated me more than ever as a long-distance duo, and the moments of comedic genius, which The Office used to have in abundance, seem ever more isolated. To me, it's not Meredith who needs an intervention, it's The Office itself.

Best Canceled Series:

Pushing Daisies
The Wire

More than any other cancellation in recent television history (save perhaps, Arrested Development), I feel utterly betrayed by that of Pushing Daisies. After launching a nine-episode first season last fall (courtesy of the writers strike), Pushing Daisies should have returned with new episodes in the spring... yet ABC unwisely chose to "relaunch" the series this fall and squandered both the creative momentum and the ratings Pushing Daisies had achieved in its first season. Hilarious, touching, and quirky, Pushing Daisies was unlike anything ever to air on network television and redefined genre-busting sensibilities, blending together supernatural drama, romance, humor, and mystery procedural into one tasty package that was as comforting as a slice of warm apple pie. You'll be missed.

Over the course of five compelling seasons, HBO's The Wire tackled every issue facing today's modern American cities--from corruption and the drug trade to the failing educational systems and underfunded police forces--and did so while juggling a cast of deeply flawed individuals each trying to cope with the lot that fate dealt them. But it was the series' Dickensian aspect that earned it a place in my heart, as it gave equal weight to cops, drug dealers, homeless people, hoppers, politcos, and teachers, creating a memorable fabric of a city on the brink of destruction. Season Five of The Wire may not have been the series' strongest--with an indictment of the media and Jimmy staging a series of homeless serial killings--but it also paid off the series' long-standing storylines in a powerful and memorable way. Likely, there will never be another series as raw and honest as this one.

Best US Comedies:

30 Rock
It's Always Sunny in Philadelphia
Chuck

Consistently belly-achingly hysterical, 30 Rock remains my favorite comedy on television and only seems to be getting better and better with age, even as it remains the most politically-minded program on television today. Not bad for a series that's allegedly just about the goings-on behind-the-scenes at an NBC comedy sketch series. In the hands of creator Tina Fey and her crack team of writers, 30 Rock continues to push the envelope for broadcast comedy, offering well-placed snarky jabs at the media elite, politicians, and pop culture icons while also giving the audience one of the most well-drawn (and realistic) portrait of a 2008 working woman in Liz Lemon. My only complaint: that it can't be on every single week, all year long. Blerg indeed.

Raunchy and provocative, It's Always Sunny in Philadelphia is a raucous laugh riot from start to finish. Set in a low-rent Philly pub owned by a bunch of shallow, self-absorbed, and selfish losers, It's Always Sunny in Philadelphia follows Seinfeld's adage that the funniest characters need not be the most sympathetic. It's the best exploration of arrested adolescence ever to hit the small screen and its absurdist plots--Mac and Charlie faking their deaths, a story about the cracking of the Liberty Bell, a forensic investigation into bed-bound fecal matter--reach to new depths of bizarre depravity and hilarity. I wouldn't have it any other way.

Chuck isn't quite a comedy but it is a series that skillfully manages to conflate comedy, romance, workplace intrigue, and action/adventure into one satisfying thrill-ride each week, all while remaining uproarious and emotionally satisfying. And Chuck has something for everyone: a star-crossed romance between Everyman Chuck (Zachary Levi) and his handler Sarah (Yvonne Strahovski), explosions, double-crosses, quirky best friends, and fancy spy technology. In its second season, Chuck has only gotten better: more funny, more gripping, more touching. And I can't wait to see where it takes us next.

Best US Dramas:

Lost
Battlestar Galactica
Mad Men

In its fourth season, Lost seemingly rewrote its own rules, having the fabled Oceanic Six made it off of the island and return to normal society and chucking out its own flashback technique in order to make use of a groundbreaking narrative format in which we now flashed forward, seeing the castaways who made it off of the island adapt to life back home and see Jack (Matthew Fox) come to the realization that they had to go back. A brilliant gambit that paid off in spades, the flash forwards added yet another layer of dread and mystery to a series already teeming with intrigue. Having an end date for the series has invigorated the path to that ultimate end of the franchise and made each and every installment count. Plus, "The Constant," in which Desmond (Henry Ian Cusick) travels through time and encounters physicist Daniel Faraday (Jeremy Davies) in his quest to find his lost love Penny (Sonya Walger), remains one of the very best single hours on television this year and a reminder of why Lost breaks nearly every one of television's rules, resulting in a series that anything but predictable.

Halfway done with its final season, Sci Fi's Battlestar Galactica has remained must-see TV for lovers of high quality drama. Despite its setting in the far-flung reaches of space, Battlestar Galactica has remained a series that offers a dark mirror through which to view our own society, offering glimpses through the looking glass at the occupation in Iraq, racial cleansing, religious intolerance, human resistance, political tampering, civil war, and the hard choices governments must make in times of war. Having discovered Earth to be nothing but a radioactive wasteland, the crew of the Galactica--in an uneasy alliance with the Cylon race--learns to their dismay that we must all be careful what we wish for. There's still many mysteries to be solves as we begin the countdown to the series finale and I for one and dizzy with anticipation to see how Ronald D. Moore and David Eick manage to tie everything up.

AMC's Mad Men, which wrapped its second season earlier this year, is one of the most gripping dramas on television, regardless of what period of time it might be set in. Expertly recreating the 1960s with its attendant sexism, racism, and homophobia, Mad Men explores the public and private lives of the era's men and women with equal relish. This season produced some shocking twists, including Peggy (Elisabeth Moss) telling Pete (Vincent Kartheiser) that she gave birth to his child and gave it up for adoption, Betty (January Jones) kicking Don (Jon Hamm) out of the house, Don's trip to California and his rendezvous with the wife of the man whose identity he had stolen, and Peggy finally placing herself on equal footing with Don Draper. But none was more brutally shocking than the rape of Joan (Christina Hendricks), right in the offices of Sterling Cooper, by her supposedly "perfect" fiancé. Terrifying, brutal, and horrifying, the scene showed just how far women had come since then, just how little had truly changed, and just how quickly every vestige of power can be yanked away.

Best New Fall Series:

Fringe

I'll admit it: it was tough to find a new fall series that I could give the term "best" to. After a season that saw many new series strike out, only Fringe and The Mentalist emerged as justifiable ratings hits. Fringe is the far superior series and I'm somewhat enjoying it but I still have huge reservations about the series' choice to use self-contained storylines rather than serialized storytelling. (Additionally, I've twice now offered up suggestions on how to improve the series.) Fringe has an extraordinary amount of potential that I want the series to achieve sooner rather than later but it seems to be suffering in its execution: too much formula and water-treading and not enough layered mythology and trust in its audience.

And there we have it. A sampling of some of my favorites from 2008. As the year rapidly swings to a close, I'm curious to see what your favorite (and least favorite) series were, which shows you can't get enough of, and which ones you're happy to see the back of now.

Channel Surfing: Holiday Wishes from "Fringe," Fontana Returns to "Philanthropist," Budget Cuts at 20th TV, and More

Welcome to your Wednesday morning television briefing.

20th Century Fox Television has slashed its production budgets across the board, joining a slew of entertainment companies including ABC Studios cutting budgets due to the economic downturn. All of 20th's producers have been told to reduce their budgets by two percent. The budget cuts will affect both existing series such as 24 as well as new productions, including Joss Whedon's Dollhouse for FOX and ABC's Life on Mars. (TV Week)

In yet another behind-the-scenes twist (each far more interesting than the series itself), Tom Fontana has returned to oversee NBC's midseason drama The Philanthropist, where he will replace David Eick (leaving to focus his attentions on Caprica)... who had replaced him as showrunner/executive producer on the project back in April. Creative differences between Fontana and Universal Media Studios have said to have been worked out and Fontana has returned to oversee writing on the eight-episode series, starring James Purefoy, Jesse L. Martin, and Neve Campbell. (Variety)

HBO has cast two actresses in True Blood's sophomore season: Anna Camp (Equus) will play Sarah, the wife of Steve Newlin, a series-regular role, while Ashley Jones (The Bold and the Beautiful) has come on board in a six-episode arc as Daphne, a new waitress at Merlotte's and a possible new love interest for Sam. (Entertainment Weekly's Ausiello Files)

More saber-rattling in the battle between the studios and SAG as the studios look to explore their options with AFTRA, with whom the AMPTP signed a primetime-film contract earlier this year, in light of stalled negotiations with SAG. 20th Century Fox Television is considering shooting all of its pilots under AFTRA rather than SAG (it reversed a previous statement that seemed to indicate it would move all productions under AFTRA) and has already shot two pilots--Boldly Going Nowhere and Better Off Ted--with AFTRA. Warners is said to be exploring working with AFTRA on digital productions; ABC Studios comedy In the Motherhood will be AFTRA-based; Universal Media Studios has two pilots--Off Duty and drama Lost & Found--under AFTRA. Sony typically works with AFTRA and has shot two pilots already with the union, including Eve Adams for FOX and ABC's The Unusuals. Any switch to AFTRA would only affect new pilots and series so current series would stay organized under their curent union deals. (Hollywood Reporter)

Bob Odenkirk (Mr. Show) will guest star in a five-episode story arc on Season Two of AMC's Breaking Bad, where he will play "a slippery, ambulance-chasing lawyer who winds up serving as consigliere to Walt (Bryan Cranston)." Also on tap for Season Two: a three-episode arc featuring Star Trek: The Next Generation's John de Lancie. (Entertainment Weekly's Ausiello Files)

Cloris Leachman and Jessica Alba will guest star alongside the previously announced Jack Black in the post-Super Bowl episode of NBC's The Office, where they will play Hollywood stars in a film that appears on-screen on the series. (Zap2It)

Despite getting closure in the form of some additional scenes for the Pushing Daisies finale, creator Bryan Fuller does intend to keep the franchise going in comic book form. (Entertainment Weekly's Ausiello Files)

Under SVP Jeremy Gold, Endemol USA has set up a dozen drama and comedy projects at various broadcast and cable networks, including Hell on Wheels, a Western drama at AMC about the building of the Transcontinental Railroad from writer/executive producers Tony and Joe Gayton; Manager/Husband, a family comedy at FOX about a talent manager and his 22-year-old pop singer wife from writer/executive producers Jim O'Doherty and David Israel and 20th Century Fox Television; It's Not You, It's Me, a single-camera female-driven comedy at HBO; animated series Joe Cartoon at Comedy Central; Julia's Tango, a US adaptation of a Dutch soap format for SoapNet; and an untitled project at CW about four Dallas-based nannies and the families they work for from Ugly Betty writers Veronica Becker and Sarah Kucserk and Warner Bros. TV. (Variety)

Oprah Winfrey's Harpo Films has left ABC for HBO, where it will develop scripted television series, telepics, and documentaries for the pay cabler. (Los Angeles Times)

Finally, the cast and crew of FOX's Fringe offered up the below holiday-themed video that also happens to recap most of the series' action so far.



Stay tuned.