Falling or Floating: The Bell Tolls for Thee on Fringe

Hmmm, it appears that a father's love will drive men to do some horrific things in order to save their sons.

On this week's episode of Fringe ("Os"), written by Josh Singer and Graham Roland and directed by Brad Anderson, I couldn't help but notice the parallels between Walter Bishop and Alan Ruck's Dr. Crick (itself a likely shout-out to DNA visionaries Watson and Crick), who was experimenting on wheelchair-bound subjects in order to find a way to help his son walk again.

We've seen the consequences of Walter Bishop's actions and, as we're often told on Fringe, that long road to hell is paved with the best of intentions. Walter passed through the veil separating two universes in order to save Peter's life, but in that case, his love for his son, may have inadvertently destroyed two worlds as a result.

And, like Walter, Crick crossed a number of moral (and legal) boundaries in order to save his son, to transform his life for the better. But in this case, his son didn't need fixing because he never saw himself as broken. The sacrifices Crick made--and the deaths of his subjects/victims--along the way only made the inevitable discovery of what he was doing all the more worse in his son's eyes. All he ever wanted was his father's love and support.

While there were some nice thematic parallels going on in this week's episode, the case itself wasn't all that interesting (I predicted from the first second that muscle atrophy was mentioned that the thieves were wheelchair-bound) and felt lifted from Season One in a way. A little predictable and pat, but the science behind it--bonding the heaviest element on earth to lutetium created something lighter than air, an impossibility brought on by Walter's tampering with the laws of physics--was intriguing and Ruck gave a great performance as a father doing whatever possible to take care of his son.

But it was the other plots in "Os" that made the episode shine for me: the cameo appearance of Lost's Jorge Garcia as a Massive Dynamics security watchman who enjoyed a bong with Walter at the beginning of the episode; Olivia and Peter's uneasy courtship (and the game of truths); and the revelation at the very end of the episode that Walter was right about William Bell's "soul magnets."

I will say that while I've praised Anna Torv in the past (particularly during her breakdown scene after returning to the prime reality), I thought she was outstanding this week, particularly in her impression of Leonard Nimoy, which was spot-on. Walter was correct that Bell had engineered a way to contact him from beyond the grave and that the bell he bequeathed to Nina upon his death was the instrument that would activate his soul magnets and send Bell to them.

What no one predicted, I think, was that Olivia would be the vessel for such contact, though the connections between Olivia, Bell, and that bell have been established throughout the series. I didn't see that twist coming and it managed to be both eerie and surprising at the same time, a spooky reveal that occurred just as Peter was finally opening up to Olivia about the secret work he was doing in the lab. (Can't these two ever catch a break, I ask?)

While Olivia and Peter seem to be doing okay in their nascent relationship, I'm concerned that those secrets--the ones Peter was finally confessing to Olivia--will get between them in the end. And with William Bell currently inhabiting the body of Olivia Dunham, it's safe to say that their courtship is currently on hold for the time being.

(I also loved the mention of licorice in this week's episode. If you read my feature on Fringe over at The Daily Beast, you know what I mean.)

What did you think of this week's episode? Head to the comments section to discuss.

On the next episode of Fringe ("Stowaway"), the investigation of an apparent suicide reveals another set of fingerprints that lead to a woman with unique abilities.