Friday Morning Melancholia: Was "30 Rock" Better Than "The Office"?
Fridays can sometimes be a little bit sad for me (granted, the end of the work week is always a plus), especially when The Office isn't quite up to par and when, after coming home from a very late-running work dinner, I wished that instead of watching both The Office and 30 Rock, I had just watched the latter.
Don't get me wrong. The Office on even an off night is still better than 99% of the comedies on television, but because of my love for Dunder-Mifflin I do expect a little more out of the writers and directors on this show. And last night's episode ("Cocktails") was a bit of a mess. Sadly, I do feel that a lot of the blame for that lays squarely on the shoulders of guest director J.J. Abrams (Lost) whose direction last night was as jarring as last week's Joss Whedon-directed installment was smooth.
It just didn't cut together fluidly and, surprisingly for someone with Abrams' talents, it looked awful at times. Take a gander at the daytime driving scene with Michael and Dwight as they make their way to the cocktail party... the entire scene was overexposed and blown-out, making it look amateurish. I'm really, really surprised by this. Additionally, Abrams didn't seem to completely nail the style of the series, cutting when he should have held the shot, holding the shot when he should have cut.
Putting Abrams' involvement aside, I wasn't all that crazy about the episode's storylines either. While I liked the Jim and Karen stuff at the party and the idea of Michael and Jan "coming out" as a couple, I didn't think it was handled all that well by the script (from producer/actor Paul Lieberstein). Michael is a moron, but we've had enough of Michael blurting things out to last the rest of the season from the "Phyllis' Wedding" episode already; I also didn't accept the fact that he brought potato salad. And rather than have him be an absolute boor, I was hoping for just a glimmer of humanity from Michael that reminded Jan of maybe why she's with this guy (more than the shame spiral, anyway).
What I didn't like: the unfunny cold open with Michael and his escape artist magic trick (enough of failed magic tricks already; with the death of Arrested Development, let's leave the ghost of Gob in peace). Also, Dwight on the roof of the CFO's house, which took me completely out of the faked "reality" of the show. I can accept the fact that he's poking around these people's home (and thought the scene with him and the kid about the rocking chair was spot on) but to place him on the roof, testing the chimney, and to film it crossed the line a bit. And it just wasn't funny.
I thought Roy smashing the glass was unexpected but wish it had been a bigger moment as it is the culmination of his three-season-long storyline with Pam (who finally realizes it's completely over between them). All in all, it felt like filler until the next new episode, when Roy confronts Jim about The Kiss.
Meanwhile, 30 Rock deftly juggled three diverse storylines (Liz and Jack negotiate Josh's contract, Kenneth becomes a harmonizing part of Tracy's entourage, and Jenna makes a huge gaffe during her Maxim photo shoot), all of which were hilarious. This show has definitely hit its stride in recent weeks (I'm convinced that last week's episode was an unaired earlier installment, thanks to the paucity of laughs and Tracy's goatee) and has transformed from a well-it's-on-and-I-don't-watch-Grey's fill-in to a must-see comedy, thanks in part to the fact that Liz Lemon (Tina Fey) has become more of a solid den mother overseeing the craziness of her co-workers and letting them be as wacky and chaotic as they want to be.
Still, I am hoping that The Office can recover some of its traction in the next couple of weeks. After all, as much as I love the employees of 30 Rock's NBC (and its parent corporation, the Sheinhardt Wig Company, which "owns it outright"), I miss the good old days at Dunder-Mifflin. Am I alone in this feeling?
Next week on The Office ("Branch Closing"), it's a repeat of one of my favorite Office episodes this season as Michael tries to keep the employees of Dunder-Mifflin Scranton upbeat after he learns that their branch will be shutting down, leading everyone (especially Stanley) to imagine how their lives would be better if they DIDN'T work there anymore.
What's On Tonight
8 pm: Ghost Whisperer (CBS); 1 vs. 100 (NBC); WWE Friday Night SmackDown (CW; 8-10 pm); Grey's Anatomy (ABC); Nanny 911 (FOX); Wicked Wicked Games (MyNet)
9 pm: Close to Home (CBS); Las Vegas (NBC); 20/20 (ABC): Trading Spouses: Meet Your New Mommy (FOX); Watch Over Me (MyNet)
10 pm: NUMB3RS (CBS); Law & Order (NBC); 20/20 (ABC)
What I'll Be Watching
8 pm: Spoons on BBC America (11 pm ET).
It's the premiere of British sketch comedy series Spoons, in which the cast transform themselves into a series of character based on "fabulous young urbanites" in their most painful situations.
8:30 pm: Spaced on BBC America (11:30 pm ET).
It's the finale of one of the wackiest Britcoms ever devised. On tonight's episode ("Leaves"), Daisy and Tim concoct a plot to save themselves and their friends after Daisy disastrously revealed to Marsha that she and Tim weren't really a couple after all. Ouch.
10 pm: Hyperdrive on BBC America (9 pm ET)
On the sixth episode of this hilarious space station-set workplace comedy ("Assessment"), Henderson gives the HMS Camden Lock over to York to face a high-level inspection.
10:40 pm: Feel the Force on BBC America (9:40 pm ET)
It's the US premiere of UK cop spoof Feel the Force. On tonight's episode, Frank and Bobbins are left out of a rather big, rather important undercover investigation. Hilarity ensues.
Don't get me wrong. The Office on even an off night is still better than 99% of the comedies on television, but because of my love for Dunder-Mifflin I do expect a little more out of the writers and directors on this show. And last night's episode ("Cocktails") was a bit of a mess. Sadly, I do feel that a lot of the blame for that lays squarely on the shoulders of guest director J.J. Abrams (Lost) whose direction last night was as jarring as last week's Joss Whedon-directed installment was smooth.
It just didn't cut together fluidly and, surprisingly for someone with Abrams' talents, it looked awful at times. Take a gander at the daytime driving scene with Michael and Dwight as they make their way to the cocktail party... the entire scene was overexposed and blown-out, making it look amateurish. I'm really, really surprised by this. Additionally, Abrams didn't seem to completely nail the style of the series, cutting when he should have held the shot, holding the shot when he should have cut.
Putting Abrams' involvement aside, I wasn't all that crazy about the episode's storylines either. While I liked the Jim and Karen stuff at the party and the idea of Michael and Jan "coming out" as a couple, I didn't think it was handled all that well by the script (from producer/actor Paul Lieberstein). Michael is a moron, but we've had enough of Michael blurting things out to last the rest of the season from the "Phyllis' Wedding" episode already; I also didn't accept the fact that he brought potato salad. And rather than have him be an absolute boor, I was hoping for just a glimmer of humanity from Michael that reminded Jan of maybe why she's with this guy (more than the shame spiral, anyway).
What I didn't like: the unfunny cold open with Michael and his escape artist magic trick (enough of failed magic tricks already; with the death of Arrested Development, let's leave the ghost of Gob in peace). Also, Dwight on the roof of the CFO's house, which took me completely out of the faked "reality" of the show. I can accept the fact that he's poking around these people's home (and thought the scene with him and the kid about the rocking chair was spot on) but to place him on the roof, testing the chimney, and to film it crossed the line a bit. And it just wasn't funny.
I thought Roy smashing the glass was unexpected but wish it had been a bigger moment as it is the culmination of his three-season-long storyline with Pam (who finally realizes it's completely over between them). All in all, it felt like filler until the next new episode, when Roy confronts Jim about The Kiss.
Meanwhile, 30 Rock deftly juggled three diverse storylines (Liz and Jack negotiate Josh's contract, Kenneth becomes a harmonizing part of Tracy's entourage, and Jenna makes a huge gaffe during her Maxim photo shoot), all of which were hilarious. This show has definitely hit its stride in recent weeks (I'm convinced that last week's episode was an unaired earlier installment, thanks to the paucity of laughs and Tracy's goatee) and has transformed from a well-it's-on-and-I-don't-watch-Grey's fill-in to a must-see comedy, thanks in part to the fact that Liz Lemon (Tina Fey) has become more of a solid den mother overseeing the craziness of her co-workers and letting them be as wacky and chaotic as they want to be.
Still, I am hoping that The Office can recover some of its traction in the next couple of weeks. After all, as much as I love the employees of 30 Rock's NBC (and its parent corporation, the Sheinhardt Wig Company, which "owns it outright"), I miss the good old days at Dunder-Mifflin. Am I alone in this feeling?
Next week on The Office ("Branch Closing"), it's a repeat of one of my favorite Office episodes this season as Michael tries to keep the employees of Dunder-Mifflin Scranton upbeat after he learns that their branch will be shutting down, leading everyone (especially Stanley) to imagine how their lives would be better if they DIDN'T work there anymore.
What's On Tonight
8 pm: Ghost Whisperer (CBS); 1 vs. 100 (NBC); WWE Friday Night SmackDown (CW; 8-10 pm); Grey's Anatomy (ABC); Nanny 911 (FOX); Wicked Wicked Games (MyNet)
9 pm: Close to Home (CBS); Las Vegas (NBC); 20/20 (ABC): Trading Spouses: Meet Your New Mommy (FOX); Watch Over Me (MyNet)
10 pm: NUMB3RS (CBS); Law & Order (NBC); 20/20 (ABC)
What I'll Be Watching
8 pm: Spoons on BBC America (11 pm ET).
It's the premiere of British sketch comedy series Spoons, in which the cast transform themselves into a series of character based on "fabulous young urbanites" in their most painful situations.
8:30 pm: Spaced on BBC America (11:30 pm ET).
It's the finale of one of the wackiest Britcoms ever devised. On tonight's episode ("Leaves"), Daisy and Tim concoct a plot to save themselves and their friends after Daisy disastrously revealed to Marsha that she and Tim weren't really a couple after all. Ouch.
10 pm: Hyperdrive on BBC America (9 pm ET)
On the sixth episode of this hilarious space station-set workplace comedy ("Assessment"), Henderson gives the HMS Camden Lock over to York to face a high-level inspection.
10:40 pm: Feel the Force on BBC America (9:40 pm ET)
It's the US premiere of UK cop spoof Feel the Force. On tonight's episode, Frank and Bobbins are left out of a rather big, rather important undercover investigation. Hilarity ensues.