Comic-Con 2008 Wrap-Up: NBC's "Chuck" Panel

Missed last weekend's Chuck panel at Comic-Con, either because you were smart enough to stay far away from San Diego this year (unlike yours truly) or because you couldn't bear to wait in line?

Fret not, true believers, as the Peacock was there to capture the event and you can watch the entire panel, which gives an inside look at Season Two and well as what to expect for everyone's favorite Buy More employee/reluctant spy and his fearless friends below:



And, yes, I've still got to transcribe the interviews I got with Chuck's Zachary Levi, Yvonne Strahovski, and Adam Baldwin, once I get my act together...

Season Two of Chuck premieres Monday, September 29th at 8 pm on NBC. Watch the promo for Chuck's sophomore season below:



What's On Tonight

8 pm: The Big Bang Theory/How I Met Your Mother (CBS); American Gladiators (NBC; 8-10 pm); Gossip Girl (CW); High School Musical: Get in the Picture (ABC); Teen Choice 2008 (FOX; 8-10 pm)

9 pm: Two and a Half Men/New Adventures of Old Christine (CBS); One Tree Hill (CW); Wanna Bet (ABC)

10 pm: CSI Miami (CBS); Nashville Star (NBC); The Mole (ABC)

What I'll Be Watching

8 pm: Gossip Girl.

Looking to relive the freshman season of the teen soap? On tonight's repeat episode ("Desperately Seeking Serena"): Serena's former partner in crime Georgina Sparks (Michelle Trachtenberg) returns to Manhattan, Nate falls for social outcast Vanessa (no!), and Jenny meets a guy who could ensure her permanent popularity.

10 pm: Anthony Bourdain: No Reservations on Travel Channel.

This week on No Reservations, Tony heads the Southwest of the United States, where he takes a road trip through Arizona, Texas and New Mexico.

10 pm: Weeds on Showtime.

On this week's episode of Weeds ("I Am the Table"), Nancy and Esteban's date ends in near-violence; Silas tells Lisa that he grows pot and she makes him a proposition; Andy and Doug successfully smuggle their first customer across the border and Celia succumbs to addiction. Yes, all in one episode.

10: 30 pm:
Secret Diary of a Call Girl on Showtime.

On tonight's season finale, Belle finds herself on the receiving end of a once-in-a-lifetime offer to join the hallowed ranks of the courtesans but finds that getting everything you've ever wanted (or think you've ever wanted) isn't all that it's cracked up to be.

Traffic Jams, Panel Overload, and Long Lines: Comic-Con 2008 Wrap-Up

First of all, true confession time: I was so exhausted from the last few days at Comic-Con that I drifted off to sleep on the couch last night before the start of Mad Men's second season opener, so we'll sadly have to wait until tomorrow to talk about that. (Trust me, I was bummed when I woke up with a crick in my neck and realized that I could barely keep my eyelids open enough to catch up with the gang at Sterling-Cooper.)

Comic-Con 2008 was certainly a convention to remember. One fellow press attendee remarked to me that it was a year in which everyone seemed to be unhappy. I can certainly understand the frustration, from the six and a half hour car ride down from Los Angeles on Thursday (thanks to that overturned Vons semi that flipped over, spilled food all over the I-5, and caught on fire) that tested my patience and sanity (though did allow me to send some emails while I remained motionless for several hours), to the technical glitch at the Fringe press room that all but made the event pointless, to the lines everywhere: for panels, restrooms, food, parties, and escalators. (Yes, there were mammoth lines for the escalators.)

Lost, was of course, a highlight for many a fan, particularly those--I would assume--who camped out overnight (and the several thousand who waited a good seven hours that morning) to get a glimpse of the Lost panel... after they had sat through the one for Heroes in the behemoth Hall H. Damon and Carlton were in fine form, as always. (Earlier, I spied them at our hotel discussing whether or not they should stay on the line for coffee, with Carlton insisting, "This is not the best use of our time." Even creative visionaries have to wait for their caffeine fix at Comic-Con, it would seem.) And nothing will top that one guy's spot-on appropriation of Jorge Garcia's Hurley. Wait, that was a costume, right?

Missed the convention? Here's a handy catch-up of the panels, with interviews with the cast of Chuck and Battlestar Galactica to come (along with a few other tidbits), once I get around to transcribing them:

Stardust: The Cast and Crew of "Battlestar Galactica" Talk Beginnings and Endings

"Fringe" Elements: JJ Abrams, Cast, and Crew Talk About the New FOX Drama

Comic-Con Gets "Lost" with Damon Lindelof and Carlton Cuse

Entertainment Weekly Visionaries: "Lost," "Chuck," "Pushing Daisies," and "Terminator: The Sarah Connor Chronicles" Showrunners Speak

Damn It, Jack: "24" Teases What's to Come for Day Seven, "Exile"

Prison Breakdown: Sara Lives!

The Creators of "Spaced" Talk Future, "Doctor Who" Connections

Doctor On Call: Steven Moffat Talks "Doctor Who"

"Torchwood"'s Captain Jack to Play Captain America?

"True Blood" to Remain True to Books, Says Alan Ball

For those of you who did brave the traffic (and the body on the tracks, if you came by train) to get down to San Diego for the convention, what were most memorable aspects of this year's conventions? Which panels did you get into? Which did you, uh, wish you didn't? Discuss.

Stardust: The Cast and Crew of "Battlestar Galactica" Talk Beginnings and Endings

If there's one constant about Comic-Con from year to year, it's that the panel for Battlestar Galactica is always a huge draw.

This year was no different, though I did enjoy last year's "Women of Battlestar" panel a hell of a lot more, though this year's panel--moderated by potty-mouthed Kevin Smith, at least afforded a sizable number of laughs. Much of the panel was devoted to the cast, including Katee Sackhoff, Jamie Bamber, Tricia Helfer, Michael Trucco, and James Callis, remembering their favorite moments over the past few seasons as creators Ronald D. Moore and David Eick teased the audience with a few morsels about what's to come in the final ten episodes of Battlestar Galactica, slated to air early next year.

Of course, there almost wasn't going to be a final ten episodes. Production on the second half of BSG's final season was interrupted last winter by the writers strike, which shut down production and left the cast wondering whether or not they'd ever return to the series' Vancouver set... or if that midseason cliffhanger--in which the crew of Galactica and their Cylon allies discovered Earth--would instead act as the de facto end for the series.

To illustrate what I mean, I'll turn to Eick and Moore themselves to explain:

"We knew we had to end the midseason [finale] with something," said Eick. "We argued about whether to reveal that Baltar was the Fifth Cylon or-- wait a minute!"

"The end of the first half was almost the end of the show, because of the writers' strike," continued Moore. "We were all, well, that would kind of suck: They get to Earth and it sucks. Thank you! Goodbye!"

"There's a fair amount of what do we do next?," said Moore. "And then the story continues in unexpected ways. There's a tremendous amount of upheaval. It's not really the most happy-go-lucky ten episodes we've ever done... which I'm sure doesn't come as a surprise."

"Lee gets really fat this time," joked Eick. (The less said about that fat suit from the New Caprica days, the better, in my book.)

The big question everyone wanted answered was, of course, the identity of the Final Cylon. But Eick and Moore weren't talking. "I can tell you," said Moore, "it is someone you've seen." (Fans, start your theorizing now.)

One of the more interesting sidenotes was a discussion by James Callis about how he approached the role of Gaius Baltar. "In an American story, the bad guy gets more tail," said Callis. "When you're preaching that you love god, can you be a complete nymphomaniac on the side? Does that make you less spiritual? It took me three years to work that out. There are so many people who have goodness in their heart, but they're obsessed with something. One particular thing. These last few reasons, I've found that Gaius makes peace with himself on that." He later went on to say that guilt plays a major role in the construction of Gaius' psyche; after all, he was indirectly responsible for the death of millions of people.

Like Callis, Katee Sackhoff also found it difficult to come to terms with the inner conflict of her character, Kara "Starbuck" Thrace. "It's nice, I guess, to be a role model," mused Sackhoff. "It's a little scary at times. I hope that people teach their children to take Starbuck's bad and throw it away, the drinking a lot and sleeping around. Use protection. I'm just rambling, because I have no idea to answer that question. There's a fine line we've tried to walk with her, where she's very good at her job, and then there's a fine line of turning her into some kind of superhero. There's a fine line of what's realistic and what's not."

Tricia Helfer, meanwhile, has had the distinction of playing what seems like "96 characters" (at least, according to Smith) on the series. Helfer said that it was an actor's dream to be able to perform that many different roles, let alone all on the same series. (See: Caprica Six, Natalie, Gina, Head Six, etc.)

Jamie Bamber, meanwhile, praised the series' "gender blindness." "The show is groundbreaking in many areas," said Bamber, "especially the way it deals with gender. The men and women on the show shower together, fly together, and still sleep together. It doesn't matter."

As for the reveal about the identities of the Final Four Cylons last season, Eick admitted that he and Moore had wavered about who would be included in that group and whether or not it would be Anders or Gaeta. (Curious.)

Michael Trucco, however, was stunned by the revelation that Anders was a part of this group and is just happy to be a part of the series. "It was like winning the lottery," said Trucco, who recently filmed a comedy pilot called Man of Your Dreams for NBC, of landing the role. "It was a dream job. I stuck around, and at the end of Season Three, they give me a script that says you're a Cylon and I'm, like, fucking wow. Guess I'll be around for a while. Aaron Douglas [who plays Tyrol] was the first one to tell me. He was, like, dude dude dude, you heard? We're gonna be Cylons. And I was like, shut up. They don't even know my name on this set. They're even calling me Steve."

So what are the cast members' most memorable kick-ass moments from the run of the series?

"When I came on the show," said Trucco. "My Mexican standoff with Helo and Sackhoff."

Bamber loved the pullback reveal of Earth while Callis absolutely loved the dark humor-laden scene between Adama and Tigh in which they discuss a "paper shortage."

"When Galactica fires its cannons," admitted Sackhoff. "They're really neat. My other one has to do with guns as well: the Mexican standoff with Trucco reminded me. When Helo and I rescued Anders, our stunt guy gave me two machine guns and says, 'You can have two machine guns,' and I'm, like, awesome." (Trucco chimes in to correct her, saying that the prop guy didn't hand Sackhoff two guns, she demanded two guns.) She also recounted a story about when the director told Tahmoh Penikett (Helo) to stop acting like a girl during a gunfight scene.

"I got to shoot some guns," said Helfer. "Finally. James and I, we started the first scene of the miniseries having sex and we finished the main shooting with shooting." Callis concurred: "Filming the end of Battlestar was like being in Apocalypse Now," he said. "It was frakking awesome."

"It's hard to pick one," said Eick. "Hard to identify one as the best. For me, the most memorable moment was watching Starbuck and Number Six pound the entire living shit out've each other for an entire act at the end of Season One... They wouldn't kiss, though, no matter how much I begged them."

So what can we expect for the big wrap up at the end of Battlestar Galactica? "The ending is an ending," teased Bamber. "It's utterly sublime and a perfect way to finish the show. It took me by surprise. I remember the final read through was a disgraceful exhibit of tears and lower lip quivering as we got to the end. It does everything justice."

Joining the panel late, Tahmoh Penikett added, "The final two episodes are perfect. There's a lot of closure to a lot of the storylines, but there are still some questions, which are the way that things should be."

So say we all.

"Fringe" Elements: JJ Abrams, Cast, and Crew Talk About the New FOX Drama

One of the most hotly anticipated new series this fall is FOX’s Fringe, from the very fertile minds of Lost co-creator JJ Abrams and Transformers & Star Trek writers Roberto Orci and Alex Kurtzman.

Those lucky enough to attend the screening of the feature-length pilot on Wednesday night got a first-hand look at the jaw-dropping first episode of Fringe, which stars Joshua Jackson (Dawson’s Creek), Aussie actress Anna Torv, and John Noble (Lord of the Rings), who gathered with producers Bryan Burk and Jeff Pinker to talk about all things Fringe. (You can read my advance review of the Fringe pilot from May here.)

Abrams admitted that there are “no rules” to the world of Fringe, comparing it to the series Smallville, which—unlike Fringe—was developed with some very specific rules in mind concerning its superheroic lead (“no flights, no tights”). Here the only rule is to expect the unexpected.

The idea behind corporate goliath Massive Dynamics, which plays a large role in the series’ plot, sprang from the idea that certain companies—like GE, which owns NBC and producing everything from microwave ovens to lightbulbs—seem to manufacture everything and own a vast umbrella of diverse companies. However, Abrams was quick to point out that Fringe isn’t about “a corporate conspiracy in the same way that you might expect from the pilot.” Orci, the series’ resident conspiracy theorist, added mysteriously: “Who is to say that Massive Dynamics is evil?”

One of the key roles in the series is that of Peter Bishop, played by former Dawson’s Creek star Joshua Jackson, who said that he was attracted to the series by the strength of the script and by the pilot’s director Alex Graves (Journeyman). “In all fairness, the role was originally called Pacey,” joked Abrams. “Josh is obviously a very smart guy and brings an incredible wit and skill… he’s a total pro.”

As for what Jackson learned most from his time on Dawson’s Creek, it’s something that he still does to this day. "Always bring a dictionary with you on set."

This wouldn’t be a J.J. Abrams production without a seriously strong writing staff. "We were looking for people who could bring different things to the show," said Pinkner about assembling the series’ diverse writing staff, which includes Darrin Morgan (The X-Files) as well as former writers on such far-flung series as Without a Trace, The Sopranos, and Gossip Girl… as well a brother of television auteur Joss Whedon, no less. “We’ve got the strongest writing staff in Hollywood,” continued Pinkner. “It’s up to us not to fuck it up.”

Abrams also said that the series will be an ongoing mix of standalone plots and more “mythology”-based episodes that won’t snag the casual viewer looking to get lost in a kick-ass plot. “If you watch every episode,” said Abrams, “you’ll see details but if you miss an episode, you won’t feel confounded.” The idea, he said is to create a series that is “inviting in as many people as possible” week after week.

Torv said that her character, Olivia Dunham, experiences both a “blessing and a curse” in her experiences in the series thus far. “Olivia ends up facing this whole world that she didn’t know existed,” said Torv, who added that she still had a lot to discover and explore about her character.

Jackson agreed. “Peter is a man in flux,” he said. “My character is still being discovered, there are hints [in the pilot] that there is a whole other world, other side, of this man we don’t know yet. The pilot by necessity reveals more about Walter [Bishop, played by John Noble] than any other character.”

Of his character, the quiet-possibly-mad scientist Walter Bishop, Noble said, ”He’s Peter’s father, he’s done awful things, been pumped full of drugs, gotten electric shocks on a daily basis. Does he remember these experiences? His journey is of discovering his own memories.”

Burke said that they are releasing a Fringe comic book that will tell stories about characters that are peripheral to the world seen in the linear, televised version of the series. “The whole [writing] team will be working on it,” said Burke. “We’ll tell the history of Walter and William Bell’s backstory through the comic.”

Speaking of ancillary material, Abrams said that there’s a whole slew of tie-in material out there already (with more planned for later) but that it would be silly to draw attention about how to find it as the whole point is to follow the clues. “We’ll be hiding things in the show,” said Abrams. “If you want to play, you can, you can find the ‘Nina,” referring to artist Al Hirschfeld’s trait of hiding his daughter Nina in his drawings. Abrams says that there will be clues in each week’s episode about the following installment and that the “glyphs” between scenes are important.

Just don’t look for clues to Fringe in Abrams’ other projects like Lost, Cloverfield, or Star Trek, or vice-versa. While there are little shout-outs to these other projects, it’s more of a “connective tissue” that links these projects to the diehard fans than anything really serious. After all, these are all “separate stories in separate galaxies,” said Abrams.

So what can we expect to see in Fringe? (WARNING: SPOILER ALERT!) Look for Mark Valley’s Agent Scott to turn up again following his death in the pilot. One of the panelists said cryptically that Agent Scott would live on in Olivia’s mind… and “will be back in some form,” according to Abrams. (Hmmm.) As for when the audience will get to meet the mysterious William Bell, the head of Massive Dynamics, Abrams said that they are “debating” that right now. “We want to make sure that the mystique [around Bell] is built up enough before meeting him,” said Abrams. And Burke said that they’ll be delving into the series’ mythology sooner rather than later.

While Lost might have an end date in sight, Abrams said that it's too early to talk about an end date for Fringe, but the producers do have an internal sense of what that ending would be (and when they’d like to do it), as it gives them a goal to move towards. “I care immensely about this show,” said Abrams.

Fringe launches September 9th at 8 pm ET/PT on FOX.

Comic-Con Gets "Lost" with Damon Lindelof and Carlton Cuse

As always, the Lost panel at Comic-Con does not disappoint and this year's panel was no exception to that rule. Presented by the indefatigable duo that is Team Darlton (Damon Lindelof and Carlton Cuse), this year's must-attend event was a mammoth beast of a presentation, taking place inside the 6,500-seat Hall H.

And I don't need to say that the room was filled to the rafters with Lost fanatics, who were treated to a look at the upcoming DVD of Season Four, which contains a documentary about a conspiracy surrounding the Oceanic Six, a linear look at the flashforwards, and a hilarious explanation by Lindelof and Cuse about the flashforwards, via their very own flashforwards... which featured an eye patch-clad Lindelof and Cuse sporting an Obama: Four More Years t-shirt. (Oh, and a special "surprise" appearance by a soul patch-sporting Matthew Fox.)

The Lost panel this year was sponsored by the Dharma Initiative itself which, apart from the branded oversized soda cups that Lindelof and Cuse drank from, also had a booth on the convention's floor, which administered several hundred ASR (Aptitude, Suitability, and Readiness) Tests to convention attendees looking to join the reconstituted Dharma Initiative. (Those of you who didn't attend the convention can try their hand at the test by visiting www.dharmawantsyou.com.) Dharma recruiter Hans von Egan was on hand as well to talk about the tests' "abysmal" results, saying that the candidates were "boys and girls in a perpetual state of arrested development." (If that doesn't sum up the Comic-Con crowd, I don't know what would.)

A few tidbits from the panel about what's coming up for Lost as it enters the home stretch, as the final two seasons are scheduled to air beginning February 2009 and February 2010 respectively:

-At the start of Season Five, you won't know when or where you are," said Cuse. And the way that he and Lindelof are telling the story will be different, with the action shifting between different periods of time. So no more flashforwards? We're told that the plot will be told in a "fresh and exciting new way."

-The island didn't move when the hatch exploded at the end of Season Two and the sky turned purple but something significant DID happen.

-Jin, who seemingly died when the Kahana exploded in the season finale, is "still on the show... in some form," teased Cuse. As for the fate of John Locke (a.k.a. Jeremy Bentham), last seen in the coffin, and Jin, we "haven't seen the last of either of them... Death is a relative term on Lost." Cuse went on to say that there's still a lot to be told about both of them and that their timelines are still very important to the series.

-Danielle Rousseau might be dead but it doesn't mean we've seen the last of the mysterious French Woman. "We will say that you will see definitively Rousseau's story," said Cuse. "But to use 'flashback' would be disingenuous." That said, look for Rousseau to turn up during Season Five but the producers will be using a very different storytelling device rather than "flashbacks" and "flash forwards."

-Animal lovers out there can rest easy: Vincent definitely survived the events of the season finale. (Whew.) "Vincent made it and will appear in Season Five," said Lindelof. "And it's safe to say that he will make it to the very end."

-Will Jack and Kate end up together? "We can't tell you," said Cuse, who said that he and Lindelof are "very invested in that relationship" and their romantic triangle will go through some new permuations but will remain "very essential to the show."

-On that note, simply put: "Yes, Kate will see Sawyer again," said Lindelof. (Hmmm.)

-What about the Faraday and those (unnamed background) survivors stranded on the Zodiac raft when the island disappeared? "I'd be a little more worried for the five non-line speakers," joked Cuse. "There's a monsoon coming... Things are looking up for Faraday." And, yes, we will learn why Faraday is running around the island wearing a necktie.

-Speaking of Daniel Faraday, his notebook contains written notes about things that have happened and things that have YET to happen. Look for this storyline to be a major component to Season Five.

-Richard Alpert is very old. "He's quite old, " said Cuse. "Aging on the island is a very different process." And that aging process will be a vital mystery for next season, as will Richard Alpert's backstory. As for whether he has four toes (like that giant statue foot), Cuse promised that Richard "will be barefoot in the very near future." And went on to say that he "meant that as a pun."

-This year's clue-containing video was a confession from Dr. Marvin Candle, who claimed his real name was Pierre Chang, a scientist from Ann Arbor, Michigan. He says he recorded this video as a warning and seems to know vital information from our present day, including that George W. Bush is president and we can trade digital information over the Internet, despite recording this thirty years earlier. He says that they are all dead, thanks to a violent purge and that Dharma Initiative must be reconstituted. "Time is not only of the essence," says Chang, "it is the essence." Someone will need to change the past. What this means for Season Five will remain to be seen, but it's given me some rather fanciful ideas...



Finally, Lindelof could not stress enough that the endgame will be worth the wait. "You will be rewarded for hanging in all the way to the end of Season Six," said Lindelof. Cuse said that knowing the end date for the series "was a huge advantage" and "really invigorated Season Five."

"It ends well, we hope," said Cuse.

With these two at the helm, I know it will.

Lost's penultimate season launches February 2009.

Entertainment Weekly Visionaries: "Lost," "Chuck," "Pushing Daisies," and "Terminator: The Sarah Connor Chronicles" Showrunners Speak

It was absolutely remarkable to see Chuck's Josh Schwartz, Lost's Damon Lindelof and Carlton Cuse, Pushing Daisies' Bryan Fuller, and Terminator: The Sarah Connor Chronicles' Josh Friedman together on one panel. I thought the stage might collapse under the weight of their collective genius.

The panel, part of Entertainment Weekly's Visionaries series, was moderated by the magazine's in-house Lost guru Jeff Jensen, who did an absolutely brilliant job of asking insightful, intelligent questions and keeping the action moving. I go to a lot of these industry panels and typically the moderators are loathsomely awful, so it was a refreshing change of pace to have Jensen take the reins on this discussion and steer it in the right direction.

This being a panel consisting of showrunners on some of my favorite series on the air today, I was glad to see that Jensen didn't let them off the hook with questions designed to help promote their respective series. Instead, he started out with a doozy, asking them about how the writers strike of last winter has helped (or hindered) them approach next season.

For Pushing Daisies' Bryan Fuller, he spent a period of time wondering when the series would return to the airwaves but was happy that ABC opted not to bring back Daisies until the fall. "They didn't want to throw us under the American Idol bus," said Fuller. But the network did believe enough in the series to relaunch it again this fall and is putting as much investment into Daisies as though it were a new series.

So what can we expect when Pushing Daisies returns this fall? For one thing, the action picks up ten months later with our beloved characters trying to keep some newly discovered secrets in check, but some of them (ahem, Olive) are beginning to "burst under the strain." And look for a new character in the form of a pig (named Pigby, no less) who will turn up at a nunnery. (Only on Pushing Daisies would this make sense.) But don't expect a "Previously On..." that when Daisies returns this fall; instead, the first three minutes of Season Two will work as a primer to get viewers up to date.

Fuller said that he is a "very sensitive soul" and couldn't do a series like CSI, which he described as "negative headspace." Instead, he wanted to cram a series full with as many things that make him happy, and "shoehorn" in everything from dogs to monkeys and pie. As for pie? "Cake is a gamble," said Fuller. "Pie is always moist." (I have to say that I agree with Fuller's theory.)

As for the why Fuller seems to have a preoccupation with death, he said that, growing up, he went to a lot of funerals and never felt as though death were a bad thing. "Death is just the punctuation of everything that has come before," offered Fuller. He wanted to do something bright and boldly colored and pitched the network a series with a "fairy tale aesthetic." The candy-colored palette of Pushing Daisies "really was a choice for tone."

Josh Schwartz, meanwhile, revealed that Chuck's sophomore season will begin with a shot of Chuck (Zachary Levi) dangling off of a building and will explain what sequence of events lead him to end up in that precarious position. And unlike Pushing Daisies, Josh Friedman said that Terminator: The Sarah Connor Chronicles will start "two seconds" after the events of the season finale and will start right in the middle of that explosion.

As for Team Darlton, Cuse and Lindelof said that we can expect to finally see the backstories for those freighter folk, which was intended to be a part of the fabric of last season, turn up in Season Five. Those stories will be told "in a different way... maybe not better but definitely different."

Jeremy Bentham was always intended to be in that coffin at the end of Season Four. The Lost writers have a list of philosophers' names that they can use at any time on Lost and knew that they wanted to use it for the man in the coffin, plus it didn't hurt that Bentham was a contemporary of John Locke and had designed the Panopticon, a prison facility where the prisoners could be watched at all times without realizing it. If that's not the perfect metaphor for the island on Lost, I don't know what is...

They are definitely aware of the paradox that Claire didn't make it off the island with Aaron, as predicted by Desmond's vision, if Charlie died at the end of Season Three. "It is an assumption," said Lindelof, " that one idea usurped the other. We are aware of the paradox." Or as Cuse offered, "It is explanable... But you will see Claire, though maybe not for a bit."

What departed character do Cuse and Lindelof miss the most? "Mr. Eko." (Figures.) They explained that actor Adewale Akinnuoye-Agbaje wasn't happy living in Hawaii. (Schwartz joked that the character he missed most was "Mischa Barton." Ouch.)

Team Darlton went on later to say that "there is no paradox" on the show and "no alternate futures." They are "not postulating that future events can be changed." So there. And they aren't making things up as they go along or planning out every single detail. "Up until the end of Season Three, we were doing pretty much both," said Lindelof. "We have 34 hours left, Season Five and Season Six. If we didn't have an end plan, we would crash and burn."

Cuse likened the situation to taking a road trip to New York; they know where they are going but they are making unexpected pitstops and detours along the way as you can't map out every single turn on a journey ahead of time, even if you know where you want to end up. "We knew that hatch was going to blow up at the end of Season Two but the specifics were more organic," said Lindelof.

On the subject of additional content created for multiple platforms like web and mobile, Cuse said that the biggest change in the entertainment industry is that series are now treated like brands and networks always want to expand their brands. New Media offers opportunities to do things that they couldn't do in other media, like focus on ancillary characters or play around with the mythology of the series--like the connections between Alvar Hanso, the Dharma Initiative, and Charles Widmore--in way that they couldn't do on-screen but can via their alternate reality games (like Find815.com). Lindelof said that the networks often hope that these can help break through to the masses but the honest truth is that they're really for the "diehard fans" of the series.

Chuck will launch a series of webisodes this season based around the employees of the Buy More, which is allowing Schwartz to "extend the experience of the show" and give viewers additional content between weekly installments and the opportunity to "hang with characters" that always aren't the main focus of the series. Pushing Daisies' Fuller was investigating doing a series of webisodes around the aforementioned Pigby character but met with "resistence" from the studio due to contract issues with the writers and actors.

Given the recent launch of Joss Whedon's Dr. Horrible's Sing-A-Long Blog, it was only natural that Jensen would ask the showrunners if they are fans of Whedon's experimental, self-financed project. Schwartz said that it "opens the door to a whole new way of storytelling." Lindelof says that while they were on the picket line during the strike, they all talked about projects they were going to do while they were off from work but Joss actually created something brilliant seven months later and brought it to the fans himself. "It's just amazing," said Lindelof.

As for what series other than their own that these guys are watching, the answers were surprising. "Lost," said Schwartz. Cuse joked that he loves Gossip Girl. Lindelof said he loves "Chuck and Terminator. And Dexter." Fuller admitted his favorite series was Project Runway.

Damn It, Jack: "24" Teases What's to Come for Day Seven, "Exile"

It seems like it's been about five years since we last caught up with 24's Jack Bauer. When last we saw him, he was staring off into the distance at the very edge of a cliff... and has remained doing so since last winter's writers strike delayed the start of 24's Day Seven by a year.

However, fans of 24 will get a glimpse into the life of Jack Bauer this fall when FOX airs the two-hour 24 prequel telefilm, 24: Exile, which follows Jack in Africa as he takes on the ripped-from-the-headlines issue of child soldiers.

Fans at the 24 panel at Comic-Con were treated not only to 24: Exile's trailer--which features lots of familiar faces including Kiefer Sutherland, Peter MacNicol, and Powers Boothe, but also first female president Cherry Jones, Jon Voight, Robert Carlisle, and Gil Bellows--but also to a look at a full scene from the prequel movie, in which Jack shepherds a group of African children to the US embassy but finds himself caught in a full-blown gunfight on a crowded street. In addition to the gunfire, it's also a deeply emotional scene, in which Jack is forced to tell a sobbing African child that his beloved teacher, Mr. Benton, sacrificed himself in order to ensure their safety.

Kiefer Sutherland and Carlos Bernard, who returns as presumed dead Tony Alameida for Day Seven, were on hand, along with executive producers Jon Cassar, Howard Gordon, David Fury, Manny Coto, and new writing staff additions Brandon Braga (Star Trek) and Carlos Coto. Gordon explained that the "genesis" of 24: Exile originally came about when they were exploring doing some webisodes or mobisodes for 24 and he and Sutherland began riffing about an African storyline that had been discarded from a previous season; those discussions ended up informing what would become 24: Exile. "It turned out to be a very good idea," said Gordon. "Day Six ended with Jack at the edge of the cliff, a very existential moment... but an emotional bridge was missing [from the season finale]."

Cassar said that the studio originally intended to shoot for three days in South Africa and then shoot the rest of the two-hour Exile in Simi Valley, California, which would have been a "hard cheat." FOX ended up telling them to shoot the entire thing in South Africa, which was "tough," as they had to get a new crew and new actors, but Cassar admitted that the process was "pretty exciting... being there gave it a whole new feeling."

For Sutherland, 24: Exile was definitely exciting. "It was arguably one of the best scripts we've ever had," said Sutherland. "We weren't racing against some clock to get it to air."

As for the issue of the strike, Manny Coto said that it was a mixed blessing but it "allowed us the freedom and creativity to make the season even deeper."

As for the depth of Day Seven, we do know that it involves the first female president of the United States, who will be played by celebrated Broadway actress Cherry Jones, and the return of fan favorite character Tony Alameida (Carlos Bernard).

For his part, Bernard says he jumped at the opportunity to work with the 24 again, due to the "amazing mixture of talented people who make this show" and said he had the "funnest year yet working on the show."

So what does it mean that Tony has seemingly returned from the dead? Gordon joked that it "very well could be a measure of our desperation that he's back," and noted that on paper at least Tony had been killed four times over the series' run. Producers David Fury and Manny Coto, however, refused to accept Tony's final death (which seemed to be sticking), saying that they didn't believe that Tony was dead; even Gordon admitted that he didn't love the way that Tony had died.

For Sutherland, Tony's death was a reminder that none of the characters is safe. "The most difficult thing during the run of the show," said Sutherland, "is working with talented actors who leave the show. Everything has to service the story. When Howard Gordon brought up that Tony was coming back again, I asked, 'How?'"

The secret behind Tony's return will be a major component of Day Seven. Sutherland says the method by which he's returned to the series is "so clever" and "very 24." The backstory will be a function of how Tony didn't actually die and what was done behind people's backs in order to secretly keep him alive and fake his death.. "I think the writers did an amazing job," said Sutherland.

As for what to expect from Day Seven, launching in January, Sutherland joked that Tony will die. But more honestly, Sutherland said, "We're not trying to reinvent the show... [but] make it better, tighter, and smarter and that's hopefully what you'll see in the seventh season."

As for Jack, "he's trying to be better," said Sutherland. New cast additions include Cherry Jones, Jon Voight, Annie Wersching (who will play Jack's new partner, a tough-as-nails FBI agent who could be perceived as a "female Jack Bauer"), Rhys Coiro, and Janeane Garofalo.

Audiences will see Jack Bauer have to answer for the torture he's inflicted on several characters throughout the series' run. David Fury says that they are never "endorsing torture" but are showing that Jack's use of torture will have consequences. "It's kind of necessary for people to get hurt," said Fury about the series.

What we won't be seeing in Day Seven, however, is Jack pausing to grab a cup of coffee, use the toilet, or grab a sandwich. In fact, Sutherland and Gordon revealed that they had shot a scene in a previous season in which Jack was seen coming out of the restroom before a raid and the network cut the scene. "Whenever they cut to the White House," joked Sutherland, "Jack is in the bathroom. And not only is he peeing, he's having a drink and getting something to eat."

As for favorite episodes, Sutherland diplomatically says that he's "optimistic about that future" and therefore they haven't made his favorite yet but that 24: Exile is "certainly up there." He's also extremely proud of episodes 8-11 of Day Seven. (His coolest moment on the series to date, however was when he "chopped off that guy's head off in Season Two.")

Bernard seconded the notion, saying that his favorite was definitely from Day Seven. As for Tony being evil, Bernard said that the transformation for Tony from hero to villain is "very organic from where his story has gone since the beginning." Sutherland says that the first scene he shot with Bernard this season, "I got to shoot at him and tackle him. I loved it."

So what's going on with those rumors of a 24 feature film? Gordon says that the basic consensus is that "while the series is on the air, I don't want to mess with a good thing," but that a 24 feature will happen when the series wraps.

Prison Breakdown: Sara Lives!

Sara lives!

Lucky attendees of the Prison Break panel at Comic-Con were treated to two very exciting sights, even though series lead Wentworth Miller was a no-show. The first was a look at the first act of Prison Break's fourth season, launching this fall, and the second was seeing Sarah Wayne Callies herself, last seen on the series tied to a chair as the captive of the sadistic Gretchen... before her head was mailed to Lincoln Burrows (Dominic Purcell).

What a difference a year makes. Last year, Callies was on her way out of Prison Break, killed off-screen, but now she's making her triumphant return to the series in a story arc that will give the actress an extremely meaty, emotionally complex role to sink her teeth into.

As for the story behind Sara's, er, resurrection, we learn in the opening act of Prison Break's first episode this fall that Gretchen didn't actually kill Michael's love Sara, who managed to escape Gretchen's clutches. With no leverage over Michael, she used the head of a cadaver to take Sara's place as a warning. Meanwhile, Michael appears to be out to avenge Sara's death and he's starting with Gretchen, whom he catches in the midst of a high-stakes robbery at Los Angeles' Roosevelt Hotel, with Whistler pulling quite a James Bond move in killing the seller of a disk containing data that The Company wants to get their hands on... and duplicating the disk itself for a third party. Catching them with the police en route, Michael pulls a gun on Gretchen, who tells him the truth about Sara's "death."

So where is Sara Tancredi then? The mystery of where she's been and what happened to her will be a major element to Prison Break's fourth season. Ten months have passed since the events of Season Three and Sara will be a very changed person when we next see her. "Sara is coming back a very different person," said Callies. Whatever happened to her over the last few months "makes the Kellerman-bathtub stuff," as Callies dubbed her character's attempted murder at the hands of Agent Kellerman, look like child's play.

What we will see is an exploration of what happens when someone "experiences trauma and then tries to come back and love someone," said Callies.

It's an interesting approach but I have to say that I was more intrigued by what Dominic Purcell was doing on his phone the entire panel than by these announcements. Maybe he was texting Wentworth to tell him what he was missing out on? Hmmm.

Prison Break's fourth season kicks off this fall on FOX.

The Creators of "Spaced" Talk Future, "Doctor Who" Connections

If you're a fan of the geektastic UK series Spaced, then this was a holy week for you, between the release of the Region 1 DVD (finally!), events around the country, and the trinity itself--creators Simon Pegg, Jessica Hynes (née Stevenson), and Edgar Wright--appearing at Comic-Con.

After a kick-ass clip package that tied into today's Star Wars-themed day at the convention (which featured many of the series' trademark sci-fi/action/pop culture homages and allusions), the trio appeared to rapturous applause and dove right into a discussion about the US release of Spaced on DVD.

While there wasn't a lot of new information given away at this Spaced panel, part of BBC America's big push at the convention, it was bloody fantastic to see Pegg, Hynes, and Wright on stage together. This being a Spaced event, it was only a matter of time before the dreaded question--about a third season--reared its head. Pegg, speaking frankly about the future of Spaced, said simply, "We don't know... We definitely had another series in us." He and Hynes envisioned a three-part story for Spaced's Tim and Daisy and a third season would have worked towards that end. (Those of us lucky enough to have the DVD boxset--and its feature-length documentary--can watch a sort of imagined valentine to the not-quite-a-couple and a possible ending for Tim and Daisy.)

Still, Pegg doesn't exactly have high expectations about another season. "There's a sort of fear, going back ten years later," said Pegg, "that it would be our own Phantom Menace, with CGI backgrounds, flat dialogue, and unfunny comedy characters." (Fans will of course remember Tim's depression and anger after the release of The Phantom Menace. Obviously, Pegg's hasn't subsided all these years later.)

Meanwhile, however, Pegg is working on a number of projects. He'd like to write something with Hynes again and, following a project that Pegg is currently writing, he'll reteam with Wright on The World's End, the third film in their colliquially known "Blood and Ice Cream Trilogy" of films, which includes Shaun of the Dead and Hot Fuzz. Wright meanwhile wouldn't talk about his upcoming Ant-Man feature--based on the Marvel superhero--but would only say that the script is being written.

But one fan asked the ultimate geek question: would Pegg--who appeared in Doctor Who as The Editor during Season One's "The Long Game"--take over for David Tennant as the Doctor, should the opportunity arise? Pegg was extremely diplomatic, calling David Tennant's performance "brilliant and enigmatic" and going on to say that Tennant was "the best Doctor since Tom Baker" and it would extremely hard to fill his shoes.

Still, the unofficial crossovers between Spaced and Doctor Who seem to be continuing. Wright revealed that executive producer Russell T. Davies offered him the opportunity to direct the first episode of the Christopher Eccleston-starring first season, as he knew that Wright was a fan. And longtime Doctor Who fans will remember Hynes' recent turn during Season Three's two-parter "Human Nature" and "Family of Blood," where she played Mr. Smith's widowed schoolteacher paramour Joan Redfern and got to kiss Tennant.

Wright said that Hynes "made [the Doctor] regenerate in his pants." Pegg wondered if every time the Doctor regenerated, he looked in his pants to see if anything had, er, changed in his latest incarnation.

Ten years may have passed since the launch of Spaced, but not much has changed, has it? And, surprisingly, I wouldn't have it any other way.

Doctor On Call: Steven Moffat Talks "Doctor Who"

Comic-Con kicked off with a bang this year, courtesy of a little British Invasion in the form of panels for UK series Doctor Who and Torchwood. Just don't ask writer/producer Steven Moffat if he enjoyed traveling over for the annual geek fest. The Coupling and Jekyll creator was apparently detained and questioned for about twenty minutes when he arrived in the States. Ouch.

Moffat and producer Julie Gardner took to the stage during the first ever Doctor Who event at Comic-Con, though sadly executive producer Russell T. Davies was a no-show as he never actually boarded his flight; Davies is in Cardiff working on Torchwood.

While Moffat--the inbound head writer of some of my very personal favorite Doctor Who episodes including "Blink," "The Empty Child," "Girl in the Fireplace," and "Silence in the Library"--was exceptionally discrete about revealing future plot points ("I’m not telling you" seemed to be a recurring answer), we did get to see a gorgeous 90-second trailer for the 2008 Christmas Special, which features the return of the Cybermen to the series.

And I cannot describe the cheer that erupted from the crowds during a clip package that showcased scenes from all of the episodes of Doctor Who that Moffat has scripted to date... save "The Empty Child," an omission which seemed to irk Moffat to no end.

While I was hoping for some information about the Doctor's companion for the upcoming Season Five (I'm still holding out hope for Sally Sparrow), Moffat was playing his cards very close to the vest, having started to write the new season's first episode whilst flying over the Atlantic.

We did learn, however, that just because River Song (Alex Kingston) recognized the Doctor during the recent two-parter "Quiet in the Library"/"Forest of the Dead," doesn't mean that she actually will marry this incarnation of the Doctor (David Tennant) and may have recognized some essential quality of the Doctor to realize that he would someday be the man she would marry. (Sorry, time travel and its inherent "timey-wimey, wibbledy-wobbledy"-ness is so confusing.)

Will Neil Gaiman write an episode of Doctor Who, as many of us have hoped? "That would be nice," said Moffat noncommittally.

But those of you hoping for Tennant to run into an older incarnation of the Doctor (as he did in the Children in Need sketch), don't hold your breaths. Moffat believes that the novelty of having the Doctor run the same adventure at two points during his life at the same time would quickly wear thin after about five minutes. That said, never say never.

Stay tuned.

"Torchwood"'s Captain Jack to Play Captain America?

Will Captain Jack Harkness hang up his trademark trench coat and suspenders for a certain star-spangled shield?

The rumor mills are all abuzz that Torchwood's leading man John Barrowman seems to be in the running to play iconic comic book hero Captain America in an upcoming Hollywood feature film scheduled to be released in 2011.

At the Torchwood panel at Comic-Con, Barrowman--between bursting into song with Torchwood co-star Naoko Mori (poor, departed Tosh!) for a duet of "Sun and Moon" from Miss Saigon (the two starred in a stage production of the musical a LONG time ago) and offering some sexual innuendo-laced dialogue about his, er, "boys" and the physical dimensions of one of cast mate Gareth David-Lloyd's body parts--teased the audience about the possibility that he might be up for the role of Steve Rogers when questioned by a fan if he would be up for "rocking the blonde hair" of Marvel superhero Captain America.

"I would love to play Captain America," said Barrowman, who later admitted that there had been discussions with his agents about him playing the role.

So will Barrowman take up the Captain's famous shield? Torchwood producer Julie Gardner said she would "intercept that email" in order to hold onto her series' lead.

Season Three of Torchwood, comprised of five one-hour episodes, is set to launch next year on BBC America.

"True Blood" to Remain True to Books, Says Alan Ball

Don't expect any blue light, contact lenses, or opera music in the upcoming HBO vampire drama series True Blood. So says creator Alan Ball (Six Feet Under) who won't be using any of the familiar vampire cliches in his new series, based on Charlaine Harris' Southern Vampire novels. (For my advance look at the first two episodes of True Blood, click here.)

What Ball does want is to appropriate Charlaine Harris' use of the supernatural as utterly mundane and accepted by the general population, now that vampires have "come out of the coffin," as it were.

While he'll be hewing closely to the plotline of Harris first novel, "Dead Until Dark," which introduced telepathic waitress Sookie Sackhouse (Anna Paquin) and her vampire paramour Bill Compton (Stephen Moyer), Ball plans to open up the novel's focus to include the world of the other characters while still remaining true to the spirit of Harris' original creation. (Ball himself stumbled onto the books by accident at a bookstore and couldn't put them down.)

While Sookie and Bill's relationship will remain a focal point for the series, Ball plans to draw on other aspects of vampiric life in the American south, from the rise of "fangbangers" (regular humans who enjoy sex with vamps) to a political group fighting for equal rights for vampires.

Ball plans on drawing inspiration for the first season from Harris' first Stackhouse novel, "Dead Until Dark," and using the second book for the sophomore season. Fans of those novels will be happy to learn that there are plans for characters Bubba, Eric, and Quinn to show up later in the series. (Ball hasn't yet cast Quinn who was Harris' "personal homage to Vin Diesel.")

And will we be seeing the werewolves and maenads (beings from ancient Greek mythology) in the series? Ball confirmed that we will see a maenad before the end of Season One but fans will have to wait to see werewolves until at least Season Two... and the mystery of why Sookie is telepathic won't be revealed until at least then.

Ultimately, fans of Ball's Six Feet Under will encounter a very different beast in True Blood. "After Six Feet Under, I was tired of people talking about their problems," said Ball. "I wanted to do something fun."

True Blood is set to launch September 7th on HBO.

What's On Tonight

8 pm: Ghost Whisperer
(CBS); Most Outrageous Moments/Most Outrageous Moments (NBC;); Friday Night SmackDown! (CW; 8-10 pm); America's Funniest Home Videos (ABC); Anger Management (FOX; 8-10 pm)

9 pm:
NUMB3RS (CBS); Dateline (NBC; 9-11 pm); Duel (ABC)

10 pm: Swingtown
(CBS); 20/20 (ABC)

What I'll Be TiVo'ing

9 pm: Doctor Who on Sci Fi.

Season Four of Doctor Who comes to a conclusion tonight with Part One of its two-part season finale ("The Stolen Earth)," in former companions--including Rose Tyler (Billie Piper) and Jack Harkness (John Barrowman)--and old and new allies alike must band together to save the world, while the Doctor and Donna confront the Shadow Proclamation, and an old enemy waits in the wings...

10 pm: Swingtown.

On tonight's episode ("Puzzlerama"), Trina throws her annual Puzzlerama party, where the clues for the game are in fact the neighbors' dirty little secrets. Not exactly the same sort of fun achieved by playing, say, Candyland.

Comic-Con 2008: Who's In?

As we near the kick-off of the 2008 San Diego International Comic-Con (or just Comic-Con to its loyal attendees), I'm curious to know who among us is planning on attending this year.

I'll be attending once again this year, frantically running from panel to panel and trying to keep a burgeoning schedule of television-related events straight in my head. It will especially difficult this year, with a jam-packed schedule of events that seems to include nearly every single television series remotely connected to the genre (Dollhouse, Fringe, Battlestar Galactica, Eureka, Doctor Who, Torchwood), a few dramas that have used the con to reach out to fans in the past (24), and many, many series that are making their first stop at the convention (Bones, The Office, etc.)

Yes, it's officially television overload at Comic-Con this year, with many TV panels scheduled at the same time, leading to all sorts of scheduling conflicts for the TV-centric among us.

I am curious: which panels are you guys planning to attend? Which ones will you fight tooth and nail to into and which ones would you be disappointed about getting shut out of?

In any event, I'll be at Comic-Con beginning this Thursday, so if you see someone frantically scribbling into a pad and dashing around the convention center like a madman, it's likely me.