Channel Surfing: "Pushing Daisies" Gets Dopplegangers, "90210," AMC Looks West, Denman in "Office," and More

Welcome to your Tuesday morning television briefing. Hopefully all of you managed to catch a superlative season opener to NBC's Chuck and a slightly-less-than-stellar episode of CW's Gossip Girl.

Orlando Jones (Drumline), Michael Weaver (Notes from the Underbelly), and Ivana Milicevic (Casino Royale) have been cast in guest roles for a November episodes of ABC's Pushing Daisies entitled "The Norwegians," where they will play Norwegian detectives resembling our favorite troika of gumshoes Emerson, Ned, and Chuck, who leave Scandinavia in search of bigger and better mysteries to solve. Let's just hope these dopplegangers don't try to solve the mystery of how Emerson and Ned, er, solve their mysteries. (Entertainment Weekly's Ausiello Files)

Don't hold your breath waiting for an Arrested Development feature film, fans of the Bluth clan. Michael Cera says that he's heard nothing about plans for a feature film based on the short-lived FOX comedy series. “I don't think I would want to see a movie of the series if I was a fan, anyway," said Cera, “and I don't really see a need for it if you can get the three seasons on DVD.” Ouch. I'm going to curl up with my Arrested DVDs and pretend I didn't hear that. (CinemaBlend)

David Denman's Roy is expected to return this season to NBC's The Office, where he could put a damper on the road to the altar for lovebirds Pam and Jim. According to Kristin dos Santos, Roy will appear in an episode coming up very soon in which Jim and Darryl meet up with the former Dunder Mifflin employee at a bar, where Roy reveals something that has Jim worried about Pam being away at art school... (E! Online)

Spike has announced that it has ordered a pilot for its single-camera US adaptation of British comedy series Peep Show (one of my favorities); the announcement comes on the heels of the completion of shooting on said pilot in Chicago. Peep Show follows the misadventures of two mismatched roommates, Jeremy (Rob Chester Smith) and Mark (Brad Morris). David Richardson serves as showrunner/executive producer on the project, which was directed by Dylan Kidd (Roger Dodger) from a script by the British series' creators Sam Bain and Jesse Armstrong. Fingers crossed that this turns out better than, say, Spaced or Coupling. (Hollywood Reporter)

FOX has ordered a pilot presentation for animated comedy Good Vibes from writer/executive producer David Gordon Green (director of Pineapple Express) about two high school surfers who live near the beach in California. Move once again marks a different director for Green, who was once best known for his arthouse pics like Snow Angels and All the Real Girls. (Variety)

AMC is developing an untitled period western drama with Robert Duvall (Broken Trail), about the Pony Express, the pioneer mail-delivery service that lasted from 1860 to 1861. Erik Jendresen (Band of Brothers) will write the script, which will be produced by Fox Television Studios, and Richard Donner is expected to direct the pilot. (Variety)

Ellen Burstyn (Big Love) has signed on to star in Showtime drama pilot Possible Side Effects, from writer/executive producer/director Tim Robbins, about a powerful family that runs a successful pharmaceutical company. Already cast: Josh Lucas and Tim Blake Nelson. Burstyn will play the family's matriarch. (Variety)

TV Guide talks to 90210's Ryan Eggold, who plays mysteriously scruffy and yet perpetually upbeat teacher Ryan Matthews. Look for Adrianna to put the moves on his character sometime soon. (TV Guide)

Christina Moore (90210) and David Julian Hirsch (Naked Josh) will star opposite Jada Pinkett Smith in TNT drama pilot Time Heals, about a single mother who is the director of nursing at a North Carolina hospital. (Hollywood Reporter)

Tandem Communications has come aboard TNT's drama series Night and Day--starring William Fichtner, Sherry Stringfeld, and Conor O'Farrell--as international distributors and producers, along with Muse Entertainment. (Hollywood Reporter)

Stay tuned.

Paley Center Premiere Week 2008; Which Series Are You Dying to See... Or Can't Wait to Be Canned?

Once again, the Paley Center for Media is offering a week-long series of screenings of new and returning series this year. The premiere episode screening series, kicking off in Los Angeles on September 5th (and in New York on September 4th), will feature network-oriented screening nights and small panel discussions.

The schedule for the Beverly Hills-based location of the Paley Center is as follows:

Friday, Sept. 5th: Fringe, Do Not Disturb (FOX)
Saturday, Sept. 6th: Privileged, 90210 (CW)
Monday, Sept. 8th: My Own Worst Enemy, Kath & Kim, Crusoe, Knight Rider (NBC)
Tuesday, Sept. 9th: Gary Unmarried, The Ex List, Worst Week, The Mentalist (CBS)
Wednesday, Sept. 10th: Pushing Daisies, Private Practice, Eli Stone, Life on Mars preview (ABC)

While I've already seen nearly all of those above (though I'd be kidding if I said I wasn't salivating over the Pushing Daisies premiere), I probably won't be rushing to the Paley more than once for what promises to be a SRO event (though the CW's 90210 will have already aired by then so it might be a little less crazy).

Which leads me to my question: which of the above new and returning series are you most anxious to see? Who is already hotly anticipating FOX's Fringe? Who is curious to see Christian Slater in NBC's My Own Worst Enemy? And which of these new series do you think will be canceled by Christmas? Discuss.

Channel Surfing: "Amazing Race" Teams Revealed, "Office" Manager Signs Deal, and More

Good morning and welcome to your morning television briefing.

Universal Media Studios has signed The Office writer/producer Michael Schur to a hefty seven-figure overall deal, under which he will create, develop, and executive produce comedy series for the studio. The newly minted deal includes Schur's writing/producing services on the untitled comedy that he and Greg Daniels are developing for Amy Poehler; he'll serve as co-creator/executive producer on the pilot, set to shoot in January (after the birth of Poehler's baby in October), alongside Daniels. Four writers so far have been hired on the untitled Poehler comedy (which will also star Aziz Ansari), which seems to have neither a title nor an available concept. Schur, meanwhile, will continue to write occasionally on The Office and could appear on-screen again as Dwight's cousin Mose. (Variety)

CBS has revealed its lineup of sixteen contestants for the thirteenth edition of reality series The Amazing Race, which kicks off on September 28th. Among the players competing for the million-dollar prize and the approval of host Phil Keoghan are a pair of married beekeepers, geeky best friends (one is the treasurer of Comic-Con), fraternity brothers, a former Dallas Cowboys cheerleader and her actor brother, an ex-NFL player and his estranged wife, recent divorcees, and Southern belles. Starting in Los Angeles, look for the teams to make pit stops in Brazil, Bolivia, Russia, India, and Kazakhstan. (Associated Press)

Holy stunt casting, Batman! Fred Willard (Back to You) and Kerri Kenney (Reno 911!) will guest star in a November episode of ABC's Pushing Daisies. Willard is set to play the Great Hermann, a famous illusionist who gets murdered, while Kenney will play his assistant Alexandria. Elsewhere, Orlando Jones will join the cast of CBS' Rules of Engagement in a recurring role as Brad, a new neighbor for Jeff (Patrick Warburton). And look for Elizabeth Banks and Scott Foley to make return trips to Scrubs. (Entertainment Weekly's Ausiello Files)

Courtney B. Vance has joined the cast of NBC's ER, entering its fifteenth season this fall, and will appear in as Russell Banfield in a multiple-episode story arc opposite real-life wife Angela Bassett. Casting marks first time that Vance and Bassett have appeared on-screen together.

Gina McKee (Atonement) and Jeremy Northam (The Tudors) have been cast in Fiona's Story, a one-off drama for BBC One about a year in the life of a woman who tries to keep her family together after her husband is accused of downloading images of child sexual abuse from the Internet. Drama also stars Jimi Mistry, Claire Bloom, Nicholas Farrell, and Amanda Root. (BBC)

Stay tuned.

What's On Tonight

8 pm: NCIS (CBS); Summer Olympics (NBC); Beauty & the Geek (CW); Wipeout (ABC); House (FOX)

9 pm: Big Brother 10 (CBS); Reaper (CW); Wanna Bet (ABC); Terminator: The Sarah Connor Chronicles (FOX)

10 pm: Without a Trace (CBS); Primetime: Medical Mysteries (ABC)

What I'll Be Watching

8-10 pm: Britcoms on BBC America.

I don't know about you but by Tuesday night, I'm usually in need of some comedy in my life. Why not stick around on Tuesday nights for BBC America's new comedy lineup, consisting of classic episodes of Coupling, new comedy Not Going Out, and Absolutely Fabulous?

10 pm: Million Dollar Listing on Bravo.

I can't look away, no matter how hard I try...

Who Can't Wait for "Pushing Daisies" to Return?

Doesn't seem like forever ago that we first watched a remarkable new series about a Pie Maker who could bring the dead back to life with a touch?

Yes, folks, I'm talking about Bryan Fuller's gleefully imaginative Pushing Daisies, which sadly ended its truncated first season run last December due to the WGA strike. It's incredible to believe that it will have been about ten months since we last saw Ned, Chuck, Emerson, and Olive. (To say nothing of former Darling Mermaid Darlings Lily and Vivian.)

Fortunately, the wait for Season Two (which will hopefully--fingers crossed--be much, much longer than Season One) is nearly over and ABC has made a promo for those of us still under Pushing Daisies' spell to get a taste of what Bryan Fuller is cooking up for the series' sophomore season... and it looks like Season Two will include clowns, mimes, pigs, nuns, secret doors, bees, and, of course, pie.



Pushing Daisies relaunches on October 1st at 8 pm ET/PT on ABC.

Entertainment Weekly Visionaries: "Lost," "Chuck," "Pushing Daisies," and "Terminator: The Sarah Connor Chronicles" Showrunners Speak

It was absolutely remarkable to see Chuck's Josh Schwartz, Lost's Damon Lindelof and Carlton Cuse, Pushing Daisies' Bryan Fuller, and Terminator: The Sarah Connor Chronicles' Josh Friedman together on one panel. I thought the stage might collapse under the weight of their collective genius.

The panel, part of Entertainment Weekly's Visionaries series, was moderated by the magazine's in-house Lost guru Jeff Jensen, who did an absolutely brilliant job of asking insightful, intelligent questions and keeping the action moving. I go to a lot of these industry panels and typically the moderators are loathsomely awful, so it was a refreshing change of pace to have Jensen take the reins on this discussion and steer it in the right direction.

This being a panel consisting of showrunners on some of my favorite series on the air today, I was glad to see that Jensen didn't let them off the hook with questions designed to help promote their respective series. Instead, he started out with a doozy, asking them about how the writers strike of last winter has helped (or hindered) them approach next season.

For Pushing Daisies' Bryan Fuller, he spent a period of time wondering when the series would return to the airwaves but was happy that ABC opted not to bring back Daisies until the fall. "They didn't want to throw us under the American Idol bus," said Fuller. But the network did believe enough in the series to relaunch it again this fall and is putting as much investment into Daisies as though it were a new series.

So what can we expect when Pushing Daisies returns this fall? For one thing, the action picks up ten months later with our beloved characters trying to keep some newly discovered secrets in check, but some of them (ahem, Olive) are beginning to "burst under the strain." And look for a new character in the form of a pig (named Pigby, no less) who will turn up at a nunnery. (Only on Pushing Daisies would this make sense.) But don't expect a "Previously On..." that when Daisies returns this fall; instead, the first three minutes of Season Two will work as a primer to get viewers up to date.

Fuller said that he is a "very sensitive soul" and couldn't do a series like CSI, which he described as "negative headspace." Instead, he wanted to cram a series full with as many things that make him happy, and "shoehorn" in everything from dogs to monkeys and pie. As for pie? "Cake is a gamble," said Fuller. "Pie is always moist." (I have to say that I agree with Fuller's theory.)

As for the why Fuller seems to have a preoccupation with death, he said that, growing up, he went to a lot of funerals and never felt as though death were a bad thing. "Death is just the punctuation of everything that has come before," offered Fuller. He wanted to do something bright and boldly colored and pitched the network a series with a "fairy tale aesthetic." The candy-colored palette of Pushing Daisies "really was a choice for tone."

Josh Schwartz, meanwhile, revealed that Chuck's sophomore season will begin with a shot of Chuck (Zachary Levi) dangling off of a building and will explain what sequence of events lead him to end up in that precarious position. And unlike Pushing Daisies, Josh Friedman said that Terminator: The Sarah Connor Chronicles will start "two seconds" after the events of the season finale and will start right in the middle of that explosion.

As for Team Darlton, Cuse and Lindelof said that we can expect to finally see the backstories for those freighter folk, which was intended to be a part of the fabric of last season, turn up in Season Five. Those stories will be told "in a different way... maybe not better but definitely different."

Jeremy Bentham was always intended to be in that coffin at the end of Season Four. The Lost writers have a list of philosophers' names that they can use at any time on Lost and knew that they wanted to use it for the man in the coffin, plus it didn't hurt that Bentham was a contemporary of John Locke and had designed the Panopticon, a prison facility where the prisoners could be watched at all times without realizing it. If that's not the perfect metaphor for the island on Lost, I don't know what is...

They are definitely aware of the paradox that Claire didn't make it off the island with Aaron, as predicted by Desmond's vision, if Charlie died at the end of Season Three. "It is an assumption," said Lindelof, " that one idea usurped the other. We are aware of the paradox." Or as Cuse offered, "It is explanable... But you will see Claire, though maybe not for a bit."

What departed character do Cuse and Lindelof miss the most? "Mr. Eko." (Figures.) They explained that actor Adewale Akinnuoye-Agbaje wasn't happy living in Hawaii. (Schwartz joked that the character he missed most was "Mischa Barton." Ouch.)

Team Darlton went on later to say that "there is no paradox" on the show and "no alternate futures." They are "not postulating that future events can be changed." So there. And they aren't making things up as they go along or planning out every single detail. "Up until the end of Season Three, we were doing pretty much both," said Lindelof. "We have 34 hours left, Season Five and Season Six. If we didn't have an end plan, we would crash and burn."

Cuse likened the situation to taking a road trip to New York; they know where they are going but they are making unexpected pitstops and detours along the way as you can't map out every single turn on a journey ahead of time, even if you know where you want to end up. "We knew that hatch was going to blow up at the end of Season Two but the specifics were more organic," said Lindelof.

On the subject of additional content created for multiple platforms like web and mobile, Cuse said that the biggest change in the entertainment industry is that series are now treated like brands and networks always want to expand their brands. New Media offers opportunities to do things that they couldn't do in other media, like focus on ancillary characters or play around with the mythology of the series--like the connections between Alvar Hanso, the Dharma Initiative, and Charles Widmore--in way that they couldn't do on-screen but can via their alternate reality games (like Find815.com). Lindelof said that the networks often hope that these can help break through to the masses but the honest truth is that they're really for the "diehard fans" of the series.

Chuck will launch a series of webisodes this season based around the employees of the Buy More, which is allowing Schwartz to "extend the experience of the show" and give viewers additional content between weekly installments and the opportunity to "hang with characters" that always aren't the main focus of the series. Pushing Daisies' Fuller was investigating doing a series of webisodes around the aforementioned Pigby character but met with "resistence" from the studio due to contract issues with the writers and actors.

Given the recent launch of Joss Whedon's Dr. Horrible's Sing-A-Long Blog, it was only natural that Jensen would ask the showrunners if they are fans of Whedon's experimental, self-financed project. Schwartz said that it "opens the door to a whole new way of storytelling." Lindelof says that while they were on the picket line during the strike, they all talked about projects they were going to do while they were off from work but Joss actually created something brilliant seven months later and brought it to the fans himself. "It's just amazing," said Lindelof.

As for what series other than their own that these guys are watching, the answers were surprising. "Lost," said Schwartz. Cuse joked that he loves Gossip Girl. Lindelof said he loves "Chuck and Terminator. And Dexter." Fuller admitted his favorite series was Project Runway.

"Mad Men" Vs. "The Wire": TCA Announces Nominees and A Few (Pleasant) Surprises

It's that time of year again as the Television Critics Association has announced their nominations for the TCA Awards, which will be handed out on July 19th in Beverly Hills.

Making headlines: AMC's Mad Men has tied HBO's The Wire with the top number of nominations. (For those of you looking for a sign that critics are clearly behind the itty-bitty cabler and the recent Golden Globe winner for Best Drama, there you go.)

This year's group of nominees are quite exciting choices (as seen from the full list below), with some of Televisionary's favorite programs represented, including multiple nominations for Damages, 30 Rock, Lost, Pushing Daisies, and Flight of the Conchords, to name but a few.

The full list of nominees for the TCA Awards is as follows:

Program of the Year:
John Adams Lost Mad Men Ken Burns' The War The Wire

Comedy:
30 Rock The Colbert Report The Daily Show with Jon Stewart Flight of the Conchords The Office

Drama:
Damages Friday Night Lights Lost Mad Men The Wire

Movies, Miniseries, and Specials:
John Adams Masterpiece: Cranford Masterpiece: The Complete Jane Austen Ken Burns' The War A Raisin in the Sun

New Program:
Breaking Bad Damages Flight of the Conchords Mad Men Pushing Daisies

Individual Achievement in Comedy:
Christina Applegate (Samantha Who?)
Alec Baldwin (30 Rock)
Stephen Colbert (The Colbert Report)
Tina Fey (30 Rock)
Ray Wise (Reaper)

Individual Achievement in Drama:
Connie Britton (Friday Night Lights)
Glenn Close (Damages)
Paul Giamatti (John Adams)
Jon Hamm (Mad Men)
David Simon (The Wire)

Children's Programming:
Curious George Hannah Montana Word Girl Yo Gabba Gabba

News and Information:
Alive Day Memories This American Life Frontline Nimrod Nation Ken Burns' The War

Heritage Award:
M*A*S*H Roots Saturday Night Live Sesame Street The Wire

Which programs are you rooting for to take home the top prize? And who do you think will win in the nomination showdown between The Wire and Mad Men... and who should? Discuss.

Paley Festival: "Pushing Daisies" Panel

I've been going to the Paley Festival for a few years now, ever since I moved out here from New York about, oh, six years ago now. (Good god, has it really been that long?) Even when the panels aren't that, well, exciting, they still manage to entertain and provide a behind-the-scenes glimpse at some of your favorite series.

I needn't have worried about Saturday evening's Pushing Daisies panel being dull, especially with the uber-talented Bryan Fuller and nearly the entire cast--save narrator Jim Dale and Swoozie Kurtz (sadly at her ailing mother's bedside)--assembled at the historic Cinerama Dome at the Arclight in Hollywood. I cannot explain how magical it was to see Fuller, writer Peter Ocko, Lee Pace, Anna Friel, Chi McBride, Kristin Chenoweth, Ellen Green, and executive producers Dan Jinks and Bruce Cohen all up on stage together as their series is about to begin its second season. (Take that, cancellation mongers!)

Instead of screening an entire episode (like the series' beautifully filmed pilot, directed by Barry Sonnenfeld) as these events typically do, the team assembled a clip package that offered some plot points from the first nine episodes and some character-specific clips. While it seemed a little like an EPK to me, it was great to see some of the scenes and memorable moments from Season One play out on the Cinerama's screen. (And the clip package was preceded by a fantastic Lee Pace scene from Fuller's Wonderfalls. )

Overall, I did feel that moderator Kristin Dos Santos (of E!'s Watch with Kristin) was perhaps a tad too chummy with her subjects (recounting several times her dinner with Fuller before he pitched Pushing Daisies to ABC) but she was head and shoulders above some of the other moderators who have taken the stage at this events. (I won't name names but longtime readers know of whom I speak.)

The good news: the writing staff is back at work on Pushing Daisies' second season (kicking off this fall on ABC) after the strike and Fuller admitted that the downtime helped them reevaluate the plot and tone of the second season and take a step back to see what worked and what didn't during the series' freshman year. "We got to look back over the first season to see what worked and what didn't work," said Fuller. "The [Season One] arc was more of a soft romance, and we want to do something harder--a more aggressive style of storytelling--in the second season. I think we learned a lot of lessons."

As for what to expect during Pushing Daisies' second season (which starts shooting June 17th), Fuller and co-producer/writing partner Peter Ocko (who created CBS' short-lived 3 Lbs.) were notoriously tight-lipped. But they did say that Chuck will definitely find out that Aunt Lily is her birth mother (the audience found this out in the "Corpiscle" episode that will now function as Daisies' first season cliffhanger).

While the reveal of Chuck's parentage was originally intended to be a minor storyline, its prominence at the end of the truncated first season has now thrust it into the spotlight and Fuller and Co. have reconfigured the second season to play up this reveal. "It's going to be interesting to see how she reacts to that information and how the Pie Maker tries to control her trajectory and how that will complicate their relationship," said Fuller. "There are going to be some nice surprises."

Chuck may also learn that her resurrection has some unintended side-effects, like never growing old, alluded to by fellow alive-again Digby's youthful visage. Also on deck for Season Two: Emerson's tantalizing sub-plot, which involves his missing daughter: the very reason he became a private detective in the first place. And we'll finally learn that, yes, Ned does not eat meat. Fuller intended this to be explicitly stated in a scene which had appeared in numerous episode scripts this past season but always ended up getting cut. "Yes, he is a vegetarian," said Fuller, "because whatever he ate would crawl right back out..." (Ick.)

Meanwhile, for those of you hoping to hold the first season DVD in your greedy little hands, you'll have to wait a little while; Fuller announced that a release is planned for September in the US. (Brits, you're a little luckier: Pushing Daisies' DVD release for Blighty is slated for June.) And, oh, a soundtrack--which would definitely feature the musical stylings of Kristin Chenoweth and Ellen Greene--is said to be in the works as well.

The oft-repeated question of where the inspiration for Pushing Daisies came from was asked: "Dead Like Me was about a girl who died and became the grim reaper and took lives," Fuller recounted. "It was only natural to consider the inverse of that, where a guy who touches lives can bring them back."

While that character was planned for Dead Like Me, Fuller kept the idea in his pocket when he departed the Showtime series and held onto it for several years. And, wouldn't you know it, just happened to pitch Daisies to ABC just when the network was looking for a television series in the vein of Amelie, one of his favorite films.

To keep things interesting while writing the pilot episode, Fuller inserted all of his quirky, whimsical likes into the script, including making Ned a piemaker. "I was just putting as many things that would make me happy as I could in the pilot: dogs, bees, honey and pies," recounted Fuller. "I shoehorned them all in." (Ahem, and monkeys, as Fuller had recounted to me.) Fuller also listened to the soundtrack for Barry Sonnenfeld's The Addams Family continually on a loop while writing the pilot script.

What else did we learn?

-That Ellen Greene laughs like a donkey and said that most people had thought she "was dead." The stage fright-prone actress (best known for her role as Audrey in the original Broadway production and subsequent film of Little Shop of Horrors) was absolutely articulate, touching, and lyrical about the nature of acting, why characters burst into song ("when they can't speak, they sing and when they can't sing, they dance"), and how producers Bruce Cohen and Dan Jinks promised her she could sing for sweeps. (And sing she did, memorably singing "Birdhouse in Your Soul" with Chenoweth in the episode "Pigeon.")

-That Percocet is a miracle drug. This fact courtesy of Chenoweth, who recounted the painkiller's magical effects, which she experienced first-hand after she broke a rib and then had to shoot the Olive-centric episode "Girth" early on in Season One. She and McBride have a hilarious, teasing relationship. Chenoweth joked that she could tell when he needed to trim his nose hairs; he fired back that he could eat crackers off the top of her head. (Yes, they are funny and adorable.)

Chenoweth also joked that she wanted to do some scenes with Young Ned and Chuck--Field Cate and Sammi Hanratty, both in attendance--as they were all the same height. Chenoweth currently has blonde hair extensions (put in for her role as Reese Witherspoon's sister in the upcoming film Four Christmases) and joked that the hair came from a Russian girl named Svetlana and recounted that she once set her hair on fire after the Macy's Thanksgiving Day parade during a bout of tummy upset. But don't get too attached to her shoulder-length tresses; it hasn't yet been decided whether she'll keep them for Pushing Daisies' second season.

-That Lee Pace and Anna Friel do accidentally touch while filming scenes together. Friel is supposedly the bigger offender ("I always do it," she admits); Fuller joked that she was a fraterist and always rubbing people. Pace said that he uses the constraint to inform his movements in the scene and often sits on his hands for fear of accidentally ruining a shot by brushing against Friel.

-That Chi McBride is absolutely hysterical (which I discovered when I interviewed him last year), especially when he's poking fun at himself and the rest of the cast. One of the many highlights of the evening: McBride's ongoing joke about none of the cast looking to do television until Pushing Daisies came around. (McBride said he needs someone to pay for his kid's future tuition at Dartmouth... or he'll end up going to DeVry.)

After Anna Friel's British accent elicited gasps from some audience member who assumed she was American, McBride quickly tried to clear up any confusion about Friel's Blighty heritage: "Anna is from Long Beach and she's rich," deadpanned McBride. "Those are real diamonds she's wearing!" Friel's reaction? She shimmied the rhinestone-laden white dress she had poured herself into earlier that evening. Really, the woman is absolutely gorgeous.

-SPOILER ALERT! For fans of The Nine ("the first network show named after the audience," joked McBride), McBride revealed one pivotal plot point that had puzzled the series' relatively small coterie of fans. "I did it!" he proclaimed. "[Malcolm] had too many bills." That's one mystery solved.

-That Pace's favorite moment of the series so far is in the pilot episode, when Ned holds his own hand and pretends it belongs to Chuck, unaware that Chuck is doing the same thing. "I just remember kind of doing it and looking at Anna and going, 'God, I hope this goes!'" said Pace. Aw!

-That Fuller's wish list for guest stars includes Carol Burnett, whom I would absolutely love to see drop in at The Pie Hole. (Fingers crossed that Fuller can make this one happen!)

All in all, a fantastic evening revolving around one of my favorite new series on television today (or, hell, any day). While it's going to be quite a few more months until we can see new episodes of Pushing Daisies, I for one am already giddy with anticipation about catching up again with Ned, Chuck, Emerson, Olive, Aunt Lily and Vivian, and all the rest. Even if it means waiting until this fall...

What's On Tonight

8 pm: How I Met Your Mother/How I Met Your Mother (CBS); My Dad Is Better Than Your Dad (NBC); Gossip Girl (CW); Dancing With the Stars (ABC; 8-9:30 pm); Canterbury's Law (FOX)

9 pm: Two and a Half Men/New Adventures of Old Christine (CBS); Deal or No Deal (NBC); Pussycat Dolls Present: Girlicious (CW); The Bachelor: London Calling (ABC; 9:30-11 pm); New Amsterdam (FOX)

10 pm: CSI Miami (CBS); Medium (NBC)

What I'll Be Watching

8 pm: Gossip Girl.

It's another chance to catch up on the teen soap. On tonight's repeat episode ("Seventeen Candles"): Blair tries to conceal tensions with Nate as her 17th birthday approaches, Dan brings Vanessa to the party so that she can Serena can spend some time together.

9:30 pm: Old Christine.

On tonight's episode ("Burning Down the House"), Christine tries to prove to Barb that she has a wild side.

ABC Renews "Pushing Daisies," "Dirty Sexy Money," 'Lost," and Six Others

ABC has opted to give nine scripted series early renewals this season, including Lost (guaranteed two additional seasons after the series' current fourth season), Brothers & Sisters, Ugly Betty, Grey's Anatomy, and Desperate Housewives.

These series will all return next season for a place on ABC's fall schedule and have each received a full season pickups for the 2008-09 season.

"The strength of our schedule this fall was unprecedented and speaks for itself," said ABC Entertainment president Stephen McPherson in a statement. "We're looking forward to building on that success."

The Alphabet also granted reprieves to three first-year dramas and one freshman comedy; Pushing Daisies, Dirty Sexy Money, Private Practice, and Samantha Who? will join the above series on the schedule next season.

Good news, right? Well, yes, I am happy that they've gotten another shot on the ratings merry-go-round but as of right now Pushing Daisies and these other returnees have only been granted thirteen episode orders from the network.

Additionally, the three first-year dramas will not return with new installments this season and any produced episodes will be added to their run this fall. (Samantha Who? is the sole freshman series which will air new episodes before May.)

As for the fate of Boston Legal and Men in Trees, neither of which were mentioned by McPherson in the press release, the jury is still out. But it doesn't bode well for either series that they didn't rate a mention... or a renewal.

Meanwhile, Ugly Betty may be returning to the airwaves later this season, but not everyone on the ABC dramedy's staff will be returning to work.

The Hollywood Reporter has reported that executive producers Marco Pennette and James Hayman were let go from Ugly Betty... on the same day that the series snagged a third season pickup.

ABC wouldn't comment on the exits but the series has faced several exits in recent months, such as when five writers were let go between its first and second seasons.

It is expected that Ugly Betty will produce around five new episodes this season.

Stay tuned.

What's On Tonight

8 pm: NCIS (CBS); Biggest Loser (NBC; 8-10 pm); Reaper (CW); Just for Laughs/Just for Laughs (ABC); American Idol (FOX; 8-10 pm)

9 pm: Big Brother 9 (CBS); One Tree Hill (CW); According to Jim/Carpoolers (ABC)

10 pm: Jericho (CBS); Law & Order: Special Victims Unit (NBC); Boston Legal (ABC)

What I'll Be Watching

8-10 pm: Last Restaurant Standing on BBC America.

Suffering from Top Chef withdrawal? Try this addictive British import in the meantime, in which nine couples compete for the chance to open their own restaurant with famed restaurateur Raymond Blanc. (Reviewed here.) On the first episode, each couple has a week to open their own restaurant and go head to head with the other teams while Raymond's inspectors follow their every move. In the second, the bottom three couples face off in an elimination challenge in which they have 48 hours to put on an event. Sharpen your knives...

PaleyWatch: Details About the 2008 Lineup Emerge

The PR machine is in overdrive for the 2008 William S. Paley Television Festival, the fest's 25th anniversary installment, which moves its location this year from its cramped quarters at the DGA to the Cinerama Dome at the Arclight. (Wahoo!)

While the festival's organizers are being pretty coy about the full lineup and schedule this year, what with teasing us about a Buffy the Vampire Slayer reunion, they have quietly nailed down some dates for some of the panels:

March 14th: Elvis '68 Comeback Special (Opening Night Selection)

March 15th: Pushing Daisies

March 17th: The Comedy World of Judd Apatow & Friends

March 18th: Chuck

March 20th: Buffy the Vampire Slayer Reunion

March 21st: Dancing with the Stars

March 25th: Dirty Sexy Money

March 27th: Mad Men (Closing Night Selection)

The full lineup and schedule, including the date for the previously announced panel for Gossip Girl, is slated to be revealed on February 4th.

Individual tickets for members of the Paley Center for Media go on sale on February 7th, while Joe Public can buy tickets beginning on February 10th.

Me, I'm already trying to figure out how much a hit my wallet can take in order to determine just how many of these events I can attend.

What's On Tonight*

*Note: The State of the Union Address will wreak havoc with tonight's lineup. Check local listings.


8 pm: How I Met Your Mother/Two and a Half Men (CBS); Gossip Girl Revealed (CW; 8-9:30 pm); Dance War: Bruno vs. Carrie Ann (ABC); Terminator: The Sarah Connor Chronicles (FOX)

9 pm: Rules of Engagement/CBS Special Report: CES (CBS); The Office/30 Rock (NBC); Aliens in America (CW; 9:30-10 pm); Samantha Who (ABC; 9:30-10 pm)

10 pm: American Gladiators (NBC)

What I'll Be Watching

8-9:30 pm: Gossip Girl Revealed.

It's yet another chance to catch the pilot episode of the teen soap, this time with added features including interviews, commentary, deleted scenes, and character profiles.

10 pm: No Reservations with Anthony Bourdain on Travel Channel.

It's a brand new season of No Reservations on the Travel Channel; follow enfant terrible chef Anthony Bourdain as he travels the world in search of good food. In tonight's installment, Tony heads to the Greek Islands, where he swings by Crete and Ithaca and tries to determine whether or not the Greek really do have the world's healthiest fare.

PaleyWatch: "Buffy the Vampire Slayer" Reunion

It pays to be a member... of the Paley Center, that is.

As with most years since I moved out to Los Angeles (five years ago, for those keeping score), I'm planning on attending as many William S. Paley Television Festival events as I can (and as many as my wallet will allow).

The festival's organizers--from the Paley Center for Media--have been particularly canny this year, teasing the audience with little glimpses into this year's lineup (March 14-27 at the Arclight, in the Cinerama Dome, no less), which so far includes panels for Pushing Daisies and Gossip Girl and a special evening with Judd Apatow.

If that wasn't enough, they then made me drool with sweet, sweet anticipation with their latest tantalizing unveiling of the schedule, which features panels for Chuck, Dirty Sexy Money, Dancing with the Stars, and Mad Men.

And, oh, a reunion of the cast from a little show called Buffy the Vampire Slayer.

Yes, that's right, ladies and gents, the cast of the cult show that spawned a creative genius, a television franchise, comic books, and more ancillary items that you can shake a stick at will come together for one night only.

I plan to be there for this momentous occasion.

In the meantime, the full lineup for the event--the festival's 25th--will be announced on February 4th. Mark your calendars and sharpen your stakes.

Death and Honey: The Scent of Long Buried Secrets on "Pushing Daisies"

Um, wow.

If you saw last night's brilliant and heartbreaking episode of Pushing Daisies ("Corpiscle"), you know exactly what I'm talking about. (And if you didn't catch it, shame on you for missing out on the most astoundingly inventive series to come along in years!) While this installment was sadly the last produced episode of Pushing Daisies before the strike, it was the absolute perfect cliffhanger--in scope, tone, plot, and characterization--to nine episodes of whimsy, charm, and the very best witty dialogue this side of Dashiell Hamnett.

The facts were these: this week's episode--written by Lisa Joy and directed by Brian Dannelly (Saved!)--itself revolved around a murder spree in which the bodies of insurance adjusters from Uber-Life Life Insurance turned up outside the home of a boy thrice turned down for a heart transplant, but it was also about the fractured relationship between Ned and Chuck, who recently learned that her childhood sweetheart had inadvertently killed her father years before. Chuck leaves Ned and takes haven in the color-coordinated apartment of romantic rival Olive Snook.

Poor Chuck is desperately aching to share her secret--she's alive again--with someone, anyone, even the creepy Oscar Vibenus, an olfactory sleuth with a penchant for making inappropriate remarks (like that of keeping Chuck's hair in his pillow); she even considers letting him in on her secret. Meanwhile, Olive learns one of Aunt Lily's secrets after accidentally overdosing her with homeopathic anti-depressants in her pie: Lily is Chuck's mother!

Say what?

But before I act all shocked and surprised, let me be perfectly honest: I've actually known about this little plot twist for about six months now, since creator Bryan Fuller sketched out some of the major story beats intended for Pushing Daisies' first season. It's a secret that, like Chuck's and Lily's, has been terribly difficult to keep buried, but one that--in the end--needed to stay underground. (And if Fuller sticks to the plan he originally told me way back when, the results are bound to be as delicious as one of the Pie Maker's pies.)

As for the particulars behind this particular relationship, my theory is that Lily had a romance with Chuck's dad and then left young Chuck with him to raise so she could return to the Darling Mermaid Darlings tour. After all, Lily isn't exactly the most maternal figure (nor does she seem particularly fond of Chuck's dad, but that could just be bravado), so I can't see her raising Chuck, but it's clear that she does care for her daughter/niece. Loved the fact that she referenced seeing Chuck's "ghost" in "Pigeon" but that when she blinked she was gone. Also loved the fact that, because Chuck always lit the furnace for the sisters with matching personality disorders, they were incapable of figuring it out for themselves.

Meanwhile, Emerson "Grudgy Grudge" Cod offered a revelation of his own: he too has a daughter out there in the world. While the gruff Emerson wouldn't offer any more information than that little tidbit, it's a tantalizing one that opens up Chi McBride's character in more ways than one. Emerson could be a formulaic private eye type, but Fuller and Co. have gone out of their way to invest him with his own character-defining foibles and quirks.

And what about that ending that had Chuck and Ned in the graveyard with Chuck begging Ned to bring her long-dead father back to life? Hmmm. Can Ned's powers really bring someone back from the dead (or, er, to life again) who has been dead and buried that long? And would they look healthy and normal or, well, like a walking corpse? The outcome of this scene will likely have major ramifications for Ned and Chuck's relationship as well as the thrust of the entire series.

What else did I love about last night's episode? A killer literally killing with kindness (or a blunt instrument with the word kindness scratched into it at any rate); Chuck and Oscar's rooftop exchange about the scent of death which clings to her and poor bum-shaved Digby; Lily's drug-induced hallucinations of crabs and mermaids (especially loved when the crab crawled onto Olive's shoulder at the end); Olive now knowing two major secrets about Chuck but being unable to tell either party; yet another monkey motif on the series with lovable scamp Bobo; the fantastic repetition of the line "There must be some Wish a Wish wish you wish for?"; the adorable little toques for Chuck's rooftop beehives; Ned throwing the snowball at the irritated man during his search for his missing love; Olive's gorgeous new wallpaper/bedspread/nightgown pattern.

Guest Stars of the Week: Murphy Brown's Grant Shaud played insurance adjuster Steve Kaiser, while Wish-A-Wish foundation volunteer Madeline was played with murderous aplomb by Big Love's Audrey Wasilewski, who plays suspicious and disapproving neighbor Pam on the HBO drama series.

I could go on and on. It was a beautiful, subtle, and--dare I say it--magical episode from a series that has consistently challenged, revised, and reinvented the way that we look at serialized network television. While "Corpsicle" might be the last episode of Pushing Daisies we get until the strike ends, it was a transcendent Valentine to a world that will never be, save in our imaginations, just in time for the holiday season.

To Bryan Fuller and the cast and crew of Pushing Daisies, I say thank you for nine beautiful episodes of this groundbreaking series and for your vision, dedication, and imagination!

"Pushing Daisies," "30 Rock," "Damages" Get Some Golden Globe Love

Ah, awards season is upon us, but I can't seem to muster the same enthusiasm this year, what with the strike still going on and no sign of resolution anywhere to turn to.

Still, it's a little bit of comfort to know that the Hollywood Foreign Press Association, in handing out their nominations, did decide to include some of my favorite series this year around, including Pushing Daisies, Big Love, 30 Rock, and Damages. So thanks to the HFPA for recognizing creative genius and innovative television. My hat is off to you!

So which series and actors got nominated and which ones got left out in the cold? Below is a list of the TV award categories and their nominations, along with my reactions to the major categories.

BEST TELEVISION SERIES – DRAMA:

BIG LOVE (HBO)
DAMAGES (FX NETWORKS)
GREY’S ANATOMY (ABC)
HOUSE (FOX)
MAD MEN (AMC)
THE TUDORS (SHOWTIME)

While I loves me some Big Love (and I am absolutely pickled that the HBO polygamy drama has gotten some much-deserved recognition), I do have to shout at the top of my lungs for my near-obsession with FX's serpentine legal thriller Damages, a first-rate Shakespearean drama about about greed, power, and the never-ending battle between might and right.

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA:

PATRICIA ARQUETTE - MEDIUM
GLENN CLOSE - DAMAGES
MINNIE DRIVER - THE RICHES
EDIE FALCO - THE SOPRANOS
SALLY FIELD - BROTHERS & SISTERS
HOLLY HUNTER - SAVING GRACE
KYRA SEDGWICK - THE CLOSER

Will The Sopranos' swan song season give Edie Falco yet another statuette to polish? Possibly, but I am hoping that the award gods instead smile down upon the virtuoso performance by Glenn Close this season on Damages, a layered, complex portrayal of a woman so driven by rage and the need to live that she not only destroys everything around her but stamps out little pieces of her own soul. If Patty Hewes doesn't want away a winner when the envelope is opened, I will be a sad, sad boy.

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA:

MICHAEL C. HALL - DEXTER
JON HAMM - MAD MEN
HUGH LAURIE - HOUSE
JONATHAN RHYS MEYERS - THE TUDORS
BILL PAXTON - BIG LOVE

While others might push for Mad Men's John Hamm, my thoughts of who I'd like to win this category are Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton, Bill Paxton.

Could I be any clearer?

BEST TELEVISION SERIES – COMEDY OR MUSICAL:

30 ROCK (NBC)
CALIFORNICATION (SHOWTIME)
ENTOURAGE (HBO)
EXTRAS (HBO)
PUSHING DAISIES (ABC)

Another difficult category to pick one single favorite from, what with some of my absolutely favorite series--30 Rock, Pushing Daisies, Extras--represented here. I'd absolutely love it if Pushing Daisies got some award-season love (god knows the Emmys wouldn't chance it), but 30 Rock is hands-down the funniest comedy on television right now. Gee, makes me wish that there were separate half-hour and one-hour comedy categories, but at the same time I'm happy that for once Ugly Betty won't walk away with this award. Slight edge to 30 Rock, but Pushing Daisies' quirky sensibilities could win out here. And don't discount Extras, which concludes its hilarious (if all too brief) run this month.

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES –COMEDY OR MUSICAL:

CHRISTINA APPLEGATE - SAMANTHA WHO?
AMERICA FERRERA - UGLY BETTY
TINA FEY - 30 ROCK
ANNA FRIEL - PUSHING DAISIES
MARY-LOUISE PARKER - WEEDS

America Ferrera will likely win for Ugly Betty, but I'd rather they instead bestow this award on one of two extremely talented actresses: either Pushing Daisies' delightfully wry Anna Friel or 30 Rock's embattled Tina Fey; both turn in gorgeous, hilarious performances, but manage to keep their characters likable and grounded. Come on, HFPA, do something daring and surprise us (pleasantly) for a change...

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL:

ALEC BALDWIN - 30 ROCK
STEVE CARELL - THE OFFICE
DAVID DUCHOVNY - CALIFORNICATION
RICKY GERVAIS - EXTRAS
LEE PACE - PUSHING DAISIES

Wowzers, this is a hard category to pick just one winner. In fact, I'd probably be okay if any of these extremely talented men walk away with the statuette, between 30 Rock's Baldwin, The Office's Carell (here in competition with Extras' Ricky Gervais, no less!), and Californication's Duchovny. But really, I have to ask the HFPA to share some love with the Pie Maker himself, Pushing Daisies' Lee Pace, whose wit, charm, and facility for rapid-fire banter has instantly endeared Ned and his special gift to me.

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION:

ROSE BYRNE - DAMAGES
RACHEL GRIFFITHS - BROTHERS & SISTERS
KATHERINE HEIGL - GREY’S ANATOMY
SAMANTHA MORTON - LONGFORD
ANNA PAQUIN - BURY MY HEART AT WOUNDED KNEE
JAIME PRESSLY - MY NAME IS EARL

Can I just say how sick and tired I am of Katherine Heigl? If I have to sit through one more commercial or product integration message about 27 Dresses, I think I will pull out all of my hair. While some might give the edge to Izzie--Grey's Anatomy is extremely popular around the world--or Rachel Griffiths, I do have to put in a good word for Damages' Rose Byrne. Her performance as naive Ellen Parsons this season was a thing of beauty to watch, as she transformed before our eyes from trusting innocent to scheming shark, all under the guidance and manipulation of Patty Hewes. You can literally pinpoint the moment when her world comes crumbling down around her.

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION:

TED DANSON - DAMAGES
KEVIN DILLON - ENTOURAGE
JEREMY PIVEN - ENTOURAGE
ANDY SERKIS - LONGFORD
WILLIAM SHATNER - BOSTON LEGAL
DONALD SUTHERLAND - DIRTY SEXY MONEY

As much as I love Dirty Sexy Money (and Sutherland's surly, introspective magnate Tripp Darling), the edge here definitely goes to Damages' Ted Danson, who turned in a career-defining role as crooked fat cat billionaire Arthur Frobisher, a role that was shaded by uncertainty, fear, loathing, and an innate drive to win his war, no matter who got killed along the way. It's a bravura performance that has all but erased the memory of his last meaty role: womanizing Sam on Cheers, but in the best possible way.

So what do you think of the nominations? Who deserves to win, who got overlooked, and who will ultimately walk away with the top honors? Discuss.

What's On Tonight

8 pm: Survivor: China (CBS); The Office (NBC); Smallville (CW); Ugly Betty (ABC); Are You Smarter Than a Fifth Grader? (FOX)

9 pm: CSI: Crime Scene Investigation (CBS); 30 Rock/Saturday Night Live Christmas (NBC); Supernatural (CW); Grey's Anatomy (ABC); Don't Forget the Lyrics (FOX)

10 pm: Without a Trace (CBS); Big Shots (ABC)

What I'll Be Watching

8 pm: Ugly Betty.

On tonight's repeat episode ("Family/Affair"), Henry returns to Mode but Betty is distracted by Wilhelmina's offer to help solve Ignacio's immigration problem, if Betty keeps shtum about her affair with her bodyguard, an offer that tests Betty's loyalties to Daniel.

8 pm: The Office.

On tonight's repeat episode from Season Three ("Benihana Christmas"), Dunder-Mifflin Scanton ends up split down the middle when an argument among the members of the Party Planning Committee leads to two office Christmas parties. Meanwhile, Michael gets dumped by Carol (and right at the holidays too!) and invites the menfolk of Dunder-Mifflin to down their sorrows.

9 pm: 30 Rock.

On tonight's strangely untitled episode, the staff of TGS with Tracy Jordan celebrates their annual Luda Christmas party, Tracy finds his merriment derailed by a court-mandated alcohol monitoring bracelet, and Liz spends time with her parents and her brother Mitch (Andy Richter), who suffers from memory loss due to a decades-old skiing accident, and Jack receives a surprise visit from his mother Colleen.

9:30-11 pm: Saturday Night Live Christmas.

Because we all could do with some levity right now; take a trip down memory lane as the Not Ready for Primetime Players present some of their most memorable holiday-themed sketches.

"Truth Isn't Like Puppies": A Bittersweet "Pushing Daisies"

Is it just me or does ABC's deliriously deliciously drama Pushing Daisies have the best guest stars this side of 30 Rock?

Last night's episode of Pushing Daisies ("Bitter Sweets") was no exception, giving us a boffo appearance by Molly Shannon as taffy emporium proprietor Dilly Balsam and Mike White as brother Billy Balsam. If that's not outrageous stunt casting along the lines of Paul Reubens playing a scent-obsessed utilities worker, I don't know what is.

Shannon was pitch-perfect as Dilly, a conniving, mercenary of a business owner who proved that she's willing to break any rule in pursuit of running the competition out of business, whether that's pretending to have a stutter, that she's legally blind, or calling in the health inspector to the Pie Hole. (Hell, she even messed with their neon sign to read The Pie Ho. Classic.) Still, I am not sure how Ned explained to Olive the entire room filled to the ceiling with rotten fruit. What possible explanation is there for that?

Loved Billy Balsam's "Some Guy" routine as well as his dullard's gaze. While the promos for this week's episode revealed that Billy was going to kick the bucket, I had no idea he'd end up drowning in a vat of pink taffy after biting off his killer's finger. I was a little sad to see him offed in his first PD outing. Still, there's a least a guarantee that Dilly will stick around as (1) Shannon is booked for a multi-episode arc and (2) no one, not even the nefarious Dilly Balsam, gets away with murder on Pushing Daisies. I was utterly shocked that Dilly was a murderess, even if it was revenge-based for the killing of her brother. Did anyone else absolutely howl with Dilly's motorboat trip whilst being attacked by those Hitchcockian birds? I think we need a recurring character who is absolutely evil and hell-bent on destroying Ned and the gang.

This week's installment found Ned still guiltily harboring his secret that one of the first manifestations of his power, you know, inadvertently killed her father when they were children. I am sure that Ned felt a crushing guilt over his role in the death of Mr. Charles as a child at the boarding school, but his feelings must be compounded by the fact that he recently resurrected Chuck after she was felled by a murderer. Still, I can't say that any of us can fathom how Chuck now feels after learning that the love of her life killed her beloved father, a look of such shock and horror that it had to be juxtaposed with a sweeping, aerial view of the city as the camera swooped out of Chuck and Ned's bedroom into the cold winter night. Hmmm. Any takers on how long it will take before Chuck decides to take matters into her own hands and force Ned to resurrect her father?

Happy to see the return of Alfredo Aldarisio (Raul Esparza) to the Pushing Daisies mythos, especially as he has a thing for our oblivious Olive Snook. I was so depressed that Olive wouldn't even give him the time of day, especially as it's become clear that there's no hope of a future with Ned. Still, she finally realized that she might just have feelings for the espresso-machine fixing homeopathic anti-depressant salesman, thanks to her surprising fantasy in which he swept in after leaving his little espresso cup and enveloped Olive in his arms. But is it too late for the two of them?

It was also fantastic to see Chuck and Olive get along as they united against the common enemy of Dilly and her Bitter Sweets, especially garbed as cat burglars. It was sheer bliss seeing a goggled Olive run straight through a plate-glass window into the Balsams' shop, where they promptly released a whole host of vermin.

Best line of the night: “Don’t mess with the Pie Ho's.”

And was anyone else seriously creeped out by Sheila, the human-sized doll girlfriend of Burly Bruce Carter? A little too Lars and the Real Girl for my tastes.

My only complaint: what is going on with Chuck's wardrobe? For the first few episodes of this series, Anna Friel was outfitted in the most gorgeous 1950s-inspired ensembles that recalled both Douglas Sirk and Edith Head while being utterly stylish and completely wearable. Lately, however, Chuck has been wearing these odd, 1960s hippie clothes that are completely unflattering and just outright weird. This week's atrocious outfits compel me to speak out; what is happening to our gorgeous mannequin that these sartorial injuries are being forced on her? Is it a stylistic decision or a creative one in which Chuck subconsciously moves from Great Generation to Free Love via her clothes over the course of a handful of episodes? You decide.

In two weeks on Pushing Daisies ("Corpiscle"), Ned tries to heal the rift between him and Chuck while Emerson tries to get him to focus on their latest case involving a frozen insurance adjustor and scent expert Oscar Vibenius returns to discover what makes Chuck and Digby so utterly different. Uh-oh.

Doggone It: Latest "Pushing Daisies" Leaves Me Deflated

It's always distressing when an episode of one of your absolute favorite series fails to meet your expectations. It's especially distressing when the series in question is the typically charming and witty Pushing Daisies.

I felt that the idea for last night's episode of Pushing Daisies ("Bitches")--in which the gang investigates the murder of a innovative dog breeder who turns out to be a polygamist (Joel McHale) with four sister brides--was a good one, as it served to underpin the conflict existing between Ned, Chuck, and Olive in their non-sexual love triangle and advance the romantic plot. Can people share their love among many people (or in Ned's case two people)? Can Ned reconcile the fact that he can kiss the girl he doesn't love but can't kiss the one he does?

All worthy questions worth discussion, but I didn't feel that the script for "Bitches"--from husband and wife team Chad Gomez Creasey and Dara Resnick Creasey--lived up to the ambitious storytelling possibilities present from the premise. It all seemed a little too overwritten, filled with far too many dog-related puns and jokes for my liking. (And I love dogs!) And it seemed an oddly meh fit for a November sweeps episode, especially coming so closely after the previous episode, "Girth," which was funny, touching, and creepy all rolled into one.

Before you go accusing me of being far too negative, there were some nice touches: a costumed Young Ned thinking of Chuck as she thought of him; the return of the animated Play-Doh personnel, the visual of a naked Olive removing her "Chuck suit," as though it were a fleshy full-body sheath; the disguises that the gang donned in order to question the victim's many wives. But they felt more like window dressing than anything else. I was hoping for more depth, more fire, more Nick-and-Nora theatrics and wordplay. Instead, I felt slightly disappointed and deflated.

That feeling is exacerbated by the fact that only three more original episodes of Pushing Daisies remain this season. I'm told that the final, ninth episode, completed before the strike, acts as a sort of a season finale for Pushing Daisies, should the strike carry on for an extended period. Let's just hope that it doesn't mean a premature ending for this fantastic series.

Next week on Pushing Daisies ("Smell of Success"), the gang investigates the death of a scent expert's assistant, killed in a scratch-and-sniff book explosion, which points to the sour tang of murder. Paul Reuben guest stars.

Holy Secretariat: Chuck and Olive Jockey for Ned's Love on "Pushing Daisies"

Is it just me or is Pushing Daisies getting even better and better with each new installment?

Last night's episode of Pushing Daisies ("Girth") was no exception to this rule, with an installment that filled out Olive's backstory as a female jockey (though Cheno had told me that herself over the summer) as well as explained some of the oddness of Ned's psychological/emotional history and heightened the tensions between romantic rivals Olive and Chuck.

The script for "Girth" was written by the exceptionally talented Kath Lingenfelter, Pushing Daisies' executive story editor. Lingenfelter, as Bryan Fuller told me, was hired on the strengh of her spec script, about a man with pork chops for hands.

Ned. Love that Ned kept the wooden arm from last week's episode and is using it as a scratcher for Digby. Seeing just what happened to poor Ned at the boarding school explained quite a lot about this psychological state as an adult and his emotionally withdrawn nature. The entire scene in which Young Ned waited hopefully in the school corridor for the Postmistress to give him a nod was heartbreaking, made all the more so by the fact that when he does finally get a piece of mail, it's a pre-printed "we've moved" card from his insensitive father. Ned, dressed as a ghost for Halloween, goes to see his father, only to learn that he has a new family, complete with two new children. And poor Ned, he's adrift on a sea of memories, returning to his old bedroom, now empty of any signs of life. (As one reader emailed me last night, if there were an Emmy category for best canine performance, Digby would win this thing hands down.)

Even more touching was the scene in which Ned secretly returns to Coeur d' Coeurs to see Chuck's aunts Lily and Vivian to learn about his father, who really wasn't all that nice as it turns out and was kind of a jackass. This entire sequence--in which Ned also learns that Chuck has been sending her aunts pies (via a strawberry, which he had already brought back to life, whithering under his touch)--was incredibly moving, from that briefest of human contact from Aunt Vivian to her words that he has grown up to be a nice man. Heart literally melting right now. Hmmm, any thoughts about whether Ned will buy that his vacant childhood house, conveniently located for keeping an eye on the Darling Mermaid Darlings?

Chuck. I love how on any other series, Chuck and Olive would have had their respective claws drawn, especially now that Olive believes that Chuck faked her death and is keeping her, er, life status secret from her aunts. While Chuck is sensitive to the fact that Olive could make her aunts' heads explode if they learned the truth, she doesn't threaten, cajole, extort, or make an effort to stop Olive from spilling her guts. Instead, she smiles and gently pleads with Olive's good nature, while looking fabulous in an red dress that could make itself right at home in a Douglas Sirk film. Loved her scene with Digby at the stables, where she's nearly frightened (back) to death when Emerson appears out of nowhere with a pitchfork and the way that she calmly took care of Olive at her apartment and was kind enough to notice her horsey mugs... while there was a killer on the loose. Plus, the payoff of her dressing up as a Halloween ghost so she could see Lily and Vivian was absolutely beautiful and priceless. She and Ned are linked in their attempts to recover and recover from their childhoods and the assumption of the ghost costume (well, a sheet with holes for the eyes) was a fitting and simple way of coming full-circle, almost poetic in its symmetry.

Olive. I've grown to love our Olive Snook over the past few weeks and this episode did a lot to broaden her backstory and explain several elements of her personality. Favorite scene: a tie between the one in which she and Digby jumped on the bed to celebrate her victory over Chuck... and the one in which her modesty (or lack thereof) was pointed out repeatedly by Mamma Jacobs, who peppered the former jockey with backhanded compliments that really stung. I liked that Olive did commit a crime in the end (she concealed and destroyed evidence of a crime) but felt so guilty over her first-place win (in which John Jospeh Jacobs was trampled) that she didn't spend any of her winnings. Hence her job as the perkiest waitress at the Pie Hole. I'm also very happy that Olive sees that she can't tell Vivian and Lily about Chuck, even if she doesn't quite have the facts about Chuck's death quite right. Oh, and did I mention how bad I felt when Ned swooped Olive up in her arms and she kissed him (gasp!), only to have him literally drop her when he saw Chuck stumble out of the underbrush? Sigh. Poor, poor Olive Snook.

Emerson. I heart Emerson. All I'll say is: watch the scene in which he "calls" Olive's money and sees if it's okay to use it to pay for things. Classic.

Monkey alert! Did any of you catch the see no evil, hear no evil, speak no evil monkey figurines on Mamma Jacob's console table? We know how much creator Bryan Fuller loves the wee beasties, so it was no surprise that another monkey motif popped up again so soon after the pilot. Any chance of seeing that Dr. Ron's monkey from Wonderfalls?

Guest stars galore. Jockey John Joseph Jacobs was played by the talented Hamish Linklater from CBS' Old Christine; I absolutely loved the reveal that he survived the trampling and regained his legs by having those of his beloved horse grafted onto his own. Mamma Jacobs was played by veteran actor Barbara Barrie, best known for her role of Helen "Nana" Keane on NBC's Suddenly Susan; she also appeared in two episodes of Bryan Fuller's Dead Like Me, where she played Phyllis.

In two weeks on Pushing Daisies ("Bitches"), Ned and the Pie Hole crew investigate the death of a dog breeder who happens to be a polygamist and whether one of his four widows played a role in his demise. Plus, Chuck learns about Ned and Olive's kiss, which puts him in a rather uncomfortable position. And was that a shot of Ned and Olive in bed together? I can't wait!

A Wing and a Prayer: Carrier Pigeons and Birdhouses of the Soul on "Pushing Daisies"

I'm still on a high after last night's episode of Pushing Daisies ("Pigeon"), a sweet as pie installment scripted by Rina Mimoun (Gilmore Girls) that upped the romantic quotient while still remaining true to its quirky off-beat drumming. (My high might also have something to do with the sinfully delicious piece of cherry pie my fiancée brought home for the occasion.)

Wednesday nights have truly become a highlight of the week since Pushing Daisies launched. I can't tell you how much my face hurts after an episode, what with all the grinning. And last night's episode was no exception. What other series could take a plot about jewel thieves, a downed crop duster, a one-armed man, windmills, a mono-winged carrier pigeon, and bees and make it into pure, unadulterated joy? (None, I tell you.) Plus, Chuck and Ned's rooftop waltzing trumped any B&B-related romance with Jim and Pam, making these star-crossed lovers the only ones I can't get enough of lately.

Ned. I completely sympathized with poor Ned when he stepped out of the way to let Chuck fall; while not a gentlemanly thing to do, Ned couldn't risk catching her and inadvertently letting his flesh touch hers. (Bad idea.) But at the same time, he's constantly existing in a state of proximity to his heart's desire but can't even touch her, not even to hold her hand. (My solution: always carry gloves, should the urge for hand-holding arise.) Still, Ned has proven himself quite adept at adopting the most unusual methods for getting close to Chuck: plastic wrap, fiberglass car panels, beekeeper suits, etc. I thought that their dance at the end of the episode was perhaps one of the most romantic things I've seen on television so far this season.

I loved the flashback scene with Digby as he searched out young Ned, prevented a fire along the way, and instinctively knew not to touch Ned again. (We should all have a canine friend as perspicacious as Digby.) Instead, the whole notion of proxy love was created for Ned, one that carries over into his relationship with Chuck. Which makes me wonder how far Ned would take this concept: is he willing to open up their relationship to a sort of polygamy? Not the Roman Grant/Hollis Greene kind, but a sort of open dating policy where they can see other people?

Speaking of questions, I am also wondering a few things about the extent of Ned's abilities. We know that if he keeps the resurrected (or "alive again"), well, alive for more than a minute, something within a certain proximity dies and the resurrected stay that way, supposedly forever. But is "forever" really forever? Can Digby (or Chuck for that matter) stay alive for eternity or can they be killed? Also, in this episode, we saw Ned resurrect the dead jewel thief who had been long buried (and missing his eyes), but I am pondering this: is there a limitation to how long someone is dead with regards to Ned's power to bring them back to life? Curious...

Chuck. I'm head over heels crazy for lonely tourist Charlotte Charles and each week just shows us how adorably quirky she is; this week's tidbit: that Chuck once worked as a stay-at-home juror for a paraplegic judge. This week, we saw the extreme downside of Chuck and Ned's relationship, embodied in that single misstep in the apartment; still, she saw it as a sweet gesture, that Ned would sacrifice propriety and politesse in order to ensure her longterm well-being. But then she was literally swept off of her feet by "Conrad" (aka Lefty), who did manage to catch her. While another series may have inserted a misguided courtship here between Chuck and Lefty, I'm glad that--like Digby--she found a proxy for her love for Ned. The scene in which she held his hand and closed her eyes, pretending that she was holding Ned's hand, was absolutely heartbreaking. And hysterical, to boot, when Ned spied Lefty and Chuck from the window of the Pie Hole.

I completely understand Chuck's frustration with her new situation. She's regained her life and her childhood sweetheart but with the most Faustian of bargains: she can't physically touch Ned and she can't let aunts Lily and Vivian know that she's alive, as much as she might want to do both. I loved the fact that Lily did see Chuck standing outside the windmill with her own eye. Even if she believes herself to be mistaken, the clues are starting to stack up and it's only a matter of time before Chuck is reunited with her aunts.

Olive. I'm growing to love Olive in a very unexpected way; I didn't really think that she would become an integral part of the series but in the talented hands of Kristin Chenoweth, Olive has blossomed into a central role. I love the battle raging in her soul between jealousy and good nature, a war which seems to take its toll on lovelorn Olive. I loved the scene in which she, Lily, and Vivian took a car ride into the country while singing "Birdhouse in Your Soul" (They Might Be Giants, natch) and following carrier pigeon Pidge, whose missing wing problem had been solved--much like Lefty--by the addition of a prosthetic body part, in this case a taxidermic parrot's wing attached to the body with a harness and a Bejeweler. (Loved how Olive asked if she could do one, only to be told by Lily that maybe she could do that last one. No such luck.) Olive does have the opportunity to make Chuck's house of cards come crashing down when she sees Chuck, Ned, and Emerson outside the windmill but her benevolence, rather than jealousy, kicks in and she secretly tells Chuck who is inside with two simple words: "Tart apple." It's with those two words that Olive Snook moves from lovelorn pie waitress to full-blown hero.

Best line of the night: "Big Daddy needs some new yarn." - Emerson.

Guest stars galore. Lefty was played by Dash Mihok, who most recently appeared in the original pilot for ABC's Cavemen, but we all know as Ben's goofy swim team friend Lynn McKennan from Felicity. Downed crop-dusting pilot Bradan Caden's wife Becky was played by Karly Rothenberg, who hilariously recurs on The Office as the mannish warehouse employee Madge. And Elsita, the adorable redhead who lives in a windmill and exchanges messages with a convict via carrier pigeon, was played with aplomb by Jayma Mays, recently recurring as Betty's nemesis Charlie on Ugly Betty; she also played the lead on botched comedy pilot Nice Girls Don't Get the Corner Office and Charlie Andrews on Season One of Heroes.

Next week on a Halloween-themed episode of Pushing Daisies ("Girth"), Ned, Chuck, and Emerson are hired by Olive to investigate a series of possible murders involving jockeys being trampled to death by the ghost of a long-dead rider and his horse when all signs point to the ex-jockey Olive Snook being the next victim. (Didn't know she was a jockey? Cheno told me herself here.) Meanwhile, Ned must face his own fears of Halloween when faced with some uncomfortable childhood memories.

Flower Power: ABC Orders More "Daisies"

Get a fresh piece of pie: there's one new series that certainly won't be pushing up daisies by midseason.

In a move that instantly made me jump out of my chair and do a victory dance, ABC has ordered the back nine episodes of freshman drama Pushing Daisies.

The order brings the episodic total for this season of Pushing Daisies, which stars Lee Pace, Anna Friel, Chi McBride, and Kristin Chenoweth, to 22 episodes. (In your face, naysayers!)

Personally, I feel that the news of Pushing Daisies' pickup validates the belief that America deserves more than cookie-cutter procedurals and endless reality series and that there truly is an audience out there for series that unique, intelligent, and quirky.

Pushing Daisies, created by Bryan Fuller and produced by Warner Bros Television, airs Wednesdays at 8 pm on ABC.

Plastic Wrap Kisses: Ned and Chuck Get Smoochy on "Pushing Daisies"

Wednesday nights have become sheer Televisionary bliss, in every sense of the word now that ABC's deliriously delicious Pushing Daisies has come along. The only thing that would make it even better? A piece of the Pie Maker's sinfully sweet pies.

Last night's installment of Pushing Daisies ("The Fun in Funeral")--written by series creator Bryan Fuller--recaptured the magic of the original pilot episode. Personally, I'm not bothered by Jim Dale's tongue-in-cheek narration like some other reviewers. To me, it adds another dimension to the story and places it in a sort of meta-context, as though the action of the story is being further distanced from reality and additionally heightened by dint of the fact that the story is, well, self-aware that it's being told as a narrative. Plus, I just love Dale's velvety voice.

Ned. I'm glad that the writers have continued to place Ned in a moral quandary about his revival of Chuck and, specifically, its unintentional side-effect: the murder (ahem, involuntary manslaughter) of funeral director Lawrence Schatz, thanks to that pesky proximity thing whenever Ned uses his ability for too long. It would have been too simple to just bring Chuck back to life, engage in plastic wrap kisses (aw!) whenever possible, and not tell her that her new life is only possible at the expense of someone else's. Think of it as a cosmic see-saw: when one side goes up, the other has to come down. I loved the scene of Young Ned attempting to define the limitations of his newfound ability with a series of experiments involving insects, following the frog/bird debacle of last week's episode. Present-day Ned is painfully aware of the one-minute rule and it was only a matter of time before Chuck got suspicious about that. Still, while Ned unburdened himself about Chuck's resurrection, he still hasn't told her about his role in her father's death... but smart cookie Chuck is bound to figure that out sooner rather than later.

Chuck. I'm glad that Chuck does feel slightly guilty about her being alive again, especially since it came at the cost of someone else's life, even if that someone else was more than a bit of a creep. Which might be why I love Chuck so darn much; she's got a strong moral center and resolve, even in the face of the inexplicable. (If your heart didn't melt at the sight of the plastic wrap kiss, you are far colder an individual than I imagined.) What other show would have its female lead lovingly bake holistic anti-depressants into pies (complete with gruyere in the crust) and have them delivered to her shut-in aunts, who have canceled their comeback tour on account of their niece's non-death? No one, I tell you! Plus, her altruism is wholly rewarding in the age of reality television; re-gifting the items stolen from now-dead loved ones was a wonderful touch. (I also loved the fact that Ned's grey and orange bathrobe subtly matched the presents' wrapping paper.)

The scene in the funeral home where Chuck and Ned attempted to open the coffin wherein the body of dead funeral director Schatz ranted and raved... before time ran out and someone else died, was a nifty bit of slapstick. Also memorable: the scene where Ned, her Prince Charming, came to her rescue (sort of), complete with red cloak and shiny, shiny sword, although Chuck did have something to do with the resolution of that swordfight ("Kick, Pooh, kick!"). And I adore the way that Chuck will, in death, forever be known as "lonely tourist Charlotte Charles," famous only for the way she died.

Emerson. LOVED the way he bolted from the funeral home when Schatz was trapped in the coffin and how he decided to slim down after getting wedged in the basement window of the building a la Winnie the Pooh. I also really liked the way that he took the Schatz murder case not for the money (though that's an added benefit) but so no one else could investigate the funeral director's murder and discover Ned's involvement. Is Emerson just protecting his investment or does he actually care for the Pie Maker? I'm thinking it's the latter but, knowing Emerson, he's not likely to admit that.

Olive. Poor, lovelorn Olive. She really doesn't have a chance at capturing Ned's heart with Chuck in the frame. I love her hardboiled dialogue with Emerson and the fact that, though she might ask for the truth, all she wants is people to tell her what she wants to hear. So much so in fact that she fails to notice the possibility of love in traveling homeopathic remedies salesman Alfredo Aldarisio (Raul Esparza, in a role originally intended for Paul Reubens), who fixes the broken espresso machine just because Olive mentioned it was pretty but unused. Sigh. I loved the fact that it's a terrified Olive who delivers Chuck's remedy-laden pie to Darling Mermaid Darlings Vivian and Lily all the way out in Coeur d' Coeurs, just because she didn't want to disappoint someone expecting a Pie Maker pie. (I loved the way she got terrified by everything from a squawking bird to the doorbell when she arrived at the aunts' house.) Now that Olive believes she has some dirt on romantic rival Chuck--whom she believes faked her own death for some unknown reason--will she use it against her to win Ned's love? Or will she push this knowledge deeper inside her, aided by several bites of pie? That remains to be seen but for now this round goes to Olive...

Next week on Pushing Daisies ("Pigeon"): Chuck, Ned, and Emerson investigate the crash of a plane into an apartment building and whether the pilot of said craft was attempting suicide; Chuck finds herself drawn to the sole survivor of the crash; Olive turns to Vivian and Lily for help when she discovers a wounded messenger pigeon.

Crash Test Dummies: The Gang Investigates a Hit and Run on "Pushing Daisies"

It's Thursday morning, so naturally, I'm already itching to talk about last night's installment of the whimsical "forensic fairy tale" Pushing Daisies, which aired its first episode after the brutally brilliant pilot. (You can read my advance review of the pilot here.)

While most new series would have seriously toned down the quirkiness in the second episode, Pushing Daisies did just the opposite, keeping the energy, quirk, and flagrant originality of the pilot, well, alive in the second episode ("Dummy"). And under the pen of Pete Ocko--creator of CBS' short-lived medical drama 3 Lbs. and a writer on Bryan Fuller's Dead Like Me--our characters truly came to life, with a zany plot (crash test dummies and a car that runs on dandelions), some unrequited love, a heartfelt song, and a loony villain who just happened to look like that balmy criminology professor on Veronica Mars (Patrick Fabian). The effect? Pure magic.

Ned. I absolutely loved the flashback in the beginning of Young Ned being left by his uncaring father (who finally appeared on screen) at the boarding school, where he puts his resurrection abilities to some wicked use in the science lab, reviving a number of frogs intended for dissection. Sadly, you can literally see Young Ned wither away inside and withdraw into the fragile man he becomes later in life, unable to let anyone get close to his emotionally. In the present day, he's still wrestling with guilt over the fact that he killed Young Chuck's father when he brought his mother back to life. Ned, my friend, don't unburden yourself and tell Chuck what you did; considering your abilities, it could lead to some... unpleasant things.

Still, I think Ned feels he balanced the scales of karma by giving Chuck her life back. But in doing so, he's regained his childhood sweetheart but is still just as emotionally (and physically) distant as ever. I loved the scene of them in bed together, chatting away, only to have the camera pull back to reveal that they're in separate little twin beds. (Adorable.) As it is, I love the composition of our lovable troika as id, ego, and superego personified.

Chuck. I'm hopelessly smitten with Anna Friel (I was so completely tongue-tied when I interviewed her and haven't managed to get her pert beauty out of my mind) and Chuck is already a favorite character of mine: at once perky, charming, and hopelessly loopy. Just take a look at the bittersweet--and hysterical--scene where she and Ned attempt to share their first kiss as adults... through the plastic of some translucent body bags. (Ah, young love.) Love the bit where she calls the refrigerator the "cheese box." And Anna's prediction to me that she would get to speak a number of languages--seven, in fact?--did come true. (Kudos to Friel for pulling that off with absolute panache.) What other hidden talents does Chuck have, after a lifetime of babysitting a pair of shut-ins? That remains to be seen, but I have a feeling that this girl is going to impress.

Emerson Cod. I absolutely love, love, love that Fuller and Co. have decided to give Emerson a secret life, one in which he's an absolute marvel at crocheting sweaters and little "handgun cozies," and one which paid off within the episode's plot when he was able to use a concealed knitting needle to free himself from his plastic, er, grave. I have a feeling that we are merely scratching the surface of Emerson as he's still mostly an enigma to us. A burly, knitting-prone enigma with a penchant for underhanded business opportunities. Fingers crossed that we get an Emerson-focused episode soon.

Olive Snook. Poor, poor Olive. She's been pining away for the Pie Maker for years now and suddenly this mysterious childhood sweetheart waltzes in and charms her way back into Ned's life. I loved the scene with her perched high atop their apartment building using a hand-held mirror to spy on our lovebirds... only to do a face-plant right into the wall. And who could forget that heartbreaking song--a duet with Digby, really--when no one was listening? Plaintive and rather amusing at the same time, especially with the floor cleaner running and the constant interruptions. I am sure that several Cheno fans had a field day with her little number, but let's not have this turn into a musical every week, okay?

Guest Star Watch. The poor grieving bulimic, a.k.a. Jeanine from Promotions, was played by the adorable Riki Lindhome, who appeared as Alice Tinker in The Minister of Divine, the pilot for the US version of the Vicar of Dibley. She also played Logan's friend Juliet on the fifth season of Gilmore Girls. Just in case you were wondering. I loved the way Jeanine inhaled pies (granted, it was part of her bulimia) and the way she kept crouching and shifting as she ate... while the turntable with the Dandy Lion prototype kept on turning. Her murdered beau, Bernard Slaybaugh (Jonathan Mangum), appeared on The Drew Carey Show. As mentioned before, Veronica Mars' Patrick Fabian played insane CEO Mark Chase. And one of the dead women was played by none other than E!'s Kristin Veitch.

Personally, I loved the zaniness of the plot and the fact that each of our leads has their own motivation to use Ned's "gift" for their own ends, whether that be retribution, sympathy, or plain old greed. And, if along the way, they just happen to help a few murdered people and solve some crimes (collecting the reward money, natch), more the better. Me, I can't wait to see what next week brings.

Next week on Pushing Daisies ("The Fun in Funeral"), Ned investigates a mysterious death at the Shatz Funeral Home, while Chuck launches a devious plan to invigorate the lives of her aunts, the former Darling Mermaid Darlings, Lily and Vivian.

ABC's "Pushing Daisies" Launches Tonight

I am sure that several of you, my readers, are just as excited as I am that ABC's quirky new drama Pushing Daisies, that eagerly anticipated "forensic fairy tale," launches tonight.

While I've already seen the pilot (or "Pie-lette") for Pushing Daisies about eight times or so over the last five months or so, I can't wait to hear all of your reactions to what I deem to be one of the more groundbreaking and inventive (not to mention wholly imaginative) series to have come around in many, many years. (I believe I used the words "breathtaking, resplendent, and whimsical" at one point.)

To that end, I've included below a round-up of all the important Pushing Daisies content that has run on Televisionary over the past few months to whet your appetite for tonight's series premiere.

So sit back, snuggle up with your favorite monkey statuette, and prepare to fall in love with Pushing Daisies.

Pilot Inspektor: Pushing Daisies: The first published review of the pilot for Pushing Daisies from May 14th (before the network upfront, in fact), in which I refer to the pilot as a "Burtonesque vision of mortality, morality, and, er, pies that sucks you in from the very opening scene and never lets go." I still stand by those words.

What's Up, Chuck?: A guide to distinguishing between this season's three Chucks: Pushing Daisies' Charlotte "Chuck" Charles (played by the adorable Anna Friel), Gossip Girl's sociopath Chuck, and the titular character of NBC's Chuck. Which Chuck do you like best? Discuss.

Digging Up Dirt: Televisionary Sits Down with the Cast of Pushing Daisies: Exclusive Q&As with each of Pushing Daisies' main cast members, including Lee Pace, Anna Friel, Chi McBride, and Kristin Chenoweth. Learn what's coming up for each of their characters, whether Chenoweth will sing on-screen (quick answer: yes), and how many languages Chuck has learned to speak.

Shut Your Pie Hole: Televisionary Sits Down with Pushing Daisies Creator Bryan Fuller: An exclusive Q&A with the mind behind Pushing Daisies, Bryan Fuller (creator of Wonderfalls and Dead Like Me) as he shares with me why Caroline Dhavernas didn't get cast as Chuck despite being the prototype in Fuller's head when he was writing the script, a few intriguing plot twists for subsequent episodes, his love of monkeys, and the amazing writing staff Fuller has assembled for the series.

Pushing Daisies launches tonight at 8 pm on ABC.

What's On Tonight

8 pm: Kid Nation (CBS); Deal or No Deal (NBC); America's Next Top Model (CW); Dancing with the Stars (ABC); Back to You/'Til Death (FOX)

9 pm: Criminal Minds (CBS);
Bionic Woman (NBC); Gossip Girl (CW); Private Practice (ABC); Kitchen Nightmares (FOX)

10 pm: CSI: New York (CBS); Life
(NBC); Dirty Sexy Money (ABC)

What I'll Be Watching

8 pm: Pushing Daisies.

On the series premiere of ABC's forensic fairy tale ("Pie-lette"), a man with the ability to bring the dead back to life reconnects with his childhood sweetheart when she's brutally murdered. It all starts here!

8 pm: America's Next Top Model.

On tonight's episode ("The Models Go Green'"), the girls wear straightjackets in order to master the perfect runaway walk and one contestant is flown to Paris after winning a challenge.

8 pm: Back to You.

A former network president I was talking to a few weeks ago called the Kelsey Grammer/Patricia Heaton series "time capsule television," and I'd have to agree. It definitely seems like a throwback to a different time in TV but there's something vaguely comforting about that. On tonight's episode ("The First Supper"), Chuck tries rid himself of his awkwardness around Gracie while Marsh helps Gary with an audition.

9 pm: Gossip Girl.

On tonight's episode ("Poison Ivy"), Dan tries to get a coveted usher position for a Darthmouth rep, Jenny bonds with Eric, Blair discovers a shocking secret, and Rufus turns to Lily for a favor.

9 pm: Bionic Woman.

David Eick's reimagining of classic TV series Bionic Woman, starring Michelle Ryan, continues. On tonight's episode ("Paradise Lost"), Jamie struggles with her new condition while trying to maintain some semblance of normalcy with her sister.

10 pm:
Top Chef on Bravo.

On tonight's episode
("Finale, Part Two"), ("Finale, Part Two"), the final three chefs face off in the final elimination challenge, but the producers have arranged a twist or two along the way to throw a snag into their plans. Who will win? Find out tonight.

10 pm: Dirty Sexy Money.

Primetime soap Dirty Sexy Money continues. On tonight's episode ("The Lions"), Nick attempts to find his father's killer while Juliet isn't so sure about doing a photo shoot with actual lions.