BuzzFeed: "13 Returning TV Shows To Get Excited About"

Girls is back on Sunday and the onslaught of returning shows is just beginning. Set your DVRs now!

At BuzzFeed, you can read my latest feature, "13 Returning TV Shows To Get Excited About," in which I run down 13 returning television series worth watching this winter. (And, yes, I know that Game of Thrones isn't on there: We still don't have an airdate.)

1. Justified (FX)


Season 5 of Justified finds Timothy Olyphant’s Raylan Givens tangling with some Florida lowlifes, relatives of Dewey Crowe (Damon Herriman), one of Harlan County’s sleaziest denizens. Plus, Boyd (Walton Goggins) tries to find a way to get Ava (Joelle Carter) out of prison… and he exacts a bloody revenge against those who put her there in the first place. Along the way, wisecracks are exchanged, along with gunfire.

Season 5 premieres on Tuesday, Jan. 7 at 10 p.m.

2. Girls (HBO)


The stellar third season of HBO’s Girls finds the quartet struggling with new challenges and the first two episodes — which air back to back as a one-hour premiere — reintroduce new realities for these characters. (The brilliant second half of the premiere is a precise and gorgeous tone poem about a road trip.) While Hannah (Lena Dunham) has settled into a life of domestic bliss (relatively) with Adam (Adam Driver), Marnie (Allison Williams) is in a perpetual state of free fall, reeling from her breakup with Charlie (Christopher Abbott). Shoshanna (Zosia Mamet) is trying to find her wild side, while Jessa (Jemima Kirke) continues to create chaos in her wake. Change both big and small is on the horizon for these women, and the first few episodes of the season capture the pain and humor of self-transformation. Not to be missed under any circumstances.

Season 3 premieres Sunday, Jan. 12 at 10 p.m.

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The Daily Beast: "17 Shows Worth Watching This Summer"

Get out of the sun—there’s recovering zombies, addictive serial-killer mysteries, and the Breaking Bad finale on TV. My take on what not to miss for this cool summer season.

At The Daily Beast, you can read my latest feature, "17 Shows Worth Watching This Summer," in which I round up 17 shows worth watching during the sweltering months to come, from FX's The Bridge and BBC America's Broadchurch to ABC Family's Switched at Birth and CBS's Under The Dome. (Plus, Showtime's Ray Donovan, which SHOULD NOT BE MISSED.)

Summer isn’t the television wasteland that it used to be. While the broadcasters are still figuring out what to do with their real estate during these lazy months (original drama? reality competitions? burn-offs?), cable channels have long known the power of airing high-profile series throughout the heat, and there is quite a lot of original programming to be seen during these next sweltering months.

CBS is launching the event series Under the Dome and attempting to tap into the runaway success of BBC’s The Great British Bake Off (which I reviewed here) with American remake The American Baking Competition. So You Think You Can Dance, The Bachelorette, Masterchef, and America’s Got Talent are all back on their respective networks’ schedules, while many of you will be too busy bingeing on the return of Arrested Development on Netflix to notice much else.

But as far as what shows you should be putting on your TiVo’s Season Pass, here are 17 new or notable returning shows—from the expected (Breaking Bad) and high-profile (FX’s The Bridge) to the more offbeat (Netflix’s The Fall and BBC America’s Broadchurch).

Continue reading at The Daily Beast...

The Daily Beast: "ABC Family’s Switched at Birth ASL Episode Recalls Gallaudet Protest"

Almost 25 years to the day after the student protest at Gallaudet University began in 1988, ABC Family’s ‘Switched at Birth’ features a storyline about a deaf student uprising in an episode, airing March 4, that’s told almost entirely in American Sign Language.

At The Daily Beast, you can read my latest feature, "Do Not Adjust Your TV: ABC Family’s Switched at Birth ASL Episode Recalls Gallaudet Protest," in which I offer praise of ABC Family's extraordinary Switched at Birth, which presents a nearly all-ASL episode on Monday, a landmark installment that connects both to Deaf culture/history and to the seminal 1988 Gallaudet student protests (DPN). Not to be missed.

A generation has passed since the weeklong act of protest known as Deaf President Now, and its influence on deaf culture is likely a distant memory for the hearing community. That may change, however, thanks to a pivotal and landmark episode of ABC Family’s Switched at Birth, which will present a television first: an installment that is enacted nearly entirely in American Sign Language (ASL).

For the deaf community, the Gallaudet University students’ uprising was a metaphorical crossing of the Rubicon, just as vital and significant as Stonewall or Rosa Parks. It was a momentous act of revolution that has remained a critical cultural and social touchstone, reaffirming deaf identity, culture, and pride.

In 1988, Gallaudet, the world’s first higher educational institution for the deaf and hard of hearing, had just announced as its seventh president yet another hearing appointee. Elizabeth Zinser, assistant chancellor at University of North Carolina at Greensboro, had been the only hearing candidate for the job. Jane Bassett Spilman—chairwoman of Gallaudet’s board of trustees, largely made up of hearing individuals—announced Zinser’s appointment and defended the board’s decision by allegedly saying, “The deaf are not yet ready to function in the hearing world.”

Furious, deaf and hard of hearing students barricaded Gallaudet’s gates, refusing to leave and denying anyone entry until a deaf person was appointed as university president. Effigies of both women were burned during Deaf President Now (DPN), which received national coverage in the media.

In the end, Zinser would resign from her position, the university’s first deaf president, I. King Jordan, would be appointed after 124 years, and more than 2,500 protesters would converge on Capitol Hill, holding banners that read, “We still have a dream!”

Today, outside the deaf community, pioneers and crusaders like I. King Jordan; Laurent Clerc, America’s first deaf teacher; and Jean-Ferdinand Berthier, a deaf intellectual and political organizer who wrote about deaf culture and history, are sadly all but unknown.

But the ASL episode of Switched at Birth—titled, fittingly, “Uprising,” and airing March 4—will bring fresh attention to the Deaf President Now movement at Gallaudet, recalling a time of deaf activism that continues to inspire a new generation of students today.

For those not familiar with Switched at Birth, the show, created by Lizzy Weiss and now in its second season, charts the collision of cultures, identities, ethnicities, and classes when two teenage girls (Vanessa Marano’s Bay Kennish and Katie Leclerc’s Daphne Vasquez) discover that they were switched at birth and their respective parents convene in a blended family to become reacquainted with their biological children.

The drama, which won the Television Critics Association award for youth programming last year, isn’t just about the drama that ensues after the switch is discovered. It is a deft and sophisticated look at the way we communicate and express ourselves; whether through ASL, street art, or music. Switched at Birth is also the most nuanced and complex depiction of deaf culture and individuals ever to air on television. It’s all the more astounding that what unfolds before us—intelligent, emotionally resonant, and even profound—is packaged in what is nominally a teen drama.

Continue reading at The Daily Beast...

The Daily Beast: "TiVo’s 20 Most Time Shifted TV Shows of 2011-12: Mad Men, Fringe & More"

Is anyone watching Mad Men live?

At The Daily Beast, you can read my latest feature, "TiVo’s 20 Most Time Shifted TV Shows of 2011-12: Mad Men, Fringe, and More," in which I examine TiVo's Top 20 TV shows with the highest percentage of time-shifting, from Showtime's Nurse Jackie and AMC's Mad Men to Fox's Fringe and ABC Family's Switched at Birth.

TiVo singlehandedly changed the way that many viewers watch television, allowing consumers to record their favorite shows and time-shift their viewing altogether.

Increasingly, time-shifted viewing is having an enormous impact on television ratings, and the networks have begun to consider the uptick in DVR-viewing when calculating their overall ratings. According to the data provided by TiVo to The Daily Beast, the shows with the highest aggregated rating of time-shifted viewing during the 2011–12 season are the usual suspects: Modern Family, The Big Bang Theory, Glee, and NCIS, to name a few. In other words: popular shows become even more popular once TiVo examines the overall time-shifted viewing. This is not a surprise.

What is interesting, however, is TiVo's data that illustrates the percentage of the total viewing of a given show that was time-shifted. (TiVo calls this measurement "Percentage Time-Shifted Viewing.") For instance: Showtime’s dark comedy Nurse Jackie has the highest percentage of time-shifted viewing out of any primetime show on television. Shows as varied as Mad Men, Fringe, and Switched at Birth are also on the list. (Community, meanwhile, ranks at No. 164, just behind An Idiot Abroad and Survivor.)

A few caveats before we dive in: The data provided comes from TiVo’s Stop||Watch ratings service, which “passively and anonymously” collects DVR viewing data from a sample group of 350,000 nationally distributed TiVo DVR subscribers. (That sample group represents roughly 17.5 percent of TiVo’s overall subscriber base of approximately 2 million customers.) Additionally, TiVo considers any viewing that takes place five seconds after the live broadcast as being “time-shifted.” As for the Percentage Time-Shifted Viewing figures we’re looking at: higher percentage time-shifted scores indicates preference on the part of viewers to watch the specific show time-shifted than live, independent of the overall popularity of the show.

Continue reading at The Daily Beast...

The Daily Beast: "Switched at Birth: ABC Family’s Groundbreaking Deaf/Hearing Drama

And now for something different. I'm definitely not within ABC Family's target demographic, but I've fallen head over heels in love with the cable network's drama Switched at Birth, which is a profound and reflective exploration of communication, identity, and self-expression.

Over at The Daily Beast, you can read my latest feature, entitled "Switched at Birth: ABC Family’s Groundbreaking Deaf/Hearing Drama," in which I take a look at the teen soap, which explores self-expression and the communication gulf between the hearing and deaf communities, and talk to creator Lizzy Weiss and stars Katie Leclerc, Sean Berdy, and Marlee Matlin.

When Marlee Matlin walked away with an Academy Award for her heart-wrenching turn as a deaf custodian in 1986’s romantic drama Children of a Lesser God, it seemed as though film had finally encountered a definitive depiction of a deaf individual and the often tenuous relationship between the hearing and the deaf worlds. Television has lagged behind; nearly 30 years later, most TV shows still typically shove deaf characters into the background or use them as props as part of a hearing person’s story.


Switched at Birth reverses that course. On the surface, the teen soap, which launched on ABC Family last summer, appears to revolve around two teenage girls (Vanessa Marano, Katie Leclerc) who discover that they were switched at birth as their families—a wealthy white couple (D.W. Moffett, Lea Thompson) and a Latina recovering-alcoholic hairdresser (Constance Marie)—attempt to untangle the emotional Gordian knot in which they’ve found themselves.

Unexpectedly, the show delves deep. Created by Lizzy Weiss (Blue Crush), Switched at Birth—which airs Tuesday evenings at 8 p.m.—offers a deft and intelligent take on the way in which we form our identities through self-expression, whether that be street art, spoken/signed communication, texting, or open dialogue among family members and individuals, as well as the communication gulf between the hearing and deaf/hard-of-hearing communities. It’s also a show that doesn’t pander to its presumed audience. Semantics—“deaf” and “hard-of-hearing” are OK; “hearing-impaired” is not—and ethical implications, as well as morality and choice, are discussed frankly and without preaching.

Continue reading at The Daily Beast...