High School Musical: Talking with "Summer Heights High" Creator/Writer/Star Chris Lilley

It's been with much enthusiasm that I've been following the career path of Australian comedian/writer Chris Lilley, the creator of the sensational mockumentary comedy series Summer Heights High, which originally aired in Australia last year, earlier this year on BBC Three, and launched Stateside last night on HBO. (I watched the eight-episode series shortly after it aired in Australia and have been gushing about it ever since.)

I had the opportunity to speak with Lilley while he was in Los Angeles as part of his promotional tour of the US for Summer Heights High and was immediately struck by just how vastly different the real-life Lilley is from the three characters he portrays on Summer Heights High. Soft-spoken, articulate, and calm, Lilley couldn't be more at odds with the hyperactive Jonah Takalua, the bitchy Ja'mie, or the egocentric Mr. G.

It's the Mr. G character in fact who has been with Lilley the longest; Lilley first created the failed actor/arrogant drama teacher while doing stand-up comedy ten years ago and he later appeared on sketch comedy series Big Bite. Lilley, however, found the series' laugh track "restrictive" and, went on to create mockumentary comedy series We Can Be Heroes, which introduced, among others, Summer Heights High's Ja'mie King, here up for the prestigious Australian of the Year award. (The series aired in the States and in other countries under the title The Nominees.)

So where did the idea for Summer Heights High come from? "I started to hang out in schools," said Lilley, who began researching a project after the end of We Can Be Heroes. "[The project I wanted to do] was going to be about three different worlds: school boys, school girls, and the teaching staff world. I wanted there to be this interesting contrast between the school boy and the school girl, where there was this [private] school girl that everyone thought was wonderful who was visiting the school. I thought she was a great contrast with the boy that everyone thought was terrible when actually it's the girl that is the nasty mean one and the boy is just a little bit lost in the system. It just went from there. I just hung out in schools for a long, long time, meeting kids and interviewing people and it just came together from there."

How did Lilley get into character as wayward Tongan Jonah Takalua and what was the motivation behind creating his character? "I was really interested in doing something that was quite far from me, that was really different than me and what I was like when I was at school," said Lilley. "I was really excited about it. So I met Pacific Islander kids and just naughty teenage boys, those types of kids and hung around them enough to feel confident to write in the voice of the characters."

Lilley couldn't have created three more disparate characters in terms of age, background, or personality than Ja'mie, Jonah, or Mr. G, so I was curious to know which of those characters did he most enjoy performing? "Jonah was really challenging," said Lilley, "but is the most rewarding to watch, perhaps because he is the most different to me."

As for getting into the character of Jonah, Lilley didn't over-workshop the character, which is surprising given just how much he transforms himself into the Pacific Islander teen, a rare example of an actor disappearing into a character vastly different than himself.

"I don't sort of rehearse stuff, it's not like I put up a mirror and practice physical things," explained Lilley. "I guess I just study the types of people [I want to portray] and I think about the characters a long, long time in the writing process so when it comes to shooting it, it's all there and it's all instinctive rather than thought out."

Adding to this verisimilitude is the fact that Lilley creates an entire world for Jonah that assists in the ornate illusion he's created. "I had the example of the other boys that were Jonah's friends and that was intentional as I wanted to surround him with kids that were just like him in order to help the illusion and you could place him," admitted Lilley. "I knew that physically I didn't really look like a Tongan kid but if you surrounded him enough with the other kids and got the hair right, maybe people would get the illusion. But I find it really strange myself and kind of weird [just how well it worked]."

I have to say that one of the reasons the audience so quickly (and willingly) buys into the illusion that a 34-year-old comedian is playing a 13-year-old Pacific Islander or a bitchy private school girl is the fact that the rest of the cast is made up of non-professional actors. The woman playing Ms. Murray, Summer Heights High's gruff principal, is an actual high school principal and the kids that interact with Ja'mie, Mr. G, and Jonah are actual kids at the school where they filmed.

"It was really complicated to shoot what we needed in such an uncontrolled environment," explained Lilley about the decision to use actual real-life kids rather than trained actors. "A lot of times the excitement of us being there made the kids act strange," said Lilley, relating a story about how the kids began to jump up and down during a shot of Ja'mie walking across the playground.

But often times, the cameras would be far away, more than 50 meters in distance from Lilley, and that created an environment that was "so real" and often confused the difference between reality and fantasy as the cameras were rolling all the time and the crew was surrounded with the teens all the time. In fact, Lilley ended up actually teaching drama classes so they could get enough material for the Mr. G character. And, as for the aforementioned Ms. Murray, "casting" her role was extremely difficult as Lilley wanted someone with a "natural authority" but found that they had to often cut around her as she proved "quite unique" in her true-to-life performance.

So does the end of Summer Heights High signal the end of Ja'mie and Jonah? "I really loved these characters," said Lilley, speaking about his trio of creations for Summer Heights High. "Mr. G
[from Big Bite] came back, Ja'mie [from We Can Be Heroes] came back. I'd love to bring back these characters, so who knows."

As for what Lilley will do next, anything is possible, except maybe an extraneous cameo appearance in a Hollywood blockbuster film. "I love to control people's lives, I love the whole aspect of being a performer/creator/writer/producer. (I should just say everything.) I definitely would like to do something along those lines. I am not going to do a cameo in an Adam Sandler movie or something. I've got about five diferent ideas of things I'd like to do and it's just sort of narrowing it down. But I like the idea of playing new characters and bringing back old ones."

Whatever Lilley does next, however, it won't be selling the format rights for Summer Heights High so that foreign networks can remake the local versions of the series. "It felt completely wrong to do," said Lilley. "It was a hard decision to make because there were lots of people around me saying that there's lots of money if you do sell the rights."

"I got flown over here [to the States] to meet all these people and everyone is saying, 'No one in America is going to buy this show. They're never going to watch it,'" said Lilley. "The first thing they said was, 'You need to come here and redo it in an American accent,' which to me was just so wrong. And just the thought of someone else playing these characters, I couldn't handle watching it or living through it, it felt so wrong. Because I'm not just playing them, they've been with me for ages and I think about them constantly, and they're me. I'm the reason they came to life. So someone copying that just makes no sense."

Still, admits Lilley, "I am probably going to be less rich and famous because of it but I just don't want to have to live seeing someone else copy it."

If Summer Heights High is any indication of Lilley's skill and range, I don't think he'll have to worry about not being rich or famous.

Summer Heights High airs Sunday evenings at 10:30 pm ET/PT on HBO. Missed this week's episode? Head over to HBO2 each Friday evening at 8 pm ET/PT for another chance to see Summer Heights High's latest installment.

Summer Loving: Another Look at HBO's Wickedly Funny Comedy "Summer Heights High"

I don't often urge you to tune in to a particular series unless I feel it's in your best interests to do so, that your lives will be improved by watching a certain series or that it will open you up to new outlooks or perspectives. That time has rolled by again as HBO prepares to launch Australian comedy series Summer Heights High on Sunday evening.

Back in March, when HBO announced that they had acquired the mockumentary series--created, written by, and starring the incomparable Chris Lilley (We Could Be Heroes)--I jumped with joy as I had had the opportunity to watch the entire eight-episode run of Summer Heights High last year, shortly after it aired in Australia... and I urged each and every one of you to tune in when the series aired in the States.

Cut to today, two mere days before HBO bows the very first episode of Summer Heights High. Trust me when I say that your lives will never be the same after watching Lilley tackle three disparate characters: bitchy private school girl Ja'mie King, Pacific Islander/troublemaker Jonah Takalua, and fey drama teacher Greg Gregson (a.k.a. Mr.G), prone to putting on wow-factor shows like "IKEA: The Musical," "Tsunamarama," a story about the Tsunami set to the music of Bananarama, or "Bubble Wrap," in which a young Mr. G and other boys emerged from various forms of packing supplies.

While you don't have to know anything going into Summer Heights High, I do want to fill in a few blanks. For one, Summer Heights High is shot in a faux-documentary style a la The Office and follows the lives of the students and staff of public school Summer Heights High over the course of a year. It's a story that begins with the arrival of exchange student Ja'mie King, former nominee for Australian of the Year and a Svengali-like master manipulator who quickly plots to take over SSH's social scene.

While Lilley plays Ja'mie with all of the mean girl cunning and backhanded compliments of a spoilt rich girl, it's worth noting that the other teens (and many of the teachers) whom Ja'mie, Jonah, and Mr. G come in contact with are in fact actual real-life students and staff of the school where the series takes place. Some of the students are so hyper-real, that it's actually shocking to learn that they are not professional actors. (School principal Ms. Murray is in fact a real-life high school principal.)

The humor is along the lines of 30 Rock, Arrested Development, Flight of the Conchords, or the original UK version of The Office: that is to say, it's at times hysterically inappropriate (a rape joke in the premiere episode comes to mind) or painfully, squirm-inducing funny (Mr. G demonstrating the correct and incorrect way to touch a student with Down's Syndrome or telling a girl in a wheelchair that she's disappointed him for not getting on the floor during a dance lesson). But along with the humor, there's an equal amount of genuine emotion at work in Summer Heights High and while egocentric characters like Ja'mie and Mr. G don't learn from their mistakes or grow as human beings throughout the series (nor should they), it is absolutely amazing and heartbreaking to watch as Lilley shows the slow evolution and dawning realization going on behind Jonah's tough-guy facade.

Ultimately, Summer Heights High is a wickedly funny comedy series that will make you laugh until your sides hurt and also offer an unsettling view of life in an average high school, one rife with bullying, racism, homophobia, and eating disorders. In other words, it's a through the looking glass glimpse at the seedy underbelly of high school life, told with the sharp sting of a satirist and the wigs of a master impersonator.

Summer Heights High launches Sunday evening at 10:30 pm ET/PT on HBO.

Channel Surfing: FOX to Remake "Absolutely Fabulous," Renewals for "Sons of Anarchy" and "Entourage," Three Set for "Washingtoniennes," and More

Welcome to your Tuesday morning television briefing. I hope you all watched the second episode of Chuck last night; we need to try to get those numbers up ASAP!

Don't break open the Bolly just yet. FOX has ordered a script for an American remake of hit British series Absolutely Fabulous from executive producers Mitch Hurwitz (Arrested Development), Eric and Kim Tannenbaum, and writer/executive producer Christine Zander (Saturday Night Live). Project, from Sony Pictures TV, Tantamount, and BBC Worldwide America, is the latest attempt to remake Jennifer Saunder's AbFab. (Previous attempts have included a Roseanne Barr adaptation with Carrie Fisher, CBS' Cybill and High Society, both of which were thinly veiled attempts to cash in on AbFab.) This version will shift the action to Los Angeles, where two boozy over-the-hill BFFs attempt to stay hip while earning a disapproving eye from Edina's straitlaced teenaged daugher Saffron. I would have thought that, post-Arrested Development, Hurwitz was the prime person to guide this project but, after the disaster that was The Thick of It (and the disaster-in-the-making of Sit Down, Shut Up), I have significant worries about anyone tampering with this brilliant format. After all, remember what FOX did with Spaced... (Variety)

Meanwhile, Summer Heights High creator Chris Lilley is developing a new comedy series with the Australian Broadcasting Corporation that is thought to possibly revolve around cop-turned-motivational speaker Phil Olivetti or spoiled Summer Heights High student Ja'mie King. But don't look for Summer Heights High to turn up in a US format reversioning. Lilley reveals that he had turned down "lots of money" to remake Summer Heights High for the US market. "They wanted me to do it again in an American accent - all these terrible ideas," said Lilley in an interview. "I wouldn't let it happen. I spent so long working on the characters, I hate the thought of someone else playing them." (Digital Spy)

FX has renewed its freshman drama Sons of Anarchy for a second season; series has been a consistent ratings hit for the cabler, averaging an audience of 5.4 million total viewers and 3.5 million adults 18 to 49 in its five outings to date. “I think the underlying themes of family and the common man's fight against oppressive corporate greed has grabbed people's attention," said creator Kurt Sutter in a statement. "It's relatable, it's very timely and it's why the audience is coming back week after week. I love the action and the dark places the show goes, but ultimately it's the bigger, more poignant themes that inspire me.”

In other series renewal news, HBO has quietly renewed Entourage for a sixth season. Production will start on the sixth season early next year for a summer launch. (Variety)

CBS has ordered six additional scripts for freshman procedural drama series The Mentalist, starring Simon Baker. A full season pickup could come as early as this week. (Entertainment Weekly's Ausiello Files)

Rachael Taylor (Transformers), Amanda Walsh (Sons & Daughters), and Bitsie Tulloch (quarterlife) have been cast as the leads of HBO's comedy pilot The Washingoniennes, from executive producer Sarah Jessica Parker and writers/executive producers Susaanna Fogel and Joni Lefkowitz. Series, based on a semi-autobiographical book by Jessica Cutler, will follow the exploits of three 28-year-old women working on Capitol Hill. Also cast: David Furr. (Hollywood Reporter)

Put this in the unsurprising category: CW's latest experiment in selling off its real estate on Sunday nights to Media Rights Capital has proven a resounding failure, generating only meager numbers for the lineup, which included In Harm's Way, Valentine, and Easy Money. Each only received a 1 share in adults 18-49 and 18-34. Ouch. But each of the hour-longs did improve on their audience in their respective second half-hours. All series are secured for 13-episode runs this fall. (Variety)

The premiere episode of NBC's Kath & Kim can be found online at Yahoo! TV, though I don't know why anyone would want to watch this sad, painfully unfunny half-hour. (Yahoo!)

Stay tuned.

HBO Snags Aussie Comedy "Summer Heights High," Why You Need to Watch

Jonah might have something to say about it but, frankly, such language isn't appropriate for this column.

I was pleasantly shocked and surprised to learn that HBO had acquired the hysterical eight-episode Australian comedy Summer Heights High. (Originally, HBO intended to pair Summer Heights High with animated comedy The Life and Times of Tim in a late-night Friday comedy block in June, but the pay cabler will now launch Summer Heights High in November.)

For those of you not in the know, Summer Heights High is an absolutely brilliant and gut-bursting Australian mockumentary created, written, and starring breakout comedic star Chris Lilly (We Can Be Heroes), which aired Down Under last fall and spawned a Top 10 dance hit single "Naughty Girl." (Seriously!)

Astonishingly, Lilly plays three vastly different characters: spoiled rotten 16-year-old private school girl Ja'mie King on a student exchange program from exclusive Hilford Academy; 13-year-old troubled breakdancing-obsessed Pacific Islander Jonah Takalua, constantly in trouble with the teacher and administrators at the school; and Helen "Greg" Gregson (a.k.a. Mr. G), the school's overly ambitious and narcissistic drama teacher who seems to be related in spirit to Christopher Guest's Corkie St. Claire, launching elaborate productions and on a mission to get the school district to built a massive theatre center named after himself.

It's entirely amazing to see Lilly disappear completely into these characters, each of whom starts off the series more over the top and unbelievable than the next. Yet Lilly's talents really do allow these characters to come to life over the next eight episodes and he imbues them with genuine pathos. In particular, his portrayal of Jonah is not only hysterical but heartbreaking: illiterate, aggressive, and rash, Jonah has a host of issues that Lilly brings to life and it becomes incredibly easy to forget after a while that he's not actually a Tongan kid but a white, 30-something performer.

That semblance is helped by the fact that the rest of the cast feels so naturalistic. The series is shot at an actual school and the scenes between Lilly and his young co-stars (and the hapless adult staffers) have a naturalistic feel to them. The result is a raucous comedy that is just as likely to have you laughing, crying, and then laughing again to the point that you might just wet yourself.

Summer Heights High walks the fine line between satire and emotional comedy and brings the best of both camps to the table. To see the complex transformation that Jonah goes through over the course of the series is absolutely as touching as it is hilarious; while you can't help but root for Jonah (while at the same time being repelled by him), you hope that Ja'mie and Mr. G get their deserved comeuppance: she for her egocentrism, he for his hubris.

If you haven't yet had the pleasure of seeing this remarkable series (and don't want to wait until November for HBO to air it), I suggest you do whatever possible--whether it be hopping on a plane to Australia, begging, stealing, or coercing your way--to obtaining a copy of Summer Heights High. You'll thank me afterwards.

In the meantime, check out the trailer (warning: NSFW!) for the series:



Summer Heights High launches November 9th on HBO.