"Terminator: The Sarah Connor Chronicles": Fight the Future
The true test of any new television series, I find, isn't the pilot itself (which typically has a much bigger budget and purview than the rest of the series), but the second episode. So I was intrigued to see what the sophomore episode of FOX's new midseason drama Terminator: The Sarah Connor Chronicles would look like.
Full disclosure: I am not a huge Terminator fan. I loved the original but it's been more years since I can recall that I've seen T2... and I've never watched any of the subsequent sequels. So while I'm coming to this series with some backstory, it's not of the intricate, obsessive kind that may help inform some of the storytelling here.
I do have to say that there are elements of this series that I do like and others that... just plain don't work for me. In its favor: the choreographed fight scenes, Lena Headey's intensity (dialed down just the right amount in the second episode), Summer Glau (channeling River Tam somewhat here; more on that in a bit). There are some neat elements, like Sarah and Cameron's flight from the Terminator unit in last night's episode that just rocked, such as when Sarah went into a controlled dive on a motorcycle, leapt off, and said motorcycle knocked over the Terminator unit. Or how Sarah callously pushed Cameron's deactivated body out of the window and onto the roof of a car.
So what doesn't work for me? First, it's Thomas Dekker, who plays John Connor with a sort of whiny insouciance, greasy hair and all. I just don't buy him as the future hero of mankind and, while it's evident that the character has a lot of growing up to do, I just find him not all that sympathetic. Second, if I found myself suddenly several years in the future, I probably would react to my new circumstances with a modicum of curiosity, while Sarah and John barely bat an eyelash about their new surroundings. Yes, John heads to the mall to surf the internet, but where is the culture shock, the curiosity, the eerie realization that there is no going back? Hmmm.
I do like the cancer storyline for Sarah. It adds a layer of immediacy to the story that it desperately needs. Yes, they are on the run and are unsure of who to trust, but the characters seem--in this early stage, anyway--largely reactive rather than proactive. With the threat of a very real death hanging over mama bear Sarah's head, it does mean that she will have to become much more active, if she and John are to accomplish their goals before her, er, termination. Additionally, the series relies a little too heavily on Cameron's constant exposition to lead the characters (and the audience) from one plot point to the next.
As for Cameron, as much as I love Summer Glau, there is something slightly off about her performance here. While she nails the fight scenes with aplomb (recalling that bar room brawl in Firefly/Serenity) and her "soft" teenage girl is convincingly, well, soft (especially to hormonal John), I'm not totally sold on the unintentional humor that her fish-out-of-water robot needs to exude. The scene in which she's run over by a car and then tells the freaked out passengers to "remain clam" needed a little more oomph.
And that's perhaps my problem with the series itself. While it's a intriguing concept, I don't feel fully connected to these characters or their plight, not enough to feel compelled to tune in each week. However, Terminator: The Sarah Connor Chronicles may be one of the few new series to actually benefit from the current writers strike. It's clear that that viewing public does have a taste for original fare, even of the scripted kind, and Terminator, while only nine episodes, is fulfilling that need.
Bottom line: while I am not as sucked in as I should be to this story (especially given that there are only seven episodes left at this point), I'll give Terminator: The Sarah Connor Chronicles another shot next week. But I'm curious: what do you think of this new series? What works for you and what doesn't? And who wants to force John Connor to wash his hair?
Terminator: The Sarah Connor Chronicles airs Monday evenings at 9 pm on FOX.
What's On Tonight
8 pm: NCIS (CBS); Biggest Loser (NBC; 8-10 pm); Reaper (CW); Just for Laughs/Just for Laughs (ABC); American Idol (FOX; 8-10 pm)
9 pm: Comanche Moon (CBS; 9-11 pm); One Tree Hill (CW); According to Jim/Carpoolers (ABC)
10 pm: Law & Order: Special Victims Unit (NBC); Boston Legal (ABC)
What I'll Be Watching
9 pm: Life on Mars on BBC America.
Season Two of the brilliant UK import Life on Mars continues tonight with a brand-new episode. On tonight's installment, a drunken Gene Hunt turns up at Sam's flat in the middle of the night to make a shocking confession...
Full disclosure: I am not a huge Terminator fan. I loved the original but it's been more years since I can recall that I've seen T2... and I've never watched any of the subsequent sequels. So while I'm coming to this series with some backstory, it's not of the intricate, obsessive kind that may help inform some of the storytelling here.
I do have to say that there are elements of this series that I do like and others that... just plain don't work for me. In its favor: the choreographed fight scenes, Lena Headey's intensity (dialed down just the right amount in the second episode), Summer Glau (channeling River Tam somewhat here; more on that in a bit). There are some neat elements, like Sarah and Cameron's flight from the Terminator unit in last night's episode that just rocked, such as when Sarah went into a controlled dive on a motorcycle, leapt off, and said motorcycle knocked over the Terminator unit. Or how Sarah callously pushed Cameron's deactivated body out of the window and onto the roof of a car.
So what doesn't work for me? First, it's Thomas Dekker, who plays John Connor with a sort of whiny insouciance, greasy hair and all. I just don't buy him as the future hero of mankind and, while it's evident that the character has a lot of growing up to do, I just find him not all that sympathetic. Second, if I found myself suddenly several years in the future, I probably would react to my new circumstances with a modicum of curiosity, while Sarah and John barely bat an eyelash about their new surroundings. Yes, John heads to the mall to surf the internet, but where is the culture shock, the curiosity, the eerie realization that there is no going back? Hmmm.
I do like the cancer storyline for Sarah. It adds a layer of immediacy to the story that it desperately needs. Yes, they are on the run and are unsure of who to trust, but the characters seem--in this early stage, anyway--largely reactive rather than proactive. With the threat of a very real death hanging over mama bear Sarah's head, it does mean that she will have to become much more active, if she and John are to accomplish their goals before her, er, termination. Additionally, the series relies a little too heavily on Cameron's constant exposition to lead the characters (and the audience) from one plot point to the next.
As for Cameron, as much as I love Summer Glau, there is something slightly off about her performance here. While she nails the fight scenes with aplomb (recalling that bar room brawl in Firefly/Serenity) and her "soft" teenage girl is convincingly, well, soft (especially to hormonal John), I'm not totally sold on the unintentional humor that her fish-out-of-water robot needs to exude. The scene in which she's run over by a car and then tells the freaked out passengers to "remain clam" needed a little more oomph.
And that's perhaps my problem with the series itself. While it's a intriguing concept, I don't feel fully connected to these characters or their plight, not enough to feel compelled to tune in each week. However, Terminator: The Sarah Connor Chronicles may be one of the few new series to actually benefit from the current writers strike. It's clear that that viewing public does have a taste for original fare, even of the scripted kind, and Terminator, while only nine episodes, is fulfilling that need.
Bottom line: while I am not as sucked in as I should be to this story (especially given that there are only seven episodes left at this point), I'll give Terminator: The Sarah Connor Chronicles another shot next week. But I'm curious: what do you think of this new series? What works for you and what doesn't? And who wants to force John Connor to wash his hair?
Terminator: The Sarah Connor Chronicles airs Monday evenings at 9 pm on FOX.
What's On Tonight
8 pm: NCIS (CBS); Biggest Loser (NBC; 8-10 pm); Reaper (CW); Just for Laughs/Just for Laughs (ABC); American Idol (FOX; 8-10 pm)
9 pm: Comanche Moon (CBS; 9-11 pm); One Tree Hill (CW); According to Jim/Carpoolers (ABC)
10 pm: Law & Order: Special Victims Unit (NBC); Boston Legal (ABC)
What I'll Be Watching
9 pm: Life on Mars on BBC America.
Season Two of the brilliant UK import Life on Mars continues tonight with a brand-new episode. On tonight's installment, a drunken Gene Hunt turns up at Sam's flat in the middle of the night to make a shocking confession...