Televisionary Update: Jace Recovers From Comic-Con 2007

Hello, readers. I'm taking the day off today from my writing duties at Televisionary, following a jam-packed three days at Comic-Con in which I poured my heart out for you, my gentle readers.

Below you'll find a whole slew of Comic-Con related material, including exclusive interviews with Pushing Daisies creator Bryan Fuller and the cast of Pushing Daisies.

What else do I have you? Well, there's also reports on panels for ABC's Lost, NBC's Chuck, FOX's 24, USA's The 4400, and Sci Fi's Eureka and Women of Battlestar Galactica, and information gleaned from the Futurama panel (new movies!) and the Joss Whedon panel (Ripper is a go!), so browse and comment away to your heart's delight.

Me, I think I need a day to sleep off my con experiences and finish writing up my notes from a few more panels I covered. Either that or a very, very large Coffee Bean tea latte.

Shut Your Pie Hole: Televisionary Sits Down with "Pushing Daisies" Creator Bryan Fuller

Digging Up Dirt: Televisionary Sits Down with the Cast of "Pushing Daisies"

Fighting the Numbers (and the Odds): USA's "The 4400" Panel

Joss Whedon Confirms "Ripper" Happening

"Well Behaved Women Rarely Make History": The Women of "Battlestar Galactica"

"Futurama" Returns with New DVD Movies and Episodes

Counting Down with "24" at Comic-Con

"Chuck" Bowls Over Fans at Comic-Con

Storylines Kept Firmly Under Wraps at Sci Fi's "Eureka" Panel

Bunny #15 and Other Gleanings from the "Lost" Panel at Comic-Con



What's On Tonight

8 pm: How I Met Your Mother/The New Adventures of Old Christine (CBS); Age of Love (NBC); Everybody Hates Chris/All of Us (CW); Wife Swap (ABC); Hell's Kitchen (FOX)

9 pm: Two and a Half Men/Rules of Engagement (CBS); Age of Love (NBC); Girlfriends/The Game (CW); 6 Degrees of Martina McBride (ABC; 9-11 pm); Hell's Kitchen (FOX)

10 pm: CSI: Miami (CBS); Dateline (NBC)

What I'll Be Watching

9 pm: Big Love on HBO.

HBO's polygamist family drama Big Love is back. On tonight's episode ("Kingdom Come"), HBO promises the most dramatic episode yet; Bill devises a new schedule for his three wives while inciting Roman to retaliate against the Greenes, Frank locates Lois' hidden stash, and someone fires a gun.

9 pm: Hell's Kitchen.

No, I don't know why I am still watching this train wreck of a culinary competition. On tonight's episode, the final three contestants are tasked with reinventing a classic American dish for a sophisticated fine dining establishment (um, where would that be?), which will be judged by their mothers, who are unaware of who cooked what.

10 pm: Anthony Bourdain: No Reservations on Travel Channel.

Season Three kicks off tonight with Tony exploring the Far East as he takes a tour of Shanghai's culture and cuisine. Mmmm, stinky tofu...

Fighting the Numbers (and the Odds): USA's "The 4400" Panel

I've said it before and I'll say it again. I'm never quite sure why The 4400, a smart, slick series with sci fi appeal, somehow always gets overlooked, sitting there in the shadow of its sister network's series Battlestar Galactica.

So I was happy to see that the cast and crew of The 4400--including Jeffrey Combs, Jenni Baird, Conchita Campbell, Megalyn Echikunwoke, supervising produce Craig Sweeney, and executive producer Ira Steven Behr--returned to Comic-Con again this year to drum up some support for the series.

Let's get the big news out of the way. Two former cast members are due to return to The 4400 this season; of all the casting changes over the past few seasons, I've noticed the loss of these two most acutely. (Stop reading right now if you're spoiler-adverse!)

Returnee #1: it's going to happen in Episode Nine and it's none other than Mahershalalhashbaz Ali, a.k.a. the telekinetic Richard Tyler, who has a reunion of sorts with his now grown daughter Isabelle in Promise Town... Oh and he might not be too happy to see Tom and Diana.

Returnee #2: Laura Allen. Yes, Lily is returning to The 4400 and she's apparently not (A) dead and buried, nor (B) an elderly lady played by Tippi Hedren. So just how is Lily alive and restored to her youthful looks? Your guess is as good as mine, but expect her return to happen close to the conclusion of Season Four.

Random fact that makes me question the sanity of USA executives: Behr said that USA asked the writers to downplay the promicin storyline and then based their entire promotional campaign--including a nifty viral site--around the ability-granting substance. Riiiight.

Speaking of the drug, which members of our illustrious panel would take the promicin shot, knowing that there's only a 50% chance of survival? "I already did," joked Combs, while Campell says no and Beard and Echikunwoke said that they would. (Me, I'm on the fence.) Behr notes that by the end of the fourth season it might not matter whether or not anyone WANTS to take the shot or not. Hmmm, ominous. (Please tell me Jordan is not spiking the water with promicin!)

Then again, it seems as though Combs' character, Dr. Burkhoff, has figured out a way to increase the odds of survival in an upcoming episode and has rigged something like a CAT scan to predict whether or not a person will survive the promicin dose.

Regardless of the outcome of Burkhoff's research, it seems as though there is a definite storm on the horizon and not every character will make it out of this season alive. "It's going to be a rock-em, sock-em finale," said Behr.

Shut Your Pie Hole: Televisionary Sits Down with "Pushing Daisies" Creator Bryan Fuller

Can I just say how huge a fan I am of writer/producer Bryan Fuller?

After all, he's the creative genius behind such groundbreaking and original series as Dead Like Me and Wonderfalls. Next season, he's giving the American public a chance to fall in love with the breathtaking, resplendent, and whimsical drama series Pushing Daisies, which ABC describes as a "forensic fairy tale."

Following my Q&A sessions with Pushing Daisies' adorable and talented cast, I rendezvoused with creator Bryan Fuller in an extremely rickety private room, perched high atop the Warner Bros. Television booth, minutes after the mass hysteria that was the cast signing.

I was armed with a few questions and intended to catch up with Fuller, a quick witted writer whom I consider to be the next Joss Whedon. (Yes, there, I've just said it.) High praise indeed, but if you've seen the gorgeous and touching pilot for Pushing Daisies, you know exactly what I mean.

Q: How is Pushing Daisies different than your previous series, Wonderfalls and Dead Like Me?

Fuller: It's a more romantic story. Both Wonderfalls and Dead Like Me had protagonists running from romance and engaging life in that way. Here, there are characters willing to take that leap into a more romantic life.

Q: You told me last time I saw you that you wrote the character of Ned with Lee Pace in mind. Can you talk a little about why you were thinking about him for Pushing Daisies?

Fuller: Lee was so great on Wonderfalls and had this amazing cadence in his dialogue. He gets the cadence and gets me; I naturally go back to people who get me. In my head, when I was writing the script, I imagined Ned as Lee. The same was true for Chuck, who I imagined being played by Caroline Dhavernas [who starred in Fuller's Wonderfalls]. I have to have an archetype in my head when I write. I got Lee. Originally, his manager said no, that Lee wasn't doing TV anymore. I sent him the script and called him and told him that I wrote it with him in mind. He is Ned.

Q: So any chance then of Caroline Dhavernas turning up on Pushing Daisies?

Fuller: I'd love to work together with Caroline and any chance to do so would be fantastic. I was worried about the practicality of casting two people as lovers who had played--and will always be in my mind--siblings. But Anna [Friel] literally just fell into our laps.

Q: I'm hoping Pushing Daisies stays with us for a long time. What do you envision for the second season of the series?

Fuller: The story arcs for Season One and Season Two are in my head. Hopefully the storyline for Season Three will come to me sometime during Season Two. At the heart of the show is Chuck and Ned's relationship, which informs Emerson and the aunts' characters. The Season One arc deals with Ned's secrets: What happens with Chuck realizes that Ned caused someone to die for her to come back to life? Or when she learns that he killed her father? Or when Olive discovers that Chuck is supposed to be dead? Will she rat Chuck out to her aunts? Season Two will be about the threats to Chuck and Ned's relationship and Ned's abilities as he deals with the consequences of being exposed.

Q: How many episodes will you take the lead in writing? And who else have you hired on the writing staff?

Fuller: I'll probably write two to three [of the initial 13-episode order] but we break all the scripts together as a team and they all come through my computer. My work's been greatly reduced by the amazing staff I've assembled. Pete Ocko, who created 3 Lbs., is on board, as is Rina Mimoun [from Gilmore Girls]; they're my right and left hands. Also, Jack Monaco, who did Amazing Screw-On Head with me, and Kath Lingenfelter, who I hired based on this amazing script she wrote about a man with pork chops for hands, but it was still completely grounded. I like to find people who go outside the box (yes, it's a cliché but I just said it) and aren't afraid to take some risks.

Q: While much of the plot twists are obviously firmly under wraps, what tidbits can you give the Televisionary readers about what's coming up on Pushing Daisies?

Fuller: In Episode Three, the aunts [played by Swoosie Kurtz and Ellen Greene] will be folded back into the story. Chuck holds true to the threat she made in the pilot by baking anti-depressants into her aunt's food--in the form of Ned's pies. Olive delivers one to them and stumbles onto Chuck's secret. Now that she has dirt on Chuck--that her aunts think she's dead--will Olive use it against her to get Ned?

Olive and Chuck will form both a grudging friendship AND become adversaries. Both of them have learned from their pasts and have more in common than they realize as they're pushed into this love triangle.

Q: So what's with the monkeys, which pop up both in Wonderfalls and here in Pushing Daisies?

Fuller: I love monkeys. They are cute and fun. Monkeys just give me endless fun.

Q: Hmmm. What can you say to people who are on the fence about tuning in to Pushing Daisies this fall?

Fuller: Embrace the fun for a few episodes. We just want to take people on a ride that doesn't force them to worry about things. It's all about having fun.

And there you have it. Tune in, have fun, and fall in love with what I believe to be the most unique television series in recent memory. You'll thank me in the morning.

Pushing Daisies airs Wednesday nights at 8 pm, beginning October 3rd, on ABC.

Digging Up Dirt: Televisionary Sits Down with the Cast of "Pushing Daisies"

Day Two of Comic-Con is finally at a close and, while I am ready to collapse from the sheer breakneck pace of today's events, there's so much to recount, not the least of which was the face time I got with the cast of ABC's new fall series Pushing Daisies.

It was with great excitement that I sat down with the gorgeous cast of Pushing Daisies, which longtime readers of this site will recall I pegged as my favorite new fall series back in May when I first reviewed the pilot. Like the whimsical nature of the series, from the fertile mind of Bryan Fuller (Heroes, Wonderfalls, Dead Like Me), the cast proved to be absolutely charming. Joining me for a series of one-on-one interviews, following the pilot screening and panel, were series regulars Lee Pace, Anna Friel, Chi McBride, and Kristin Chenoweth.

First up: series lead Lee Pace (Wonderfalls). Pace plays the pie maker Ned, gifted (or cursed) with the ability to bring people back from the dead who re-discovers his childhood crush (Anna Friel) when she is murdered and resurrected.

Q: How did you get involved with Pushing Daisies?

Pace: Bryan [Fuller] created the part with me in mind. I was not looking to do TV this year but asked my manager for a copy of the script and called Bryan up, who said, "I wrote it with you in mind." I really wanted to work with Barry [Sonnenfeld, who directed the pilot]. While the pilot is great, it just keeps getting better and better with the episodes I've read already.

Q: What excites you most about the series?

Pace: Really, the character's relationship with Chuck and the psychology of the character. Getting to mine life and death in a profound way. Also, with the show's procedural element, every eight days, you dive into a new world. The episode we're shooting right now is a total caper with a Scooby-Doo feel.

Q: What are the challenges of playing a semi-comedic character?

Pace: Basic acting works. Ned doesn't think he's funny so it's about playing the reality of the character. He's not cracking jokes. It's about the pathos of the moment and the idea that it's the reality of being able to touch something and bring it back to life. There are moral obligations with Ned's condition, an appetite for life and death. Chuck makes him feel like life is good, especially because we only have one life.

Q: Do you view Ned's gift as a blessing or a curse?

Pace: It is what it is. With bringing people back to life, it's a blessing but Ned is killing people. The more people he brings back (his mother, Chuck), the more people he kills and this will take its toll on Ned as the season progresses.

Next up: British actress Anna Friel, who makes her American television acting debut with Pushing Daisies (though I fell utterly under her spell when I saw her years ago in BBC's Our Mutual Friend). Friel plays Charlotte "Chuck" Charles, the childhood sweetheart of Ned who is murdered aboard a cruise ship and brought back to life by Ned. Anna is just as beautiful is life as she is on screen and showed up wearing a very fitting dress covered with daisies ("vintage," Anna explained).

Q: Why did you decide to make the leap to American television?

Friel: I had sixteen movies under my belt, Broadway, and the West End and wanted to broaden my palette of work. I came over to LA to change agents and it happened to be pilot season. I read the pilot script and was struck by how joyful and playful Chuck was. I didn't want to play the girl on the arm of some guy and US television creates the best hooks for its characters.

Q: How similar or dissimilar to your character Chuck are you?

Friel: I'm much more anxious than Chuck. I worry about things and certainly don't wake up every day feeling that it's a fresh start and a beautiful day. (Though I should.) Unlike most of the roles I've played in the past, I wasn't able to channel that mood and anxiety into the character and had to get into a different frame of mind. As for similarities, Chuck lets me express the fun, quirky side of my personality. But there is one big thing that's not similar. Unlike Chuck, I'm not American.

Q: What's it like working with Lee Pace?

Friel: We've become great friends and he's become a part of the family. He's a wonderful, thoughtful, thinking actor.

Q: What can you tell us about Chuck's backstory?

Friel: For one thing, they are going to start each episode with a flashback to Ned and Chuck as kids so we'll see a lot of her backstory unfold that way. Chuck has lead a sheltered life without being tainted. Because of her upbringing, she's become a very learned person. For the next episode, I have to learn a page of Japanese by Thursday. I'll be speaking in Japanese, German, Swedish, and French [in that episode]. She doesn't do it to show off, it's just what she's done, learning things and reading. I want to give Chuck as many layers as possible, peeling away the layers like an orange peel, under which is this very juicy fruit.

Q: What's coming up for Chuck?

Friel: Chuck and Olive will become friends, which is so nice as most shows would have had these two women fighting each other constantly. Obviously, there's stuff going on between Ned and [Chuck] while things are not good between Chuck and Emerson, who does not like having another meddling partner. We're filming an episode with a bulimic girl that is just incredible. It's like a cartoon coming to life with these fully formed characters.

Q: How you maintain the magic of the pilot episode?

Friel: It's an incredible first episode but I am amazed by the constant imagination of the writers, [giving us] cars that run on dandelions and windmills.

Chi McBride (The Nine) plays private investigator Emerson Cod, Ned's partner in crime and the side business he runs with resurrecting murdered people, discovering their killer, and then collecting the reward money after returning them to death.

Q: You've become known for your dramatic work in such series as Boston Public and The Nine, so what is it like playing a more comedic character?

McBride: I actually started out in comedy in series like The John Larroquette Show and Married with Children and didn't get to do drama until [David E.] Kelley. In this business, you get pigeonholed and have to educate and re-educate people about what you can do. I went out for a part in Undercover Brother and had people say that Chi's not funny. What drew me to [Pushing Daisies] was a single line of Emerson's: "You couldn't have just scooted back?" The part is closer to me, he's always got a smart line. I read a lot of mindless, vacuous scripts and wanted to do a smart TV comedy like Seinfeld or Frasier. It's a no-brainer opportunity to show another side of you.

Q: What excites you most about the series?

McBride: I really love the cast; I couldn't pick a favorite. I have great chemistry with Lee [Pace] and love the chemistry we share. Emerson is a guy with questionable morals. His main goals are to make money and go home. Lee's character is more empathetic but distant due to his power to bring the dead back to life; he's damaged and looks to Emerson as a father figure. I really like the way [Bryan Fuller] juxtaposes the way Emerson looks at life with the way Ned does. I knew what this series could be when I read the script and, as soon as I saw Barry [Sonnenfeld] in the room, I knew what it would become. It turned out even better than I imagined.

Q: What's Emerson's back story?

McBride: I had lunch with Bryan [Fuller] and pitched an idea of why Emerson became a private investigator. All of the elements of Emerson's dark/sardonic nature are a cover for something. I told Bryan why I thought Emerson was the way he was and Bryan loved it. The [Pushing Daisies] comic actually deals a little bit with Emerson's story.

Finally, rounding out my Q&A with the cast of Pushing Daisies, it's the gorgeous (and pocket sized) Kristin Chenoweth (The West Wing). Chenoweth, who has a huge following from her numerous Broadway roles, plays Olive, Ned's neighbor and pie shop employee who sublimates her desire for Ned by lavishing love on his pooch, Digby.

Q: Will you be singing on Pushing Daisies?

Chenoweth: I don't want to sing just because it's gratuitous and expected. But I WILL be singing. It's a sad moment and it involves the dog. Olive just can't understand why she can't get the guy and she's a girl who always gets the guy.

Q: What's it like working with the rest of the cast?

Chenoweth: The dynamic between Anna and Lee is awesome. Usually there's a sour grape in the bunch but there just isn't here.

Q: Do you feel that ABC is behind the series?

Chenoweth: We're very nervous about being the prom queen, we all just want to do our thing. We're very excited about the show. I've been the recipient of when the network really is behind the show and when they're not and ABC is definitely behind this show. I did a show a few years ago called Kristin on NBC and they canceled it after four episodes and replaced it with Fear Factor. At the time I said that Fear Factor would never last. Shows what I know.

Q: Have the writers explained where the character of Olive, a series regular, will be going?

Chenoweth: Olive is an ex-jockey. I read a bunch of pilots this year but wasn't planning on doing television. The I read the script and thought to myself, "what is this odd, most fantastically weird, incredible thing?" I knew it was special. Bryan flew to New York City and explained what they had in store for Olive. I was getting ready to do Young Frankenstein on Broadway and the rest was good karma.

Q: So, what would you like to see happen to Olive over the course of the season?

Chenoweth: I'd like her to have a relationship with Ned. She actually could have a relationship with him while Ned and Chuck can't touch. So Olive represents this constant temptation for Ned. I also would like to get in on the crime-solving and have Olive add her own expertise. Also, as much horse-racing as possible. And for Chuck and Olive to become friends.

And there you have it: the cast of my favorite new series, Pushing Daisies. Be sure to also check out my clandestine Q&A with Pushing Daisies creator Bryan Fuller in a rickety private room atop the Warner Bros. booth.

Joss Whedon Confirms "Ripper" Happening

Better sharpen those stakes.

In a surprise Comic-Con announcement, Joss Whedon has confirmed that the long-gestating Buffy the Vampire Slayer spin-off, entitled Ripper, finally looks like it's going forward.

Whedon says that he's thisclose to signing a deal with the BBC to finance a 90-minute telepic that will star Buffy's Anthony Stewart Head as former Watcher Rupert Giles as he combats the things that go bump in the night sans Slayer.

The deal hasn't been signed yet, so anything can happen, but Whedon was quick to say that no US distribution has been decided. Meaning that it's still a bit soon to circle a launch date on your calendar or break open the bubbly.

Meanwhile, Whedon has launched a non-Buffy-related online comic called Sugar Shock with Dark Horse (the publishers of the Buffy Season Eight comic). It's free, it's online, and it might just tide you over until Ripper... or the next issue of the Buffy comic.

"Well Behaved Women Rarely Make History": The Women of "Battlestar Galactica"

I wasn't sure how many spoilers would really come out at the Comic-Con Battlestar Galactica panel. After all, I like to keep my love for BSG very much spoiler free.

That said, there were a few reveals that were announced at what became the "Women of Battlestar Galactica" Panel, moderated by Entertainment Weekly's Marc Bernardin, himself an avid BSG watcher. Assembled for the event were Mary McDonnell, Katee Sackhoff, Tricia Helfer, and Battlestar creators Ronald D. Moore and David Eick. Joining them after a kick-ass montage of the female stars of BSG saying "frak" an awful lot was surprise guest Lucy Lawless.

Hmmm, now what could Lawless be doing there since her character--D'Anna--was put into, er, cold storage last season? Brace yourselves, Xena fans, Lawless has announced that she is returning to Battlestar Galactica for the fourth season!

Lawless will return for a story arc of about two to three episodes in length during Season Four. Look for D'Anna, who will be unboxed, to turn up around episode ten or so. (The episodes themselves have yet to be shot.) And, as Ronald D. Moore said, "All hell breaks loose." I cannot wait!

Other intelligence gleaned from the panel? Moore said that he and fellow co-creator David Eick have talked about the end of the series for a while and there have been "a lot of conversations in the writers' room" about just how the series would wrap up. While a big part of the conclusion will involve the search for Earth, there are a lot of questions to be answered: What happens to Adama? What happens to the Galactica itself?

So who's destiny will the viewers be most surprised by as we move into the series' final season? Moore says that Baltar (James Callis) and Six (Tricia Helfer) have an especially interesting journey ahead of them and it will be particularly surprising to see where they end up by the end of the series. Likewise, all of the characters will go through different journeys. Neither Moore nor Eick ever anticipated where the journey of Lee Adama (Jamie Bamber) would take him. Same with the four Cylons revealed at the end of Season Three and, for that matter, the Cylon nation itself, which is in a state of transition.

Eick joked that the final season of BSG would "answer which of the crew is NOT a Cylon."

A question was posed to Mary McDonnell about how she felt about her character's cancer resurfacing. "I felt a little ill," she said, "and worried that I was going to be killed." Still, McDonnell admitted that she felt "gratified that the producers didn't just let her cancer disappear and Ron [Moore] committed to it as part of Laura's journey." Moore, for his part, said that when Laura was cured in Season Two, he always knew the cancer would eventually return. "I'm tickled because Laura got saved by the blood of a Cylon," McDonnell joked. "It just doesn't mix well."

When asked which of their fellow actors they'd most like to share a scene with, McDonnell answered that the women don't really work together all that much. "We're frequently pitted for or against a man," she said. "The [actresses playing] Cylons have more contact with one another than we do." Katee Sackhoff added that she wished she "had more scenes with Tricia where we're not beating each other up with arrows." For her part, Lawless said she wanted to do a scene with McDonnell, leading Moore to reveal that the two will in fact get to hang out next season.

Another question was posed to the ladies about how much of themselves they put into their characters. Lawless admitted that, like D'Anna, she's very naughty and "kind of a troublemaker." Helfer said that she especially enjoys the "physical side of Six" as she grew up as a "tomboy" but also added that much of Six's vulnerability was derived from her as it was her first acting role.

Sackhoff said that she believed she was very different from Starbuck. "She's very tough," she said of Kara Thrace. "I'm not really that tough. Her vulnerability is me. I'm a shy, very vulnerable person when I don't know someone and I wanted something that would make [Kara] less masculine and humanize her."

McDonnell laughed. "I began to play Laura by keeping the stubborn, ruthless qualities of myself hidden," she said. "It was a liberating process to let the qualities needed to come out and flourish. I really am very stubborn!"

So what will they miss most once Battlestar wraps its final episode?

McDonnell: "My clothes... That was a joke. You finish a character and as an actor you go through a period of grief and loss. When you give up a five-year gig, fear emerges. You've been living with this other person inside you. The Laura Roslin inside me has been a best friend to me."

Helfer: "The support we all get on the show. And the writing. You don't always get to do the quality of the work we're getting to do [on this series]."

Moore: "It's like senior year, very bittersweet. I'll miss the cast, the crew, the production staff, the writers... the set. But what I'll miss most is the characters. When the show ends, you never get to explore these characters again or sit in the writers room and think about how we can break down Adama the man."

Sackhoff: "On my last day, I want to put on my flight suit and drive home with it on. Just take it with me."

Before the panel ended, a brief teaser trailer was shown for Battlestar Galactica: Razor, the two-hour movie which bridges the third and fourth seasons. No real spoilers were unveiled in the preview, which depicted scenes of both Admiral Cain (Michelle Forbes) and Lee's command on the Pegasus. However, Eick revealed that the film will feature the original series' Centurions and Raiders. (I'm having a nostalgia trip right now.) As for the title, it's a reference to the film Patton, in which George C. Scott surveys his troops and says "We'll turn these guys into fanatics. We'll turn them into razors." Very interesting...

Razor will air on Sci Fi on November 24th, with the DVD release scheduled for a few weeks after that. Just don't expect that mind-blowing cliffhanger from the Season Three finale to be resolved in Razor; you'll have to wait for the fourth season to launch in January 2008 for that.

Counting Down with "24" at Comic-Con

I've been very upfront about my feelings about 24's Day Six. So I was curious to see how the producers of 24 would address the, er, creative inconsistencies of the series' sixth season.

It was with a little trepidation that I arrived at the 24 panel at Comic-Con. No cast on hand (sorry, Chloe fans!) but the series' producers turned out in droves for this panel, including John Cassar, Evan Katz, David Fury, and Manny Coto.

What tidbits did the producers offer for Day Seven?

-No CTU. However when Season Seven starts, CTU has been disbanded by the government. Jack will be hauled before Senate committee to face crimes and dragged/pushed into something HUGE.

-The writers have been locked in a room for the last three months figuring out a course for Season Seven and confirmed the rumors that the writers went down a particular creative road (Africa), stopped, and then started over from scratch. They said that Season Seven is going places series hasn't gone before.

-Season Seven will take place in Washington, DC and not Los Angeles.

-Who else will get killed? "No characters left to eliminate, " joked David Fury.

-As previously reported, Broadway actress Cherry Jones has been cast as the series' first female president. Also returning: Mary Lynn Rajskub as Chloe (as if that weren't a given). Producers joked that they were "very close to signing Kiefer."

What else happened at the panel? The producers addressed the numerous complaints about Season Six, for one. Fury suggested "taking complainers about Season Six into the back room." Cassar felt that one of the finest moments in the series to date was Jack torturing his brother, Graem. But fear not: They've been very conscious of the criticism about Season Six.

The series' signature real time format will not be changing, but there will be some radical changes for next season, a la no CTU.

Think Tony Almeida's death was unsatisfying? "Keep watching." Wait, what? David Fury went on and admitted that " to say anything definitive either way would ruin the process." (Hmmm, but see below.)

What happened to the Logans? Fury says that it was deliberately left a little vague. The audience can assume that Martha went to prison for stabbing her villainous husband. Cassar joked that there's a spin-off possibility in seeing Martha Logan in prison: "Caged Martha."

As for the gap between Season Six and Seven, the producers haven't yet decided what the lag will be. Most likely, it's between 18 months and two years.

A prequel season has been discussed several times over by the producers, which would focus on Nina and Jack's affair, etc. Cassar says the possibility was raised as far back as Season Two. However, the "show lives and dies with who lives and dies." By setting a season in the past, you've removed all suspense from the series as the outcome is immediately clear.

Will we see Chase again? Producers aren't sure and right now there's no plans. "Chase won't be back," joked Fury, "but his hand will."

Producers admitted that they weren't too thrilled with how Season Six underutilized Kiefer and felt that the last third of the season was especially Jack-lite. And there was a different cliffhanger ending planned for the sixth season... one that involved the sudden reappearance of a certain Tony Almeida!

Will Jack be more physical next season? "It's hard to imagine him more physical, but he's on his own" next season. Hmmm.

Is Audrey coming back? "She's on a show," referring to Kim Raver's casting on NBC's new drama Lipstick Jungle. The audience then begged for Kim Bauer to never, ever return to the series. (I second that notion wholeheartedly.)

Is Josh Jack's son or not? "He's the cougar's son," joked Fury. Cassar said there was the possibility of Josh being Jack's son but they ultimately decided to leave it up to the audience to decide. In fact, one potential plot strand had Josh being Philip Bauer (James Cromwell)'s son! That twist was floating around the writers' room for about three weeks but was ultimately scrapped because, in Cassar's words, "it made us feel dirty."

How do the show's writers decide who lives or dies? Evan Katz says that they try to save deaths for when they are dramatically impactful. The nerve gas incident at CTU wouldn't have been as dramatic had someone (i.e. Edgar) not died. Cassar said that they started telling actors in advance if their characters were going to get killed off, but some actors were able to talk their way out of death for a while. Peter Weller, for example was meant to die no less than five times.

Cassar confirmed that there will be no 24 prequel mini-sode this year. But what about the long gestating 24 feature film? Cassar admitted that it was "very ambitious" to think that they could do the series and the feature at the same time and, as for when a 24 feature will finally get made, he said that when 24 finished on television, the movie will come out. Will the format of the film mirror the real-time structure of the series? Cassar joked that it will be "a 24-hour movie," but said that the first hour will not be in real time and the second hour will unfold in real-time.

"Chuck" Bowls Over Fans at Comic-Con

It was serious pandemonium as fans, who had waited in line for hours, finally got a chance to see the main event they had been waiting for. There were cheers, whoops of victory, and quite possibly a swooning, teary female fan or two among the throngs of people jostling for seats.

No, I'm not talking about the arrival of a rock star or celebrity. No, the thing that had electrified and enraptured the hundreds of people gathered at Comic-Con on Friday was the pilot for NBC's new fall drama Chuck. (I reviewed the pilot episode back in May in a review that can be found here.)

Watching a pilot has never been a bigger joy than it was with Chuck, not unsurprisingly the sleeper hit of Comic-Con. After all, Chuck--from creators Josh Schartz and Chris Fedak--has got a geek-friendly formula that blends workplace comedy, heartfelt romance, quarter-life crisis, and, well, action. I've been a fan of the show since I read the pilot script early this year and every cut of the pilot that I've seen has tickled the inner geek inside of me. (Suffice it to say, one of the major changes in this cut: the nudity in the locker room scene is gone. I cornered Chris Fedak to ask him why and he joked, "It was really impossible to make the nudity less nude for the network.")

So what did Chuck's cast and crew, gathered for the Comic-Con event--have to say? Let's find out.

Josh Schwartz was asked point-blank if the titular character was an evolution of a certain misunderstood, Death Cab for Cutie-espousing Orange County denizen. Schwartz says that Chuck isn't so much an evolution of Seth Cohen as it is a blending of his own sensibilities with that of co-creator Chris Fedak, with whom he attended film school, and that of star Zachary Levi, who brought his own take to the character. "We needed a guy who the audience would believe is a social outcast but who can also get the girl," said Schwartz.

So what was the inspiration for Chuck? Schwartz and Fedak (who are around my age) said that they're true products of the 1980s and fans of films like War Games and Goonies. As The OC was wrapping up, Schwartz sat down with Fedak to hear his pitch of the series that would become Chuck. Schwartz had always wanted to do a series about a 20-something guy who was always complaining about his life but have it be, you know, interesting rather than boring.

As for the pilot episode's feature film-level production values and stunts (especially those from the characters played by Matthew Bomer and Yvonne Strzechowski), director/executive producer McG said that they storyboarded all of the sequences and then had to "beg, borrow, scratch, and kill" to get more money from the studio to film the sequences. One of my favorite scenes--in which Strzechowski's Sarah throws a knife to activate an emergency barricade--was laboriously storyboarded in advance to give it a polished, feature look.

The audience loved the combination of Chuck's office humor and action, as some compared it to a love child between The Office and Alias. "I just want to put a pink wig on," joked Zachary Levi, who compared his character to a mix of Steve McQueen (ahem) and Jack Tripper from Three's Company and better described the series as a blend of The Bourne Identity and, well, The 40-Year-Old Virgin. Levi was amazed at the reaction and reception the series has received at the convention. "I almost want to cry," he said. "But I'm not."

Schwartz and Fedak revealed that there will be a mission every week and the show will be semi self-contained, with a mission o' the week, along with Chuck's trademark blend of quarter-life crisis, office comedy, romance, and "emotional stuff." McG added that "Chuck's workplace is every bit as dangerous for Chuck" and fraught with as much peril as the world of espionage into which he's suddenly been dragged, kicking and screaming.

Then again, so is his relationship with best friend Morgan (Josh Gomez), with whom he shares an, er, intimate moment in the pilot episode. In fact, the mood was so high in the room that Gomez and Levi re-enacted this moment for all assembled (ahem, at left). These guys mean business.

As for the Polish-born (by way of Australia) Strzechowski, what drew her to the role was the chance to possibly perform her own stunts. She especially loved filming the car chase sequence (in which Sarah drives the Nerd Herd vehicle backwards through some crowded streets) and the knife-throwing. (A girl after my own heart.) For Gomez, who plays Chuck's sidekick Morgan, it was as soon as he read the script--and saw there was a ninja in it--that he knew he wanted to do the project. For Zach, a videogame aficionado, it was the chance to play a character that was just as into gaming as he is.

In fact, the Buy More scenes were shot in a CompUSA store and the producers kept having to drag Levi and Gomez away from the videogame displays in the store to shoot. So what's with the scar on Levi's hand then? Injury from an on-set stunt? Nope. It was a Nintendo Wii-related accident when the actor put his hand through a ceiling light fixture while playing tennis on the Wii.

Hmmm, maybe this guy is the perfect Chuck, after all.

Chuck launches this fall on Mondays at 8 pm, beginning September 24th, on NBC.

Storylines Kept Firmly Under Wraps at Sci Fi's "Eureka" Panel

People really seem to love Eureka. And I mean REALLY love it.

There's a lot of love emanating from the several thousand people who lined up to see the cast of Eureka--including Colin Ferguson, Salli Richardson, Ed Quinn, Joe Morton, and Jordan Hinson--and showrunner Jamie Paglia deliver on update on just what exactly the audience can expect to find in Season Two of the grounded sci fi series.

Salli Richardson was immediately pelted with a key question: will her character end up with Carter or Stark? Richardson hedged her bets (much to the crowd's chagrin) by saying, "This is Eureka and we're progressive... so I'm doing them both."

As for what else we can expect for Season Two, showrunner and executive producer Jamie Paglia said it will be based more about the characters and their interactions, while still maintaining a standalone quality (i.e., mystery of the week). There will be ongoing storylines for all of the characters and Paglia promises that Eureka's second season "will be a lot more satisfying for a lot of people."

Paglia promised that this season will pay off on a lot of the storylines set up in the first season, especially since Sci Fi will be airing the episodes in order this time around (as opposed to Season One) and we will see resolutions to subplots like the Beverly Barlowe storyline.

As for Allison, Richardson's character, she's recently taken over as the chief of Global, forcing her to re-examine the relationships in her life. "It's forcing Allison to see Stark as the man she married and a scientist," said Richardson. "rather than just this government guy." It will also add another layer of tension to her relationship with Carter. After all, she is his boss now.

So does that mean she'll wind up back in Stark's arms again? As for who Allison will wind up with Richardson joked, "It's going to be Fargo." Seriously though, Richardon expressed the fact that Allison is torn between these two men. "Am I supposed to abandon what's safe for the guy that could be the love of my life?" (Um, yeah.)

Speaking of Fargo, actor Neil Gracen was conspicuously absent from the panel. Ed Quinn explained that Gracen was supposed to be there but, due to a snowstorm, was stuck at an airport in Denver. (Rats!)

Joe Morton was asked if his character, Henry, is now Eureka's villain. Morton disagreed. "He certainly has an agenda--find out what happened to Kim--but he's always working to do the right thing and do what it takes to make that happen," said Morton. "He'll always go far out on a limb to do what he wants."

Jordan Hinson talked about how Zoe has become a "real teen this year" and that her role won't be so much about rebellion anymore. But Zoe has begun to date ("It's an issue," chimed in her on-screen dad, Colin Ferguson) and fit into the bigger picture of Eureka. Something that both Hinson and Ferguson appreciate. These characters have to grow and "there has to be adaptation at some point," said Hinson.

The entire Eureka team raved about the new sets that were brought in for Season Two, said to be "incredibly user-friendly" and "incredible." We're told that we've only seen the tip of the iceberg and that there's more to the new Global set than we've seen so far.

As for his favorite Eureka episode, Ferguson said one of his faves--"Games People Play"--airs on Tuesday. (In it, Carter ends up in a parallel version of Eureka where people keep disappearing. Creepy!)

Ferguson was asked if people think he's, er, dense in real life. "What was the question again?" he joked. Richardson comes to his defense, saying that Ferguson is the complete opposite of Carter and he ends up explaining her lines to her. "He knows a lot of the tech stuff," she said. "He does his homework."

Carter doing his homework? Now that I'd like to see.

Bunny #15 and Other Gleanings from the "Lost" Panel at Comic-Con

I have to say that I wasn't all that impressed with the announcements that Damon Lindelof and Carlton Cuse--armed with bells to keep one another from spilling too much--made at the Lost panel at Comic-Con yesterday.

Besides, the big Lost news--that Harold Perrineau's Michael would be returning next season as a series regular--was spoiled the day before at ABC's TCA panel by none other than the network president himself.

So what else was apparently gleaned from the Lost panel at Comic-Con yesterday? Not all that much, to be honest.

Season Four will NOT be taking place in the present day (2007/08) or the future, but will instead take place during the same timeline the series has always existed in, albeit with flashbacks and flash-forwards next season.

Damon claims that they wanted to use the flash-forward device earlier on in Season Three but, until they received an end date from the network, decided to hold off. Getting off the island isn't the ultimate endgame for the series. (Intriguing.) And that scene with Kate and Jack at the end of Season Three is definitely not the final scene of the series. (Did we ever think it was?)

Jack and Claire will discover that they are siblings sometime during Season Four.

Rousseau's flashback WILL be told but it's a matter of when. Most likely not during Season Four or Five until certain events are synced up first. (Hmmm.)

Ben never intentionally meant to get caught in Rousseau's net trap in Season Two. But just what Ben was doing on the other side of the island will be explored in due time. (Whew, as that's always bothered me and leads me to believe there's more to Henry Gale than we once thought.)

Yes, plans are in the works to finally learn Libby's backstory and whether or not Hurley's doomed love interest was working for Dharma.

The smoke monster might only be called Cerebus by the Others but Damon says that the ultimate reveal about Smoky's true nature/origin will be satisfying.

Apparently, there's a sixth station on the island--the Orchid--that is NOT (I repeat NOT) a botanical research station. It has something to do with a bunny with the number 15 on its back (I guess they're bringing back that motif) and the Casimir effect. Oh, and Dr. Marvin Candleman likes to swear.

Finally, Lost's season premiere script is still being written and/or titled. But Damon and Carlton do have a major time advantage on their hands as they don't have a fall launch this year: New episodes will begin to air in February 2008.

But hey, there's always the Lost Season Three DVD--due out on December 11th--to tide us over until then.