The Daily Beast: "Skins Is Not Kiddie Porn!"

There's been a lot of furor in the last few days about MTV's adaptation of British teen drama Skins, particularly whether the show crosses the line into "child pornography."

Over at The Daily Beast, you can read my latest feature, entitled "Skins Is Not Kiddie Porn!" As you might expect from the title, I examine, whether or not, despite the hype, MTV’s Skins breaks child-pornography laws. While I'm of the firm mind that it does not legally do so, I say that the show, a pale imitation of the original, still has plenty to be ashamed of.

The conversation reminds me that just because you might disagree with something, or find it to be immoral, doesn't mean that it is in fact illegal. And that the parties who are throwing around the term "child porn" might actually have better things to do with their time: such as actually focusing on preventing and prosecuting distributors, producers, and suppliers of actual child pornography, rather than point the finger of accusation at this bargain-basement adaptation. While this is smutty (what isn't on MTV), the assertion that the network didn't have all of these legally vetted ahead of time is absolutely absurd.

But that's just my two cents, really. What do you make of the nontroversy?

Channel Surfing: Lost DVD Epilogue, Diane Keaton and Ellen Page Land Tilda, Julia Stiles in Talks to Join Dexter, Skins, and More

Welcome to your Thursday morning television briefing. (Is it just me or does it feel like this week will never end?)

E! Online's Kristin Dos Santos is reporting that there's still more Lost to come, including an epilogue that depicts the time that Hurley (Jorge Garcia) and Ben (Michael Emerson) spent on the island after the events of the series finale. Emerson spilled the dirt on the sequence on G4's Attack of the Show, where told Kevin Pereira about the bonus footage on the complete series DVD. "For those people that want to pony up and buy the complete Lost series, there is a bonus feature," said Emerson. "Which is um, you could call it an epilogue. A lost scene. It's a lot; it's 12 or 14 minutes that opens a window onto that gap of unknown time between Hurley (Jorge Garcia) becoming number one and the end of the series... It's self-contained. Although, it's a rich period in the show's mythology that‘s never been explored, so who knows what will come of it." Dos Santos, for her part, wonders if it's that sequence that will also connect to the producers' promises that we'd see the story of Walt (Malcolm David Kelley) resolved as well. "Whatcha wanna bet that during Hurley and Ben's adventures on the island, they run into Walt a few years into the future, when he's oh, 18 and looking just as Malcolm David Kelley looks now?" ponders Dos Santos. [Editor: Hmmm....] (E! Online's Watch with Kristin)

It's official: Diane Keaton is heading to HBO, where she will topline the pay cabler's half-hour comedy pilot Tilda, which revolves around Tilda, a powerful Hollywood blogger. (You know, the one who may or may not be based on Nikki Finke.) Keaton will be joined by Ellen Page (Juno), who will play Carolyn, described as "a morally conflicted creative assistant caught between following the corporate culture of the studio she works for and following Tilda, who has taken a keen interest in her." Project is executive produced by Cynthia Mort (Tell Me You Love Me) and Bill Condon (Dreamgirls). (Entertainment Weekly's Ausiello Files)

Entertainment Weekly's Michael Ausiello is reporting that Julia Stiles (The Bourne Ultimatum) is in talks to join the cast of Showtime's Dexter for its fifth season. Details on who Stiles would play, should a deal be reached, are remaining firmly under wraps, though Ausiello reports that it's unlikely that she would be the season's Big Bad, citing comments made by executive producer Chip Johannessen several weeks ago. "We’re not going to have a single Big Bad this season," Johannessen said at the time. "We don’t want to try and top John Lithgow, so we’re going to change up the forces that Dexter’s going to be dealing with." (Entertainment Weekly's Ausiello Files)

UK's Channel 4 and Film4 are moving ahead with a feature film version of teen drama Skins, which will be directed by Charles Martin and will feature characters from both "generations" of the hit series. No word yet on who those characters will be--although this editor is hoping for Sid and Cassie to be in the mix!--though production is slated to begin in September, with a Summer 2011 release being eyed. (Deadline)

Say goodbye to SOAPnet, soap fans. The cable-based soap network will go dark as Disney/ABC Television Group will use the network to instead launch pre-school-oriented cable network Disney Junior in 2012. "The launch of Disney Junior in the U.S. is the next step in our global preschool strategy, which began 10 years ago with the premiere of our first dedicated preschool channel in the UK," said Anne Sweeney, co-chair, Disney Media Networks and president, Disney/ABC Television Group, in a statement. "The decision to ultimately transition SOAPnet to accomplish this was not arrived at lightly. SOAPnet was created in 2000 to give daytime viewers the ability to watch time-shifted soaps, before multiplatform viewing and DVRs were part of our vocabulary. But today, as technology and our businesses evolve, it makes more sense to align this distribution with a preschool channel that builds on the core strengths of our company." (via press release)

I can now officially announce what I've known for quite some time: Chuck writer/producer Phil Klemmer will be working on NBC's new espionage dramedy Undercovers, from executive producers J.J. Abrams and Josh Reims, next season.

Deadline's Nellie Andreeva is reporting that CBS has offered drama pilot Chaos an eight-episode midseason order, but there is no guarantee that the series will ever make it air as talks continue between CBS and studio 20th Century Fox Television, the latter of which seems less than encouraged by the short-run and has not accepted the offer. Elsewhere, CBS is said to have passed on medical drama pilot Gimme Shelter (formerly known as Untitled Hannah Shakespeare Medical Drama), though they may revisit it, given the situation with Chaos. Creator Hannah Shakespeare, meanwhile, has signed on to ABC's drama series The Whole Truth, but it's said to be in second position to her CBS pilot. (Deadline)

BBC America has teamed up with ITV Studios American to produce ten episodes of a US version of hit British culinary competition series Come Dine with Me, which features New Yorkers "competing for the title of ultimate dinner party host, bringing together four amateur chefs who take turns cooking up their idea of the perfect evening." The series will debut in early 2011 on BBC America and around the world on various BBC lifestyle networks. Meanwhile, the digital cabler has also acquired the original UK format and will air 22 episodes of the series beginning in July on BBC America. (Hollywood Reporter)

USA has given a script order to half-hour comedy Driven, the first time in decades that the cabler has developed a half-hour comedy. Project, from Linda Bloodworth and Harry Thomason, will star Ron White as an unemployed Texan who starts a limousine business. (Variety)

E! Online's Kristin Dos Santos has a video interview up with the stars of the CW's Vampire Diaries, Paul Wesley, Nina Dobrev, and Ian Somerhalder, in which the trio discuss Season Two, love triangles, and more. "The dynamic is going to change between the three of us," said Somerhalder of Season Two of Vampire Diaries. (E! Online's Watch with Kristin)

TBS has announced an airdate of Sunday, June 27th for its upcoming special, Team Coco presents Conan's Writers Live, which will feature Andy Richter, Reggie Watts, and several of Conan O'Brien's writers. (via press release)

Lifetime is developing two new unscripted series that are connected to acquired reality franchise Project Runway. The first is an untitled makeover show, from executive producer Rich Bye, featuring former Runway contestants Santino Rice and Austin Scarlett as they travel the country and transform women. The other is an untitled unscripted series (working title: Love's Divine) featuring Heidi Klum and her husband Seal as they travel the country offering guidance and counseling to couples. (Variety)

RDF Rights has hired former Shine executive J.C. Mills as VP of US acquisitions. He will be based in Los Angeles and report to Jane Millichip. (Hollywood Reporter)

Stay tuned.

Channel Surfing: Heigl to Leave "Grey's Anatomy," "Skins" Refreshes Cast Again, Tudyk Gets "Rockford" Gig, "Doctor Who" May Get Wii Game, and More

Welcome to your Friday morning television briefing.

Entertainment Weekly's Michael Ausiello is reporting that Katherine Heigl will be departing Grey's Anatomy for good this time, citing unnamed sources. "Series creator Shonda Rhimes has agreed to release the fast-rising movie star from her contract. It’s now up to ABC Studios and Heigl’s reps to hash out a final exit agreement," writes Ausiello. "After taking more than half of the current season off to make another movie and connect with her adopted daughter, Heigl was scheduled to return to the Grey’s set on March 1 to begin work on the five remaining episodes of the season. There’s just one problem: March 1 came and went and there was no Heigl." Long story, short: Heigl's final episode as Izzie has already aired and Heigl will not be returning to the set of Grey's Anatomy. (Entertainment Weekly's Ausiello Files)

UK network E4 has commissioned two additional seasons of teen drama Skins, the series' fifth and sixth, and has announced that it will once again replace the cast with new actors following the fourth season (which wraps up in the UK next week but has yet to air Stateside) and will hold open auditions next month. "Skins has always been about new talent, both on and off screen, and the decision to recast the series every two years is one of the reasons Skins stands out," said Channel 4's head of drama Camilla Campbell. "Now another group of teenagers will have the rare opportunity to be part of a British drama series that says something about their lives and is one of the most exciting shows on television. I can't wait to find out who they will be." (BBC News)

Alan Tudyk (V, Dollhouse, Firefly) will star opposite Dermot Mulroney in NBC drama pilot Rockford Files, an update of the 1970 private investigator series that is written by by David Shore (House). Tudyk will play Detective Dennis Becker, a friend of Jim Rockford (Mulroney) who is said to be a little embarrassed by his friendship with Rockford as the other cops all hate him. (Hollywood Reporter)

Take with a large grain of salt. British tabloid The Sun is reporting that Nintendo has signed a contract with BBC Worldwide to bring its iconic series Doctor Who to Wii and DS consoles later this year. "This has been in the pipeline for years," said an unnamed insider quoted by the paper. "We're delighted to have finally nailed down a deal. We went with Nintendo as they have huge appeal for families and Doctor Who is very much a family brand. The Wii console is key for us as it's something families play together." [Editor: Don't get excited just yet. I'd be extremely surprised if a game were able to be produced by this Christmas, just nine months away, as The Sun contends, should this actually be true.] (via Digital Spy)

Jon Voight (24) has signed on as one of the leads in FOX drama pilot Midland, where he will play a Texas oil tycoon described as "a gravely voiced titan equally at home in boots or a three-piece suit." Move marks the first TV series regular role for Voight. Also cast in the 20th Century Fox Television-produced pilot: David Keith (The Class), who will play the con-man father of Jimmy Wolk's Bob. (Hollywood Reporter)

Glee Live! In Concert! has added two additional performances for both the Los Angeles and New York City stops, with a matinee planned for each city. Los Angeles will get a matinee performance and an evening performance on May 22nd while New York City gets a matinee on May 29th and an evening show on May 30th. (via press release)

Entertainment Weekly's Michael Ausiello is reporting that Arianna Huffington will guest star as herself on the May 10th episode of CBS' How I Met Your Mother. "Huffington will be a guest at a high-falutin’ New York party that Ted, Barney, Marshall, and Lily find themselves at," writes Ausiello. (Entertainment Weekly's Ausiello Files)

TV Guide Magazine's Will Keck is reporting that Jennifer Morrison will be returning to FOX's House, on April 12th episode directed by Hugh Laurie... and next season. "There have been discussions of me doing a few episodes next year based on what they end up writing," Morrison told Keck. "Contractually, they’ve guaranteed me a certain number of episodes next year - I think three or four, which means that they’re probably very much leaning toward writing a storyline for the character." (
TV Guide Magazine)

Constance Zimmer (Entourage) and Kat Foster ('Til Death) have been cast in TBS hour-long comedy pilot In Security, which centers on two sisters who inherit their father's private-security firm. The attachment of Zimmer and Foster lifts the casting contingency on the pilot. Elsewhere at TBS, Malcolm McDowell will star opposite Breckin Meyer and Mark-Paul Gosselaar in comedy pilot Franklin & Bash, where he will play the senior partner at the law firm where street lawyers Jared (Meyer) and Steven (Gosselaar) are hired. (Hollywood Reporter)

In other pilot casting news, Patrick J. Adams (Weather Girl) and Danneel Harris (One Tree Hill) have been cast as the leads in NBC comedy pilot Friends With Benefits, about a group of friends who are looking for love but settle for something else in the meantime. Adams will play Ben, described as "an Everyman who, while waiting for Ms. Perfect to come along, enjoys a relationship with Sara (Harris), a doctor trying to find Mr. Right." They join the already cast Fran Kranz in the 20th Century Fox Television-produced comedy pilot, written by Michael Weber and Scott Neustadter and directed by David Dobkin. (Hollywood Reporter)

TV Guide Magazine's Will Keck has a first look at how Betty Suarez (America Ferrera) will get her braces off on Ugly Betty's March 24th episode. Hint, it involves a million-dollar bra, the Guggenheim Museum, and a collision. "I chipped my front tooth rehearsing this scene - and it hurt!" Ferrera told Keck. "I thought how incredibly ironic that I mess up my tooth in the episode where Betty's smile is supposed to be perfect and there are extreme close-ups of my mouth." (TV Guide Magazine)

VH1 has ordered ten episodes of docudrama The Tournament, which will follow Chad Ochocinco as he travels the country to find love with 85 women who will compete for his affects "via a March Madness bracket." Series, slated to launch in July, is from JUMA Entertainment and 51 Minds Entertainment. (Variety)

Production has begun on BBC One's three-part drama Sherlock, a modern-day update of Sir Arthur Conan Doyle's iconic detective Sherlock Holmes, from writers/executive producers Steve Moffat, Mark Gatiss, and Steve Thompson, directors Euros Lyn and Paul McGuigan. Project stars Benedict Cumberbatch, Martin Freeman, and Rupert Graves. "Everything that matters about Holmes and Watson is the same," said Moffat. "Conan Doyle's stories were never about frock coats and gas light; they're about brilliant detection, dreadful villains and blood-curdling crimes – and frankly, to hell with the crinoline. Other detectives have cases, Sherlock Holmes has adventures, and that's what matters. Mark and I have been talking about this project for years, on long train rides to Cardiff for Doctor Who. Quite honestly, we'd still be talking about it if Sue Vertue of Hartswood Films (conveniently also my wife) hadn't sat us down for lunch and got us to work." (BBC)

Radical Media, the production company behind Sundance Channel's Iconoclasts, is said to be gearing up for more television development, including a docusoap following the dancers of the Miami City Ballet, the Oprah Winfrey-hosted Masterclass, and a series adaptation of Stephen Dubner and Steve Levitt's best-selling nonfiction book Freakonomics, which would "investigate a wide range of topics: from the inner workings of a crack gang to whether walking drunk is more dangerous than driving drunk." Project is currently being shopped to networks. (Variety)

The Wrap's Josef Adalian is reporting yet more changes afoot in the executive roster at Oprah Winfrey and Discovery Communications' nascent cable network OWN, with Jamila Hunter stepping down from her position as head of programming to segue into a new role at the network. Programming will now be overseen by three new hires: Rod Aissa, Michele Dix, and Drew Tappon, all of whom will report to COO Lisa Erspamer. (The Wrap's TVMoJoe)

Nickelodeon ordered six new series, including musical Victorious, featuring former Zoey 101 co-star Victoria Justice, and renewed 16 series, from iCarly to SpongeBob SquarePants. (Hollywood Reporter)

Stay tuned.

Turn and Face the Strain: Changes on the Season Finale of BBC America's "Skins"

Some people hate change but change, like all things in life, can't be avoided simply by hating it.

Season Three of British teen drama series Skins embraced change wholeheartedly, ditching the cast of the first two seasons for a batch of fresh faces who were more age-appropriate (or, let's say age-appropriate for the original ethos of the series) than those who had already graduated from Roundview College. Kaya Scodelario's Effy provided one narrative link with the old crew, having appeared in the first two seasons as the mischievous and quixotic younger sister of our nominative series lead.

Some viewers were turned off by the loss of such characters as Sid, Cassie, Tony, and Michelle. But I went into Season Three with the hope that I'd grow to love Effy, Pandora, the twins, Freddie, J.J. Naomi, and Cook as much as I did their Skins forebears.

And ultimately I did.

Last night's season finale of Skins ("Finale") didn't feature the entire cast but it did offer the perfect end to a season fraught with complexity and bruised emotion, focusing the tail end of the season on the central relationships between our three former best friends--Cook, J.J. and Freddie--and their shared love for the destructive Effy.

Season Three as a whole used the breakdown of the friendship between the so-called Three Musketeers as a spine for the entire ten-episode run. When we first meet the troika, their banter is interrupted on the first day of college by their shared fascination with the stony beauty of Effy, a woman who leaves a trail of disaster in her wake. Her arrival into their world quickly tears apart these friends and the next batch of episodes find them grappling with Effy's choice to be with the mercurial Cook, despite the obvious lure between her and good-boy Freddie.

Looked at in its entirety, Season Three offers an examination of the fragility of male friendship. Seemingly impenetrable, the bond between these three friends is ripped apart quite easily when they soon learn that they can't all have Effy... and that she's quite content to pull their strings to amuse her. And yet each of them want Effy for different reasons.

For the sexually voracious Cook, Effy represents an easy access to no-strings sex but he quickly develops feelings for her even as he continues to sleep with Pandora and just about every woman he encounters. For J.J., he's in love with the fantasy of Effy, seeing true magic in her every movement. Freddie, out of all of them, loves Effy despite--or perhaps because of--her flaws. But he wants all of her and she's just not willing to open herself up in the fashion.

So instead we see Effy in freefall this season. Reeling from her parents' divorce and Pandora's betrayal, she throws herself into a series of self-destructive encounters with Cook, reveling in the darkness and perhaps willing herself to feel something, anything, rather than numbness. Even when Freddie finally tells her the truth about her feelings, she's drawn back into Cook's orbit rather than allow herself the opportunity of genuine happiness with Freddie.

And then there was the camping trip. With Freddie suddenly dating Effy's seeming social rival Katie, Effy hijacks her camping trip with some magic mushrooms, which leads to a nasty confrontation between the two girls. Which ultimately leads to Effy smashing Katie's head in with a rock, leaving her alone in the woods, and then sleeping with Freddie while Katie bleeds out before the gang leave her the following day, unable to find her.

Granted, Katie was strangling Effy, but it was an act with glaring repercussions for Effy. She lashed out at Katie, she concealed her actions, and she slept with Katie's boyfriend without giving the girl a second thought. (Yes, she did call emergency services the following morning when the gang couldn't find her but still.) When the truth about what she did comes spinning out, Effy and Cook take off for points unknown.

Which brings us to last night's season finale, which finds Effy and Cook arriving at the shabby village where Cook's deadbeat father (played with pitch-perfect precision by Peep Show's Matt King, a.k.a. Super Hans) and where Effy finally sees Cook slipping off the deep end and reaches out to Freddie for help. After all, sometimes it takes hitting rock bottom before we realize we need to start climbing upwards.

Offering a mirror to the start of the third season, the Skins season finale pulls together the now disbanded group of friends, bringing Effy together with Freddie, Cook, and J.J., with the latter finally making amends, thanks in no small part to former magician J.J., who works some sleight-of-hand here. It's a testament to the skill of co-creators Bryan Elsley and Jamie Brittain and their staff of writers that they were able to pull off such an affecting and realistic portrayal of shattered friendship... and offer a salve for the wounded feelings of all involved while stealing another man's boat. (Aside: I also thought the writers did a remarkable job this season dealing with the sexuality of both Naomi and Emily.)

Cook finally realizes that he wants more from life than to turn out just like his awful, no-good father. The two might share the same name, the same battered tendencies, and the same arrogant catchphrase, but we all have choices to make in life. We can blindly accept our fates or we can choose our own destinies. Just because Cook and his father--who threatens to burn his son's face off with a flare when he refuses to give him the boat's keys--might be coming from the same place doesn't mean that they're going to walk the same path in life. When Cook throws his nasty father overboard, it's the ultimate gesture of freedom, an assertion that he is his own man. Hell, it made me like Cook and I can only hope that he turns his life around.

Likewise, it felt entirely earned that the hungry ghost Effy would now, after wandering the English countryside with Cook for weeks, choose to be with Freddie. She's wandered into the darkness and come out the other side. She's made others suffer and suffered herself. Now, standing on the brink of ultimate destruction, she's choosing the light and giving herself permission to be happy. It's time to stop pulling other people's strings and start living her own life for a change.

There's that magic word again: change. The old gang may be back together but it doesn't mean that the winds of change won't blow through their relationship again. Life just keeps on going, even if we try to stay in one place long enough to make it stop or, like Effy, if we run from everything we know. When Freddie asks the group, "What do we do now?" it's an honest question.

I for one can't wait to see the answer.

Season Four of Skins is set to air in January on E4 in the UK.

Talk Back: "Skins" Episode Two

While I was out last night at Digital LA's entertainment media goes social panel at the Writers Guild, I'm hoping that many of you stayed in to watch the latest installment of Skins on BBC America.

(BTW, astute viewers may have noticed the gorgeous new Skins Season Three promo currently running on BBC America which features a host of pithy quotes about the series from yours truly. Pretty flattering, to be honest.)

Given that this is the second week of the third season--and, given the cast changes, essentially a new series in and of itself--I'm extremely curious to see what you thought of last night's episode. Are the new characters growing on you more this week or are you still missing Sid, Cassie, Tony, and the rest of the original gang? Does Effy anchor the new cast? Are you intrigued by Cook or turned off by his bluster? Are the twins adorably mismatched or just misunderstood?

And, most importantly, are you going to tune in again next week?

Talk back here.

Next week on Skins ("Thomas"), Thomas arrives from the Congo homeless and penniless and lands himself in trouble with Johnny White; the gang discover that Thomas may be the answer to their problems when they realize he has one advantage over the sinister gangster.

Talk Back: "Skins" Season Three Opener on BBC America

You had the chance to read my advance review of Skins' third season premiere a few months ago, but now that the episode has aired in the US, I'm curious to hear what you thought.

Did you miss the original cast of Sid, Tony, Michelle, Cassie, and the rest? Are you intrigued by this new batch of unruly teens? Did the tone feel slightly off between the casual and brusque sexuality of Effy and Cook and the oddness of that first day college assembly? Are you completely amused by Pandora or turned off by her sunny quirkiness? Which characters stand out most to you?

And, most importantly, will you tune in again next week?

Talk back here.

Next week on Skins ("Cook"), Cook prepares to celebrate his seventeenth birthday, although things take a turn for the worse when he encounters a gangster by the name of Johnny White.

Reminder: "Skins" Season Three Begins Tonight on BBC America

Just a quick reminder that Season Three of British drama import Skins kicks off tonight at 9 pm ET/PT on BBC America.

Featuring an entirely new cast (save Kaya Scodelario's Effy Stonem), Skins's third season is the perfect jumping-on point for new viewers, though regular viewers of the rowdy teen series might miss Sid, Cassie, Tony, Jal, and the rest of the original gang.

I reviewed the third season premiere of Skins way back in January (you can read my original advance review here) and interviewed co-creator Jamie Brittain back at the Television Critics Association Winter Press Tour about what to expect from the third season, which you can read here.

Be sure to come back tomorrow to discuss what you thought of the episode and about the new direction for the series and in the meantime, check out these sneak peeks at season three of Skins.

Skins Season Three promo:



Skins Season Three Premiere Trailer:



Skins Season Three Trailer 2:



An Inside Look at Skins Season Three:



Skins airs tonight at 9 pm ET/PT on BBC America.

Channel Surfing: Miracle Laurie to Return for "Dollhouse" Season Two, Syfy Hunts for Next Big Space Opera, Terry Kinney Lured by "Mentalist," and More

Welcome to your Thursday morning television briefing.

Dollhouse creator Joss Whedon will write and direct the second season opener of the FOX drama. Meanwhile, Miracle Laurie--who played November/Mellie in Season One of Dollhouse WILL be returning for the sophomore season... in some form, anyway. "All I know for sure is that I'm coming back next season," Laurie told the Baltimore Sun. "I don't actually know in what form I'll be back. The writers are kind of teasing me…everybody knows but me." (Baltimore Sun, Twitter)

io9 speaks to Syfy vice president of original programming Mark Stern about the channel's rebrand and its promise to find the next big space opera along the lines of Battlestar Galatica or Firefly. "The next thing that I really want to do is find the next great space opera; it's been a long time," said Stern. "And we have Stargate, but that's really not that show. And Caprica isn't really that show. So where's the next Star Trek or Farscape? Let's find one of those... We don't want to do something that is the same old. You don't want it to feel recycled. So that's the challenge of doing that. I'm a huge fan of Firefly, and shows that take that idea and take that part of the genre and reinvent it in a whole new way. I'd love to find our version of, not specifically Firefly, but similar to what Joss [Whedon] tried to do with that in terms of, "lets recast the Western in space." Love that idea, and I love that show. What's another way to approach that?" (io9)

The Unusuals' Terry Kinney has been cast in Season Two of CBS' The Mentalist, where he will recur as Sam Bosco, "a by-the-book California Bureau of Investigations agent who heads up the division overseeing the Red John case." According to Entertainment Weekly's Micheal Ausiello, Bosco is an ex-lover of Lisbon (Robin Tunney) as well as her mentor and "[t]he two share a deep, dark secret!" (Entertainment Weekly's Micheal Ausiello)

In other Dollhouse-related news, The Chicago Tribune's Maureen Ryan reports that the missing thirteen episode of Dollhouse's first season, entitled "Epitaph One," will be available for download on iTunes beginning August 11th. The episode will NOT be available via Hulu. (Chicago Tribune's The Watcher)

CSI creator Anthony Zuiker's Dare to Pass shingle has signed a new two-year first-look deal with CBS Television Studios, under which he will develop scripted and unscripted series. "Making a one-off TV show is not going to sustain a real business anymore," said Zuiker. "It starts with a great TV show, but then becomes a 24/7 experience. It's Web, mobile, gaming. From device to device to device." (Variety)

FOX has given a script commitment with a penalty to an untitled dramedy project, from Greg Malins (How I Met Your Mother) and mystery novelist Harlan Coben, about a psychotic former private investigator with a lack of inhibitions (the result of a bullet wound to his frontal lobe) who teaches a university criminology class in Los Angeles and solves crimes with his graduate students. Project hails from 20th Century Fox Television, where Malins has an overall deal. (Hollywood Reporter)

Bravo has announced an August 26th start date for Top Chef: Las Vegas and unveiled the seventeen contestants competing for the title next season as well as the guest judges, who include such notables as Natalie Portman, Wolfgang Puck, Daniel Boulud, Tyler Florence, Penn & Teller, and Nigella Lawson. (Televisionary)

Eric McCormack (Trust Me) will guest star in an upcoming episode of NBC's Law & Order: Special Victims Unit. He'll appear in next season's second episode as a handsome sugar daddy. (Entertainment Weekly's Ausiello Files)

More off-net sales for NBC comedy 30 Rock following a deal between NBC Universal Domestic Television Distribution and FOX and Tribune station groups on an all-barter basis, with the series launching in fall of 2011. 30 Rock will be "double-run six days a week in access and late-fringe time periods," with NBC Universal getting three minutes of ad time and local stations getting four minutes. (Broadcasting & Cable)

Lifetime has unveiled the identities of the contestants for Season Six of Project Runway, which makes its long-delayed debut on the cabler on August 20th following a protracted legal battle with rival cabler Bravo. (Hollywood Reporter)

Lifetime has acquired rerun rights to CBS' The New Adventures of Old Christine after it closed a deal with studio Warner Bros. Television for roughly $350,000 per episode for the series as well as a barter agreement that will see the cabler hand over 90 seconds of advertiser time. Series will debut on Lifetime in fall 2010. (Variety)

BBC America has announced the US premiere date for Season Three of teen drama Skins, which will kick off on Thursday, August 6th at 9 pm ET/PT. (via press release)

NBC opted to shift its newest reality series The Great American Road Trip to Mondays at 8 pm, less than 24 hours after it launched the series. Repeats of America's Got Talent will take over the Tuesdays at 8 pm timeslot. (Futon Critic)

Stay tuned.

TV on DVD: "Skins: Volume Two"

Even monosyllabic cynic Effy would agree: the provocative and daring Skins is really unlike anything on American television today.

I've waxed ecstatic enough about the British teen drama since it launched Stateside last year, but I have to say that I enjoyed the series' sensational sophomore season even more the second time around.

Skins: Volume Two, which contains all ten episodes of the series' second season (along with a host of extras), is available for purchase on DVD starting tomorrow and, thanks to the kind folks at Warner Home Video, I was able to get an early look at the DVD box set.

Season Two finds the gang in Bristol reeling from the bus accident at the end of the first season that has left Tony alive but not exactly the same person he was before. Nicholas Hoult turns in an astonishing performance as Tony Stonem as he's forced to relearn everyday activities like tying his shoes or speaking after his accident while remaining staunchly independent; in watching Hoult's performance, it's as if a switch has gone off inside Tony's head and this person is a pale shadow of the manipulative, Svengali-like Tony of the first season. His best friend Sid (Mike Bailey) and girlfriend Michelle (April Pearson), meanwhile, face the challenge of maintaining a friendship with someone who doesn't so much as remember their names, much less share any memories with them, and the two drift into a romantic relationship that's built on loss rather than love. Complicating matters is Sid's own girlfriend, the spacey Cassie (Hannah Murray), who has moved to Scotland and seemingly embarked on a journey of sexual exploration.

Back at home, the friendship between Anwar (Dev Patel) and Maxxie (Mitch Hewer) hits the skids when their camaraderie is invaded by the malevolent presence of stalker Sketch (Aimee-Ffion Edwards), a girl so desperate to claim gay Maxxie for her own that she stalks him and attempts to bed his friend Anwar just to be close to him. Perpetual screw-up Chris (Joseph Dempsie) attempts to get over his love for teacher Angie (Siwan Morris) and falls for the level-headed Jal (Larissa Wilson), in one of the season's most tender stories. And while everyone seems to be falling apart at the seams, Effy (Kaya Scodelario) somehow manages to pick up all the pieces and put everything back together again, in a true Effy fashion.

While Season One established the friendships (and at times enmities) between the characters, Season Two pushes many of them past their breaking point, exploring just what makes these characters tick and forcing them to take a headlong plunge into adulthood when they are faced with the prospect of graduation. Unlike most series which would have kept their cast firmly in their teens and forced them to spend, oh, five seasons or so in high school, Skins does the unthinkable and wraps up their storylines, pushing them out of high school and into the "real" world by the end of the second season and jettisoning the entire cast, save Kaya Scodelario's Effy Stonem.

Which means that Skins: Volume Two is the last we'll be seeing of Tony, Sid, Cassie, and the rest. Series creators Bryan Ensley and Jamie Brittain have maintained that they wanted to remain true to the age group depicted in Skins and have therefore cast an entirely new set of characters around Scodelario's Effy. While it's more than sad to see the original gang go (in fact, as depicted, it's pretty damn heartbreaking), one can't help but be pleased with the notion that these characters' lives will go on... at least in our imaginations. There are no firm endings for these characters, but rather new beginnings, as each begins to take the first steps on the road to adulthood.

Skins: Volume Two contains all ten episodes of Skins' second season, along with the Skins Christmas special (which didn't air on television in the States) and five additional bonus Skins mini-stories including "Tony's Nightmare," "Musical Auditions," "Cassandra," "When Maxxie Met Anwar," and "Anwar & Sketch."

All in all, Skins: Volume Two is a must-have DVD addition to the library of any fan of the titillating teen series. Or indeed for any fan of controversial, thought-provoking, and emotionally resonant dramas.

Own Skins: Volume Two on DVD starting Tuesday, April 14th. The three-disc DVD boxset is available for an MSRP of $39.98, but you can purchase it for $29.99 in the Televisionary store.

Channel Surfing: "Skins" Star Rumored for "Doctor Who" Role, Melissa Leo and Rebecca Romijn Land Pilots, Matt Czruchy Returns to TV, and More

Welcome to your Tuesday morning television briefing. I don't know about you but this time change is killing me. Still, last night's episode of Chuck went a long way to making me feel better about the week.

While we now know who will be playing the Eleventh Doctor, there's been much speculation about who will play the companion to the next Doctor, to be played by Matt Smith in the fifth season of Doctor Who. The latest rumor? That former Skins star Hannah Murray--who played the delightfully out-there Cassie--is in "secret chats" with the BBC about joining Smith in Doctor Who's fifth season, set to air in 2010. "Hannah did some challenging stuff in Skins and they see her as an up-and-comer," said an unnamed BBC insider. Of course, this rumor is being floated by the News of the World, so take it with a (very large) grain of salt. (Digital Spy, News of the World)

Oscar nominee Melissa Leo (Frozen River) has joined the cast of HBO ensemble drama pilot Treme, where she will play a New Orleans civil rights lawyer. Project, from writers David Simon (The Wire) and Eric Overmyer (Law & Order) and director Agnieszka Holland, also features Clarke Peters, Wendell Pierce, Steve Zahn, Khandi Alexander, Rob Brown, and Kim Dickens. (Variety)

Elsewhere, Rebecca Romijn (Ugly Betty) has will play the lead in ABC drama pilot Eastwick, a remake of the 1987 feature film The Witches of Eastwick. Romijn will play Roxie, in the pilot, from Warner Bros. Television, writer/executive producer Maggie Friedman, and director David Nutter. [Editor: In the pilot script, Roxanne "Roxie" Torcoletti is described as a sexy, bohemian artist with a penchant for making fertility goddess statues.] (Variety)

More pilot casting goodness: Jeremy Northam (The Tudors) will star in CBS drama pilot Miami Trauma; Matt Czuchry (Gilmore Girls) will star opposite Julianna Margulies in CBS drama pilot The Good Wife, where he'll play a first-year associate at the law firm where politician's wife Margulies gets a job; Missy Pyle (The Sarah Silverman Program), Deanna Dunagan (Prison Break), and Chris Parnell (30 Rock) have joined the cast of CBS comedy pilot Big D; and Saffron Burrows (My Own Worst Enemy), Jesse Bradford (The West Wing), and Gaby Hoffmann (200 Cigarettes) will fill out the cast of CBS drama The Eastmans, about a family of doctors. (Hollywood Reporter)

NBC is said to be involved in "active talks with DirecTV to extend their unique shared-window experiment with Friday Night Lights," according to Entertainment Weekly's Michael Ausiello who credits an unnamed "insider close to the negotiations" alleging that DirecTV and NBC may only agree to jointly renew the series if they can negotiate a two-season pickup. (
Entertainment Weekly's Ausiello Files)

Matt Barr (
One Tree Hill) has been cast in the CW's untitled Gossip Girl spinoff, where he will play Keith van der Woodsen, a wealthy Malibu scion and love interest for Lily (Brittany Snow). Given his surname, it's thought extremely likely that Keith is Lily's future husband and the father of Serena. (Hollywood Reporter)

Kevin Sussman (Ugly Betty) will guest star in an upcoming episode of CBS' The Big Bang Theory, where he will play a comic book nerd friend of the gang who begins dating Penny. Sussman's episode is currently slated to air April 13th. (Entertainment Weekly's Ausiello Files)

Michael J. Fox will return to primetime with a one-hour special entitled Michael J. Fox: Adventures of an Incurable Optimist on ABC. Special, set to air Thursday, May 7th, will follow Parkinson's Disease-afflicted Fox as he attempts to spread his positive outlook to others during some the current economic climate and interviews a mix of everyday people and celebrities about how they stay optimistic. Elsewhere, CBS has ordered a hidden camera special entitled I Get That a Lot, in which celebs--including Heidi Klum, Jeff Probst, Jessica Simpson, and Ice-T--will work ordinary jobs and tell the people around them that they are look-alikes and not the real deal. Special, which will air April 1st, is from LMNO Entertainment. (Variety)

Former Aliens in America star Adhir Kalyan--who will next appear in a five-episode story arc on CBS' Rules of Engagement--wants to land a role on CW's Gossip Girl. "I think that's the long-term goal for me in my career: at some point to get onto Gossip Girl and share screen time with either Blake Lively or Leighton Meester, whomever they see fit," said Kalyan. (E! Online's Watch with Kristin)

30 Rock star Alec Baldwin will co-host Turner Classic Movies' The Essentials with Robert Osborne, who previously shared co-host duties with Rose McGowan last year. (Variety)

Stay tuned.

"Skins" Sneak Peek: Check Out Cook's Tattoo

While you've already read my advance review of the Season Three premiere episode of Skins (and my interview with Skins co-creator Jamie Brittain), which launches on January 22nd on E4 and later this spring on BBC America, here's a chance to take a look at a scene from the first episode.

Be forewarned, the clip below is definitely NSFW and features some rather, uh, adult humor as Cook (Jack O'Connell) shows the entire student body of Roundview College his unique tattoo.


Be sure to come back later this week for my interview with new cast member Lily Loveless, who plays Naomi in Season Three of Skins.

More Than Skin Deep: Televisionary Talks to Jamie Brittain, Co-Creator of "Skins"

Fans of Skins might not want to hold their collective breath waiting for Sid, Cassie, Tony, and Michelle and the stars of the first two series to return, according to the series' co-creator.

This past weekend, I interviewed 23-year-old Jamie Brittain, who--along with his father Bryan Elsley--co-created Skins, which airs on E4 in the UK and on BBC America in the State, to dispel some rumors and set the record straight about the highly anticipated third series of Skins, which returns with new episodes this year. (You can read my advance review of the first episode of Series Three here.)

Over a pre-prandial cigarette on the terrace outside the ballroom at the Universal Hilton, where he had spoken earlier that morning on a panel for the Television Critics Association Winter Press Tour, Brittain denied reports that the former cast of Skins would ever reappear on the series, confirmed that a US version of Skins is in the works, and told me what to expect for the third series of Skins, launching January 22nd on E4 and later this spring on BBC America.

Televisionary: Can you tell us what the genesis was for the creation of Skins and what its inspiration was?

Jamie Brittain: My father is a guy called Bryan Elsley, who is a fairly well-known television writer in the UK. I was sitting with him in his kitchen in London and he was coming up with ideas for shows and was pitching them to me and was, like, "what about this, what about this?" And I was like, nah. And he said, "well have you got an idea then?" and I said, "I have this short story that I wrote when I was 15 and I think the characters are quite good and I think it would work as a television show." He liked the idea and his bosses liked the idea and the channel liked the idea and it was one of the fastest commissions ever. It took 24 hours, from start to finish. And so [we] put the whole thing together.

Q: What's it like writing and working with your father?

Brittain: We've got a very good relationship, actually. It would be more interesting to read to read, oh, it's terrible but actually we get on very well and we have a very close relationship and there's certain things that I can say to him that no one else could. It's good fun.

Q: Series Three is going out in the UK on January 22nd and launching in the US later this spring. Given that it has a whole new cast, it almost seems like almost different show. What went into the decision to bring in a new cast for the third series?

Brittain: Well, it was because the show is about people aged between 16 and 18. That's exactly what it is. Really, it was the only thing we could do and we didn't want to continue with the old cast [as they got older], so we brought in a new one. And that was our reasoning.

Q: Will we see any of the old cast pop up at any point? There were rumors a while back that Sid and Cassie could turn up or we might see Tony as he's Effy's brother. Is there any truth to that?

Brittain: No. I can tell you now that there is absolutely no chance of any of the old cast coming back. I am sorry but but it's one of the rules we set ourselves. We're not looking back, we're looking forward.

Q: What was the reaction from the channel to the new cast?

Brittain: They were trepidatious about it and then we explained it to them and they got behind it They're very good, the channel [E4], they let us do pretty much whatever we want and it's a very good relationship.

Q: Seems like Skins was very much a brand-defining series for E4. Do you think that at the time it was exactly what E4 needed?

Brittain: Yes, I think we were in the right place at the right time. I think a show like Skins would have happened if we hadn't made it first. The atmosphere was ripe, teenagers more empowered than ever, and there was going to be a show sooner or later that showed them as empowered individuals and it was exactly what the channel was looking for and it was exactly the audience that they were looking for. Part of the success of the show is basically due to the mood of the times.

Q: How important is the city of Bristol to the show?

Brittain: Yeah, because we're a very cheaply made show we don't really have the money for those very classy, high definition shots of the city. The city is very important to the show and we chose a city like Bristol because it's big enough to have a lot of interesting places to go to but small enough to have sort of a community center to it. The word Bristol is never used in the show and we've only ever used the Clifton Suspension Bridge once, a big landmark that. I like to think that the city is sort of a strange, unknowable place in Skins and the characters move through it in a slightly confused sense. Certainly, if you watch some of the episodes in Series Three, the city is much more of a character and there's many more weird places to go to.

Q: What can fans expect to see in Series Three? And is it a good jumping on point for new viewers?

Brittain: Yeah, yeah. You could have never seen Skins before and you could watch Series Three. It is about how a group of friends come together, about how a group of disparate people come to meet each other. Unlike the first two series, where the characters already knew it each other, this time round it shows how they meet each other and how they react. It's also about how a girl--Effy--disrupts a group of friends, Freddie, J.J., and Cook as they all fall in love with her. It's about how they work that out and how she responds to it. It's a very complex, nuanced series and I think it's the best one we've ever done and it's just fun. I just hope it's a lot of fun to watch.

Q: Did you have any idea when you cast Kaya Scodelario as Effy back in Series One that she would be the lynchpin for the new cast down the road?

Brittain: Not when we immediately cast her. As soon as we started doing Series Two, we knew that if we did another series--and if we were commissioned for another series--we would involve her as one of the main cast.

Q: Effy's quite an interesting character as, unlike Tony, who was front and center and his manipulations were much more overt and out in the open, Effy tends to work behind the scenes much more quietly.

Brittain: She's a very mysterious character and you never quite know what she wants. And we go some way to explaining her motivations in Series Three.

Q: Is the third series a darker series than the first two?

Brittain: I wouldn't say it's darker, no. I would say if Series One was light and Series Two was dark, Series Three is a sort of synthesis, it's sort of a little bit of both. It's got a very slick variety of tones, which I am very proud of. The first episode is very light and funny and the second episode, which I wrote, is sort of dark and strange--

Q: That's the Cook-focused episode?

Brittain: Yes, that's the Cook episode. And it ends up with him beating up a gangster in a brothel. So it's good fun. I think it's the best we've done.

Q: If you look at Series One, it laid the groundwork for these characters and Series 2 pushed them, in many cases, beyond their limits. Will Series Three and Series Four follow that same pattern?

Brittain: Um, yes, the first series we do with each characters is about introducing them and setting them up and the second and fourth series are about complicating them, finding out how far they can go. Some people said that in Series Two we went a bit too far with that so this time around I think we will try to keep it as funny and exciting as people expect from it.

Q: Obviously, you've got an amazing group of actors with the new cast but you also have a track record of working with amazing guest actors, with people like Mackenzie Cook, Harry Enfield, and Scott Mills. Did they approach you about being on the show or vice-versa?

Brittain: Yeah, they are great. Generally, what happened is that Brian [Ensley] is friends with Harry Enfield. Harry is one of our big guest stars and so he asked him as a favor to come and be on the show [as Effy's father] and once we got him a lot of other people were, like, "oh, this could be quite a fun thing to do," so we got lots of great people. Sometimes we hear about people who really want to be in the show; other times, we just ask people and they say yes. I was at an awards ceremony the other day and I met the actor Chris Addison, who's in The Thick of It, and I said, "Do you want to be in Skins?" and he said yes. So I said I'd write him a part. Sometimes you just meet people like that and so we find a part for them.

Q: It was amazing to see over the first two series, that range of guest stars you used. Some of it quite unexpected like Peter Capaldi, who played Sid's father... though I won't forgive you for killing him off!

Brittain: Oh, yeah. It was really funny--because I am not the showrunner or anything, I'm just a writer though I will be the Lead Writer next year--but when I wrote my episode for Series One, which introduces the Peter Capaldi character, they said, "Who do you want for the mum and dad" and I went, Josie Lawrence and Peter Capaldi. And they said, all right then and they got them.

Q: Throughout the first two series, Skins has done a lot with playing with the line between reality and fantasy, especially with Cassie and Tony. Was that something you set out to do initially, to create a show where that line could be blurred?

Brittain: One of the rules we set ourselves when we started the show was: no dream sequences and no flashbacks. But I sort of bend that rule my Series Two episode, the Tony episode where he goes off to university, which has this very dream-like quality. It was something we played with later on but we never went too far with it because we never wanted to do a dream sequence or a flashback but it's another way of expanding the characters and getting to know the characters better and taking the characters to places they wouldn't ordinarily go.

Q: Without revealing too much about Series Three, what else can you tell us about the plot?

Brittain: Apart from what I've told you already, it's about how Effy complicates the [relationship between] the boys... but every episode is an individual film, really. So there's lots of stories. There's a story about a lesbian girl coming out, there's a story about a guy with sort of social difficulties coming to terms with himself. There's an American Idol star spoof, which is quite good fun, which has an actor in it called Richard Fulcher from The Mighty Boosh. He plays the Simon Cowell type figure and he's really good fun, he's brilliant. And he's probably my favorite guest star this year, with him and Matt King, Super Hans from Peep Show, who plays Cook's dad. There's lots of good people.

Q: Were you at all surprised at what a huge global phenomenon Skins has become?

Brittain: Yeah, it's bizarre. The show is made really cheaply. Chris Clough, our producer, is a genius at being able to make the show so cheap and make it look as good as it does. The show's got a tiny budget and it was on a digital channel and we had no clue. We thought it would be fun to do, fun to write, and do one series and then that was it. It was very surprising and very cool.

Q: I've heard it's huge in Brazil.

Brittain: (Laughs.) They love it, the Brazilians. There's a fan site called Skins Brasil and there's a guy who runs it called Victor, who's sort of a blogger and he gets all of the information before anyone else and he sends me emails all the time, he's obsessed.

Q: Have you been approached about doing a US version of the series?

Brittain: Yes... we're working on it at the moment. We're really at the early stages so we're just trying to work out what will work and what won't and I am going to be writing it with an American team and I'm nervous about it because working in America is very different than working in the UK. I think we can make it work. It should be good but it's still very, very early.

Q: What other US or UK series influenced you or are you passionate about?

Brittain: Well, I love television. I watch a lot of television, mostly American television. As for influences on Skins, pretty much every teen show ever: 90210, My So-Called Life, Buffy the Vampire Slayer, Dawson's Creek, The O.C. All of them we watched. Personally, I love--I mean, everyone's saying this at the moment--but I love The Wire. You have to say that if you like television. I love the The Wire. All the big American dramas, especially cop dramas. I love The Shield, NYPD Blue, Homicide: Life on the Street, LA Law. All of them. Yeah, cop shows. I watch a lot of comedy in the UK. Probably my all-time favorite show is The Thick of It, with Peter Capaldi and Chris Addison. I love that show.

Q: Is there a writer whose career you'd love to emulate?

Brittain: Well, Armando Iannucci, who writes The Thick of It. He can do anything; he's an actor/writer/performer/producer. That would be pretty cool. My father [Bryan Elsley] is a huge influence on me. He's at a point now in his career where he can pretty much do whatever he wants. It's taken him 25 years to be able to get there but he can pretty much make any show he wants because he's proven himself as a bankable writer who makes popular yet complicated and original shows. I'd love to be able to do that.

Q: Is there any single character from Skins who you most identify with?

Brittain: Sid. First time round. He's based on me. Everyone loves Sid.

Season Three of Skins launches January 22nd in the UK and this spring on BBC America. (You can read my advance review of the premiere episode here.) Be sure to come back later this week for my interview with new series star Lily Loveless.

TV on DVD: "Skins: Volume One"

Every once in a while a series comes along that completely manages to alter your expectations and perceptions of a particular genre.

The last time a teen drama managed to defy its pigeonholing was FOX's The O.C., which offered a series that offered a wink and nudge to the classic tropes of the genre, which is gently tweaked, while also offering engaging storylines for its adult characters, a trend that the CW's Gossip Girl has continued to in its stead.

So when UK digital network E4 launched teen drama Skins, created by Bryan Elsley and Jamie Brittain, in 2007 (US digital cabler BBC America aired it Stateside last year), I was once again blown away by how this series imploded stereotypes about teen dramas and transformed my views on what the genre was capable of. Paradoxically offering both a heightened sense of reality and a grounded look at teen culture today, Skins managed to capture not only an age-appropriate audience who quickly fell under the spell of its characters, but also an adult audience that appreciated the deftness of plotting, emotional depth, and refreshing ease with which the series dealt with the vagaries of teen life: sex, drugs, rivalries, death, morality, pregnancy. In other words, life.

BBC Home Video today releases Skins: Volume One, a DVD set of the first nine episodes of the series, which comprise the first season of this groundbreaking and remarkable series. After watching the second season wrap up last month on BBC America (which featured the departure of nearly the entire cast), it's astonishing to go back and rewatch the series from the beginning.

For those of you who missed the series when it aired last year, Season One introduced a group of Bristol teens whose lives and fates seemed intertwined, with each episode focusing on defining the point-of-view of a single character and allowing the audience to experience the minutae of their lives.

There was Tony (About a Boy's Nicholas Hoult), the swaggering de facto leader of the group with a Svengali-like tendency to manipulate everyone around him, including his geeky best friend Sid (Mike Bailey) who happened to have a thing for Tony's gorgeous if insecure girlfriend Michelle (April Pearson). There was Michelle's musically talented best friend Jal (Larissa Wilson) whose mother abandoned her, Muslim Anwar (Slumdog Millionaire's Dev Patel) who feigned at following his religion's tenets but really just wanted to lose his virginity; gay dancer Maxxie (Mitch Hewer) whose father wanted him to be a builder; happy-go-lucky drug fiend Chris (Joseph Dempsie) whose sunny exterior hid some dark family secrets and who carried a torch for psychology lecturer Angie (Siwan Morris).

And then there was Cassie (Hannah Murray). I first knew that I was watching something incredibly magical and unique when I saw Season One's second episode ("Cassie"), which featured the spacey Cassie as she drifted through a surreal and almost dream-like Bristol, seemingly receiving messages on Post-Its and her mobile phone telling her eat. Dealing with her eating disorder head on, it established Cassie as a sympathetic, if unpredictable, character and established that Skins had well and truly arrived with a unique and previously unheard voice of a generation.

Skins: Volume One features all nine episodes from the first season, with one important caveat. I'm awfully sad to report that, due to music clearance issues, the gorgeously poignant final scene of Episode Nine ("Finale"), in which the cast fractures and goes their separate ways while singing Cat Steven's "Wild World," has been edited out of the DVD release. (Fret not: you can watch the emotionally wrenching scene here.) Providing both an emotional catharsis for several of the characters after the drama of the previous episodes as well as featuring some vital story points necessary to set up Season Two, this is an incredibly intrinsic and important sequence and I'm really very upset that there was clearly too costly to clear this song for the DVD.

The three-disc set features several hours of bonus materials, including character-specific ancillary storylines that fill in the gaps between--and sometimes during--the series' first season episodes. There's a recurring gag involving careers office staffer Josie (remember her from Season Two) and snails, as well as storylines in which Michelle and Cassie steal a wedding dress and tuxedo from a bridal shop, Chris gets the money for the class field trip to Russia from a porn star, a teary Effy tells a heartbreaking story about a sister's love for her brother, Ace and Lynton try to get their demo to a hip-hop radio DJ, and Cassie says goodbye to a friend from the clinic. Additionally, there are numerous in-character video diaries, featuring everyone from Abigail (Georgina Moffat) and Anwar to Cassie and Posh Kenneth (Daniel Kaluuya).

While the absence of the "Wild World" montage is absolutely heartbreaking, Skins: Volume One is just a must-have set for any fan of Skins... and with the third season just around the corner, this release offers the perfect opportunity to take a look back at the original cast or, if you've never seen the series before, start at the very beginning.

Skins: Volume One has a suggested retail price of $39.98 but you can pick up a copy for $29.99 right now in the Televisionary Shop. Own it on DVD today!

Sex, Drugs, and ASBOs: An Advance Review of "Skins" Season Three

Um, like, wow. I've been on pins and needles since the second season of Skins wrapped up last month here in the US.

After all, the new season of Skins would feature not only a new beginning but largely an entirely new cast, save for Kaya Scodelario's Effy Stonem and Lisa Backwell's Pandora. Would the new gang of Bristol teens grab my attention as much as Tony, Michelle, Sid, Cassie, and the others had done over the course of the first two seasons? Would it feel like an entirely different new series?

The answer to both, luckily, is an resounding yes.

Last week, I watched the superb third season premiere of Skins (which launches in the UK on January 22nd) and I'm thrilled to report that this new season is not only a great jumping on point for people who haven't been watching the last two seasons (though shame on you if you haven't caught this smart and slick series) but it also effortlessly introduces a new batch of teens who are a mix of cocky, confident, brooding, sullen, bitchy, sensitive, promiscuous, keen, lonely, dangerous, and provocative, sometimes all at the same time.

So what else can you expect to find when Skins kicks off its third season? Let's discuss.

Unlike the first season, where we saw a group of kids already tightly bound together by the bonds of friendship, Season Three begins with a mostly disparate group, some of whom already know one another, as they begin their first day at Roundview College.

And what a day it is. From the very opening scene, a gorgeous tracking shot in which soulful Freddie (Luke Pasqualino) sails down the streets of Bristol on his skateboard, narrowly evading capture by a bike cop and multiple obstacles, one can't help shake the feeling that this season of Skins hits its target precisely from the get-go. What follows is a scene that blends the series' trademark combination of pitch black drama and off-kilter humor, as Freddie meets up with his friends Cook (Jack O'Connell), a cocksure lad whose, uh, well-placed tattoo becomes the lynchpin in a painfully hilarious and raucous scene at the college, and JJ (Ollie Barberi), a socially awkward (though intellectually gifted) prankster with a penchant for slight-of-hand, for some beers and spliff before class.

This being Skins, this troika of likable lads had to be broken up sooner or later... and applying pressure (and one hell of a temptation) to the group is one Effy Stonem, who--in true Effy fashion--memorably arrives at the scene. Her introduction to the boys is bound to be the subject of much discussion, coming as it does on the heels of a car accident, as Effy slinks away in the manner of a true femme fatale.

As in previous seasons, there's a sweeping cast whom we're likely to get to know much better throughout the next batch of episodes. Unlike previous seasons of the series, the third season premiere doesn't focus on any one character in particularly but gives equal weight to all of the new characters, from the aforementioned Cook, Freddie, and JJ to the always-enigmatic Effy and clueless Pandora (who, not atypically, introduces herself as "Hi, I'm Pandora! I'm useless!").

We also meet twins Katie (Megan Prescott), a socially-motivated man-eater who has always had a boyfriend since she was seven (and is currently dating a star footballer), and Emily (Kathryn Prescott), who is the opposite of her twin sister: quiet, shy, and introspective. Like a shark to blood, Effy immediately senses the tension between the twins and its root cause; it's likely something that our Effy will seek to use to her advantage later on, especially as she and Katie will either wind up BFFs or bitter social rivals.

Meanwhile, Katie and Emily seem to be mortal enemies with the brash, outspoken Naomi Campbell (Lily Loveless). (And, yes, her name is Naomi Campbell.) While Emily and Naomi were once close, there's the little matter of a pre-Roundview College kiss between the two of them that seems to be the source of conflict between them. Katie claims that Naomi pounced on her sister while Naomi claims that Katie is spreading lies. Hmmm... Just which of them is telling the truth? And how does Emily actually feel about Naomi?

I don't want to give away too many details of this fantastic season opener, but I will say that before the hour is over, look for two characters to engage in sex on the Roundview premises following what must be the very best tour of verboten behaviors ever seen on the series.

Meanwhile, JJ tries to charm Pixie, a deaf student, with an elaborate magic trick and Cook bares the weight of her disgust, a teacher loses her mind in a series of increasingly escalating torments, Effy measures up all of the new players, and the friendship between Freddie, Cook, and JJ takes a turn for the worse.

Also keep your eyes open for a poignantly rendered shout-out to Sid. While the writers didn't need to make us nostalgic for the old cast, the brief scene at Roundview perfectly encapsulates the presence of Sid and the others while also distinctly establishing that this is a new beginning for the series.

And, let's face facts, it is a new beginning. The producers took a huge risk by jettisoning the much loved cast and bringing in a new troupe of fresh-faced teens to carry the weight of the series. Judging from the sensational first episode of Season Three, I think it's a gambit that has paid off beautifully. I'm already completely captivated by this new gang of teenage misfits and itching to find out what will happen to them next.

As this is Skins, a series as groundbreaking as it is whiplash-inducingly unpredictable, I have no worries that, like JJ, whatever the writers have up their sleeves, we won't see it coming from a mile away... and, despite the new faces in the cast, that fact definitely hasn't changed.



Season Three of Skins launches on January 22nd in the United Kingdom on E4 and this spring in the US on BBC America. Be sure to come back tomorrow for an interview with Skins co-creator/writer Jamie Brittain.

First Look: "Skins" Season Three

Already missing British teen series Skins, which wrapped its US run last month?

Fret not, readers, as I have a first look at Season Three of Skins, launching in the UK on E4 this month and later this spring on BBC America. (UPDATE: You can read my advance review of the third season premiere here.)

Season Three of Skins introduces a whole new cast, in addition to Kaya Scodelario's Effy Stonem, Tony's younger sister memorably introduced in Season One, and new friend Pandora (Lisa Backwell). Joining the cast of Skins for the third season: Jack O’Connell (This Is England), Luke Pasqualino, Ollie Barbieri, Megan Prescott, Kathryn Prescott, Lily Loveless, and Merveille Lukeba.

While I previously reported some casting announcements for Season Three of Skins, I received the official press release from UK network E4 this morning, along with some images of the new cast.



And, oh, did I mention I also received and the official trailer for Season Three? You can view the new promo, which promises even more Bristol-based mirth and mayhem, in full after the jump. (Be sure to watch in full screen format.)



The full press release, announcing the return of Skins to E4, can be found below.

Skins returns…

E4’s home-grown drama series is coming back in January, but with just two of the original cast returning Skins 3 introduces a gang of new faces.

“We're very excited about series three of Skins and feel that our new cast are shining in roles, stories and characters which have been created by young people to a greater extent than ever before,” said executive producer Bryan Elsley.

The Class of 2009 is headed up by the beautiful and elusive EFFY (Kaya Scodelario), returning as the new queen bee. She’s joined by sweet and kooky best-friend, PANDORA (Lisa Backwell) who keeps the gang together.

The guys are led by the irrepressible and irresponsible COOK (Jack O’Connell - This is England, Eden Lake) a daring and charismatic leader of the gang. His best mates are FREDDIE (Luke Pasqualino) who’s the skateboarding, weed-smoking ‘cool’ one, and JJ aka Jonah Jeremiah Jones (Ollie Barbieri), the master illusionist.

The twins KATIE (Megan Prescott) and EMILY (Kathryn Prescott) are pulling in different directions. One wanting to shed her twin and gain status, the other hanging on, crippled by shyness. Completing the girls is passionate, political and principled NAOMI (Lily Loveless). Finally, THOMAS (Merveille Lukeba), good and honest, he travels from the Congo to set up home for his family, and has to find his feet in a new and strange country.

Together the gang bond as they fall in and out of love and lust, fight one another, compete against each another, and also unite as one.

Series 3 will see guest stars Harry Enfield and Morwenna Banks return as the Stonem parents, alongside new guest appearances from Radio 1 DJ Scott Mills, and actors Mackenzie Crook, Sally Phillips and Geoffrey Hughes.

The ten brand new episodes are written by a young British writing team, headed up by Executive Producer Bryan Elsley. Chris Clough is series producer, while series 3 is directed by Charles Martin and Simon Massey. Skins is made by Company Pictures and commissioned by Camilla Campbell for E4/Channel 4.

Stay tuned.

Top TV Picks of 2008

As it's nearly the end of the calendar year (only a few more days to go, in fact), I figured now was as good a time as any to look back at some of the shows that that have entertained and inspired me over the past year.

It's been a crazy year, between the WGA strike affecting everything from truncated freshman seasons for Pushing Daisies, Dirty Sexy Money, and Chuck, delayed seasons for FX's Damages and HBO's Big Love (and a host of others), and a generally frantic development season that only saw two relative hits emerge this fall.

So, what were the favorite series in the Televisionary household? Which left me wanting more... and which ones made me eager to change the channel? Find out after the jump.

Best Reality Series:

Top Chef
The Amazing Race
Flipping Out

Top Chef remains my number one reality obsession. Bravo and Magical Elves have done themselves proud with this sleek, slick production that makes the art of cooking into a nail-biting competition in which egos clash, visionaries emerge, and the judges knock the competitors down a few pegs each week. While those of us at home can't taste the food being prepared, the aura of creativity around this series is more than enough to sate us.

Despite some creakiness in The Amazing Race's format (this most recent cycle won't go down as the most entertaining iteration of the series), this reality franchise remains one of the most consistently high quality unscripted productions around... if the casting directors do their job right. I'm still engaged with the ride but I was hoping for a bit more out of this most recent season, given that one of the main reasons I tune in is for the interpersonal element, seeing which teams emerge stronger than ever after running this gauntlet and which crumble under the pressure.

Flipping Out remains one of the most gripping and tense hours of television around... and also one of the most bizarre. Its breakneck second season had boss Jeff Lewis installing a nanny cam in his office to spy on his employees, the dissolution of Jenni and Chris' marriage, and the Client From Hell which lead to Jeff quitting, not once, but twice over the course of the season. Flipping Out might nominally be about the Los Angeles real estate market (and speculative buying) but it's about some of the quirkiest characters ever to be drawn on the small screen and I just can't look away.

Reality Series Most in Need of Fixing:

Project Runway

Given the current legal battle over the future of the series (producers the Weinstein Co. tried to take it to Lifetime), it seems like the most recent season of Project Runway will be the last for some time (or until that case is tried)... and I have to say that I found it to be pretty lackluster as the contestants seemed more apt to making each other (and themselves) cry than wowing us with any sartorial finesse. And overall the competition seemed overshadowed by Kenley's tantrums. A series with that many seasons under its belt should know better and it's likely that it will be the last one I end up watching.

Best British Imports:

Doctor Who
Skins
Gavin & Stacey


In its fourth season, Doctor Who remained just as entertaining and exciting as ever, even as it introduced the Doctor's latest companion, Donna Noble (Catherine Tate, who originated the role in the 2006 Christmas Special, "The Runaway Bride"), easily the most heartbreaking character on the revival series. In a season that saw the return of three prior companions (including fan favorite Rose Tyler), it's the sacrifice that Donna makes that adds a sheen of loss and tragedy to this rip-roaring sci-fi adventure series. And its season finale altered the landscape of Doctor Who, featuring a final battle with some ancient enemies in the form of the Daleks and Davros and a bittersweet ending that had our Doctor (David Tennant) off on his own once again, just as he finally found a traveling companion who might have been his very equal.

Like a bolt from the blue, Skins has shown its devoted audience just what the teen drama genre is capable of, deftly turning out plots ranging from eating disorders and love triangles to the death of a parent, unwanted pregnancy, and teenage mortality. It also gracefully juggled a wide array of well-drawn characters that were alternately cruel, kind, funny, bitter, sly, witty, stupid, and gifted (often all at the same time) but who always remained sympathetic. At times laugh-out-loud funny and utterly traumatic, Skins redefined drama for the under-18 set while also remaining completely relatable to those of us who have left our teen years behind.

No romantic comedy has ever achieved the level of bittersweet emotion that Gavin & Stacey has managed to acquire. What started out as a simple love story between strangers--Essex lad Gavin and Welsh lass Stacey--transformed into a touching portrait of disparate national identities, the problems facing today's twenty-something lovers, and, well, omelettes. It's a rare thing to find a series that makes you laugh as much as it does make you cry, but Gavin & Stacey--created by co-stars Ruth Jones and James Corden--effortlessly achieves both ends with a wit and flair all its own.

Best British Import (Yet to Air in the States):

Ashes to Ashes

The sequel to the cult hit Life on Mars (which wrapped its series very early on in 2007 and thus gets an honorable mention), Ashes to Ashes follows a single mum forensic profiler who, after being shot in the head in 2008, finds herself seemingly sent back in time to 1981, where she encounters Gene Hunt, the New Romantics, a terrifying phantom Pierrot clown, and a mystery that involves the death of her parents. Can she figure out a way to return to her daughter in 2008 and cheat death? Both funnier and scarier than Life on Mars, Ashes to Ashes breathes new life into this franchise, which seemed to come to an end with John Simm's Sam Tyler. US audiences can catch this fantastic series beginning in March on BBC America.

Biggest Letdown from a Once Great Series:

The Office

I'll be blunt: The Office used to be one of my very favorite series but watching this sodden comedy has become more of a chore than a pleasure. While Amy Ryan's Holly Flax seemed to reinvigorate this comedy for a bit, her six-episode arc quickly came to an end and has left The Office at a bit of a loss this season. The comedy seems more prone to overwrought absurdity than tweaking humor from the mundane, Jim and Pam irritated me more than ever as a long-distance duo, and the moments of comedic genius, which The Office used to have in abundance, seem ever more isolated. To me, it's not Meredith who needs an intervention, it's The Office itself.

Best Canceled Series:

Pushing Daisies
The Wire

More than any other cancellation in recent television history (save perhaps, Arrested Development), I feel utterly betrayed by that of Pushing Daisies. After launching a nine-episode first season last fall (courtesy of the writers strike),
Pushing Daisies should have returned with new episodes in the spring... yet ABC unwisely chose to "relaunch" the series this fall and squandered both the creative momentum and the ratings Pushing Daisies had achieved in its first season. Hilarious, touching, and quirky, Pushing Daisies was unlike anything ever to air on network television and redefined genre-busting sensibilities, blending together supernatural drama, romance, humor, and mystery procedural into one tasty package that was as comforting as a slice of warm apple pie. You'll be missed.

Over the course of five compelling seasons, HBO's The Wire tackled every issue facing today's modern American cities--from corruption and the drug trade to the failing educational systems and underfunded police forces--and did so while juggling a cast of deeply flawed individuals each trying to cope with the lot that fate dealt them. But it was the series' Dickensian aspect that earned it a place in my heart, as it gave equal weight to cops, drug dealers, homeless people, hoppers, politcos, and teachers, creating a memorable fabric of a city on the brink of destruction. Season Five of The Wire may not have been the series' strongest--with an indictment of the media and Jimmy staging a series of homeless serial killings--but it also paid off the series' long-standing storylines in a powerful and memorable way. Likely, there will never be another series as raw and honest as this one.

Best US Comedies:

30 Rock
It's Always Sunny in Philadelphia
Chuck

Consistently belly-achingly hysterical, 30 Rock remains my favorite comedy on television and only seems to be getting better and better with age, even as it remains the most politically-minded program on television today. Not bad for a series that's allegedly just about the goings-on behind-the-scenes at an NBC comedy sketch series. In the hands of creator Tina Fey and her crack team of writers,
30 Rock continues to push the envelope for broadcast comedy, offering well-placed snarky jabs at the media elite, politicians, and pop culture icons while also giving the audience one of the most well-drawn (and realistic) portrait of a 2008 working woman in Liz Lemon. My only complaint: that it can't be on every single week, all year long. Blerg indeed.

Raunchy and provocative, It's Always Sunny in Philadelphia is a raucous laugh riot from start to finish. Set in a low-rent Philly pub owned by a bunch of shallow, self-absorbed, and selfish losers,
It's Always Sunny in Philadelphia follows Seinfeld's adage that the funniest characters need not be the most sympathetic. It's the best exploration of arrested adolescence ever to hit the small screen and its absurdist plots--Mac and Charlie faking their deaths, a story about the cracking of the Liberty Bell, a forensic investigation into bed-bound fecal matter--reach to new depths of bizarre depravity and hilarity. I wouldn't have it any other way.

Chuck isn't quite a comedy but it is a series that skillfully manages to conflate comedy, romance, workplace intrigue, and action/adventure into one satisfying thrill-ride each week, all while remaining uproarious and emotionally satisfying. And Chuck has something for everyone: a star-crossed romance between Everyman Chuck (Zachary Levi) and his handler Sarah (Yvonne Strahovski), explosions, double-crosses, quirky best friends, and fancy spy technology. In its second season, Chuck has only gotten better: more funny, more gripping, more touching. And I can't wait to see where it takes us next.

Best US Dramas:

Lost
Battlestar Galactica
Mad Men


In its fourth season, Lost seemingly rewrote its own rules, having the fabled Oceanic Six made it off of the island and return to normal society and chucking out its own flashback technique in order to make use of a groundbreaking narrative format in which we now flashed forward, seeing the castaways who made it off of the island adapt to life back home and see Jack (Matthew Fox) come to the realization that they had to go back. A brilliant gambit that paid off in spades, the flash forwards added yet another layer of dread and mystery to a series already teeming with intrigue. Having an end date for the series has invigorated the path to that ultimate end of the franchise and made each and every installment count. Plus, "The Constant," in which Desmond (Henry Ian Cusick) travels through time and encounters physicist Daniel Faraday (Jeremy Davies) in his quest to find his lost love Penny (Sonya Walger), remains one of the very best single hours on television this year and a reminder of why Lost breaks nearly every one of television's rules, resulting in a series that anything but predictable.

Halfway done with its final season, Sci Fi's Battlestar Galactica has remained must-see TV for lovers of high quality drama. Despite its setting in the far-flung reaches of space,
Battlestar Galactica has remained a series that offers a dark mirror through which to view our own society, offering glimpses through the looking glass at the occupation in Iraq, racial cleansing, religious intolerance, human resistance, political tampering, civil war, and the hard choices governments must make in times of war. Having discovered Earth to be nothing but a radioactive wasteland, the crew of the Galactica--in an uneasy alliance with the Cylon race--learns to their dismay that we must all be careful what we wish for. There's still many mysteries to be solves as we begin the countdown to the series finale and I for one and dizzy with anticipation to see how Ronald D. Moore and David Eick manage to tie everything up.

AMC's Mad Men, which wrapped its second season earlier this year, is one of the most gripping dramas on television, regardless of what period of time it might be set in. Expertly recreating the 1960s with its attendant sexism, racism, and homophobia, Mad Men explores the public and private lives of the era's men and women with equal relish. This season produced some shocking twists, including Peggy (Elisabeth Moss) telling Pete (Vincent Kartheiser) that she gave birth to his child and gave it up for adoption, Betty (January Jones) kicking Don (Jon Hamm) out of the house, Don's trip to California and his rendezvous with the wife of the man whose identity he had stolen, and Peggy finally placing herself on equal footing with Don Draper. But none was more brutally shocking than the rape of Joan (Christina Hendricks), right in the offices of Sterling Cooper, by her supposedly "perfect" fiancé. Terrifying, brutal, and horrifying, the scene showed just how far women had come since then, just how little had truly changed, and just how quickly every vestige of power can be yanked away.

Best New Fall Series:

Fringe

I'll admit it: it was tough to find a new fall series that I could give the term "best" to. After a season that saw many new series strike out, only Fringe and The Mentalist emerged as justifiable ratings hits. Fringe is the far superior series and I'm somewhat enjoying it but I still have huge reservations about the series' choice to use self-contained storylines rather than serialized storytelling. (Additionally, I've twice now offered up suggestions on how to improve the series.) Fringe has an extraordinary amount of potential that I want the series to achieve sooner rather than later but it seems to be suffering in its execution: too much formula and water-treading and not enough layered mythology and trust in its audience.

And there we have it. A sampling of some of my favorites from 2008. As the year rapidly swings to a close, I'm curious to see what your favorite (and least favorite) series were, which shows you can't get enough of, and which ones you're happy to see the back of now.

Talk Back: "Skins" Season Finale

I don't know about you but I am going to miss the cast of Skins.

You've already read my advance review for the second season finale of Skins, which sees the departure of the entire cast, save Tony's little sister Effy and her friend Pandora, as Season Three will feature new characters, rather than our faves as they embark on new adventures. (And if you haven't read my review, do so now.)

Sniffle, sniffle.

But I am curious what you thought of last night's heartbreaking season finale of Skins. Did you get choked up when Tony finally told Sid that he loved him best and sobbed as the revolving door came back around empty? Did you cheer when Anwar accepted Maxxie's invitation to go to London and turned his back on manipulative and sociopathic opportunist Sketch? Did you realize just how much you loved Jal when she gave a gut-wrenching speech at Chris' funeral? And cheer when those fireworks went off?

Talk back here.

Skins launches its third season in the UK in 2009. Stay tuned for news about a US launch date as soon as I get word from BBC America.

Things Fall Apart: An Early Look at the "Skins" Season Two Finale

It was with an extremely heavy heart that I sat down to watch the season finale of British teen series, Skins, which airs this Sunday at 10 pm ET/PT on BBC America.

After the last episode, which saw the death of one of the main characters and the disappearance of another, I didn't think that the writers of this brilliant and evocative series could twist the knife any deeper and yet after watching next week's season finale, my jaw hit the floor.

It wasn't a shocking plot twist that made me so emotional about the end of Skins' second season but rather the naturalistic way which with the writers dealt with each of the characters going their separate ways. US series--especially teen dramas--could learn a hell of a lot from Skins, especially the producers' decision to push our beloved characters out the door and onto new (unseen) adventures while replenishing the cast with a new batch of characters, including Tony's sister Effy.

That, after all, is the nature of life. People grow up, they move on, they move away to follow their dreams. And the gang in Skins are no different, as they say good-bye to one of their own and await their A-Level grades, which could signify just how far they'll go... and possibly how high they'll fly.

So what can we expect from the Skins season finale? Let's discuss.

Chris' death was a sad surprise last week and the season finale deals with his passing in a most unexpected way. We're not given the opportunity to see how Chris' friends cope with the news of his death (seeing as last week we followed runaway Cassie to Manhattan, where she ran instead of telling Jal and everyone about Chris' demise) but are given a glimpse into the aftermath as we see first-hand how each of them prepares for Chris' funeral.

Until, that is, Chris' father (guest star Mark Heap of Spaced fame) turns up at Sid's and demands in no unspecific terms that Sid and Chris' other friends be barred from the funeral. This being Skins, Sid and Tony don't take this lightly but instead launch an offensive. The results are not only touching but hilarious as Sid and Tony steal Chris' body right from under the noses of Chris' holier-than-thou father (who, yes, abandoned his child years ago) and engage in a high-speed car chase with a coffin strapped to the roof of their car down the side streets and alleys of Bristol.

Meanwhile, Jal struggles with the toughest decision of her life as she must decide whether or not to have an abortion in light of Chris' death. Look for Jal and Michelle share a truly touching scene at the zoo, where Michelle shares the story about how she and Chris first met, and for Jal to follow Chris' sage advice and give a moving speech about Chris' innate bravery in the face of adversity. And for Anwar to feel pulled between the dubious friendship of Sketch and settling for life in Bristol and the jealousy he feels for his friends, about to embark on their own adventures without him.

The season finale also contains one of the most beautifully understated emotional moments of the whole series and it's not between Tony and Michelle, but rather between former best friends Tony and Sid at the airport. Over the past two seasons, we've seen Tony be so abrasive and cruel to Sid that it's utterly gut-wrenching to see him finally express his true feelings for his friend... just as he says good-bye to him.

I'll admit it: I got teary-eyed.

Very few series have successfully dealt with the realities of male friendships so well as Skins has and the ending to the season finale and its crucial scene between Sid and Tony speaks volumes about this. Casting aside their hurt feelings, egos, and wounded bravado, Sid and Tony finally realize just what their friendship means to one another and it's stoic, manipulative Tony who turns emotional. I don't want to give away just what happens but keep an eye open for the look on Tony's face after the revolving door has spun.

It's with a definite sense of sadness that we too say goodbye to these characters. I have no doubt that Skins' talent cadre of writers will create new and gripping characters for us to root for, fall in love with, and hate in equal measure. Still, just as it's hard for the characters to say goodbye to one another, so it is for us, the audience, to bid them farewell too.


I'll miss catching up, week after week, with Tony, Cassie, Sid, Michelle, Jal, Chris, Anwar, and Maxxie, but, for us as much as perhaps for them, life goes on.
Looking back at the first two seasons of Skins, we've been treated to a groundbreaking look at a real--sometimes hyperreal--depiction of teenagedom today, with all of its bad skin, raging hormones, and innate cruelty that was at times just as hard to watch as it was to look away from.

Or as Cassie might say, like, um, wow.

Skins wraps its second season on Sunday at 10 pm ET/PT on BBC America.

Effy is Artful: Falling Apart and Coming Together on "Skins"

Just a few quick words about this week's episode of Skins, which focused on Tony's younger sister Effy, she of the few words, kohl-rimmed eyes, and old soul who will be the focal character of Season Three of Skins, kicking off early next year in the UK.

Last night's episode of Skins ("Effy") also introduced the new character of Pandora (Lisa Backwell)--who will also appear in the third season of the hit series, alongside Effy (Kaya Scodelario)--and pushed the series' focus onto Effy Stonem, who in true Effy-fashion managed in the course of about a day to heal three fractured relationships, clean up her family's home (and get her mother Anthea into full Sleeping Beauty mode for her father's surprise arrival), and get Tony's watch fixed and inscribed for Michelle... all seemingly without blinking an eye or breaking a sweat.

It would seem that Effy has truly inherited her older brother's gift of manipulation but without its more Svengali-like aspects (a plus, I would say) and she uses her gifts in this episode to help the people around her, all while claiming to fail to see the purpose of love.

While the episode purported to focus on Effy and her private school chum, the action actually unfolded mainly around Sid and Cassie and Tony and Michelle. I'm glad that Sid and Cassie finally got a chance to scream at one another (even if Sid still doesn't seem to know that Cassie never slept with those guys in Scotland) and make up. It's been killing me to have these two apart and to see Cassie just spiral downwards as she has been in a haze of sex, drugs, and, well, more meaningless sex with anything that moves.

And Michelle's look of surprise and wonder at seeing the repaired watch (with its inscription of "Forever" on the back) spoke volumes about the healing ability of love and the power of forgiveness. (In her case, both of herself and of Tony for "abandoning" her during his accident and recovery.)

Offering Sid the chance to get back together with Cassie, Effy forces him to complete her art class assignment: to embody a true emotion in a piece of art... and inevitably gives Sid's best work ("Hopeless") to Pandora to turn in. Effy, meanwhile, tells her batty teacher that her piece is conceptual and "all around us" but can't be seen by everyone.

If that isn't the gift of a true artist, I don't know what is.

In two weeks on Skins ("Jal"), Jal has a tough decision to make as her secret pregnancy reaches the second trimester and she has a crucial audition to prepare for; Chris asks Jal to move in with him; the gang preps for their A-Level exams.

New Cast Announced for Season Three of "Skins"

While we here in the States are still in the midst of Skins' second season, the UK is gearing up for the January launch of Season Three, which will--as promised--feature a virtually whole new cast. So say good-bye to Tony, Michelle, Sid, Cassie, Chris, and the rest while you still can, because there are some new kids on the block, as it were.

E4 has announced the cast for Season Three of Skins. Not unsurprisingly, it will feature supporting character Effy Stonem (Kaya Scodelario), best known as Tony's wily if often mute younger sister. Also on tap for the third season: Effy's wayward best friend Pandora (Lisa Backwell), whose own spacey gregariousness contrasts sharply with Effy's quiet ways.

New characters for Season Three will include twins Katie and Emily struggling in different directions, idealistic and politically-minded Naomi, as well as charismatic nutcase leader Cook (Jack O'Connell), clearly filling the void left behind by Season One's manipulative Tony, stoner/skater Freddie, illusionist/strategist J.J., and immigrant Thomas, who tries to adapt to life in the UK after emigrating from the Congo.

Ten episodes are planned for Skins' new season and Harry Enfield, Morwenna Banks, and Geoffrey Hughes are slated to return for guest appearances in Season Three. E4 has also locked Mackenzie Crook (The Office), Radio One DJ Scott Mills, Sally Phillips (Green Wing), and James Fleet (The Vicar of Dibley) to pop up next season.

What do you think of the notion of Skins' writers following through on their promise to keep the original set of kids around for just two seasons? Is it a wise move to keep the cast rotating and be age-specific? Or are you going to miss the gang we've come to know and love? Discuss.

UPDATE: You can now read my advance review of the Season Three premiere of Skins here.